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Three rowboats on the water.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution","city","New York",{"_314":324,"_316":325},{"_314":322,"_316":323},{"_314":320,"_316":321},{"_314":318,"_316":319},{"_314":315,"_316":317},"hex","#928b7d","weight",0.0288,"#b9b7b7",0.0845,"#a69684",0.1703,"#ac9e8c",0.3333,"#b1a592",0.3831,"Daniel Huntington","daniel-huntington","bio","American, 1816–1906","nationality","American","birth_year",1816,"death_year",1906,"birth_place","death_place","about_excerpt","Huntington studied with Samuel F. B. Morse and Henry Inman in New York and made several journeys to Italy, which shaped his early allegorical and religious pictures, such as Mercy’s Dream.","white-mare-cma-135323","White Mare",{"_42":402,"_221":403,"_328":404,"_330":331,"_332":405,"_334":406,"_336":407,"_337":408,"_338":409,"_140":53},"c. 1868","painting","Painting","oil on panel","Framed: 32.5 x 45 x 4.5 cm (12 13/16 x 17 11/16 x 1 3/4 in.); Unframed: 20 x 32.6 cm (7 7/8 x 12 13/16 in.)",32.6,20,1.6488845780795345,[387,388,389,390,391],{"_220":383,"_221":384,"_42":385,"_307":386},"Courtesy of the Cleveland Museum of Art","1958.33","Winslow Homer painted this in about 1868, aged about 27. 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As early as the 1820s, American artists used the White Mountains as a setting for landscape paintings.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_314":400,"_316":401},{"_314":398,"_316":399},{"_314":396,"_316":397},{"_314":394,"_316":395},{"_314":392,"_316":393},"#bdb29a",0.0765,"#53463c",0.1302,"#746c5c",0.2296,"#928975",0.2444,"#301d1b",0.3193,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","landscape-cma-98043","Landscape",{"_42":457,"_221":458,"_328":459,"_330":331,"_332":460,"_334":461,"_336":-5,"_337":-5,"_338":-5,"_140":103},"before 1918","oil on canvas","Unframed: 34.3 x 59.5 cm (13 1/2 x 23 7/16 in.)",59.5,34.3,1.8640350877192982,[442,443,444,445,446],{"_220":383,"_221":384,"_42":385,"_307":386},"1917.67","Jasper F. 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It is now at the National Gallery of Art in Washington, DC.","Waves of bottle-green water break over boulders on a sandy shore, while sailboats dot the bay and hills curve around it beneath a sky glowing from butter yellow to mint green.","Across a short stretch of sand in front of us, waves of bottle-green water break over two boulders on the shoreline, with sailboats in the water beyond, in this wide, horizontal painting. One boulder is at the left edge of the painting; the other is a short distance away, about a quarter of the way across. The water cascades down between those large rocks. Across the rest of the beach, the waves flare up to break toward us in white, foamy surf. The land curves back into view on both sides of the canvas with muted, sage-green hills and, to our left, dark green trees on more craggy boulders. A more distant finger of land to our left stretches nearly halfway across the horizon, which comes about halfway up the composition. Minuscule in scale there, smoke pours out of a chimney, which is surrounded by pale yellow buildings. A mound emerges from the horizon to our right of center. About ten sailboats float on the water. The closest one to us is near the center of the painting, and the tiny forms of people aboard can just barely be made out. The other boats become smaller as they move back to