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People with dark skin can be seen in on the land in the distance, some climbing the mountain and others standing beneath trees. 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It is now at the National Gallery of Art in Washington, DC.","The image shows a child standing upright, facing forward. They have fair skin, rounded cheeks, short reddish-brown hair, and are wearing a white dress with lace details and a pink ribbon, white pants with lace trim, blue shoes, a red necklace and a heart-shaped pendant. They hold a light pink rose in their left hand and a small black drawstring purse with red accents in their right hand. The background is a gradient from dark green to light green, with a floral-patterned carpet in black, brown, and red on the floor.",{"_296":423,"_298":424,"_300":425},"https://img.ochreeditions.com/m/1595.jpg?dl=1","/art/girl-with-reticule-and-rose-nga-59901","/galleries/style/antebellum-america/girl-with-reticule-and-rose-nga-59901",{"_292":293,"_294":295},{"_225":418,"_125":419,"_286":420},{"_277":415,"_279":416,"_281":417,"_282":401},89.76201171875,133.6,74.76201171875,{"_288":225,"_123":421,"_154":422,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-joseph-whiting-stock","Joseph Whiting Stock's contemporaries","https://img.ochreeditions.com/a/1595/480.jpg","https://img.ochreeditions.com/a/1595/960.jpg","https://img.ochreeditions.com/a/1595/1920.jpg",{"_312":439,"_314":440},{"_312":437,"_314":438},{"_312":435,"_314":436},{"_312":433,"_314":434},{"_312":431,"_314":432},"#844a24",0.0867,"#5b5e45",0.1645,"#2a202b",0.1961,"#968f6c",0.2551,"#f4ddc8",0.2976,"Joseph Whiting Stock","joseph-whiting-stock","American, 1815–1855",1815,1855,"aaron-baldwin-nga-32581","Aaron Baldwin",{"_42":493,"_222":494,"_326":495,"_328":329,"_330":496,"_332":497,"_334":-5,"_336":-5,"_338":-5,"_140":103},"c. 1835","oil on wood","overall: 64.5 x 54.2 cm (25 3/8 x 21 5/16 in.)",54.2,64.5,0.8359375,[478,479,480,481,482],{"_221":302,"_222":303,"_42":304,"_305":306},"1945.11.1","Francis Alexander painted this in about 1835, aged 35. It is now at the National Gallery of Art in Washington, DC.","The image is a portrait painting showing a man's upper body. He is positioned slightly turned to his right, with his head facing the viewer. The man has fair skin, defined cheekbones, and small, bright eyes. His hair is short, neatly combed, and grey or white. He is wearing a dark coat over a white shirt with a high collar, partially visible. The background is a muted, dark color, providing a simple setting that emphasizes the subject. There are no visible jewelry or objects in the image.",{"_296":475,"_298":476,"_300":477},"https://img.ochreeditions.com/m/1466.jpg?dl=1","/art/aaron-baldwin-nga-32581","/galleries/style/antebellum-america/aaron-baldwin-nga-32581",{"_292":293,"_294":295},{"_225":470,"_125":471,"_286":472},{"_277":467,"_279":468,"_281":469,"_282":453},68.91796875,79.5,53.91796875,{"_288":225,"_123":473,"_154":474,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-francis-alexander","Francis Alexander's contemporaries","https://img.ochreeditions.com/a/1466/480.jpg","https://img.ochreeditions.com/a/1466/960.jpg","https://img.ochreeditions.com/a/1466/1920.jpg",{"_312":491,"_314":492},{"_312":489,"_314":490},{"_312":487,"_314":488},{"_312":485,"_314":486},{"_312":483,"_314":484},"#dcc472",0.0301,"#7a5f29",0.0318,"#c68e32",0.0495,"#363625",0.3113,"#12161c",0.5773,"Francis