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It is now at the Smithsonian American Art Museum in Washington, DC.","Trees along Stream in Fall, by William Trost Richards, 1861",{"_295":420,"_297":421,"_299":422},"https://img.ochreeditions.com/m/1940.jpg?dl=1","/art/trees-along-stream-in-fall-si-saam-1970-287","/galleries/style/antebellum-america/trees-along-stream-in-fall-si-saam-1970-287",{"_291":292,"_293":294},{"_225":415,"_125":416,"_285":417},{"_276":412,"_278":413,"_280":396,"_282":414},65.9,46.948233333333334,31.948233333333334,{"_287":225,"_123":418,"_154":419,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-william-trost-richards","William Trost Richards's contemporaries","https://img.ochreeditions.com/a/1940/480.jpg","https://img.ochreeditions.com/a/1940/960.jpg","https://img.ochreeditions.com/a/1940/1920.jpg","si","smithsonian","Smithsonian Institution",{"_311":439,"_313":440},{"_311":437,"_313":438},{"_311":435,"_313":436},{"_311":433,"_313":434},{"_311":431,"_313":432},"#816851",0.0699,"#8a692d",0.0922,"#2b1708",0.2164,"#51350c",0.2535,"#b3a8a7",0.368,"William Trost Richards","william-trost-richards","American, 1833–1905",1833,1905,"eagle-lake-mt-desert-si-chndm-1942-50-101","Eagle Lake, Mt. Desert",{"_42":506,"_222":507,"_325":508,"_327":328,"_329":509,"_331":510,"_333":-5,"_334":-5,"_335":511,"_140":99},"August 23, 1856","drawing","Drawing","Graphite and chalk on brown-grey paper","28.1 × 47.3 cm (11 1/16 × 18 5/8 in.)",47.3,28.1,1.6506829410055217,[491,492,493,494,495],{"_221":423,"_222":424,"_42":425,"_304":490},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1942-50-101","Daniel Huntington drew this (August 23, 1856), aged 40. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":487,"_488":489},"EAGLE LAKE, MT. DESERT",{"_295":484,"_297":485,"_299":486},"https://img.ochreeditions.com/m/1744.jpg?dl=1","/art/eagle-lake-mt-desert-si-chndm-1942-50-101","/galleries/style/antebellum-america/eagle-lake-mt-desert-si-chndm-1942-50-101",{"_291":482,"_293":483},{"_225":474,"_125":475,"_285":476},{"_276":471,"_278":472,"_280":454,"_282":473},71.3,52.654806338028166,28.654806338028166,{"_287":225,"_123":480,"_154":481,"_140":99},{"_287":125,"_123":477,"_154":478,"_140":479},{"_287":285,"_123":167,"_154":166,"_140":169},"style/drawing-19","More drawings of the 19th century",92,"artist/daniel-huntington","More by Daniel Huntington","white","snow","https://img.ochreeditions.com/a/1744/480.jpg","https://img.ochreeditions.com/a/1744/960.jpg","https://img.ochreeditions.com/a/1744/1920.jpg","The shores of lake at right and at rear, beneath a mountain range. Three rowboats on the water.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","New York",{"_311":504,"_313":505},{"_311":502,"_313":503},{"_311":500,"_313":501},{"_311":498,"_313":499},{"_311":496,"_313":497},"#928b7d",0.0288,"#b9b7b7",0.0845,"#a69684",0.1703,"#ac9e8c",0.3333,"#b1a592",0.3831,"Daniel Huntington","daniel-huntington","American, 1816–1906",1816,1906,"Huntington studied with Samuel F. B. Morse and Henry Inman in New York and made several journeys to Italy, which shaped his early allegorical and religious pictures, such as Mercy’s Dream.","major-thomas-biddle-nga-1125","Major Thomas Biddle",{"_42":558,"_222":559,"_325":560,"_327":328,"_329":561,"_331":562,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1832","overall: 90.5 x 69.5 cm (35 5/8 x 27 3/8 in.) framed: 122.9 x 102.4 x 11.6 cm (48 3/8 x 40 5/16 x 4 9/16 