the horizon, and some are only a touch of white or gray on the canvas. White and pale lavender-purple clouds sweep up from the horizon into the sky, which glows butter yellow along the left edge. The sky cools to mint green in the upper right corner. Several white or brown birds fly across the sky or low over the water. The artist signed and dated the lower left, “M. J. Heade 1864.”",{"_295":492,"_297":493,"_299":494},"https://img.ochreeditions.com/m/1531.jpg?dl=1","/art/rio-de-janeiro-bay-nga-50281","/galleries/style/antebellum-america/rio-de-janeiro-bay-nga-50281",{"_291":376,"_293":377},{"_224":487,"_125":488,"_285":489},{"_276":484,"_278":485,"_280":467,"_281":486},106.1,59.971728515624996,44.971728515624996,{"_287":224,"_123":490,"_154":491,"_140":97},{"_287":125,"_123":371,"_154":372,"_140":373},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/martin-johnson-heade","More by Martin Johnson Heade","https://img.ochreeditions.com/a/1531/480.jpg","https://img.ochreeditions.com/a/1531/960.jpg","https://img.ochreeditions.com/a/1531/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_314":512,"_316":513},{"_314":510,"_316":511},{"_314":508,"_316":509},{"_314":506,"_316":507},{"_314":504,"_316":505},"#2c2316",0.0912,"#705f31",0.121,"#b9b09c",0.1613,"#95956a",0.2717,"#d5b776",0.3548,"Martin Johnson Heade","martin-johnson-heade","1819–1904",1819,1904,"Heade travelled restlessly and worked in many genres, but is best known for three subjects: the salt marshes of New England and New Jersey, with haystacks under changing skies; hummingbirds and orchids, which he studied on journeys to Brazil and Central America; and, in later…","study-for-scientific-group-si-chndm-1942-50-250","Study for \"Scientific Group\"",{"_42":326,"_221":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":-5,"_337":-5,"_338":339,"_140":99},"1858","Graphite on lined white laid paper","30.8 x 20 cm (12 1/8 x 7 7/8 in.)",30.8,0.6676502145922747,[551,552,553,554,555],{"_220":304,"_221":305,"_42":306,"_307":308},"1942-50-250","Daniel Huntington drew this in 1858, aged 42. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":550,"_302":303},"STUDY FOR \"SCIENTIFIC GROUP\"",{"_295":547,"_297":548,"_299":549},"https://img.ochreeditions.com/m/1746.jpg?dl=1","/art/study-for-scientific-group-si-chndm-1942-50-250","/galleries/style/antebellum-america/study-for-scientific-group-si-chndm-1942-50-250",{"_291":292,"_293":294},{"_224":544,"_125":545,"_285":546},{"_276":541,"_278":542,"_280":543,"_281":526},44.56362660944206,54.8,20.56362660944206,{"_287":224,"_123":170,"_154":169,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1746/480.jpg","https://img.ochreeditions.com/a/1746/960.jpg","https://img.ochreeditions.com/a/1746/1920.jpg","Man with a beard, facing left, his left hand gesturing upwards. The lower half of his coat outlined.",{"_314":564,"_316":565},{"_314":562,"_316":563},{"_314":560,"_316":561},{"_314":558,"_316":559},{"_314":556,"_316":557},"#c2beb6",0.0465,"#acadaa",0.0673,"#d1ccc1",0.0967,"#e7dcd1",0.2861,"#dfd9cd",0.5034,"mary-and-francis-wilcox-nga-45956","Mary and Francis Wilcox",{"_42":612,"_221":613,"_328":614,"_330":331,"_332":615,"_334":616,"_336":-5,"_337":-5,"_338":-5,"_140":101},"1845","overall: 122 x 101.6 cm (48 1/16 x 40 in.)",101.6,122,0.837890625,[597,598,599,600,601],{"_220":495,"_221":496,"_42":497,"_307":498},"1959.11.2","Joseph Whiting Stock painted this in 1845, aged 30. It is now at the National