Alexander","francis-alexander","American, 1800–1880",1800,1880,"study-of-foliage-si-chndm-1953-179-16","Study of foliage",{"_42":562,"_222":563,"_326":564,"_328":329,"_330":565,"_332":566,"_334":-5,"_336":-5,"_338":-5,"_140":101},"October 25, 1862","drawing","Drawing","Graphite on paper","15.1 × 22.3 cm (5 15/16 × 8 3/4 in.)",22.3,15.1,1.4374358974358974,[547,548,549,550,551],{"_221":543,"_222":544,"_42":545,"_305":546},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1953-179-16","William Trost Richards drew this (October 25, 1862), aged 29. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":540,"_541":542},"STUDY OF FOLIAGE",{"_296":537,"_298":538,"_300":539},"https://img.ochreeditions.com/m/1751.jpg?dl=1","/art/study-of-foliage-si-chndm-1953-179-16","/galleries/style/antebellum-america/study-of-foliage-si-chndm-1953-179-16",{"_292":535,"_294":536},{"_225":527,"_125":528,"_286":529},{"_277":523,"_279":524,"_281":525,"_282":526},49,41.392079914377454,25,17.392079914377454,{"_288":225,"_123":533,"_154":534,"_140":89},{"_288":125,"_123":530,"_154":531,"_140":532},{"_288":286,"_123":167,"_154":166,"_140":169},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-william-trost-richards","William Trost Richards's contemporaries","white","snow","https://img.ochreeditions.com/a/1751/480.jpg","https://img.ochreeditions.com/a/1751/960.jpg","https://img.ochreeditions.com/a/1751/1920.jpg","Sketch of a tree with foliage.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution","New York",{"_312":560,"_314":561},{"_312":558,"_314":559},{"_312":556,"_314":557},{"_312":554,"_314":555},{"_312":552,"_314":553},"#e5d3bc",0.0518,"#968979",0.0746,"#fef2de",0.0795,"#b19e87",0.2251,"#c3ae93",0.569,"William Trost Richards","william-trost-richards","American, 1833–1905",1833,1905,"self-portrait-si-saam-2019-6-3","Self-Portrait",{"_42":612,"_222":613,"_326":614,"_328":329,"_330":615,"_332":616,"_334":-5,"_336":-5,"_338":-5,"_140":99},"ca. 1850","oil on tin","4 1/2 x 3 1/8 in.",0.771,[597,598,599,600,601],{"_221":543,"_222":544,"_42":545,"_305":306},"Courtesy of the Smithsonian American Art Museum","2019.6.3","Oliver Tarbell Eddy painted this in about 1850, aged 51. It is now at the Smithsonian American Art Museum in Washington, DC.","Self-Portrait, by Oliver Tarbell Eddy, ca. 1850",{"_296":594,"_298":595,"_300":596},"https://img.ochreeditions.com/m/1998.jpg?dl=1","/art/self-portrait-si-saam-2019-6-3","/galleries/style/antebellum-america/self-portrait-si-saam-2019-6-3",{"_292":293,"_294":295},{"_225":589,"_125":590,"_286":591},{"_277":587,"_279":278,"_281":588,"_282":244},61.26,46.26,{"_288":225,"_123":592,"_154":593,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/oliver-tarbell-eddy","More by Oliver Tarbell Eddy","https://img.ochreeditions.com/a/1998/480.jpg","https://img.ochreeditions.com/a/1998/960.jpg","https://img.ochreeditions.com/a/1998/1920.jpg",{"_312":610,"_314":611},{"_312":608,"_314":609},{"_312":606,"_314":607},{"_312":604,"_314":605},{"_312":602,"_314":603},"#7b6358",0.0538,"#d0aca0",0.07,"#9f5e41",0.2159,"#723e2a",0.285,"#392924",0.3753,"Oliver Tarbell Eddy","oliver-tarbell-eddy","1799–1868",1799,1868,"portrait-of-a-child-nga-59907","Portrait of a Child",{"_42":324,"_222":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_140":95},"overall: 