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B. Morse and Henry Inman in New York and made several journeys to Italy, which shaped his early allegorical and religious pictures, such as Mercy’s Dream.","study-of-foliage-si-chndm-1953-179-16","Study of foliage",{"_42":391,"_222":392,"_329":393,"_331":332,"_333":394,"_335":395,"_337":-5,"_338":-5,"_339":-5,"_140":101},"October 25, 1862","Graphite on paper","15.1 × 22.3 cm (5 15/16 × 8 3/4 in.)",22.3,15.1,1.4374358974358974,[376,377,378,379,380],{"_221":305,"_222":306,"_42":307,"_308":309},"1953-179-16","William Trost Richards drew this (October 25, 1862), aged 29. 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It is now at the National Gallery of Art in Washington, DC.","Waves of bottle-green water break over boulders on a sandy shore, while sailboats dot the bay and hills curve around it beneath a sky glowing from butter yellow to mint green.","Across a short stretch of sand in front of us, waves of bottle-green water break over two boulders on the shoreline, with sailboats in the water beyond, in this wide, horizontal painting. One boulder is at the left edge of the painting; the other is a short distance away, about a quarter of the way across. The water cascades down between those large rocks. Across the rest of the beach, the waves flare up to break toward us in white, foamy surf. The land curves back into view on both sides of the canvas with muted, sage-green hills and, to our left, dark green trees on more craggy boulders. A more distant finger of land to our left stretches nearly halfway across the horizon, which comes about halfway up the composition. Minuscule in scale there, smoke pours out of a chimney, which is surrounded by pale yellow buildings. A mound emerges from the horizon to our right of center. About ten sailboats float on the water. The closest one to us is near the center of the painting, and the tiny forms of people aboard can just barely be made out. The other boats become smaller as they move back to the horizon, and some are only a touch of white or gray on the canvas. White and pale lavender-purple clouds sweep up from the horizon into the sky, which glows butter yellow along the left edge. The sky cools to mint green in the upper right corner. Several white or brown birds fly across the sky or low over the water. The artist signed and dated the lower left, “M. J. Heade 1864.”",{"_296":434,"_298":435,"_300":436},"https://img.ochreeditions.com/m/1531.jpg?dl=1","/art/rio-de-janeiro-bay-nga-50281","/galleries/style/antebellum-america/rio-de-janeiro-bay-nga-50281",{"_292":432,"_294":433},{"_225":424,"_125":425,"_286":426},{"_277":421,"_279":422,"_281":404,"_283":423},106.1,59.971728515624996,44.971728515624996,{"_288":225,"_123":430,"_154":431,"_140":97},{"_288":125,"_123":427,"_154":428,"_140":429},{"_288":286,"_123":167,"_154":166,"_140":169},"style/painting-19","More paintings of the 19th century",432,"artist/martin-johnson-heade","More by Martin Johnson Heade","natural","ivory","https://img.ochreeditions.com/a/1531/480.jpg","https://img.ochreeditions.com/a/1531/960.jpg","https://img.ochreeditions.com/a/1531/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_315":454,"_317":455},{"_315":452,"_317":453},{"_315":450,"_317":451},{"_315":448,"_317":449},{"_315":446,"_317":447},"#2c2316",0.0912,"#705f31",0.121,"#b9b09c",0.1613,"#95956a",0.2717,"#d5b776",0.3548,"Martin Johnson Heade","martin-johnson-heade","1819–1904",1819,1904,"Heade travelled restlessly and worked in many genres, but is best known for three subjects: the salt marshes of New England and New Jersey, with haystacks under changing skies; hummingbirds and orchids, which he studied on journeys to Brazil and Central America; and, in later…","winter-in-the-country-nga-109732","Winter in the