Gallery of Art in Washington, DC.","The image features two young children standing side by side. The child on the left extends one arm sideways and has the other arm lowered, while the child on the right has both arms relaxed by their sides, one holding a string. Both children have round faces with light complexions; the child on the left has dark brown hair styled in waves down to the shoulders, while the child on the right has light brown hair. The child on the left is dressed in a blue dress with a loosely gathered waist and short sleeves, white stockings, white shoes, and a red beaded necklace. The child on the right wears a green dress with similar design features, white stockings, and black shoes. Near their feet are a toy doll in a red cradle and a small toy house. In the background, there is a plain dark wall, a deep red drapery, a carpet with elaborate patterns, and a small wooden table with a box on top.",{"_295":594,"_297":595,"_299":596},"https://img.ochreeditions.com/m/1511.jpg?dl=1","/art/mary-and-francis-wilcox-nga-45956","/galleries/style/antebellum-america/mary-and-francis-wilcox-nga-45956",{"_291":376,"_293":377},{"_224":589,"_125":590,"_285":591},{"_276":586,"_278":587,"_280":588,"_281":572},117.22265625,137,102.22265625,{"_287":224,"_123":592,"_154":593,"_140":89},{"_287":125,"_123":371,"_154":372,"_140":373},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-joseph-whiting-stock","Joseph Whiting Stock's contemporaries","https://img.ochreeditions.com/a/1511/480.jpg","https://img.ochreeditions.com/a/1511/960.jpg","https://img.ochreeditions.com/a/1511/1920.jpg",{"_314":610,"_316":611},{"_314":608,"_316":609},{"_314":606,"_316":607},{"_314":604,"_316":605},{"_314":602,"_316":603},"#8d5333",0.1312,"#d4c0a7",0.1409,"#687126",0.1563,"#4e5553",0.2795,"#3b221e",0.2921,"Joseph Whiting Stock","joseph-whiting-stock","American, 1815–1855",1815,1855,"the-lackawanna-valley-nga-30776","The Lackawanna Valley",{"_42":664,"_221":665,"_328":666,"_330":331,"_332":667,"_334":668,"_336":669,"_337":670,"_338":671,"_140":95},"c. 1856","overall: 86 x 127.5 cm (33 7/8 x 50 3/16 in.) framed: 120.3 x 161.6 x 15.2 cm (47 3/8 x 63 5/8 x 6 in.)",127.5,86,1.490538573508006,[649,650,651,652,653],{"_220":495,"_221":496,"_42":497,"_307":498},"1945.4.1","George Inness painted this in about 1856, aged 31. It is now at the National Gallery of Art in Washington, DC.","A figure reclines beneath a tree in a meadow scattered with stumps, looking out over a valley where a steam train puffs across a bridge, leaving behind a roundhouse, smoking chimneys and a church steeple.","We look across and down into a valley with a person sitting near a tall tree and a train puffing smoke beyond, all enclosed by a band of mountains in the distance in this horizontal landscape painting. Closest to us, several broken, jagged tree stumps are spaced across the painting’s width. A little distance away and to our left, the person wears a yellow, broad-brimmed hat, red vest, and gray pants. He reclines propped on his left elbow near a walking path beside a tall, slender tree with golden leaves. The green meadow stretching in front of him is dotted with tree stumps cut close to the ground. Beyond the meadow, puffs of white smoke trail behind a long steam locomotive that crosses a bridge spanning a tree-filled ravine, headed to our left. The ravine creates a diagonal line across the canvas, moving subtly away from us to our left. The