44.2 x 36.8 cm (17 3/8 x 14 1/2 in.)",36.8,44.2,0.81640625,[646,647,648,649,650],{"_221":302,"_222":303,"_42":304,"_305":306},"1980.62.14","Edward Hicks painted this in about 1840, aged 60. It is now at the National Gallery of Art in Washington, DC.","A small girl in a crimson dress and frothy lace bonnet stands before a dark forest, her large head and solemn face giving her the look of a tiny adult.","A pale-skinned child wearing a short-sleeved red dress and a white bonnet stands before a shadowy green forest under dark clouds in this vertical portrait painting. The child’s over-large head is out of scale with the rest of her body. She looks toward us with brown eyes in her wide, round-jawed face. She has a broad nose, and her pale lips are set in a line. Her lace bonnet lines her black hair like frothy seafoam and is tied with spring-green bows at the top and under her right ear, to our left. The low neckline of her crimson dress is lined with a wide white ruffle. Red fabric covers her hands, which are gathered in front of her waist. Gray clouds sweep over the hazy green forest in the background. A gnarled tree grows up the left side of the painting, framing the girl.",{"_296":643,"_298":644,"_300":645},"https://img.ochreeditions.com/m/1599.jpg?dl=1","/art/portrait-of-a-child-nga-59907","/galleries/style/antebellum-america/portrait-of-a-child-nga-59907",{"_292":293,"_294":295},{"_225":640,"_125":641,"_286":642},{"_277":637,"_279":638,"_281":639,"_282":622},51.085156250000004,59.2,36.085156250000004,{"_288":225,"_123":171,"_154":170,"_140":95},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1599/480.jpg","https://img.ochreeditions.com/a/1599/960.jpg","https://img.ochreeditions.com/a/1599/1920.jpg",{"_312":659,"_314":660},{"_312":657,"_314":658},{"_312":655,"_314":656},{"_312":653,"_314":654},{"_312":651,"_314":652},"#833316",0.1265,"#d1b9a1",0.134,"#786646",0.1541,"#554639",0.2136,"#332320",0.3718,"study-of-seascape-porcupine-islands-bar-harbor-me-si-chndm-1969-121-68","Study of seascape. Porcupine Islands, Bar Harbor, ME",{"_42":710,"_222":711,"_326":712,"_328":329,"_330":713,"_332":714,"_334":-5,"_336":-5,"_338":715,"_140":99},"1859","Graphite on wove paper mounted on board","36.3 x 53.1 cm (14 5/16 x 20 7/8 in.)",53.1,36.3,1.4432176656151419,[695,696,697,698,699],{"_221":543,"_222":544,"_42":545,"_305":546},"1969-121-68","William Stanley Haseltine drew this in 1859, aged 24. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":694,"_541":542},"STUDY OF SEASCAPE. PORCUPINE ISLANDS, BAR HARBOR, ME",{"_296":691,"_298":692,"_300":693},"https://img.ochreeditions.com/m/1754.jpg?dl=1","/art/study-of-seascape-porcupine-islands-bar-harbor-me-si-chndm-1969-121-68","/galleries/style/antebellum-america/study-of-seascape-porcupine-islands-bar-harbor-me-si-chndm-1969-121-68",{"_292":535,"_294":536},{"_225":686,"_125":687,"_286":688},{"_277":683,"_279":684,"_281":667,"_282":685},77.1,60.7927868852459,36.7927868852459,{"_288":225,"_123":689,"_154":690,"_140":99},{"_288":125,"_123":530,"_154":531,"_140":532},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/william-stanley-haseltine","More by William Stanley Haseltine","https://img.ochreeditions.com/a/1754/480.jpg","https://img.ochreeditions.com/a/1754/960.jpg","https://img.ochreeditions.com/a/1754/1920.jpg","Sketch of a rocky