Country",{"_42":508,"_222":509,"_329":510,"_331":332,"_333":511,"_335":512,"_337":-5,"_338":-5,"_339":-5,"_140":103},"c. 1859","overall: 66.7 x 92.1 cm (26 1/4 x 36 1/4 in.) framed: 94.6 x 120.3 x 8.3 cm (37 1/4 x 47 3/8 x 3 1/4 in.)",92.1,66.7,1.3950953678474114,[493,494,495,496,497],{"_221":437,"_222":438,"_42":439,"_308":440},"1999.42.1","George Henry Durrie painted this in about 1859, aged 39. It is now at the National Gallery of Art in Washington, DC.","This painting shows a winter landscape with snowy, rural terrain. It includes a large barn, a farmhouse, and some bare trees covered in snow. Some brown cows are fenced in by the barn on the left, and a person walking along a snowy path brings them a bundle of golden hay. The sky is overcast, with dark gray clouds, and the color palette of the painting consists of earth tones with variations of grey and brown among the white snow.",{"_296":490,"_298":491,"_300":492},"https://img.ochreeditions.com/m/1645.jpg?dl=1","/art/winter-in-the-country-nga-109732","/galleries/style/antebellum-america/winter-in-the-country-nga-109732",{"_292":432,"_294":433},{"_225":485,"_125":486,"_286":487},{"_277":482,"_279":483,"_281":467,"_283":484},107.1,81.0169921875,66.0169921875,{"_288":225,"_123":488,"_154":489,"_140":89},{"_288":125,"_123":427,"_154":428,"_140":429},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-george-henry-durrie","George Henry Durrie's contemporaries","https://img.ochreeditions.com/a/1645/480.jpg","https://img.ochreeditions.com/a/1645/960.jpg","https://img.ochreeditions.com/a/1645/1920.jpg",{"_315":506,"_317":507},{"_315":504,"_317":505},{"_315":502,"_317":503},{"_315":500,"_317":501},{"_315":498,"_317":499},"#4c4131",0.1205,"#7b6751",0.1378,"#ccbcb0",0.2361,"#746a68",0.2503,"#a89488",0.2553,"George Henry Durrie","george-henry-durrie","American, 1820–1863",1820,1863,"study-of-landscape-delaware-river-si-chndm-1969-121-73","Study of landscape, Delaware River",{"_42":561,"_222":562,"_329":563,"_331":332,"_333":564,"_335":565,"_337":-5,"_338":-5,"_339":566,"_140":99},"ca. 1855","38.1 × 54.8 cm (15 in. × 21 9/16 in.)",54.8,38.1,1.4174568965517242,[546,547,548,549,550],{"_221":305,"_222":306,"_42":307,"_308":309},"1969-121-73","William Stanley Haseltine drew this in about 1855, aged 20. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":545,"_303":304},"STUDY OF LANDSCAPE, DELAWARE RIVER",{"_296":542,"_298":543,"_300":544},"https://img.ochreeditions.com/m/1755.jpg?dl=1","/art/study-of-landscape-delaware-river-si-chndm-1969-121-73","/galleries/style/antebellum-america/study-of-landscape-delaware-river-si-chndm-1969-121-73",{"_292":293,"_294":295},{"_225":537,"_125":538,"_286":539},{"_277":534,"_279":535,"_281":518,"_283":536},78.8,62.66078759312756,38.66078759312756,{"_288":225,"_123":540,"_154":541,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/william-stanley-haseltine","More by William Stanley Haseltine","https://img.ochreeditions.com/a/1755/480.jpg","https://img.ochreeditions.com/a/1755/960.jpg","https://img.ochreeditions.com/a/1755/1920.jpg","Sketch of a river with figures fishing.",{"_315":559,"_317":560},{"_315":557,"_317":558},{"_315":555,"_317":556},{"_315":553,"_317":554},{"_315":551,"_317":552},"#bab7b8",0.0743,"#cabca8",0.1059,"#d7c7b3",0.1556,"#cfc3b0",0.2472,"#d3c8b4",0.417,"William Stanley Haseltine","william-stanley-haseltine","American, 1835–1900",1835,1900,"Haseltine was born in Philadelphia, studied at Harvard and trained in Düsseldorf, where he travelled and painted with Albert Bierstadt and Worthington Whittredge.","symphony-in-white-no-1-the-white-girl-nga-12198","Symphony in White, No. 1: The White Girl",{"_42":614,"_222":615,"_329":616,"_331":332,"_333":617,"_335":618,"_337":619,"_338":620,"_339":621,"_140":231},"1861-1863, 1872","overall: 213 x 