train has climbed out of the valley, away from a cluster of brick-red buildings. The most prominent structure is a train roundhouse, a large building with a high, domed roof to the right of the tracks. Smoke rises from chimneys on long, warehouse-like buildings, and a steeple and smaller structures suggest a church and homes to our left. Hazy in the distance, a row of mountains lines the horizon, which comes about halfway up the composition. The sky above deepens from pale, shell pink over the mountains to watery, pale blue above. The artist signed the work in tiny letters in the lower left corner: “G. Inness.”",{"_295":646,"_297":647,"_299":648},"https://img.ochreeditions.com/m/1460.jpg?dl=1","/art/the-lackawanna-valley-nga-30776","/galleries/style/antebellum-america/the-lackawanna-valley-nga-30776",{"_291":376,"_293":377},{"_224":641,"_125":642,"_285":643},{"_276":638,"_278":639,"_280":622,"_281":640},142.5,100.53955078125,85.53955078125,{"_287":224,"_123":644,"_154":645,"_140":95},{"_287":125,"_123":371,"_154":372,"_140":373},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/george-inness","More by George Inness","https://img.ochreeditions.com/a/1460/480.jpg","https://img.ochreeditions.com/a/1460/960.jpg","https://img.ochreeditions.com/a/1460/1920.jpg",{"_314":662,"_316":663},{"_314":660,"_316":661},{"_314":658,"_316":659},{"_314":656,"_316":657},{"_314":654,"_316":655},"#896f2e",0.0981,"#8b8a70",0.1246,"#444126",0.1915,"#655a2a",0.2485,"#d6c8a0",0.3373,"George Inness","george-inness","American, 1825–1894",1825,1894,"Newburgh, New York","Bridge of Allan, Scotland","Inness was largely self-taught and began in the manner of the Hudson River School, but journeys to Italy and France, where he admired the Barbizon painters, led him towards broader, more atmospheric landscapes.","trees-along-stream-in-fall-si-saam-1970-287","Trees along Stream in Fall",{"_42":719,"_221":720,"_328":721,"_330":331,"_332":722,"_334":723,"_336":-5,"_337":-5,"_338":-5,"_140":101},"1861","12 5/8 x 20 in. (32.0 x 50.9 cm.)",50.9,32,1.5932023366967605,[704,705,706,707,708],{"_220":304,"_221":305,"_42":306,"_307":498},"Courtesy of the Smithsonian American Art Museum","1970.287","William Trost Richards painted this in 1861, aged 28. It is now at the Smithsonian American Art Museum in Washington, DC.","Trees along Stream in Fall, by William Trost Richards, 1861",{"_295":701,"_297":702,"_299":703},"https://img.ochreeditions.com/m/1940.jpg?dl=1","/art/trees-along-stream-in-fall-si-saam-1970-287","/galleries/style/antebellum-america/trees-along-stream-in-fall-si-saam-1970-287",{"_291":376,"_293":377},{"_224":696,"_125":697,"_285":698},{"_276":693,"_278":694,"_280":677,"_281":695},65.9,46.948233333333334,31.948233333333334,{"_287":224,"_123":699,"_154":700,"_140":89},{"_287":125,"_123":371,"_154":372,"_140":373},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-william-trost-richards","William Trost Richards's contemporaries","https://img.ochreeditions.com/a/1940/480.jpg","https://img.ochreeditions.com/a/1940/960.jpg","https://img.ochreeditions.com/a/1940/1920.jpg",{"_314":717,"_316":718},{"_314":715,"_316":716},{"_314":713,"_316":714},{"_314":711,"_316":712},{"_314":709,"_316":710},"#816851",0.0699,"#8a692d",0.0922,"#2b1708",0.2164,"#51350c",0.2535,"#b3a8a7",0.368,"William Trost Richards","william-trost-richards","American, 1833–1905",1833,1905,"study-of-foliage-si-chndm-1953-179-16","Study of foliage",{"_42":719,"_221":720,"_328":721,"_330":331,"_332":722,"_334":723,"_336":-5,"_337":-5,"_338":-5,"_140":101},"October 25, 1862","Graphite on paper","15.1 × 22.3 cm (5 15/16 × 8 3/4 in.)",22.3,15.1,1.4374358974358974,[757,758,759,760,761],{"_220":304,"_221":305,"_42":306,"_307":308},"1953-179-16","William Trost Richards drew this (October 25, 1862), aged 29. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":756,"_302":303},"STUDY OF FOLIAGE",{"_295":753,"_297":754,"_299":755},"https://img.ochreeditions.com/m/1751.jpg?dl=1","/art/study-of-foliage-si-chndm-1953-179-16","/galleries/style/antebellum-america/study-of-foliage-si-chndm-1953-179-16",{"_291":292,"_293":294},{"_224":750,"_125":751,"_285":752},{"_276":746,"_278":747,"_280":748,"_281":749},49,41.392079914377454,25,17.392079914377454,{"_287":224,"_123":699,"_154":700,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1751/480.jpg","https://img.ochreeditions.com/a/1751/960.jpg","https://img.ochreeditions.com/a/1751/1920.jpg","Sketch of a tree with foliage.",{"_314":770,"_316":771},{"_314":768,"_316":769},{"_314":766,"_316":767},{"_314":764,"_316":765},{"_314":762,"_316":763},"#e5d3bc",0.0518,"#968979",0.0746,"#fef2de",0.0795,"#b19e87",0.2251,"#c3ae93",0.569,"self-portrait-si-saam-2019-6-3","Self-Portrait",{"_42":818,"_221":819,"_328":820,"_330":331,"_332":821,"_334":822,"_336":-5,"_337":-5,"_338":-5,"_140":99},"ca. 1850","oil on tin","4 1/2 x 3 1/8 in.",0.771,[803,804,805,806,807],{"_220":304,"_221":305,"_42":306,"_307":498},"2019.6.3","Oliver Tarbell Eddy painted this in about 1850, aged 51. It is now at the Smithsonian American Art Museum in Washington, DC.","Self-Portrait, by Oliver Tarbell Eddy, ca. 1850",{"_295":800,"_297":801,"_299":802},"https://img.ochreeditions.com/m/1998.jpg?dl=1","/art/self-portrait-si-saam-2019-6-3","/galleries/style/antebellum-america/self-portrait-si-saam-2019-6-3",{"_291":376,"_293":377},{"_224":795,"_125":796,"_285":797},{"_276":791,"_278":792,"_280":793,"_281":794},61.26,75,46.26,60,{"_287":224,"_123":798,"_154":799,"_140":99},{"_287":125,"_123":371,"_154":372,"_140":373},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/oliver-tarbell-eddy","More by Oliver Tarbell Eddy","https://img.ochreeditions.com/a/1998/480.jpg","https://img.ochreeditions.com/a/1998/960.jpg","https://img.ochreeditions.com/a/1998/1920.jpg",{"_314":816,"_316":817},{"_314":814,"_316":815},{"_314":812,"_316":813},{"_314":810,"_316":811},{"_314":808,"_316":809},"#7b6358",0.0538,"#d0aca0",0.07,"#9f5e41",0.2159,"#723e2a",0.285,"#392924",0.3753,"Oliver Tarbell Eddy","oliver-tarbell-eddy","1799–1868",1799,1868,"major-thomas-biddle-nga-1125","Major Thomas Biddle",{"_42":869,"_221":870,"_328":871,"_330":331,"_332":872,"_334":873,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1832","overall: 90.5 x 69.5 cm (35 5/8 x 27 3/8 in.) framed: 122.9 x 102.4 x 11.6 cm (48 3/8 x 40 5/16 x 4 9/16 in.)",69.5,90.5,0.758544921875,[854,855,856,857,858],{"_220":495,"_221":496,"_42":497,"_307":498},"1942.8.31","Thomas Wilcocks Sully painted this in 1832, aged 21. It is now at the National Gallery of Art in Washington, DC.","Major Thomas Biddle, by Thomas Wilcocks Sully, 1832",{"_295":851,"_297":852,"_299":853},"https://img.ochreeditions.com/m/1310.jpg?dl=1","/art/major-thomas-biddle-nga-1125","/galleries/style/antebellum-america/major-thomas-biddle-nga-1125",{"_291":376,"_293":377},{"_224":846,"_125":847,"_285":848},{"_276":843,"_278":844,"_280":845,"_281":829},83.6483154296875,105.5,68.6483154296875,{"_287":224,"_123":849,"_154":850,"_140":89},{"_287":125,"_123":371,"_154":372,"_140":373},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-thomas-wilcocks-sully","Thomas