coastline.",{"_312":708,"_314":709},{"_312":706,"_314":707},{"_312":704,"_314":705},{"_312":702,"_314":703},{"_312":700,"_314":701},"#b0adac",0.0352,"#bdbab9",0.0401,"#beb29c",0.2163,"#c5baa3",0.3448,"#cabaa4",0.3636,"William Stanley Haseltine","william-stanley-haseltine","American, 1835–1900",1835,1900,"Haseltine was born in Philadelphia, studied at Harvard and trained in Düsseldorf, where he travelled and painted with Albert Bierstadt and Worthington Whittredge.","soldiers-felling-sapling-and-weaving-saplings-into-baskets-v-nga-98208","Soldiers felling sapling, and weaving saplings into baskets [verso]",{"_42":764,"_222":765,"_326":766,"_328":329,"_330":767,"_332":395,"_334":768,"_336":769,"_338":770,"_140":53},"1862","graphite on straw paper","sheet: 21.9 × 37.7 cm (8 5/8 × 14 13/16 in.)",37.7,21.9,1.7385398981324278,[749,750,751,752,753],{"_221":302,"_222":303,"_42":304,"_305":306},"1996.121.7.b","Winslow Homer drew this in 1862, aged 26. It is now at the National Gallery of Art in Washington, DC.","Quick pencil sketches catch soldiers at work, felling saplings and weaving them into gabions, the basket-like frames filled with earth that protected artillery positions during sieges.","This is a drawing of various sketches related to woodcutting or carpentry. The drawing features several pencil sketches on tan paper. On the left side, there are depictions of a barrel or basket, and beneath it, several outline sketches of figures engaged in activities involving woodwork. The right side of the drawing shows a figure bent over a large beam or branch. The sketches are simple, with minimal detail, capturing the basic form and movement of the figures and objects involved in woodwork-related activities.",{"_296":746,"_298":747,"_300":748},"https://img.ochreeditions.com/m/1634.jpg?dl=1","/art/soldiers-felling-sapling-and-weaving-saplings-into-baskets-v-nga-98208","/galleries/style/antebellum-america/soldiers-felling-sapling-and-weaving-saplings-into-baskets-v-nga-98208",{"_292":535,"_294":536},{"_225":741,"_125":742,"_286":743},{"_277":738,"_279":739,"_281":722,"_282":740},61.7,45.68486328125,21.684863281250003,{"_288":225,"_123":744,"_154":745,"_140":53},{"_288":125,"_123":530,"_154":531,"_140":532},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/1634/480.jpg","https://img.ochreeditions.com/a/1634/960.jpg","https://img.ochreeditions.com/a/1634/1920.jpg",{"_312":762,"_314":763},{"_312":760,"_314":761},{"_312":758,"_314":759},{"_312":756,"_314":757},{"_312":754,"_314":755},"#bda484",0.0599,"#9a7b58",0.1003,"#b69269",0.2474,"#a6845f",0.273,"#ae8a63",0.3194,"Winslow Homer","winslow-homer","American, 1836–1910",1836,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","landscape-cma-98043","Landscape",{"_42":817,"_222":818,"_326":819,"_328":329,"_330":820,"_332":714,"_334":-5,"_336":-5,"_338":-5,"_140":103},"before 1918","Unframed: 34.3 x 59.5 cm (13 1/2 x 23 7/16 in.)",59.5,34.3,1.8640350877192982,[802,803,804,805,806],{"_221":372,"_222":373,"_42":374,"_305":375},"1917.67","Jasper F. Cropsey painted this (before 1918), aged about 22. It is now at the Cleveland Museum of Art.","Landscape, by Jasper F. Cropsey, before 1918",{"_296":799,"_298":800,"_300":801},"https://img.ochreeditions.com/m/492.jpg?dl=1","/art/landscape-cma-98043","/galleries/style/antebellum-america/landscape-cma-98043",{"_292":293,"_294":295},{"_225":794,"_125":795,"_286":796},{"_277":791,"_279":792,"_281":776,"_282":793},74.5,46.92,31.92,{"_288":225,"_123":797,"_154":798,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jasper-f-cropsey","Jasper