107.9 cm (83 7/8 x 42 1/2 in.) framed: 244.2 x 136.5 x 8.3 cm (96 1/8 x 53 3/4 x 3 1/4 in.)",107.9,213,0.502685546875,[599,600,601,602,603],{"_221":437,"_222":438,"_42":439,"_308":440},"1943.6.2","James McNeill Whistler painted this in 1861-1863, 1872, aged about 27. It is now at the National Gallery of Art in Washington, DC.","A young woman in a long white dress stands against a white curtain, a lily drooping from her hand and flowers scattered on the animal-skin rug at her feet, whose snarling head stares out at us. The model was Joanna Hiffernan, Whistler’s companion.","A young woman with pale, peachy skin, wearing a long, flowing white dress, stands in front of a white curtain in this vertical portrait painting. Her auburn-red hair cascades down over and behind her shoulders. She looks to our left with green eyes, and her pink, full lips are closed. Her dress has puffed shoulders above a white-on-white striped pattern on the long sleeves. She stands on an animal pelt; it is not clear whether it is a wolf or a bear. The pelt spans the width of the painting and overlaps a blue patterned carpet. The animal’s mouth gapes to show sharp teeth. Its glassy eyes are wide open, and it seems to look at us. The edges of the animal skin are red. The woman holds a white lily by her side in her left hand, while yellow and purple flowers lie scattered on the pelt.",{"_296":596,"_298":597,"_300":598},"https://img.ochreeditions.com/m/1367.jpg?dl=1","/art/symphony-in-white-no-1-the-white-girl-nga-12198","/galleries/style/antebellum-america/symphony-in-white-no-1-the-white-girl-nga-12198",{"_292":432,"_294":433},{"_225":591,"_125":592,"_286":593},{"_277":588,"_279":589,"_281":590,"_283":573},122.072021484375,228,107.072021484375,{"_288":225,"_123":594,"_154":595,"_140":231},{"_288":125,"_123":427,"_154":428,"_140":429},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/1367/480.jpg","https://img.ochreeditions.com/a/1367/960.jpg","https://img.ochreeditions.com/a/1367/1920.jpg",{"_315":612,"_317":613},{"_315":610,"_317":611},{"_315":608,"_317":609},{"_315":606,"_317":607},{"_315":604,"_317":605},"#624630",0.0527,"#575752",0.0649,"#907f64",0.2036,"#b0a48a",0.3237,"#c9bea7",0.3551,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","the-landing-of-columbus-nga-59906","The Landing of Columbus",{"_42":669,"_222":670,"_329":671,"_331":332,"_333":672,"_335":673,"_337":674,"_338":675,"_339":676,"_140":95},"c. 1837","overall: 45 x 60 cm (17 11/16 x 23 5/8 in.)",60,45,1.3433912758281403,[654,655,656,657,658],{"_221":437,"_222":438,"_42":439,"_308":440},"1980.62.13","Edward Hicks painted this in about 1837, aged 57. It is now at the National Gallery of Art in Washington, DC.","Columbus and his companions, in plumed helmets and bright red, blue and gold, row towards a palm-fringed shore, one man standing in the prow with a white banner, while their ships wait offshore and the island’s inhabitants watch from the hillside and trees.","The painting features a scene showing men in a boat landing on a shore. The horizon is low, with larger sailing ships seen in the distance on the right, floating on the dark green water. The central boat has around eight men in it, all with tan skin and dark hair, dressed in bright garments in shades of red, blue, and gold. Many of them wear plumed helmets and have jewelry or badges adorning them. The boat is heading towards land on the left, and one man stands at the front of the boat, holding a white flag. The land on the left is green, with tall palm trees and a rocky gray mountain. People with dark skin can be seen in on the land in the distance, some climbing the mountain and others standing beneath trees. The sky is a gradient from pinkish-orange near the horizon to light blue at the top of the painting, with a few faint gray