Wilcocks Sully's contemporaries","https://img.ochreeditions.com/a/1310/480.jpg","https://img.ochreeditions.com/a/1310/960.jpg","https://img.ochreeditions.com/a/1310/1920.jpg",{"_314":867,"_316":868},{"_314":865,"_316":866},{"_314":863,"_316":864},{"_314":861,"_316":862},{"_314":859,"_316":860},"#362320",0.1087,"#936726",0.1315,"#5a3f21",0.1338,"#130d1d",0.1849,"#a79167",0.4411,"Thomas Wilcocks Sully","thomas-wilcocks-sully","American, 1811–1847",1811,1847,"girl-with-reticule-and-rose-nga-59901","Girl with Reticule and Rose",{"_42":612,"_221":613,"_328":614,"_330":331,"_332":615,"_334":616,"_336":-5,"_337":-5,"_338":-5,"_140":101},"c. 1840","overall: 118.6 x 75 cm (46 11/16 x 29 1/2 in.)",118.6,0.63037109375,[902,903,904,905,906],{"_220":495,"_221":496,"_42":497,"_307":498},"1980.62.8","Joseph Whiting Stock painted this in about 1840, aged 25. It is now at the National Gallery of Art in Washington, DC.","The image shows a child standing upright, facing forward. They have fair skin, rounded cheeks, short reddish-brown hair, and are wearing a white dress with lace details and a pink ribbon, white pants with lace trim, blue shoes, a red necklace and a heart-shaped pendant. They hold a light pink rose in their left hand and a small black drawstring purse with red accents in their right hand. The background is a gradient from dark green to light green, with a floral-patterned carpet in black, brown, and red on the floor.",{"_295":899,"_297":900,"_299":901},"https://img.ochreeditions.com/m/1595.jpg?dl=1","/art/girl-with-reticule-and-rose-nga-59901","/galleries/style/antebellum-america/girl-with-reticule-and-rose-nga-59901",{"_291":376,"_293":377},{"_224":896,"_125":897,"_285":898},{"_276":893,"_278":894,"_280":895,"_281":879},89.76201171875,133.6,74.76201171875,{"_287":224,"_123":592,"_154":593,"_140":89},{"_287":125,"_123":371,"_154":372,"_140":373},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1595/480.jpg","https://img.ochreeditions.com/a/1595/960.jpg","https://img.ochreeditions.com/a/1595/1920.jpg",{"_314":915,"_316":916},{"_314":913,"_316":914},{"_314":911,"_316":912},{"_314":909,"_316":910},{"_314":907,"_316":908},"#844a24",0.0867,"#5b5e45",0.1645,"#2a202b",0.1961,"#968f6c",0.2551,"#f4ddc8",0.2976,"aaron-baldwin-nga-32581","Aaron Baldwin",{"_42":964,"_221":965,"_328":966,"_330":331,"_332":967,"_334":968,"_336":-5,"_337":-5,"_338":-5,"_140":103},"c. 1835","oil on wood","overall: 64.5 x 54.2 cm (25 3/8 x 21 5/16 in.)",54.2,64.5,0.8359375,[949,950,951,952,953],{"_220":495,"_221":496,"_42":497,"_307":498},"1945.11.1","Francis Alexander painted this in about 1835, aged 35. It is now at the National Gallery of Art in Washington, DC.","The image is a portrait painting showing a man's upper body. He is positioned slightly turned to his right, with his head facing the viewer. The man has fair skin, defined cheekbones, and small, bright eyes. His hair is short, neatly combed, and grey or white. He is wearing a dark coat over a white shirt with a high collar, partially visible. The background is a muted, dark color, providing a simple setting that emphasizes the subject. There are no visible jewelry or objects in the