in.)",69.5,90.5,0.758544921875,[543,544,545,546,547],{"_221":301,"_222":302,"_42":303,"_304":305},"1942.8.31","Thomas Wilcocks Sully painted this in 1832, aged 21. It is now at the National Gallery of Art in Washington, DC.","Major Thomas Biddle, by Thomas Wilcocks Sully, 1832",{"_295":540,"_297":541,"_299":542},"https://img.ochreeditions.com/m/1310.jpg?dl=1","/art/major-thomas-biddle-nga-1125","/galleries/style/antebellum-america/major-thomas-biddle-nga-1125",{"_291":292,"_293":294},{"_225":535,"_125":536,"_285":537},{"_276":532,"_278":533,"_280":534,"_282":518},83.6483154296875,105.5,68.6483154296875,{"_287":225,"_123":538,"_154":539,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-thomas-wilcocks-sully","Thomas Wilcocks Sully's contemporaries","https://img.ochreeditions.com/a/1310/480.jpg","https://img.ochreeditions.com/a/1310/960.jpg","https://img.ochreeditions.com/a/1310/1920.jpg",{"_311":556,"_313":557},{"_311":554,"_313":555},{"_311":552,"_313":553},{"_311":550,"_313":551},{"_311":548,"_313":549},"#362320",0.1087,"#936726",0.1315,"#5a3f21",0.1338,"#130d1d",0.1849,"#a79167",0.4411,"Thomas Wilcocks Sully","thomas-wilcocks-sully","American, 1811–1847",1811,1847,"white-mare-cma-135323","White Mare",{"_42":618,"_222":619,"_325":620,"_327":328,"_329":621,"_331":622,"_333":623,"_334":624,"_335":625,"_140":53},"c. 1868","oil on panel","Framed: 32.5 x 45 x 4.5 cm (12 13/16 x 17 11/16 x 1 3/4 in.); Unframed: 20 x 32.6 cm (7 7/8 x 12 13/16 in.)",32.6,20,1.6488845780795345,[603,604,605,606,607],{"_221":599,"_222":600,"_42":601,"_304":602},"Courtesy of the Cleveland Museum of Art","1958.33","Winslow Homer painted this in about 1868, aged about 27. It is now at the Cleveland Museum of Art.",{"_118":597,"_488":598},"White Mare, by Winslow Homer, c. 1868",{"_295":594,"_297":595,"_299":596},"https://img.ochreeditions.com/m/624.jpg?dl=1","/art/white-mare-cma-135323","/galleries/style/antebellum-america/white-mare-cma-135323",{"_291":292,"_293":294},{"_225":589,"_125":590,"_285":591},{"_276":586,"_278":587,"_280":569,"_282":588},47.6,34.770941176470586,19.77094117647059,{"_287":225,"_123":592,"_154":593,"_140":53},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/624/480.jpg","https://img.ochreeditions.com/a/624/960.jpg","https://img.ochreeditions.com/a/624/1920.jpg","In August 1868 Winslow Homer, then working as a free-lance illustrator, visited the White Mountains of New Hampshire. As early as the 1820s, American artists used the White Mountains as a setting for landscape paintings.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":616,"_313":617},{"_311":614,"_313":615},{"_311":612,"_313":613},{"_311":610,"_313":611},{"_311":608,"_313":609},"#bdb29a",0.0765,"#53463c",0.1302,"#746c5c",0.2296,"#928975",0.2444,"#301d1b",0.3193,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","girl-with-reticule-and-rose-nga-59901","Girl with Reticule and Rose",{"_42":323,"_222":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":-5,"_334":-5,"_335":-5,"_140":101},"c. 1840","overall: 118.6 x 75 cm (46 11/16 x 29 1/2 in.)",118.6,0.63037109375,[654,655,656,657,658],{"_221":301,"_222":302,"_42":303,"_304":305},"1980.62.8","Joseph Whiting Stock painted this in about 1840, aged 25. It is now at the National Gallery of Art in Washington, DC.","The image shows a child standing upright, facing forward. They have fair skin, rounded cheeks, short reddish-brown hair, and are wearing a white dress with lace details and