clouds.",{"_296":651,"_298":652,"_300":653},"https://img.ochreeditions.com/m/1598.jpg?dl=1","/art/the-landing-of-columbus-nga-59906","/galleries/style/antebellum-america/the-landing-of-columbus-nga-59906",{"_292":432,"_294":433},{"_225":646,"_125":647,"_286":648},{"_277":643,"_279":644,"_281":627,"_283":645},75,59.6630859375,44.6630859375,{"_288":225,"_123":649,"_154":650,"_140":95},{"_288":125,"_123":427,"_154":428,"_140":429},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/edward-hicks","More by Edward Hicks","https://img.ochreeditions.com/a/1598/480.jpg","https://img.ochreeditions.com/a/1598/960.jpg","https://img.ochreeditions.com/a/1598/1920.jpg",{"_315":667,"_317":668},{"_315":665,"_317":666},{"_315":663,"_317":664},{"_315":661,"_317":662},{"_315":659,"_317":660},"#bcc3a1",0.128,"#795f21",0.1569,"#7fa188",0.1639,"#cdb47d",0.2078,"#3b2f18",0.3434,"Edward Hicks","edward-hicks","American, 1780–1849",1780,1849,"Langhorne, Pennsylvania","Newtown, Pennsylvania","Hicks was a Quaker minister in Bucks County, Pennsylvania, who earned his living as a coach and sign painter.","white-mare-cma-135323","White Mare",{"_42":732,"_222":733,"_329":734,"_331":332,"_333":735,"_335":736,"_337":737,"_338":738,"_339":739,"_140":53},"c. 1868","oil on panel","Framed: 32.5 x 45 x 4.5 cm (12 13/16 x 17 11/16 x 1 3/4 in.); Unframed: 20 x 32.6 cm (7 7/8 x 12 13/16 in.)",32.6,20,1.6488845780795345,[717,718,719,720,721],{"_221":713,"_222":714,"_42":715,"_308":716},"Courtesy of the Cleveland Museum of Art","1958.33","Winslow Homer painted this in about 1868, aged about 27. It is now at the Cleveland Museum of Art.",{"_118":711,"_303":712},"White Mare, by Winslow Homer, c. 1868",{"_296":708,"_298":709,"_300":710},"https://img.ochreeditions.com/m/624.jpg?dl=1","/art/white-mare-cma-135323","/galleries/style/antebellum-america/white-mare-cma-135323",{"_292":432,"_294":433},{"_225":703,"_125":704,"_286":705},{"_277":700,"_279":701,"_281":683,"_283":702},47.6,34.770941176470586,19.77094117647059,{"_288":225,"_123":706,"_154":707,"_140":53},{"_288":125,"_123":427,"_154":428,"_140":429},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/624/480.jpg","https://img.ochreeditions.com/a/624/960.jpg","https://img.ochreeditions.com/a/624/1920.jpg","In August 1868 Winslow Homer, then working as a free-lance illustrator, visited the White Mountains of New Hampshire. As early as the 1820s, American artists used the White Mountains as a setting for landscape paintings.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_315":730,"_317":731},{"_315":728,"_317":729},{"_315":726,"_317":727},{"_315":724,"_317":725},{"_315":722,"_317":723},"#bdb29a",0.0765,"#53463c",0.1302,"#746c5c",0.2296,"#928975",0.2444,"#301d1b",0.3193,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","asian-tea-pots-nga-134159","Asian Tea Pots",{"_42":787,"_222":788,"_329":789,"_331":332,"_333":790,"_335":618,"_337":-5,"_338":-5,"_339":-5,"_140":103},"n.d.","watercolor on paper mounted to paperboard","sheet: 25.72 × 23.5 cm (10 1/8 × 9 1/4 in.) mount: 38.1 × 81.28 cm (15 × 32 in.)",23.5,25.7,0.9208651399491095,[772,773,774,775,776],{"_221":437,"_222":438,"_42":439,"_308":440},"2004.165.5","Henry Farrer painted this (n.d.), aged about 16. It is now at the National Gallery of Art in Washington, DC.","There are two teapots in the image. The larger teapot has a decorative pattern of red leaves and blue curve on an olive-green background, with a white handle. The smaller teapot has a dark brown glossy finish. The color palette consists of earthy tones like browns, olive green, red, and blue. The larger teapot is positioned slightly to the right, behind the smaller one, which is in the foreground on a reflective green surface. The background has a light beige