F. Cropsey's contemporaries","https://img.ochreeditions.com/a/492/480.jpg","https://img.ochreeditions.com/a/492/960.jpg","https://img.ochreeditions.com/a/492/1920.jpg",{"_312":815,"_314":816},{"_312":813,"_314":814},{"_312":811,"_314":812},{"_312":809,"_314":810},{"_312":807,"_314":808},"#9e9c90",0.097,"#635038",0.1494,"#423627",0.1503,"#27251f",0.1953,"#bdb9ab",0.408,"Jasper F. Cropsey","jasper-f-cropsey","American, 1823–1900",1823,"portrait-of-a-young-girl-with-rose-si-saam-2019-6-1","Portrait of a Young Girl with Rose",{"_42":612,"_222":613,"_326":614,"_328":329,"_330":615,"_332":616,"_334":-5,"_336":-5,"_338":-5,"_140":99},"ca. 1838","oil on wood panel","39 x 29 in.",0.738,[848,849,850,851,852],{"_221":543,"_222":544,"_42":545,"_305":306},"2019.6.1","Oliver Tarbell Eddy painted this in about 1838, aged 39. It is now at the Smithsonian American Art Museum in Washington, DC.","Portrait of a Young Girl with Rose, by Oliver Tarbell Eddy, ca. 1838",{"_296":845,"_298":846,"_300":847},"https://img.ochreeditions.com/m/1997.jpg?dl=1","/art/portrait-of-a-young-girl-with-rose-si-saam-2019-6-1","/galleries/style/antebellum-america/portrait-of-a-young-girl-with-rose-si-saam-2019-6-1",{"_292":293,"_294":295},{"_225":842,"_125":843,"_286":844},{"_277":840,"_279":278,"_281":841,"_282":244},59.28,44.28,{"_288":225,"_123":592,"_154":593,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1997/480.jpg","https://img.ochreeditions.com/a/1997/960.jpg","https://img.ochreeditions.com/a/1997/1920.jpg",{"_312":861,"_314":862},{"_312":859,"_314":860},{"_312":857,"_314":858},{"_312":855,"_314":856},{"_312":853,"_314":854},"#7f6e5b",0.1207,"#4c2718",0.1912,"#9b6c49",0.1978,"#69200f",0.2098,"#34271b",0.2805,"end-of-the-march-recto-nga-98212","End of the March [recto]",{"_42":764,"_222":765,"_326":766,"_328":329,"_330":767,"_332":395,"_334":768,"_336":769,"_338":770,"_140":53},"graphite on bristol board","sheet: 9.1 x 12.4 cm (3 9/16 x 4 7/8 in.)",12.4,9.1,1.3657885961987328,[890,891,892,893,894],{"_221":302,"_222":303,"_42":304,"_305":306},"1996.121.4.a","The image displays curved and angular lines creating an abstract composition hinting at humanoid shapes and possible vegetation or trees. The lines suggest motion and activity, with shapes resembling drums and sticks scattered around. The overall impression is of a gathering or event, with figures depicted standing or moving, along with lines indicating movement or sound waves from musical instruments.",{"_296":887,"_298":888,"_300":889},"https://img.ochreeditions.com/m/1635.jpg?dl=1","/art/end-of-the-march-recto-nga-98212","/galleries/style/antebellum-america/end-of-the-march-recto-nga-98212",{"_292":535,"_294":536},{"_225":884,"_125":885,"_286":886},{"_277":523,"_279":882,"_281":525,"_282":883},42.304443359375,18.304443359375,{"_288":225,"_123":744,"_154":745,"_140":53},{"_288":125,"_123":530,"_154":531,"_140":532},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1635/480.jpg","https://img.ochreeditions.com/a/1635/960.jpg","https://img.ochreeditions.com/a/1635/1920.jpg",{"_312":903,"_314":904},{"_312":901,"_314":902},{"_312":899,"_314":900},{"_312":897,"_314":898},{"_312":895,"_314":896},"#beaa8f",0.0316,"#dbc9ad",0.0416,"#bd9f7d",0.0947,"#b18d6a",0.2696,"#b99671",0.5625,"major-thomas-biddle-nga-1125","Major