a pink ribbon, white pants with lace trim, blue shoes, a red necklace and a heart-shaped pendant. They hold a light pink rose in their left hand and a small black drawstring purse with red accents in their right hand. The background is a gradient from dark green to light green, with a floral-patterned carpet in black, brown, and red on the floor.",{"_295":651,"_297":652,"_299":653},"https://img.ochreeditions.com/m/1595.jpg?dl=1","/art/girl-with-reticule-and-rose-nga-59901","/galleries/style/antebellum-america/girl-with-reticule-and-rose-nga-59901",{"_291":292,"_293":294},{"_225":648,"_125":649,"_285":650},{"_276":645,"_278":646,"_280":647,"_282":631},89.76201171875,133.6,74.76201171875,{"_287":225,"_123":171,"_154":170,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1595/480.jpg","https://img.ochreeditions.com/a/1595/960.jpg","https://img.ochreeditions.com/a/1595/1920.jpg",{"_311":667,"_313":668},{"_311":665,"_313":666},{"_311":663,"_313":664},{"_311":661,"_313":662},{"_311":659,"_313":660},"#844a24",0.0867,"#5b5e45",0.1645,"#2a202b",0.1961,"#968f6c",0.2551,"#f4ddc8",0.2976,"portrait-of-a-young-girl-with-rose-si-saam-2019-6-1","Portrait of a Young Girl with Rose",{"_42":713,"_222":714,"_325":715,"_327":328,"_329":716,"_331":717,"_333":-5,"_334":-5,"_335":-5,"_140":99},"ca. 1838","oil on wood panel","39 x 29 in.",0.738,[698,699,700,701,702],{"_221":423,"_222":424,"_42":425,"_304":305},"2019.6.1","Oliver Tarbell Eddy painted this in about 1838, aged 39. It is now at the Smithsonian American Art Museum in Washington, DC.","Portrait of a Young Girl with Rose, by Oliver Tarbell Eddy, ca. 1838",{"_295":695,"_297":696,"_299":697},"https://img.ochreeditions.com/m/1997.jpg?dl=1","/art/portrait-of-a-young-girl-with-rose-si-saam-2019-6-1","/galleries/style/antebellum-america/portrait-of-a-young-girl-with-rose-si-saam-2019-6-1",{"_291":292,"_293":294},{"_225":690,"_125":691,"_285":692},{"_276":688,"_278":357,"_280":689,"_282":341},59.28,44.28,{"_287":225,"_123":693,"_154":694,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/oliver-tarbell-eddy","More by Oliver Tarbell Eddy","https://img.ochreeditions.com/a/1997/480.jpg","https://img.ochreeditions.com/a/1997/960.jpg","https://img.ochreeditions.com/a/1997/1920.jpg",{"_311":711,"_313":712},{"_311":709,"_313":710},{"_311":707,"_313":708},{"_311":705,"_313":706},{"_311":703,"_313":704},"#7f6e5b",0.1207,"#4c2718",0.1912,"#9b6c49",0.1978,"#69200f",0.2098,"#34271b",0.2805,"Oliver Tarbell Eddy","oliver-tarbell-eddy","1799–1868",1799,1868,"the-lackawanna-valley-nga-30776","The Lackawanna Valley",{"_42":765,"_222":766,"_325":767,"_327":328,"_329":768,"_331":769,"_333":770,"_334":771,"_335":772,"_140":95},"c. 1856","overall: 86 x 127.5 cm (33 7/8 x 50 3/16 in.) framed: 120.3 x 161.6 x 15.2 cm (47 3/8 x 63 5/8 x 6 in.)",127.5,86,1.490538573508006,[750,751,752,753,754],{"_221":301,"_222":302,"_42":303,"_304":305},"1945.4.1","George Inness painted this in about 1856, aged 31. It is now at the National Gallery of Art in Washington, DC.","A figure reclines beneath a tree in a meadow scattered with stumps, looking out over a valley where a steam train puffs across a bridge, leaving behind a roundhouse, smoking chimneys and a church steeple.","We look across and down into a valley with a person sitting near a tall tree and a train puffing smoke beyond, all enclosed by a band of mountains in the distance in this horizontal landscape painting. Closest to us, several broken, jagged