appearance.",{"_296":769,"_298":770,"_300":771},"https://img.ochreeditions.com/m/1659.jpg?dl=1","/art/asian-tea-pots-nga-134159","/galleries/style/antebellum-america/asian-tea-pots-nga-134159",{"_292":293,"_294":295},{"_225":764,"_125":765,"_286":766},{"_277":761,"_279":762,"_281":763,"_283":747},47.66623409669211,49.7,23.66623409669211,{"_288":225,"_123":767,"_154":768,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-henry-farrer","Henry Farrer's contemporaries","https://img.ochreeditions.com/a/1659/480.jpg","https://img.ochreeditions.com/a/1659/960.jpg","https://img.ochreeditions.com/a/1659/1920.jpg",{"_315":785,"_317":786},{"_315":783,"_317":784},{"_315":781,"_317":782},{"_315":779,"_317":780},{"_315":777,"_317":778},"#997749",0.0694,"#433527",0.0959,"#ab9a80",0.1329,"#6c6852",0.2609,"#d1c2a6",0.4409,"Henry Farrer","henry-farrer","American, born England, 1844–1903",1844,"the-grave-of-william-penn-nga-59905","The Grave of William Penn",{"_42":669,"_222":670,"_329":671,"_331":332,"_333":672,"_335":673,"_337":674,"_338":675,"_339":676,"_140":95},"c. 1847/1848","overall: 60.4 x 75.5 cm (23 3/4 x 29 3/4 in.) framed: 81.4 x 96.5 cm (32 1/16 x 38 in.)",75.5,60.4,1.271654765600745,[821,822,823,824,825],{"_221":437,"_222":438,"_42":439,"_308":440},"1980.62.12","Edward Hicks painted this in about 1847/1848, aged about 67. It is now at the National Gallery of Art in Washington, DC.","Herdsmen rest beneath a tree with a dog, a basket and a herd of cows and sheep, while in the distance figures and a wagon gather before a large house on a hill. The setting is Jordans in Buckinghamshire, where William Penn, the Quaker founder of Pennsylvania, was buried in 1718.","This painting shows a pastoral setting with a large white-and-gray house on a hill to the left. Distant people stand in front of the house, along with a horse-drawn wagon. In the bottom right corner, two people sit in the grass under a tree, one dressed in red holding a tall crook and the other wearing a black garment and a yellow hat and petting a large brown-and-white dog. There is a basket on the ground between them, and next to them is a large herd of cows and sheep, all resting on the grass. The landscape includes trees with green leaves and yellow hills in the distance. The sky above is in pastel shades of pink and blue, with fluffy clouds. In the bottom left, a patch of yellow ground has several lines of text written over it.",{"_296":818,"_298":819,"_300":820},"https://img.ochreeditions.com/m/1597.jpg?dl=1","/art/the-grave-of-william-penn-nga-59905","/galleries/style/antebellum-america/the-grave-of-william-penn-nga-59905",{"_292":432,"_294":433},{"_225":815,"_125":816,"_286":817},{"_277":812,"_279":813,"_281":796,"_283":814},90.5,74.3714599609375,59.3714599609375,{"_288":225,"_123":649,"_154":650,"_140":95},{"_288":125,"_123":427,"_154":428,"_140":429},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1597/480.jpg","https://img.ochreeditions.com/a/1597/960.jpg","https://img.ochreeditions.com/a/1597/1920.jpg",{"_315":834,"_317":835},{"_315":832,"_317":833},{"_315":830,"_317":831},{"_315":828,"_317":829},{"_315":826,"_317":827},"#554a1b",0.1466,"#af8d39",0.1541,"#757933",0.1841,"#2d2b14",0.2088,"#ded6ae",0.3064,"major-thomas-biddle-nga-1125","Major Thomas Biddle",{"_42":881,"_222":882,"_329":883,"_331":332,"_333":884,"_335":885,"_337":-5,"_338":-5,"_339":-5,"_140":103},"1832","overall: 90.5 x 69.5 cm (35 5/8 x 27 3/8 in.) framed: 122.9 x 102.4 x 11.6 cm (48 3/8 x 40 5/16 x 4 9/16 in.)",69.5,0.758544921875,[866,867,868,869,870],{"_221":437,"_222":438,"_42":439,"_308":440},"1942.8.31","Thomas Wilcocks Sully painted this in 1832, aged 21. It is now at the National Gallery of Art in Washington, DC.","Major Thomas Biddle, by Thomas Wilcocks Sully, 