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It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":377,"_378":379},"STUDY OF FOLIAGE",{"_294":374,"_296":375,"_298":376},"https://img.ochreeditions.com/m/1751.jpg?dl=1","/art/study-of-foliage-si-chndm-1953-179-16","/galleries/style/antebellum-america/study-of-foliage-si-chndm-1953-179-16",{"_290":372,"_292":373},{"_224":364,"_125":365,"_284":366},{"_275":360,"_277":361,"_279":362,"_280":363},49,41.392079914377454,25,17.392079914377454,{"_286":224,"_123":370,"_154":371,"_140":89},{"_286":125,"_123":367,"_154":368,"_140":369},{"_286":284,"_123":166,"_154":165,"_140":168},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-william-trost-richards","William Trost Richards's contemporaries","white","snow","https://img.ochreeditions.com/a/1751/480.jpg","https://img.ochreeditions.com/a/1751/960.jpg","https://img.ochreeditions.com/a/1751/1920.jpg","Sketch of a tree with foliage.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution","New York",{"_310":397,"_312":398},{"_310":395,"_312":396},{"_310":393,"_312":394},{"_310":391,"_312":392},{"_310":389,"_312":390},"#e5d3bc",0.0518,"#968979",0.0746,"#fef2de",0.0795,"#b19e87",0.2251,"#c3ae93",0.569,"William Trost Richards","william-trost-richards","American, 1833–1905",1833,1905,"soldier-with-sword-and-pipe-si-chndm-1912-12-159","Soldier with Sword and Pipe",{"_42":450,"_221":451,"_324":452,"_326":327,"_328":453,"_330":454,"_332":455,"_333":456,"_334":457,"_140":53},"1862","13.1 x 9 cm (5 3/16 x 3 9/16 in.)",13.1,0.7058195408435665,[435,436,437,438,439],{"_220":380,"_221":381,"_42":382,"_303":383},"1912-12-159","Winslow Homer drew this in 1862, aged 26. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":434,"_378":379},"SOLDIER WITH SWORD AND PIPE",{"_294":431,"_296":432,"_298":433},"https://img.ochreeditions.com/m/1713.jpg?dl=1","/art/soldier-with-sword-and-pipe-si-chndm-1912-12-159","/galleries/style/antebellum-america/soldier-with-sword-and-pipe-si-chndm-1912-12-159",{"_290":372,"_292":373},{"_224":426,"_125":427,"_284":428},{"_275":424,"_277":360,"_279":425,"_280":362},41.64548852108916,17.645488521089163,{"_286":224,"_123":429,"_154":430,"_140":53},{"_286":125,"_123":367,"_154":368,"_140":369},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/1713/480.jpg","https://img.ochreeditions.com/a/1713/960.jpg","https://img.ochreeditions.com/a/1713/1920.jpg","Vertical view of a soldier with sword, standing with a pipe in his mouth, looking downward.",{"_310":448,"_312":449},{"_310":446,"_312":447},{"_310":444,"_312":445},{"_310":442,"_312":443},{"_310":440,"_312":441},"#cbc0af",0.0733,"#f0eee0",0.1118,"#e5dfd1",0.1833,"#ded2be",0.2274,"#e6dccb",0.4042,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","colonel-william-leete-stone-cma-136610","Colonel William Leete Stone",{"_42":509,"_221":510,"_324":511,"_326":327,"_328":512,"_330":513,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1839","Unframed: 91.4 x 73.6 cm (36 x 29 in.)",73.6,91.4,0.8026470588235294,[494,495,496,497,498],{"_220":490,"_221":491,"_42":492,"_303":493},"Courtesy of the Cleveland Museum of Art","1961.171","William Page painted this in 1839, aged 28. It is now at the Cleveland Museum of Art.","Colonel William Leete Stone, by William Page, 1839",{"_294":487,"_296":488,"_298":489},"https://img.ochreeditions.com/m/639.jpg?dl=1","/art/colonel-william-leete-stone-cma-136610","/galleries/style/antebellum-america/colonel-william-leete-stone-cma-136610",{"_290":291,"_292":293},{"_224":482,"_125":483,"_284":484},{"_275":479,"_277":480,"_279":481,"_280":464},88.3619411764706,106.4,73.3619411764706,{"_286":224,"_123":485,"_154":486,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-william-page","William