tree stumps are spaced across the painting’s width. A little distance away and to our left, the person wears a yellow, broad-brimmed hat, red vest, and gray pants. He reclines propped on his left elbow near a walking path beside a tall, slender tree with golden leaves. The green meadow stretching in front of him is dotted with tree stumps cut close to the ground. Beyond the meadow, puffs of white smoke trail behind a long steam locomotive that crosses a bridge spanning a tree-filled ravine, headed to our left. The ravine creates a diagonal line across the canvas, moving subtly away from us to our left. The train has climbed out of the valley, away from a cluster of brick-red buildings. The most prominent structure is a train roundhouse, a large building with a high, domed roof to the right of the tracks. Smoke rises from chimneys on long, warehouse-like buildings, and a steeple and smaller structures suggest a church and homes to our left. Hazy in the distance, a row of mountains lines the horizon, which comes about halfway up the composition. The sky above deepens from pale, shell pink over the mountains to watery, pale blue above. The artist signed the work in tiny letters in the lower left corner: “G. Inness.”",{"_295":747,"_297":748,"_299":749},"https://img.ochreeditions.com/m/1460.jpg?dl=1","/art/the-lackawanna-valley-nga-30776","/galleries/style/antebellum-america/the-lackawanna-valley-nga-30776",{"_291":292,"_293":294},{"_225":742,"_125":743,"_285":744},{"_276":739,"_278":740,"_280":723,"_282":741},142.5,100.53955078125,85.53955078125,{"_287":225,"_123":745,"_154":746,"_140":95},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/george-inness","More by George Inness","https://img.ochreeditions.com/a/1460/480.jpg","https://img.ochreeditions.com/a/1460/960.jpg","https://img.ochreeditions.com/a/1460/1920.jpg",{"_311":763,"_313":764},{"_311":761,"_313":762},{"_311":759,"_313":760},{"_311":757,"_313":758},{"_311":755,"_313":756},"#896f2e",0.0981,"#8b8a70",0.1246,"#444126",0.1915,"#655a2a",0.2485,"#d6c8a0",0.3373,"George Inness","george-inness","American, 1825–1894",1825,1894,"Newburgh, New York","Bridge of Allan, Scotland","Inness was largely self-taught and began in the manner of the Hudson River School, but journeys to Italy and France, where he admired the Barbizon painters, led him towards broader, more atmospheric landscapes.","the-coleman-sisters-nga-33963","The Coleman Sisters",{"_42":819,"_222":820,"_325":821,"_327":328,"_329":822,"_331":823,"_333":824,"_334":825,"_335":826,"_140":91},"1844","overall: 112.5 x 87.5 cm (44 5/16 x 34 7/16 in.) framed: 146.7 x 121.9 x 14 cm (57 3/4 x 48 x 5 1/2 in.)",87.5,112.5,0.7744140625,[804,805,806,807,808],{"_221":301,"_222":302,"_42":303,"_304":305},"1947.9.3","Thomas Sully painted this in 1844, aged 61. It is now at the National Gallery of Art in Washington, DC.","Three sisters with dark ringlets gather around a small table: one turns to look back at us as she rests her hand on a red book, another, in golden yellow, lays a hand on her shoulder, and the third, seated in pale pink, gazes straight out beside a vase of flowers.","In this painting, three women are depicted standing and sitting closely together. The women have fair complexions and dark hair in ringlets, and they are smiling slightly. The woman on the left appears to be standing, and her body is turned to the right while her head is turned over her shoulder to face us. She wears a light