1832",{"_296":863,"_298":864,"_300":865},"https://img.ochreeditions.com/m/1310.jpg?dl=1","/art/major-thomas-biddle-nga-1125","/galleries/style/antebellum-america/major-thomas-biddle-nga-1125",{"_292":432,"_294":433},{"_225":858,"_125":859,"_286":860},{"_277":855,"_279":856,"_281":857,"_283":812},83.6483154296875,105.5,68.6483154296875,{"_288":225,"_123":861,"_154":862,"_140":89},{"_288":125,"_123":427,"_154":428,"_140":429},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-thomas-wilcocks-sully","Thomas Wilcocks Sully's contemporaries","https://img.ochreeditions.com/a/1310/480.jpg","https://img.ochreeditions.com/a/1310/960.jpg","https://img.ochreeditions.com/a/1310/1920.jpg",{"_315":879,"_317":880},{"_315":877,"_317":878},{"_315":875,"_317":876},{"_315":873,"_317":874},{"_315":871,"_317":872},"#362320",0.1087,"#936726",0.1315,"#5a3f21",0.1338,"#130d1d",0.1849,"#a79167",0.4411,"Thomas Wilcocks Sully","thomas-wilcocks-sully","American, 1811–1847",1811,1847,"the-coleman-sisters-nga-33963","The Coleman Sisters",{"_42":933,"_222":934,"_329":935,"_331":332,"_333":936,"_335":937,"_337":938,"_338":939,"_339":940,"_140":91},"1844","overall: 112.5 x 87.5 cm (44 5/16 x 34 7/16 in.) framed: 146.7 x 121.9 x 14 cm (57 3/4 x 48 x 5 1/2 in.)",87.5,112.5,0.7744140625,[918,919,920,921,922],{"_221":437,"_222":438,"_42":439,"_308":440},"1947.9.3","Thomas Sully painted this in 1844, aged 61. It is now at the National Gallery of Art in Washington, DC.","Three sisters with dark ringlets gather around a small table: one turns to look back at us as she rests her hand on a red book, another, in golden yellow, lays a hand on her shoulder, and the third, seated in pale pink, gazes straight out beside a vase of flowers.","In this painting, three women are depicted standing and sitting closely together. The women have fair complexions and dark hair in ringlets, and they are smiling slightly. The woman on the left appears to be standing, and her body is turned to the right while her head is turned over her shoulder to face us. She wears a light blue dress with a brown shawl, and she is holding the edge of a red book that rests on a small table in the bottom right corner. The woman in the middle also appears to be standing, and she is wearing a golden-yellow off-the-shoulder garment. One of her hands is on the shoulder of the woman on the left. The woman on the right is seated at the small table, and she wears a pale pink off-the-shoulder dress. She looks directly out at us. The small table is covered in a golden cloth, and on the right is a vase of colorful flowers. The wall behind the woman is a blend of brown, tan, and pale blue tones.",{"_296":915,"_298":916,"_300":917},"https://img.ochreeditions.com/m/1490.jpg?dl=1","/art/the-coleman-sisters-nga-33963","/galleries/style/antebellum-america/the-coleman-sisters-nga-33963",{"_292":432,"_294":433},{"_225":910,"_125":911,"_286":912},{"_277":907,"_279":908,"_281":909,"_283":892},102.12158203125,127.5,87.12158203125,{"_288":225,"_123":913,"_154":914,"_140":91},{"_288":125,"_123":427,"_154":428,"_140":429},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/thomas-sully","More by Thomas Sully","https://img.ochreeditions.com/a/1490/480.jpg","https://img.ochreeditions.com/a/1490/960.jpg","https://img.ochreeditions.com/a/1490/1920.jpg",{"_315":931,"_317":932},{"_315":929,"_317":930},{"_315":927,"_317":928},{"_315":925,"_317":926},{"_315":923,"_317":924},"#95613e",0.0973,"#66492f",0.1142,"#c18d5b",0.1215,"#47341e",0.2513,"#3a200f",0.4157,"Thomas Sully","thomas-sully","American, 1783–1872",1783,1872,"Horncastle, Lincolnshire","Philadelphia, Pennsylvania","Sully was taken from England to America as a child by his actor parents and settled in Philadelphia in 1808. After brief study with Gilbert Stuart, he went to London, where he worked under Benjamin West and came under the influence of Thomas Lawrence.","study-of-seascape-porcupine-islands-bar-harbor-me-si-chndm-1969-121-68","Study of seascape. Porcupine Islands, Bar Harbor, ME",{"_42":561,"_222":562,"_329":563,"_331":332,"_333":564,"_335":565,"_337":-5,"_338":-5,"_339":566,"_140":99},"1859","Graphite on wove paper mounted on board","36.3 x 53.1 cm (14 5/16 x 20 7/8 in.)",53.1,36.3,1.4432176656151419,[973,974,975,976,977],{"_221":305,"_222":306,"_42":307,"_308":309},"1969-121-68","William Stanley Haseltine drew this in 1859, aged 24. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":972,"_303":304},"STUDY OF SEASCAPE. PORCUPINE ISLANDS, BAR HARBOR, ME",{"_296":969,"_298":970,"_300":971},"https://img.ochreeditions.com/m/1754.jpg?dl=1","/art/study-of-seascape-porcupine-islands-bar-harbor-me-si-chndm-1969-121-68","/galleries/style/antebellum-america/study-of-seascape-porcupine-islands-bar-harbor-me-si-chndm-1969-121-68",{"_292":293,"_294":295},{"_225":966,"_125":967,"_286":968},{"_277":963,"_279":964,"_281":947,"_283":965},77.1,60.7927868852459,36.7927868852459,{"_288":225,"_123":540,"_154":541,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1754/480.jpg","https://img.ochreeditions.com/a/1754/960.jpg","https://img.ochreeditions.com/a/1754/1920.jpg","Sketch of a rocky coastline.",{"_315":986,"_317":987},{"_315":984,"_317":985},{"_315":982,"_317":983},{"_315":980,"_317":981},{"_315":978,"_317":979},"#b0adac",0.0352,"#bdbab9",0.0401,"#beb29c",0.2163,"#c5baa3",0.3448,"#cabaa4",0.3636,"mary-and-francis-wilcox-nga-45956","Mary and Francis Wilcox",{"_42":1034,"_222":1035,"_329":1036,"_331":332,"_333":1037,"_335":1038,"_337":-5,"_338":-5,"_339":-5,"_140":101},"1845","overall: 122 x 101.6 cm (48 1/16 x 40 in.)",101.6,122,0.837890625,[1019,1020,1021,1022,1023],{"_221":437,"_222":438,"_42":439,"_308":440},"1959.11.2","Joseph Whiting Stock painted this in 1845, aged 30. It is now at the National Gallery of Art in Washington, DC.","The image features two young children standing side by side. The child on the left extends one arm sideways and has the other arm lowered, while the child on the right has both arms relaxed by their sides, one holding a string. Both children have round faces with light complexions; the child on the left has dark brown hair styled in waves down to the shoulders, while the child on the right has light brown hair. The child on the left is dressed in a blue dress with a loosely gathered waist and short sleeves, white stockings, white shoes, and a red beaded necklace. The child on the right wears a green dress with similar design features, white stockings, and black shoes. Near their feet are a toy doll in a red cradle and a small toy house. In the background, there is a plain dark wall, a deep red drapery, a carpet with elaborate patterns, and a small wooden table with a box on top.",{"_296":1016,"_298":1017,"_300":1018},"https://img.ochreeditions.com/m/1511.jpg?dl=1","/art/mary-and-francis-wilcox-nga-45956","/galleries/style/antebellum-america/mary-and-francis-wilcox-nga-45956",{"_292":432,"_294":433},{"_225":1011,"_125":1012,"_286":1013},{"_277":1008,"_279":1009,"_281":1010,"_283":994},117.22265625,137,102.22265625,{"_288":225,"_123":1014,"_154":1015,"_140":89},{"_288":125,"_123":427,"_154":428,"_140":429},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-joseph-whiting-stock","Joseph Whiting Stock's contemporaries","https://img.ochreeditions.com/a/1511/480.jpg","https://img.ochreeditions.com/a/1511/960.jpg","https://img.ochreeditions.com/a/1511/1920.jpg",{"_315":1032,"_317":1033},{"_315":1030,"_317":1031},{"_315":1028,"_317":1029},{"_315":1026,"_317":1027},{"_315":1024,"_317":1025},"#8d5333",0.1312,"#d4c0a7",0.1409,"#687126",0.1563,"#4e5553",0.2795,"#3b221e",0.2921,"Joseph Whiting Stock","joseph-whiting-stock","American, 1815–1855",1815,1855,"girl-with-reticule-and-rose-nga-59901","Girl