Page's contemporaries","https://img.ochreeditions.com/a/639/480.jpg","https://img.ochreeditions.com/a/639/960.jpg","https://img.ochreeditions.com/a/639/1920.jpg","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":507,"_312":508},{"_310":505,"_312":506},{"_310":503,"_312":504},{"_310":501,"_312":502},{"_310":499,"_312":500},"#e2d4c6",0.0279,"#615449",0.0319,"#b68e7b",0.0478,"#100f0c",0.3799,"#241b14",0.5125,"William Page","william-page","American, 1811–1885",1811,1885,"eagle-lake-mt-desert-si-chndm-1942-50-101","Eagle Lake, Mt. Desert",{"_42":563,"_221":564,"_324":565,"_326":327,"_328":566,"_330":567,"_332":-5,"_333":-5,"_334":568,"_140":99},"August 23, 1856","Graphite and chalk on brown-grey paper","28.1 × 47.3 cm (11 1/16 × 18 5/8 in.)",47.3,28.1,1.6506829410055217,[548,549,550,551,552],{"_220":380,"_221":381,"_42":382,"_303":383},"1942-50-101","Daniel Huntington drew this (August 23, 1856), aged 40. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":547,"_378":379},"EAGLE LAKE, MT. DESERT",{"_294":544,"_296":545,"_298":546},"https://img.ochreeditions.com/m/1744.jpg?dl=1","/art/eagle-lake-mt-desert-si-chndm-1942-50-101","/galleries/style/antebellum-america/eagle-lake-mt-desert-si-chndm-1942-50-101",{"_290":372,"_292":373},{"_224":539,"_125":540,"_284":541},{"_275":536,"_277":537,"_279":520,"_280":538},71.3,52.654806338028166,28.654806338028166,{"_286":224,"_123":542,"_154":543,"_140":99},{"_286":125,"_123":367,"_154":368,"_140":369},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/daniel-huntington","More by Daniel Huntington","https://img.ochreeditions.com/a/1744/480.jpg","https://img.ochreeditions.com/a/1744/960.jpg","https://img.ochreeditions.com/a/1744/1920.jpg","The shores of lake at right and at rear, beneath a mountain range. Three rowboats on the water.",{"_310":561,"_312":562},{"_310":559,"_312":560},{"_310":557,"_312":558},{"_310":555,"_312":556},{"_310":553,"_312":554},"#928b7d",0.0288,"#b9b7b7",0.0845,"#a69684",0.1703,"#ac9e8c",0.3333,"#b1a592",0.3831,"Daniel Huntington","daniel-huntington","American, 1816–1906",1816,1906,"Huntington studied with Samuel F. B. Morse and Henry Inman in New York and made several journeys to Italy, which shaped his early allegorical and religious pictures, such as Mercy’s Dream.","major-thomas-biddle-nga-1125","Major Thomas Biddle",{"_42":615,"_221":616,"_324":617,"_326":327,"_328":512,"_330":618,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1832","overall: 90.5 x 69.5 cm (35 5/8 x 27 3/8 in.) framed: 122.9 x 102.4 x 11.6 cm (48 3/8 x 40 5/16 x 4 9/16 in.)",69.5,90.5,0.758544921875,[600,601,602,603,604],{"_220":300,"_221":301,"_42":302,"_303":304},"1942.8.31","Thomas Wilcocks Sully painted this in 1832, aged 21. It is now at the National Gallery of Art in Washington, DC.","Major Thomas Biddle, by Thomas Wilcocks Sully, 1832",{"_294":597,"_296":598,"_298":599},"https://img.ochreeditions.com/m/1310.jpg?dl=1","/art/major-thomas-biddle-nga-1125","/galleries/style/antebellum-america/major-thomas-biddle-nga-1125",{"_290":291,"_292":293},{"_224":592,"_125":593,"_284":594},{"_275":589,"_277":590,"_279":591,"_280":575},83.6483154296875,105.5,68.6483154296875,{"_286":224,"_123":595,"_154":596,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-thomas-wilcocks-sully","Thomas Wilcocks Sully's