image.",{"_295":946,"_297":947,"_299":948},"https://img.ochreeditions.com/m/1466.jpg?dl=1","/art/aaron-baldwin-nga-32581","/galleries/style/antebellum-america/aaron-baldwin-nga-32581",{"_291":376,"_293":377},{"_224":941,"_125":942,"_285":943},{"_276":938,"_278":939,"_280":940,"_281":924},68.91796875,79.5,53.91796875,{"_287":224,"_123":944,"_154":945,"_140":89},{"_287":125,"_123":371,"_154":372,"_140":373},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-francis-alexander","Francis Alexander's contemporaries","https://img.ochreeditions.com/a/1466/480.jpg","https://img.ochreeditions.com/a/1466/960.jpg","https://img.ochreeditions.com/a/1466/1920.jpg",{"_314":962,"_316":963},{"_314":960,"_316":961},{"_314":958,"_316":959},{"_314":956,"_316":957},{"_314":954,"_316":955},"#dcc472",0.0301,"#7a5f29",0.0318,"#c68e32",0.0495,"#363625",0.3113,"#12161c",0.5773,"Francis Alexander","francis-alexander","American, 1800–1880",1800,1880,"woman-holding-a-book-nga-59900","Woman Holding a Book",{"_42":1014,"_221":1015,"_328":1016,"_330":331,"_332":1017,"_334":461,"_336":-5,"_337":-5,"_338":-5,"_140":101},"overall: 75.7 x 60.5 cm (29 13/16 x 23 13/16 in.)",60.5,75.7,0.789794921875,[999,1000,1001,1002,1003],{"_220":495,"_221":496,"_42":497,"_307":498},"1980.62.7","Erastus Salisbury Field painted this in about 1835, aged 30. It is now at the National Gallery of Art in Washington, DC.","The image shows a woman portrait from the waist up. She is seated upright, holding a book in her left hand. She has blue eyes, dark brown hair styled with rolls and a braided crown, and wears elegant 19th-century clothing with a lace collar, a blue-gray garment, and gold earrings. The background is plain, and she is seated on a wooden chair.",{"_295":996,"_297":997,"_299":998},"https://img.ochreeditions.com/m/1594.jpg?dl=1","/art/woman-holding-a-book-nga-59900","/galleries/style/antebellum-america/woman-holding-a-book-nga-59900",{"_291":376,"_293":377},{"_224":991,"_125":992,"_285":993},{"_276":988,"_278":989,"_280":990,"_281":974},74.7874755859375,90.7,59.7874755859375,{"_287":224,"_123":994,"_154":995,"_140":89},{"_287":125,"_123":371,"_154":372,"_140":373},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-erastus-salisbury-field","Erastus Salisbury Field's contemporaries","https://img.ochreeditions.com/a/1594/480.jpg","https://img.ochreeditions.com/a/1594/960.jpg","https://img.ochreeditions.com/a/1594/1920.jpg",{"_314":1012,"_316":1013},{"_314":1010,"_316":1011},{"_314":1008,"_316":1009},{"_314":1006,"_316":1007},{"_314":1004,"_316":1005},"#c3c1b3",0.1127,"#70705b",0.1765,"#4a4536",0.1994,"#839393",0.223,"#262323",0.2884,"Erastus Salisbury Field","erastus-salisbury-field","American, 1805–1900",1805,"winter-in-the-country-nga-109732","Winter in the Country",{"_42":1064,"_221":1065,"_328":1066,"_330":331,"_332":1067,"_334":1068,"_336":-5,"_337":-5,"_338":-5,"_140":103},"c. 1859","overall: 66.7 x 92.1 cm (26 1/4 x 36 1/4 in.) framed: 94.6 x 120.3 x 8.3 cm (37 1/4 x 47 3/8 x 3 1/4 in.)",92.1,66.7,1.3950953678474114,[1049,1050,1051,1052,1053],{"_220":495,"_221":496,"_42":497,"_307":498},"1999.42.1","George Henry Durrie painted this in about 1859, aged 39. It is now at the National Gallery of Art in Washington, DC.","This painting shows a winter landscape with snowy, rural terrain. It includes a large barn, a farmhouse, and some bare trees covered in snow. Some brown cows are fenced in by the barn on the left, and a person walking along a snowy path brings them a bundle of golden hay. The sky is