blue dress with a brown shawl, and she is holding the edge of a red book that rests on a small table in the bottom right corner. The woman in the middle also appears to be standing, and she is wearing a golden-yellow off-the-shoulder garment. One of her hands is on the shoulder of the woman on the left. The woman on the right is seated at the small table, and she wears a pale pink off-the-shoulder dress. She looks directly out at us. The small table is covered in a golden cloth, and on the right is a vase of colorful flowers. The wall behind the woman is a blend of brown, tan, and pale blue tones.",{"_295":801,"_297":802,"_299":803},"https://img.ochreeditions.com/m/1490.jpg?dl=1","/art/the-coleman-sisters-nga-33963","/galleries/style/antebellum-america/the-coleman-sisters-nga-33963",{"_291":292,"_293":294},{"_225":796,"_125":797,"_285":798},{"_276":794,"_278":723,"_280":795,"_282":779},102.12158203125,87.12158203125,{"_287":225,"_123":799,"_154":800,"_140":91},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/thomas-sully","More by Thomas Sully","https://img.ochreeditions.com/a/1490/480.jpg","https://img.ochreeditions.com/a/1490/960.jpg","https://img.ochreeditions.com/a/1490/1920.jpg",{"_311":817,"_313":818},{"_311":815,"_313":816},{"_311":813,"_313":814},{"_311":811,"_313":812},{"_311":809,"_313":810},"#95613e",0.0973,"#66492f",0.1142,"#c18d5b",0.1215,"#47341e",0.2513,"#3a200f",0.4157,"Thomas Sully","thomas-sully","American, 1783–1872",1783,1872,"Horncastle, Lincolnshire","Philadelphia, Pennsylvania","Sully was taken from England to America as a child by his actor parents and settled in Philadelphia in 1808. After brief study with Gilbert Stuart, he went to London, where he worked under Benjamin West and came under the influence of Thomas Lawrence.","study-of-foliage-si-chndm-1953-179-16","Study of foliage",{"_42":441,"_222":442,"_325":443,"_327":328,"_329":444,"_331":445,"_333":-5,"_334":-5,"_335":-5,"_140":101},"October 25, 1862","Graphite on paper","15.1 × 22.3 cm (5 15/16 × 8 3/4 in.)",22.3,15.1,1.4374358974358974,[860,861,862,863,864],{"_221":423,"_222":424,"_42":425,"_304":490},"1953-179-16","William Trost Richards drew this (October 25, 1862), aged 29. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":859,"_488":489},"STUDY OF FOLIAGE",{"_295":856,"_297":857,"_299":858},"https://img.ochreeditions.com/m/1751.jpg?dl=1","/art/study-of-foliage-si-chndm-1953-179-16","/galleries/style/antebellum-america/study-of-foliage-si-chndm-1953-179-16",{"_291":482,"_293":483},{"_225":853,"_125":854,"_285":855},{"_276":849,"_278":850,"_280":851,"_282":852},49,41.392079914377454,25,17.392079914377454,{"_287":225,"_123":418,"_154":419,"_140":89},{"_287":125,"_123":477,"_154":478,"_140":479},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1751/480.jpg","https://img.ochreeditions.com/a/1751/960.jpg","https://img.ochreeditions.com/a/1751/1920.jpg","Sketch of a tree with foliage.",{"_311":873,"_313":874},{"_311":871,"_313":872},{"_311":869,"_313":870},{"_311":867,"_313":868},{"_311":865,"_313":866},"#e5d3bc",0.0518,"#968979",0.0746,"#fef2de",0.0795,"#b19e87",0.2251,"#c3ae93",0.569,"the-power-of-music-cma-155783","The Power of Music",{"_42":923,"_222":924,"_325":925,"_327":328,"_329":926,"_331":717,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1847","Framed: 67 x 78 x 7.5 cm (26 3/8 x 30 11/16 x 2 15/16 in.); Unframed: 43.4 x 53.5 cm (17 1/16 x 21 1/16 