with Reticule and Rose",{"_42":1034,"_222":1035,"_329":1036,"_331":332,"_333":1037,"_335":1038,"_337":-5,"_338":-5,"_339":-5,"_140":101},"c. 1840","overall: 118.6 x 75 cm (46 11/16 x 29 1/2 in.)",118.6,0.63037109375,[1067,1068,1069,1070,1071],{"_221":437,"_222":438,"_42":439,"_308":440},"1980.62.8","Joseph Whiting Stock painted this in about 1840, aged 25. It is now at the National Gallery of Art in Washington, DC.","The image shows a child standing upright, facing forward. They have fair skin, rounded cheeks, short reddish-brown hair, and are wearing a white dress with lace details and a pink ribbon, white pants with lace trim, blue shoes, a red necklace and a heart-shaped pendant. They hold a light pink rose in their left hand and a small black drawstring purse with red accents in their right hand. The background is a gradient from dark green to light green, with a floral-patterned carpet in black, brown, and red on the floor.",{"_296":1064,"_298":1065,"_300":1066},"https://img.ochreeditions.com/m/1595.jpg?dl=1","/art/girl-with-reticule-and-rose-nga-59901","/galleries/style/antebellum-america/girl-with-reticule-and-rose-nga-59901",{"_292":432,"_294":433},{"_225":1061,"_125":1062,"_286":1063},{"_277":1058,"_279":1059,"_281":1060,"_283":1044},89.76201171875,133.6,74.76201171875,{"_288":225,"_123":1014,"_154":1015,"_140":89},{"_288":125,"_123":427,"_154":428,"_140":429},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1595/480.jpg","https://img.ochreeditions.com/a/1595/960.jpg","https://img.ochreeditions.com/a/1595/1920.jpg",{"_315":1080,"_317":1081},{"_315":1078,"_317":1079},{"_315":1076,"_317":1077},{"_315":1074,"_317":1075},{"_315":1072,"_317":1073},"#844a24",0.0867,"#5b5e45",0.1645,"#2a202b",0.1961,"#968f6c",0.2551,"#f4ddc8",0.2976,"trees-along-stream-in-fall-si-saam-1970-287","Trees along Stream in Fall",{"_42":391,"_222":392,"_329":393,"_331":332,"_333":394,"_335":395,"_337":-5,"_338":-5,"_339":-5,"_140":101},"1861","12 5/8 x 20 in. (32.0 x 50.9 cm.)",50.9,32,1.5932023366967605,[1112,1113,1114,1115,1116],{"_221":305,"_222":306,"_42":307,"_308":440},"Courtesy of the Smithsonian American Art Museum","1970.287","William Trost Richards painted this in 1861, aged 28. It is now at the Smithsonian American Art Museum in Washington, DC.","Trees along Stream in Fall, by William Trost Richards, 1861",{"_296":1109,"_298":1110,"_300":1111},"https://img.ochreeditions.com/m/1940.jpg?dl=1","/art/trees-along-stream-in-fall-si-saam-1970-287","/galleries/style/antebellum-america/trees-along-stream-in-fall-si-saam-1970-287",{"_292":432,"_294":433},{"_225":1106,"_125":1107,"_286":1108},{"_277":1103,"_279":1104,"_281":1087,"_283":1105},65.9,46.948233333333334,31.948233333333334,{"_288":225,"_123":370,"_154":371,"_140":89},{"_288":125,"_123":427,"_154":428,"_140":429},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1940/480.jpg","https://img.ochreeditions.com/a/1940/960.jpg","https://img.ochreeditions.com/a/1940/1920.jpg",{"_315":1125,"_317":1126},{"_315":1123,"_317":1124},{"_315":1121,"_317":1122},{"_315":1119,"_317":1120},{"_315":1117,"_317":1118},"#816851",0.0699,"#8a692d",0.0922,"#2b1708",0.2164,"#51350c",0.2535,"#b3a8a7",0.368,{"_1128":-5,"_1129":1130,"_1131":1132,"_1133":8,"_1134":1135,"_1136":8},"user","csrf","4d0696b75f30b5b9865847a63d2c5f500ab67cd6","cartCount",0,"dropLive","legal",[1137,1138,1139,1140,1141,1142,1143,1144,1145,1146,1147,1148],"uploadsEnabled",{"_222":1171,"_20":1172},{"_222":1169,"_20":1170},{"_222":1167,"_20":1168},{"_222":1165,"_20":1166},{"_222":1163,"_20":1164},{"_222":1161,"_20":1162},{"_222":1159,"_20":1160},{"_222":1157,"_20":1158},{"_222":1155,"_20":1156},{"_222":1153,"_20":1154},{"_222":1151,"_20":1152},{"_222":1149,"_20":1150},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]