overcast, with dark gray clouds, and the color palette of the painting consists of earth tones with variations of grey and brown among the white snow.",{"_295":1046,"_297":1047,"_299":1048},"https://img.ochreeditions.com/m/1645.jpg?dl=1","/art/winter-in-the-country-nga-109732","/galleries/style/antebellum-america/winter-in-the-country-nga-109732",{"_291":376,"_293":377},{"_224":1041,"_125":1042,"_285":1043},{"_276":1038,"_278":1039,"_280":1023,"_281":1040},107.1,81.0169921875,66.0169921875,{"_287":224,"_123":1044,"_154":1045,"_140":89},{"_287":125,"_123":371,"_154":372,"_140":373},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-george-henry-durrie","George Henry Durrie's contemporaries","https://img.ochreeditions.com/a/1645/480.jpg","https://img.ochreeditions.com/a/1645/960.jpg","https://img.ochreeditions.com/a/1645/1920.jpg",{"_314":1062,"_316":1063},{"_314":1060,"_316":1061},{"_314":1058,"_316":1059},{"_314":1056,"_316":1057},{"_314":1054,"_316":1055},"#4c4131",0.1205,"#7b6751",0.1378,"#ccbcb0",0.2361,"#746a68",0.2503,"#a89488",0.2553,"George Henry Durrie","george-henry-durrie","American, 1820–1863",1820,1863,"the-power-of-music-cma-155783","The Power of Music",{"_42":1117,"_221":1118,"_328":1119,"_330":331,"_332":1120,"_334":822,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1847","Framed: 67 x 78 x 7.5 cm (26 3/8 x 30 11/16 x 2 15/16 in.); Unframed: 43.4 x 53.5 cm (17 1/16 x 21 1/16 in.)",53.5,43.4,1.238615664845173,[1102,1103,1104,1105,1106],{"_220":383,"_221":384,"_42":385,"_307":386},"1991.110","William Sidney Mount painted this in 1847, aged 40. It is now at the Cleveland Museum of Art.",{"_118":1101,"_302":382},"The Power of Music, by William Sidney Mount, 1847",{"_295":1098,"_297":1099,"_299":1100},"https://img.ochreeditions.com/m/749.jpg?dl=1","/art/the-power-of-music-cma-155783","/galleries/style/antebellum-america/the-power-of-music-cma-155783",{"_291":376,"_293":377},{"_224":1093,"_125":1094,"_285":1095},{"_276":1090,"_278":1091,"_280":1074,"_281":1092},68.5,58.19338235294118,43.19338235294118,{"_287":224,"_123":1096,"_154":1097,"_140":89},{"_287":125,"_123":371,"_154":372,"_140":373},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-william-sidney-mount","William Sidney Mount's contemporaries","https://img.ochreeditions.com/a/749/480.jpg","https://img.ochreeditions.com/a/749/960.jpg","https://img.ochreeditions.com/a/749/1920.jpg","Set in rural Long Island before the Civil War, Mount's complex painting presents an African American laborer listening intently to a fiddle tune enjoyed by white men.",{"_314":1115,"_316":1116},{"_314":1113,"_316":1114},{"_314":1111,"_316":1112},{"_314":1109,"_316":1110},{"_314":1107,"_316":1108},"#867e64",0.053,"#b8935f",0.1857,"#5f462c",0.2108,"#392d20",0.2184,"#8f683e",0.3321,"William Sidney Mount","william-sidney-mount","American, 1807–1868",1807,{"_1122":-5,"_1123":1124,"_1125":1126,"_1127":8,"_1128":1129,"_1130":8},"user","csrf","398a7db8e70f67eb663036211c5fd31890176d7f","cartCount",0,"dropLive","legal",[1131,1132,1133,1134,1135,1136,1137,1138,1139,1140,1141,1142],"uploadsEnabled",{"_221":1165,"_20":1166},{"_221":1163,"_20":1164},{"_221":1161,"_20":1162},{"_221":1159,"_20":1160},{"_221":1157,"_20":1158},{"_221":1155,"_20":1156},{"_221":1153,"_20":1154},{"_221":1151,"_20":1152},{"_221":1149,"_20":1150},{"_221":1147,"_20":1148},{"_221":1145,"_20":1146},{"_221":1143,"_20":1144},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]