in.)",53.5,43.4,1.238615664845173,[908,909,910,911,912],{"_221":599,"_222":600,"_42":601,"_304":602},"1991.110","William Sidney Mount painted this in 1847, aged 40. It is now at the Cleveland Museum of Art.",{"_118":907,"_488":598},"The Power of Music, by William Sidney Mount, 1847",{"_295":904,"_297":905,"_299":906},"https://img.ochreeditions.com/m/749.jpg?dl=1","/art/the-power-of-music-cma-155783","/galleries/style/antebellum-america/the-power-of-music-cma-155783",{"_291":292,"_293":294},{"_225":899,"_125":900,"_285":901},{"_276":896,"_278":897,"_280":880,"_282":898},68.5,58.19338235294118,43.19338235294118,{"_287":225,"_123":902,"_154":903,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-william-sidney-mount","William Sidney Mount's contemporaries","https://img.ochreeditions.com/a/749/480.jpg","https://img.ochreeditions.com/a/749/960.jpg","https://img.ochreeditions.com/a/749/1920.jpg","Set in rural Long Island before the Civil War, Mount's complex painting presents an African American laborer listening intently to a fiddle tune enjoyed by white men.",{"_311":921,"_313":922},{"_311":919,"_313":920},{"_311":917,"_313":918},{"_311":915,"_313":916},{"_311":913,"_313":914},"#867e64",0.053,"#b8935f",0.1857,"#5f462c",0.2108,"#392d20",0.2184,"#8f683e",0.3321,"William Sidney Mount","william-sidney-mount","American, 1807–1868",1807,"rio-de-janeiro-bay-nga-50281","Rio de Janeiro Bay",{"_42":974,"_222":975,"_325":976,"_327":328,"_329":977,"_331":978,"_333":-5,"_334":-5,"_335":979,"_140":97},"1864","overall: 45.5 x 91.1 cm (17 15/16 x 35 7/8 in.) framed: 70.2 x 115.9 x 12.1 cm (27 5/8 x 45 5/8 x 4 3/4 in.)",91.1,45.5,2.025717111770524,[959,960,961,962,963],{"_221":301,"_222":302,"_42":303,"_304":305},"1965.2.1","Martin Johnson Heade painted this in 1864, aged 45. It is now at the National Gallery of Art in Washington, DC.","Waves of bottle-green water break over boulders on a sandy shore, while sailboats dot the bay and hills curve around it beneath a sky glowing from butter yellow to mint green.","Across a short stretch of sand in front of us, waves of bottle-green water break over two boulders on the shoreline, with sailboats in the water beyond, in this wide, horizontal painting. One boulder is at the left edge of the painting; the other is a short distance away, about a quarter of the way across. The water cascades down between those large rocks. Across the rest of the beach, the waves flare up to break toward us in white, foamy surf. The land curves back into view on both sides of the canvas with muted, sage-green hills and, to our left, dark green trees on more craggy boulders. A more distant finger of land to our left stretches nearly halfway across the horizon, which comes about halfway up the composition. Minuscule in scale there, smoke pours out of a chimney, which is surrounded by pale yellow buildings. A mound emerges from the horizon to our right of center. About ten sailboats float on the water. The closest one to us is near the center of the painting, and the tiny forms of people aboard can just barely be made out. The other boats become smaller as they move back to the horizon, and some are only a touch of white or gray on the canvas. White and pale lavender-purple clouds sweep up from the horizon into the sky, which glows butter yellow along the left edge. The sky cools to mint green in the upper right corner. Several white or brown birds fly across the sky or low over the water. The artist signed and dated the lower left, “M. J. Heade 