Thomas Biddle",{"_42":951,"_222":952,"_326":953,"_328":329,"_330":954,"_332":955,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1832","overall: 90.5 x 69.5 cm (35 5/8 x 27 3/8 in.) framed: 122.9 x 102.4 x 11.6 cm (48 3/8 x 40 5/16 x 4 9/16 in.)",69.5,90.5,0.758544921875,[936,937,938,939,940],{"_221":302,"_222":303,"_42":304,"_305":306},"1942.8.31","Thomas Wilcocks Sully painted this in 1832, aged 21. It is now at the National Gallery of Art in Washington, DC.","Major Thomas Biddle, by Thomas Wilcocks Sully, 1832",{"_296":933,"_298":934,"_300":935},"https://img.ochreeditions.com/m/1310.jpg?dl=1","/art/major-thomas-biddle-nga-1125","/galleries/style/antebellum-america/major-thomas-biddle-nga-1125",{"_292":293,"_294":295},{"_225":928,"_125":929,"_286":930},{"_277":925,"_279":926,"_281":927,"_282":911},83.6483154296875,105.5,68.6483154296875,{"_288":225,"_123":931,"_154":932,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-thomas-wilcocks-sully","Thomas Wilcocks Sully's contemporaries","https://img.ochreeditions.com/a/1310/480.jpg","https://img.ochreeditions.com/a/1310/960.jpg","https://img.ochreeditions.com/a/1310/1920.jpg",{"_312":949,"_314":950},{"_312":947,"_314":948},{"_312":945,"_314":946},{"_312":943,"_314":944},{"_312":941,"_314":942},"#362320",0.1087,"#936726",0.1315,"#5a3f21",0.1338,"#130d1d",0.1849,"#a79167",0.4411,"Thomas Wilcocks Sully","thomas-wilcocks-sully","American, 1811–1847",1811,1847,"the-lackawanna-valley-nga-30776","The Lackawanna Valley",{"_42":1003,"_222":1004,"_326":1005,"_328":329,"_330":1006,"_332":1007,"_334":1008,"_336":1009,"_338":1010,"_140":95},"c. 1856","overall: 86 x 127.5 cm (33 7/8 x 50 3/16 in.) framed: 120.3 x 161.6 x 15.2 cm (47 3/8 x 63 5/8 x 6 in.)",127.5,86,1.490538573508006,[988,989,990,991,992],{"_221":302,"_222":303,"_42":304,"_305":306},"1945.4.1","George Inness painted this in about 1856, aged 31. It is now at the National Gallery of Art in Washington, DC.","A figure reclines beneath a tree in a meadow scattered with stumps, looking out over a valley where a steam train puffs across a bridge, leaving behind a roundhouse, smoking chimneys and a church steeple.","We look across and down into a valley with a person sitting near a tall tree and a train puffing smoke beyond, all enclosed by a band of mountains in the distance in this horizontal landscape painting. Closest to us, several broken, jagged tree stumps are spaced across the painting’s width. A little distance away and to our left, the person wears a yellow, broad-brimmed hat, red vest, and gray pants. He reclines propped on his left elbow near a walking path beside a tall, slender tree with golden leaves. The green meadow stretching in front of him is dotted with tree stumps cut close to the ground. Beyond the meadow, puffs of white smoke trail behind a long steam locomotive that crosses a bridge spanning a tree-filled ravine, headed to our left. The ravine creates a diagonal line across the canvas, moving subtly away from us to our left. The train has climbed out of the valley, away from a cluster of brick-red buildings. The most prominent structure is a train roundhouse, a large building with a high, domed roof to the right of the tracks. Smoke rises from chimneys on long, warehouse-like buildings, and a steeple and smaller structures suggest a church