contemporaries","https://img.ochreeditions.com/a/1310/480.jpg","https://img.ochreeditions.com/a/1310/960.jpg","https://img.ochreeditions.com/a/1310/1920.jpg",{"_310":613,"_312":614},{"_310":611,"_312":612},{"_310":609,"_312":610},{"_310":607,"_312":608},{"_310":605,"_312":606},"#362320",0.1087,"#936726",0.1315,"#5a3f21",0.1338,"#130d1d",0.1849,"#a79167",0.4411,"Thomas Wilcocks Sully","thomas-wilcocks-sully","American, 1811–1847",1847,"the-power-of-music-cma-155783","The Power of Music",{"_42":668,"_221":669,"_324":670,"_326":327,"_328":671,"_330":672,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1847","Framed: 67 x 78 x 7.5 cm (26 3/8 x 30 11/16 x 2 15/16 in.); Unframed: 43.4 x 53.5 cm (17 1/16 x 21 1/16 in.)",53.5,43.4,1.238615664845173,[653,654,655,656,657],{"_220":490,"_221":491,"_42":492,"_303":493},"1991.110","William Sidney Mount painted this in 1847, aged 40. It is now at the Cleveland Museum of Art.",{"_118":651,"_378":652},"The Power of Music, by William Sidney Mount, 1847",{"_294":648,"_296":649,"_298":650},"https://img.ochreeditions.com/m/749.jpg?dl=1","/art/the-power-of-music-cma-155783","/galleries/style/antebellum-america/the-power-of-music-cma-155783",{"_290":291,"_292":293},{"_224":643,"_125":644,"_284":645},{"_275":640,"_277":641,"_279":624,"_280":642},68.5,58.19338235294118,43.19338235294118,{"_286":224,"_123":646,"_154":647,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-william-sidney-mount","William Sidney Mount's contemporaries","https://img.ochreeditions.com/a/749/480.jpg","https://img.ochreeditions.com/a/749/960.jpg","https://img.ochreeditions.com/a/749/1920.jpg","Set in rural Long Island before the Civil War, Mount's complex painting presents an African American laborer listening intently to a fiddle tune enjoyed by white men.","Text from the Cleveland Museum of Art.",{"_310":666,"_312":667},{"_310":664,"_312":665},{"_310":662,"_312":663},{"_310":660,"_312":661},{"_310":658,"_312":659},"#867e64",0.053,"#b8935f",0.1857,"#5f462c",0.2108,"#392d20",0.2184,"#8f683e",0.3321,"William Sidney Mount","william-sidney-mount","American, 1807–1868",1807,1868,"the-artist-s-wife-sophie-si-chndm-1942-50-2","The Artist's Wife Sophie",{"_42":563,"_221":564,"_324":565,"_326":327,"_328":566,"_330":567,"_332":-5,"_333":-5,"_334":568,"_140":99},"1853","Black and white crayon on brown wove paper, laid down","40.8 x 31.8 cm (16 1/16 x 12 1/2 in.)",31.8,40.8,0.7827768729641694,[705,706,707,708,709],{"_220":380,"_221":381,"_42":382,"_303":383},"1942-50-2","Daniel Huntington drew this in 1853, aged 37. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":704,"_378":379},"THE ARTIST'S WIFE SOPHIE",{"_294":701,"_296":702,"_298":703},"https://img.ochreeditions.com/m/1745.jpg?dl=1","/art/the-artist-s-wife-sophie-si-chndm-1942-50-2","/galleries/style/antebellum-america/the-artist-s-wife-sophie-si-chndm-1942-50-2",{"_290":372,"_292":373},{"_224":698,"_125":699,"_284":700},{"_275":695,"_277":696,"_279":697,"_280":680},55.93729641693811,64.8,31.93729641693811,{"_286":224,"_123":542,"_154":543,"_140":99},{"_286":125,"_123":367,"_154":368,"_140":369},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1745/480.jpg","https://img.ochreeditions.com/a/1745/960.jpg","https://img.ochreeditions.com/a/1745/1920.jpg","Portrait of Sophie Huntington showing the left profile of her lowered head.",{"_310":718,"_312":719},{"_310":716,"_312":717},{"_310":714,"_312":715},{"_310":712,"_312":713},{"_310":710,"_312":711},"#e4d5c2",0.0819,"#6d5948",0.1116,"#54473c",0.1128,"#413b34",0.1297,"#866e5a",0.564,"rio-de-janeiro-bay-nga-50281","Rio