1864.”",{"_295":956,"_297":957,"_299":958},"https://img.ochreeditions.com/m/1531.jpg?dl=1","/art/rio-de-janeiro-bay-nga-50281","/galleries/style/antebellum-america/rio-de-janeiro-bay-nga-50281",{"_291":292,"_293":294},{"_225":951,"_125":952,"_285":953},{"_276":948,"_278":949,"_280":932,"_282":950},106.1,59.971728515624996,44.971728515624996,{"_287":225,"_123":954,"_154":955,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/martin-johnson-heade","More by Martin Johnson Heade","https://img.ochreeditions.com/a/1531/480.jpg","https://img.ochreeditions.com/a/1531/960.jpg","https://img.ochreeditions.com/a/1531/1920.jpg",{"_311":972,"_313":973},{"_311":970,"_313":971},{"_311":968,"_313":969},{"_311":966,"_313":967},{"_311":964,"_313":965},"#2c2316",0.0912,"#705f31",0.121,"#b9b09c",0.1613,"#95956a",0.2717,"#d5b776",0.3548,"Martin Johnson Heade","martin-johnson-heade","1819–1904",1819,1904,"Heade travelled restlessly and worked in many genres, but is best known for three subjects: the salt marshes of New England and New Jersey, with haystacks under changing skies; hummingbirds and orchids, which he studied on journeys to Brazil and Central America; and, in later…","study-of-landscape-delaware-river-si-chndm-1969-121-73","Study of landscape, Delaware River",{"_42":1028,"_222":1029,"_325":1030,"_327":328,"_329":1031,"_331":1032,"_333":-5,"_334":-5,"_335":1033,"_140":99},"ca. 1855","38.1 × 54.8 cm (15 in. × 21 9/16 in.)",54.8,38.1,1.4174568965517242,[1013,1014,1015,1016,1017],{"_221":423,"_222":424,"_42":425,"_304":490},"1969-121-73","William Stanley Haseltine drew this in about 1855, aged 20. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1012,"_488":489},"STUDY OF LANDSCAPE, DELAWARE RIVER",{"_295":1009,"_297":1010,"_299":1011},"https://img.ochreeditions.com/m/1755.jpg?dl=1","/art/study-of-landscape-delaware-river-si-chndm-1969-121-73","/galleries/style/antebellum-america/study-of-landscape-delaware-river-si-chndm-1969-121-73",{"_291":482,"_293":483},{"_225":1004,"_125":1005,"_285":1006},{"_276":1001,"_278":1002,"_280":985,"_282":1003},78.8,62.66078759312756,38.66078759312756,{"_287":225,"_123":1007,"_154":1008,"_140":99},{"_287":125,"_123":477,"_154":478,"_140":479},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/william-stanley-haseltine","More by William Stanley Haseltine","https://img.ochreeditions.com/a/1755/480.jpg","https://img.ochreeditions.com/a/1755/960.jpg","https://img.ochreeditions.com/a/1755/1920.jpg","Sketch of a river with figures fishing.",{"_311":1026,"_313":1027},{"_311":1024,"_313":1025},{"_311":1022,"_313":1023},{"_311":1020,"_313":1021},{"_311":1018,"_313":1019},"#bab7b8",0.0743,"#cabca8",0.1059,"#d7c7b3",0.1556,"#cfc3b0",0.2472,"#d3c8b4",0.417,"William Stanley Haseltine","william-stanley-haseltine","American, 1835–1900",1835,1900,"Haseltine was born in Philadelphia, studied at Harvard and trained in Düsseldorf, where he travelled and painted with Albert Bierstadt and Worthington Whittredge.","winter-in-the-country-nga-109732","Winter in the Country",{"_42":1080,"_222":1081,"_325":1082,"_327":328,"_329":1083,"_331":1084,"_333":-5,"_334":-5,"_335":-5,"_140":103},"c. 1859","overall: 66.7 x 92.1 cm (26 1/4 x 36 1/4 in.) framed: 94.6 x 120.3 x 8.3 cm (37 1/4 x 47 3/8 x 3 1/4 in.)",92.1,66.7,1.3950953678474114,[1065,1066,1067,1068,1069],{"_221":301,"_222":302,"_42":303,"_304":305},"1999.42.1","George Henry Durrie painted this in about 1859, aged 39. It is now at the National