and homes to our left. Hazy in the distance, a row of mountains lines the horizon, which comes about halfway up the composition. The sky above deepens from pale, shell pink over the mountains to watery, pale blue above. The artist signed the work in tiny letters in the lower left corner: “G. Inness.”",{"_296":985,"_298":986,"_300":987},"https://img.ochreeditions.com/m/1460.jpg?dl=1","/art/the-lackawanna-valley-nga-30776","/galleries/style/antebellum-america/the-lackawanna-valley-nga-30776",{"_292":293,"_294":295},{"_225":980,"_125":981,"_286":982},{"_277":977,"_279":978,"_281":961,"_282":979},142.5,100.53955078125,85.53955078125,{"_288":225,"_123":983,"_154":984,"_140":95},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/george-inness","More by George Inness","https://img.ochreeditions.com/a/1460/480.jpg","https://img.ochreeditions.com/a/1460/960.jpg","https://img.ochreeditions.com/a/1460/1920.jpg",{"_312":1001,"_314":1002},{"_312":999,"_314":1000},{"_312":997,"_314":998},{"_312":995,"_314":996},{"_312":993,"_314":994},"#896f2e",0.0981,"#8b8a70",0.1246,"#444126",0.1915,"#655a2a",0.2485,"#d6c8a0",0.3373,"George Inness","george-inness","American, 1825–1894",1825,1894,"Newburgh, New York","Bridge of Allan, Scotland","Inness was largely self-taught and began in the manner of the Hudson River School, but journeys to Italy and France, where he admired the Barbizon painters, led him towards broader, more atmospheric landscapes.","landscape-with-haywain-cma-148215","Landscape with Haywain",{"_42":1060,"_222":1061,"_326":1062,"_328":329,"_330":1063,"_332":395,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1861","Framed: 65.5 x 103 x 12.5 cm (25 13/16 x 40 9/16 x 4 15/16 in.); Unframed: 40.2 x 78 cm (15 13/16 x 30 11/16 in.)",78,40.2,1.9406392694063928,[1045,1046,1047,1048,1049],{"_221":372,"_222":373,"_42":374,"_305":375},"1975.20","Worthington Whittredge painted this in 1861, aged 41. It is now at the Cleveland Museum of Art.",{"_118":1043,"_541":1044},"Landscape with Haywain, by Worthington Whittredge, 1861",{"_296":1040,"_298":1041,"_300":1042},"https://img.ochreeditions.com/m/684.jpg?dl=1","/art/landscape-with-haywain-cma-148215","/galleries/style/antebellum-america/landscape-with-haywain-cma-148215",{"_292":293,"_294":295},{"_225":1035,"_125":1036,"_286":1037},{"_277":1032,"_279":1033,"_281":1016,"_282":1034},93,55.19294117647059,40.19294117647059,{"_288":225,"_123":1038,"_154":1039,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-worthington-whittredge","Worthington Whittredge's contemporaries","https://img.ochreeditions.com/a/684/480.jpg","https://img.ochreeditions.com/a/684/960.jpg","https://img.ochreeditions.com/a/684/1920.jpg","Painted during the first year of the Civil War, this idyllic view of a farm near Dobb's Ferry, New York, proclaimed to Northern viewers the success of an agricultural system in which farmers worked their own land. The American flag hanging beside the homestead subtly alludes to the war.","Text from the Cleveland Museum of Art.",{"_312":1058,"_314":1059},{"_312":1056,"_314":1057},{"_312":1054,"_314":1055},{"_312":1052,"_314":1053},{"_312":1050,"_314":1051},"#565047",0.1127,"#c8bead",0.1567,"#76532f",0.1643,"#41351d",0.2287,"#8a857f",0.3376,"Worthington Whittredge","worthington-whittredge","American, 1820–1910",1820,"the-united-states-frigate-president-engaging-the-british-squ-nga-195475","The