de Janeiro Bay",{"_42":767,"_221":768,"_324":769,"_326":327,"_328":770,"_330":771,"_332":-5,"_333":-5,"_334":772,"_140":97},"1864","overall: 45.5 x 91.1 cm (17 15/16 x 35 7/8 in.) framed: 70.2 x 115.9 x 12.1 cm (27 5/8 x 45 5/8 x 4 3/4 in.)",91.1,45.5,2.025717111770524,[752,753,754,755,756],{"_220":300,"_221":301,"_42":302,"_303":304},"1965.2.1","Martin Johnson Heade painted this in 1864, aged 45. It is now at the National Gallery of Art in Washington, DC.","Waves of bottle-green water break over boulders on a sandy shore, while sailboats dot the bay and hills curve around it beneath a sky glowing from butter yellow to mint green.","Across a short stretch of sand in front of us, waves of bottle-green water break over two boulders on the shoreline, with sailboats in the water beyond, in this wide, horizontal painting. One boulder is at the left edge of the painting; the other is a short distance away, about a quarter of the way across. The water cascades down between those large rocks. Across the rest of the beach, the waves flare up to break toward us in white, foamy surf. The land curves back into view on both sides of the canvas with muted, sage-green hills and, to our left, dark green trees on more craggy boulders. A more distant finger of land to our left stretches nearly halfway across the horizon, which comes about halfway up the composition. Minuscule in scale there, smoke pours out of a chimney, which is surrounded by pale yellow buildings. A mound emerges from the horizon to our right of center. About ten sailboats float on the water. The closest one to us is near the center of the painting, and the tiny forms of people aboard can just barely be made out. The other boats become smaller as they move back to the horizon, and some are only a touch of white or gray on the canvas. White and pale lavender-purple clouds sweep up from the horizon into the sky, which glows butter yellow along the left edge. The sky cools to mint green in the upper right corner. Several white or brown birds fly across the sky or low over the water. The artist signed and dated the lower left, “M. J. Heade 1864.”",{"_294":749,"_296":750,"_298":751},"https://img.ochreeditions.com/m/1531.jpg?dl=1","/art/rio-de-janeiro-bay-nga-50281","/galleries/style/antebellum-america/rio-de-janeiro-bay-nga-50281",{"_290":291,"_292":293},{"_224":744,"_125":745,"_284":746},{"_275":741,"_277":742,"_279":725,"_280":743},106.1,59.971728515624996,44.971728515624996,{"_286":224,"_123":747,"_154":748,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/martin-johnson-heade","More by Martin Johnson Heade","https://img.ochreeditions.com/a/1531/480.jpg","https://img.ochreeditions.com/a/1531/960.jpg","https://img.ochreeditions.com/a/1531/1920.jpg",{"_310":765,"_312":766},{"_310":763,"_312":764},{"_310":761,"_312":762},{"_310":759,"_312":760},{"_310":757,"_312":758},"#2c2316",0.0912,"#705f31",0.121,"#b9b09c",0.1613,"#95956a",0.2717,"#d5b776",0.3548,"Martin Johnson Heade","martin-johnson-heade","1819–1904",1819,1904,"Heade travelled restlessly and worked in many genres, but is best known for three subjects: the salt marshes of New England and New Jersey, with haystacks under changing skies; hummingbirds and orchids, which he studied on journeys to Brazil and Central America; and, in later…","the-lackawanna-valley-nga-30776","The Lackawanna Valley",{"_42":820,"_221":821,"_324":822,"_326":327,"_328":823,"_330":824,"_332":825,"_333":826,"_334":827,"_140":95},"c. 1856","overall: 86 x 127.5 cm (33 7/8 