Gallery of Art in Washington, DC.","This painting shows a winter landscape with snowy, rural terrain. It includes a large barn, a farmhouse, and some bare trees covered in snow. Some brown cows are fenced in by the barn on the left, and a person walking along a snowy path brings them a bundle of golden hay. The sky is overcast, with dark gray clouds, and the color palette of the painting consists of earth tones with variations of grey and brown among the white snow.",{"_295":1062,"_297":1063,"_299":1064},"https://img.ochreeditions.com/m/1645.jpg?dl=1","/art/winter-in-the-country-nga-109732","/galleries/style/antebellum-america/winter-in-the-country-nga-109732",{"_291":292,"_293":294},{"_225":1057,"_125":1058,"_285":1059},{"_276":1054,"_278":1055,"_280":1039,"_282":1056},107.1,81.0169921875,66.0169921875,{"_287":225,"_123":1060,"_154":1061,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-george-henry-durrie","George Henry Durrie's contemporaries","https://img.ochreeditions.com/a/1645/480.jpg","https://img.ochreeditions.com/a/1645/960.jpg","https://img.ochreeditions.com/a/1645/1920.jpg",{"_311":1078,"_313":1079},{"_311":1076,"_313":1077},{"_311":1074,"_313":1075},{"_311":1072,"_313":1073},{"_311":1070,"_313":1071},"#4c4131",0.1205,"#7b6751",0.1378,"#ccbcb0",0.2361,"#746a68",0.2503,"#a89488",0.2553,"George Henry Durrie","george-henry-durrie","American, 1820–1863",1820,1863,"study-for-scientific-group-si-chndm-1942-50-250","Study for \"Scientific Group\"",{"_42":506,"_222":507,"_325":508,"_327":328,"_329":509,"_331":510,"_333":-5,"_334":-5,"_335":511,"_140":99},"1858","Graphite on lined white laid paper","30.8 x 20 cm (12 1/8 x 7 7/8 in.)",30.8,0.6676502145922747,[1115,1116,1117,1118,1119],{"_221":423,"_222":424,"_42":425,"_304":490},"1942-50-250","Daniel Huntington drew this in 1858, aged 42. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1114,"_488":489},"STUDY FOR \"SCIENTIFIC GROUP\"",{"_295":1111,"_297":1112,"_299":1113},"https://img.ochreeditions.com/m/1746.jpg?dl=1","/art/study-for-scientific-group-si-chndm-1942-50-250","/galleries/style/antebellum-america/study-for-scientific-group-si-chndm-1942-50-250",{"_291":482,"_293":483},{"_225":1108,"_125":1109,"_285":1110},{"_276":1106,"_278":985,"_280":1107,"_282":1091},44.56362660944206,20.56362660944206,{"_287":225,"_123":480,"_154":481,"_140":99},{"_287":125,"_123":477,"_154":478,"_140":479},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1746/480.jpg","https://img.ochreeditions.com/a/1746/960.jpg","https://img.ochreeditions.com/a/1746/1920.jpg","Man with a beard, facing left, his left hand gesturing upwards. The lower half of his coat outlined.",{"_311":1128,"_313":1129},{"_311":1126,"_313":1127},{"_311":1124,"_313":1125},{"_311":1122,"_313":1123},{"_311":1120,"_313":1121},"#c2beb6",0.0465,"#acadaa",0.0673,"#d1ccc1",0.0967,"#e7dcd1",0.2861,"#dfd9cd",0.5034,{"_1131":-5,"_1132":1133,"_1134":1135,"_1136":8,"_1137":1138,"_1139":8},"user","csrf","ef4d46d08cc1e710fdba60a549c8931eb5369d9d","cartCount",0,"dropLive","legal",[1140,1141,1142,1143,1144,1145,1146,1147,1148,1149,1150,1151],"uploadsEnabled",{"_222":1174,"_20":1175},{"_222":1172,"_20":1173},{"_222":1170,"_20":1171},{"_222":1168,"_20":1169},{"_222":1166,"_20":1167},{"_222":1164,"_20":1165},{"_222":1162,"_20":1163},{"_222":1160,"_20":1161},{"_222":1158,"_20":1159},{"_222":1156,"_20":1157},{"_222":1154,"_20":1155},{"_222":1152,"_20":1153},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]