United States Frigate \"President\" Engaging the British Squadron, 1815",{"_42":1110,"_222":1111,"_326":1112,"_328":329,"_330":1113,"_332":1114,"_334":-5,"_336":-5,"_338":-5,"_140":101},"1850","overall: 71.12 × 106.68 cm (28 × 42 in.) framed: 89.85 × 125.1 × 6.03 cm (35 3/8 × 49 1/4 × 2 3/8 in.)",106.7,71.1,1.502016868353502,[1095,1096,1097,1098,1099],{"_221":302,"_222":303,"_42":304,"_305":306},"2014.136.82","Fitz Henry Lane painted this in 1850, aged 46. It is now at the National Gallery of Art in Washington, DC.","This painting shows a maritime landscape with an expansive view of the ocean and sky. The horizon is positioned in the lower third of the composition, meeting a clear sky with soft, diffused clouds. Two ships appear to be engaged in a conflict on the green, wave-filled water. One large sailing ship with fully extended sails is near the bottom right corner of the painting. It has two tall masts and multiple white sails, and it flies the flag of the U.S.A in several places. The body of this ship is gray with a wide white stripe, and cannons stick out of small holes across the ship. Small people climb on ropes up into the sails, which are covered in small white and gray dots, perhaps indicating holes. Another ship is visible in the distance on the left side of the painting, and its cannons appear to be firing, with bursts of yellow flame and smoke drifting across the water. This ship flies several flags in shades of red, blue, and white. In the background, the faint gray silhouettes of other ships can be seen across the water. The ocean is depicted with smooth brushstrokes in shades of green and white, and the wide sky is a gradient, with light blue at the top and pale yellow towards the horizon. Faint white clouds drift in the top left corner of the painting.",{"_296":1092,"_298":1093,"_300":1094},"https://img.ochreeditions.com/m/1691.jpg?dl=1","/art/the-united-states-frigate-president-engaging-the-british-squ-nga-195475","/galleries/style/antebellum-america/the-united-states-frigate-president-engaging-the-british-squ-nga-195475",{"_292":293,"_294":295},{"_225":1087,"_125":1088,"_286":1089},{"_277":1084,"_279":1085,"_281":1069,"_282":1086},121.7,86.0378173828125,71.0378173828125,{"_288":225,"_123":1090,"_154":1091,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-fitz-henry-lane","Fitz Henry Lane's contemporaries","https://img.ochreeditions.com/a/1691/480.jpg","https://img.ochreeditions.com/a/1691/960.jpg","https://img.ochreeditions.com/a/1691/1920.jpg",{"_312":1108,"_314":1109},{"_312":1106,"_314":1107},{"_312":1104,"_314":1105},{"_312":1102,"_314":1103},{"_312":1100,"_314":1101},"#d0d4b7",0.0409,"#707058",0.0811,"#a09980",0.1555,"#c3baa8",0.3534,"#dbc9ac",0.3691,"Fitz Henry Lane","fitz-henry-lane","1804–1865",1804,1865,{"_1116":-5,"_1117":1118,"_1119":1120,"_1121":8,"_1122":1123,"_1124":8},"user","csrf","514f715534bd56fb561276f5301f0d51a2bbfa7d","cartCount",0,"dropLive","legal",[1125,1126,1127,1128,1129,1130,1131,1132,1133,1134,1135,1136],"uploadsEnabled",{"_222":1159,"_20":1160},{"_222":1157,"_20":1158},{"_222":1155,"_20":1156},{"_222":1153,"_20":1154},{"_222":1151,"_20":1152},{"_222":1149,"_20":1150},{"_222":1147,"_20":1148},{"_222":1145,"_20":1146},{"_222":1143,"_20":1144},{"_222":1141,"_20":1142},{"_222":1139,"_20":1140},{"_222":1137,"_20":1138},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]