x 50 3/16 in.) framed: 120.3 x 161.6 x 15.2 cm (47 3/8 x 63 5/8 x 6 in.)",127.5,86,1.490538573508006,[805,806,807,808,809],{"_220":300,"_221":301,"_42":302,"_303":304},"1945.4.1","George Inness painted this in about 1856, aged 31. It is now at the National Gallery of Art in Washington, DC.","A figure reclines beneath a tree in a meadow scattered with stumps, looking out over a valley where a steam train puffs across a bridge, leaving behind a roundhouse, smoking chimneys and a church steeple.","We look across and down into a valley with a person sitting near a tall tree and a train puffing smoke beyond, all enclosed by a band of mountains in the distance in this horizontal landscape painting. Closest to us, several broken, jagged tree stumps are spaced across the painting’s width. A little distance away and to our left, the person wears a yellow, broad-brimmed hat, red vest, and gray pants. He reclines propped on his left elbow near a walking path beside a tall, slender tree with golden leaves. The green meadow stretching in front of him is dotted with tree stumps cut close to the ground. Beyond the meadow, puffs of white smoke trail behind a long steam locomotive that crosses a bridge spanning a tree-filled ravine, headed to our left. The ravine creates a diagonal line across the canvas, moving subtly away from us to our left. The train has climbed out of the valley, away from a cluster of brick-red buildings. The most prominent structure is a train roundhouse, a large building with a high, domed roof to the right of the tracks. Smoke rises from chimneys on long, warehouse-like buildings, and a steeple and smaller structures suggest a church and homes to our left. Hazy in the distance, a row of mountains lines the horizon, which comes about halfway up the composition. The sky above deepens from pale, shell pink over the mountains to watery, pale blue above. The artist signed the work in tiny letters in the lower left corner: “G. Inness.”",{"_294":802,"_296":803,"_298":804},"https://img.ochreeditions.com/m/1460.jpg?dl=1","/art/the-lackawanna-valley-nga-30776","/galleries/style/antebellum-america/the-lackawanna-valley-nga-30776",{"_290":291,"_292":293},{"_224":797,"_125":798,"_284":799},{"_275":794,"_277":795,"_279":778,"_280":796},142.5,100.53955078125,85.53955078125,{"_286":224,"_123":800,"_154":801,"_140":95},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/george-inness","More by George Inness","https://img.ochreeditions.com/a/1460/480.jpg","https://img.ochreeditions.com/a/1460/960.jpg","https://img.ochreeditions.com/a/1460/1920.jpg",{"_310":818,"_312":819},{"_310":816,"_312":817},{"_310":814,"_312":815},{"_310":812,"_312":813},{"_310":810,"_312":811},"#896f2e",0.0981,"#8b8a70",0.1246,"#444126",0.1915,"#655a2a",0.2485,"#d6c8a0",0.3373,"George Inness","george-inness","American, 1825–1894",1825,1894,"Newburgh, New York","Bridge of Allan, Scotland","Inness was largely self-taught and began in the manner of the Hudson River School, but journeys to Italy and France, where he admired the Barbizon painters, led him towards broader, more atmospheric landscapes.","mrs-goss-the-woman-in-fur-cma-97636","Mrs. Goss (The Woman in Fur)",{"_42":874,"_221":875,"_324":876,"_326":327,"_328":877,"_330":454,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1850s","Unframed: 76 x 63.5 cm (29 15/16 x 25 in.)",63.5,76,0.8270588235294117,[859,860,861,862,863],{"_220":490,"_221":491,"_42":492,"_303":493},"1917.279","Caroline L. Ransom painted this in about 1850s, aged about 11. It is now at the Cleveland Museum of Art.","Mrs. Goss (The Woman in Fur), by Caroline L. Ransom, c. 1850s",{"_294":856,"_296":857,"_298":858},"https://img.ochreeditions.com/m/491.jpg?dl=1","/art/mrs-goss-the-woman-in-fur-cma-97636","/galleries/style/antebellum-america/mrs-goss-the-woman-in-fur-cma-97636",{"_290":291,"_292":293},{"_224":851,"_125":852,"_284":853},{"_275":848,"_277":849,"_279":850,"_280":834},77.85647058823528,91,62.85647058823529,{"_286":224,"_123":854,"_154":855,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-caroline-l-ransom","Caroline L. Ransom's contemporaries","https://img.ochreeditions.com/a/491/480.jpg","https://img.ochreeditions.com/a/491/960.jpg","https://img.ochreeditions.com/a/491/1920.jpg",{"_310":872,"_312":873},{"_310":870,"_312":871},{"_310":868,"_312":869},{"_310":866,"_312":867},{"_310":864,"_312":865},"#a37454",0.0203,"#5e3e2f",0.0846,"#433026",0.2391,"#2f231c",0.2521,"#504132",0.4039,"Caroline L. Ransom","caroline-l-ransom","American, 1838–1910",1838,"aaron-baldwin-nga-32581","Aaron Baldwin",{"_42":925,"_221":926,"_324":927,"_326":327,"_328":928,"_330":929,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1835","oil on wood","overall: 64.5 x 54.2 cm (25 3/8 x 21 5/16 in.)",54.2,64.5,0.8359375,[910,911,912,913,914],{"_220":300,"_221":301,"_42":302,"_303":304},"1945.11.1","Francis Alexander painted this in about 1835, aged 35. It is now at the National Gallery of Art in Washington, DC.","The image is a portrait painting showing a man's upper body. He is positioned slightly turned to his right, with his head facing the viewer. The man has fair skin, defined cheekbones, and small, bright eyes. His hair is short, neatly combed, and grey or white. He is wearing a dark coat over a white shirt with a high collar, partially visible. The background is a muted, dark color, providing a simple setting that emphasizes the subject. There are no visible jewelry or objects in the image.",{"_294":907,"_296":908,"_298":909},"https://img.ochreeditions.com/m/1466.jpg?dl=1","/art/aaron-baldwin-nga-32581","/galleries/style/antebellum-america/aaron-baldwin-nga-32581",{"_290":291,"_292":293},{"_224":902,"_125":903,"_284":904},{"_275":899,"_277":900,"_279":901,"_280":885},68.91796875,79.5,53.91796875,{"_286":224,"_123":905,"_154":906,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-francis-alexander","Francis Alexander's contemporaries","https://img.ochreeditions.com/a/1466/480.jpg","https://img.ochreeditions.com/a/1466/960.jpg","https://img.ochreeditions.com/a/1466/1920.jpg",{"_310":923,"_312":924},{"_310":921,"_312":922},{"_310":919,"_312":920},{"_310":917,"_312":918},{"_310":915,"_312":916},"#dcc472",0.0301,"#7a5f29",0.0318,"#c68e32",0.0495,"#363625",0.3113,"#12161c",0.5773,"Francis Alexander","francis-alexander","American, 1800–1880",1800,1880,"trees-along-stream-in-fall-si-saam-1970-287","Trees along Stream in Fall",{"_42":399,"_221":400,"_324":401,"_326":327,"_328":402,"_330":403,"_332":-5,"_333":-5,"_334":-5,"_140":101},"1861","12 5/8 x 20 in. (32.0 x 50.9 cm.)",50.9,32,1.5932023366967605,[960,961,962,963,964],{"_220":380,"_221":381,"_42":382,"_303":304},"Courtesy of the Smithsonian American Art Museum","1970.287","William Trost Richards painted this in 1861, aged 28. It is now at the Smithsonian American Art Museum in Washington, DC.","Trees along Stream in Fall, by William Trost Richards, 1861",{"_294":957,"_296":958,"_298":959},"https://img.ochreeditions.com/m/1940.jpg?dl=1","/art/trees-along-stream-in-fall-si-saam-1970-287","/galleries/style/antebellum-america/trees-along-stream-in-fall-si-saam-1970-287",{"_290":291,"_292":293},{"_224":954,"_125":955,"_284":956},{"_275":951,"_277":952,"_279":935,"_280":953},65.9,46.948233333333334,31.948233333333334,{"_286":224,"_123":370,"_154":371,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1940/480.jpg","https://img.ochreeditions.com/a/1940/960.jpg","https://img.ochreeditions.com/a/1940/1920.jpg",{"_310":973,"_312":974},{"_310":971,"_312":972},{"_310":969,"_312":970},{"_310":967,"_312":968},{"_310":965,"_312":966},"#816851",0.0699,"#8a692d",0.0922,"#2b1708",0.2164,"#51350c",0.2535,"#b3a8a7",0.368,"the-landing-of-columbus-nga-59906","The Landing of Columbus",{"_42":1022,"_221":1023,"_324":1024,"_326":327,"_328":1025,"_330":1026,"_332":1027,"_333":1028,"_334":1029,"_140":95},"c. 1837","overall: 45 x 60 cm (17 11/16 x 23 5/8 in.)",60,45,1.3433912758281403,[1007,1008,1009,1010,1011],{"_220":300,"_221":301,"_42":302,"_303":304},"1980.62.13","Edward Hicks painted this in about 1837, aged 57. It is now at the National Gallery of Art in Washington, DC.","Columbus and his companions, in plumed helmets and bright red, blue and gold, row towards a palm-fringed shore, one man standing in the prow with a white banner, while their ships wait offshore and the island’s inhabitants watch from the hillside and trees.","The painting features a scene showing men in a boat landing on a shore. The horizon is low, with larger sailing ships seen in the distance on the right, floating on the dark green water. The central boat has around eight men in it, all with tan skin and dark hair, dressed in bright garments in shades of red, blue, and gold. Many of them wear plumed helmets and have jewelry or badges adorning them. The boat is heading towards land on the left, and one man stands at the front of the boat, holding a white flag. The land on the left is green, with tall palm trees and a rocky gray mountain. People with dark skin can be seen in on the land in the distance, some climbing the mountain and others standing beneath trees. The sky is a gradient from pinkish-orange near the horizon to light blue at the top of the painting, with a few faint gray clouds.",{"_294":1004,"_296":1005,"_298":1006},"https://img.ochreeditions.com/m/1598.jpg?dl=1","/art/the-landing-of-columbus-nga-59906","/galleries/style/antebellum-america/the-landing-of-columbus-nga-59906",{"_290":291,"_292":293},{"_224":999,"_125":1000,"_284":1001},{"_275":996,"_277":997,"_279":980,"_280":998},75,59.6630859375,44.6630859375,{"_286":224,"_123":1002,"_154":1003,"_140":95},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/edward-hicks","More by Edward Hicks","https://img.ochreeditions.com/a/1598/480.jpg","https://img.ochreeditions.com/a/1598/960.jpg","https://img.ochreeditions.com/a/1598/1920.jpg",{"_310":1020,"_312":1021},{"_310":1018,"_312":1019},{"_310":1016,"_312":1017},{"_310":1014,"_312":1015},{"_310":1012,"_312":1013},"#bcc3a1",0.128,"#795f21",0.1569,"#7fa188",0.1639,"#cdb47d",0.2078,"#3b2f18",0.3434,"Edward Hicks","edward-hicks","American, 1780–1849",1780,1849,"Langhorne, Pennsylvania","Newtown, Pennsylvania","Hicks was a Quaker minister in Bucks County, Pennsylvania, who earned his living as a coach and sign painter.","study-for-scientific-group-si-chndm-1942-50-250","Study for \"Scientific Group\"",{"_42":563,"_221":564,"_324":565,"_326":327,"_328":566,"_330":567,"_332":-5,"_333":-5,"_334":568,"_140":99},"1858","Graphite on lined white laid paper","30.8 x 20 cm (12 1/8 x 7 7/8 in.)",20,30.8,0.6676502145922747,[1062,1063,1064,1065,1066],{"_220":380,"_221":381,"_42":382,"_303":383},"1942-50-250","Daniel Huntington drew this in 1858, aged 42. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1061,"_378":379},"STUDY FOR \"SCIENTIFIC GROUP\"",{"_294":1058,"_296":1059,"_298":1060},"https://img.ochreeditions.com/m/1746.jpg?dl=1","/art/study-for-scientific-group-si-chndm-1942-50-250","/galleries/style/antebellum-america/study-for-scientific-group-si-chndm-1942-50-250",{"_290":372,"_292":373},{"_224":1055,"_125":1056,"_284":1057},{"_275":1052,"_277":1053,"_279":1054,"_280":1037},44.56362660944206,54.8,20.56362660944206,{"_286":224,"_123":542,"_154":543,"_140":99},{"_286":125,"_123":367,"_154":368,"_140":369},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1746/480.jpg","https://img.ochreeditions.com/a/1746/960.jpg","https://img.ochreeditions.com/a/1746/1920.jpg","Man with a beard, facing left, his left hand gesturing upwards. The lower half of his coat outlined.",{"_310":1075,"_312":1076},{"_310":1073,"_312":1074},{"_310":1071,"_312":1072},{"_310":1069,"_312":1070},{"_310":1067,"_312":1068},"#c2beb6",0.0465,"#acadaa",0.0673,"#d1ccc1",0.0967,"#e7dcd1",0.2861,"#dfd9cd",0.5034,"landscape-with-haywain-cma-148215","Landscape with Haywain",{"_42":1124,"_221":1125,"_324":1126,"_326":327,"_328":1127,"_330":454,"_332":-5,"_333":-5,"_334":-5,"_140":103},"Framed: 65.5 x 103 x 12.5 cm (25 13/16 x 40 9/16 x 4 15/16 in.); Unframed: 40.2 x 78 cm (15 13/16 x 30 11/16 in.)",78,40.2,1.9406392694063928,[1109,1110,1111,1112,1113],{"_220":490,"_221":491,"_42":492,"_303":493},"1975.20","Worthington Whittredge painted this in 1861, aged 41. It is now at the Cleveland Museum of Art.",{"_118":1108,"_378":652},"Landscape with Haywain, by Worthington Whittredge, 1861",{"_294":1105,"_296":1106,"_298":1107},"https://img.ochreeditions.com/m/684.jpg?dl=1","/art/landscape-with-haywain-cma-148215","/galleries/style/antebellum-america/landscape-with-haywain-cma-148215",{"_290":291,"_292":293},{"_224":1100,"_125":1101,"_284":1102},{"_275":1097,"_277":1098,"_279":1081,"_280":1099},93,55.19294117647059,40.19294117647059,{"_286":224,"_123":1103,"_154":1104,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-worthington-whittredge","Worthington Whittredge's contemporaries","https://img.ochreeditions.com/a/684/480.jpg","https://img.ochreeditions.com/a/684/960.jpg","https://img.ochreeditions.com/a/684/1920.jpg","Painted during the first year of the Civil War, this idyllic view of a farm near Dobb's Ferry, New York, proclaimed to Northern viewers the success of an agricultural system in which farmers worked their own land. The American flag hanging beside the homestead subtly alludes to the war.",{"_310":1122,"_312":1123},{"_310":1120,"_312":1121},{"_310":1118,"_312":1119},{"_310":1116,"_312":1117},{"_310":1114,"_312":1115},"#565047",0.1127,"#c8bead",0.1567,"#76532f",0.1643,"#41351d",0.2287,"#8a857f",0.3376,"Worthington Whittredge","worthington-whittredge","American, 1820–1910",1820,{"_1129":-5,"_1130":1131,"_1132":1133,"_1134":8,"_1135":1136,"_1137":8},"user","csrf","a2e58eac00fa973fa85a292dd6dc347516d4b8d6","cartCount",0,"dropLive","legal",[1138,1139,1140,1141,1142,1143,1144,1145,1146,1147,1148,1149],"uploadsEnabled",{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},{"_221":1164,"_20":1165},{"_221":1162,"_20":1163},{"_221":1160,"_20":1161},{"_221":1158,"_20":1159},{"_221":1156,"_20":1157},{"_221":1154,"_20":1155},{"_221":1152,"_20":1153},{"_221":1150,"_20":1151},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]