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It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":432,"_303":304},"BALCONY",{"_296":429,"_298":430,"_300":431},"https://img.ochreeditions.com/m/1709.jpg?dl=1","/art/balcony-si-chndm-1904-16-329","/galleries/style/american-gilded-age/balcony-si-chndm-1904-16-329",{"_292":293,"_294":295},{"_224":426,"_125":427,"_286":428},{"_276":424,"_278":279,"_280":425,"_282":283},39.597716588314306,15.597716588314306,{"_288":224,"_123":170,"_154":169,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1709/480.jpg","https://img.ochreeditions.com/a/1709/960.jpg","https://img.ochreeditions.com/a/1709/1920.jpg","Sketch of a balcony and exterior wall of a building from the street below.",{"_315":446,"_317":447},{"_315":444,"_317":445},{"_315":442,"_317":443},{"_315":440,"_317":441},{"_315":438,"_317":439},"#a69a8d",0.0551,"#b3b2b4",0.1148,"#c2b4a4",0.1625,"#d9c1a6",0.1867,"#dbc7b2",0.4809,"a-rose-met-14931","A Rose",{"_42":510,"_221":511,"_329":512,"_331":332,"_333":513,"_335":514,"_337":515,"_338":516,"_339":517,"_140":99},"1907",20,"painting","Painting","Oil on canvas","58 x 43 7/8 in. (147.3 x 111.4 cm)",111.4,147.3,0.7563138097796883,[495,496,497,498,499],{"_220":492,"_221":493,"_42":494,"_308":309},"Courtesy of The Metropolitan Museum of Art","1993.324","Thomas Anshutz painted this in 1907, aged 56. It is now at The Met in New York.","A Rose, by Thomas Anshutz, 1907",{"_296":489,"_298":490,"_300":491},"https://img.ochreeditions.com/m/865.jpg?dl=1","/art/a-rose-met-14931","/galleries/style/american-gilded-age/a-rose-met-14931",{"_292":487,"_294":488},{"_224":476,"_125":477,"_286":478},{"_276":473,"_278":474,"_280":475,"_282":458},126.4050241805481,162.3,111.4050241805481,{"_288":224,"_123":485,"_154":486,"_140":99},{"_288":125,"_123":482,"_154":483,"_140":484},{"_288":286,"_123":479,"_154":480,"_140":481},"era/20-united-states","20th-century United States",124,"style/painting-20","More paintings of the 20th century",75,"artist/thomas-anshutz","More by Thomas Anshutz","natural","ivory","https://img.ochreeditions.com/a/865/480.jpg","https://img.ochreeditions.com/a/865/960.jpg","https://img.ochreeditions.com/a/865/1920.jpg","met","the-met","The Metropolitan Museum of Art",{"_315":508,"_317":509},{"_315":506,"_317":507},{"_315":504,"_317":505},{"_315":502,"_317":503},{"_315":500,"_317":501},"#b58d68",0.0534,"#b84a3b",0.109,"#6e4232",0.1211,"#e66e63",0.1911,"#1d1c20",0.5254,"Thomas Anshutz","thomas-anshutz","American, 1851–1912",1851,1912,"Newport, Kentucky","Fort Washington, Pennsylvania","Anshutz studied at the Pennsylvania Academy of the Fine Arts under Thomas Eakins, assisting his photographic and anatomical studies, and succeeded him as a teacher there after Eakins was forced out in 1886.","green-and-blue-the-dancer-aic-111164","Green and Blue: The Dancer",{"_42":398,"_221":399,"_329":400,"_331":332,"_333":401,"_335":336,"_337":402,"_338":403,"_339":404,"_140":230},"c. 1893","Watercolor and opaque watercolor over traces of black chalk on brown wove paper laid down on card","27.5 × 18.3 cm (10 7/8 × 7 1/4 in.)",18,27,0.6738479098302183,[549,550,551,552,553],{"_220":379,"_221":380,"_42":381,"_308":382},"1988.219","James McNeill Whistler painted this in about 1893, aged about 54. It is now at the Art Institute of Chicago.","A young dancer in a long, sheer dress is set down in pale washes of watercolour and opaque colour on brown paper, her form emerging from the warm tone of the sheet.","Pale watercolor drawing of young dancer in long sheer dress.",{"_296":546,"_298":547,"_300":548},"https://img.ochreeditions.com/m/277.jpg?dl=1","/art/green-and-blue-the-dancer-aic-111164","/galleries/style/american-gilded-age/green-and-blue-the-dancer-aic-111164",{"_292":293,"_294":295},{"_224":543,"_125":544,"_286":545},{"_276":540,"_278":541,"_280":542,"_282":525},42.19389356541589,51,18.19389356541589,{"_288":224,"_123":374,"_154":375,"_140":230},{"_288":125,"_123":371,"_154":372,"_140":373},{"_288":286,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/277/480.jpg","https://img.ochreeditions.com/a/277/960.jpg","https://img.ochreeditions.com/a/277/1920.jpg",{"_315":562,"_317":563},{"_315":560,"_317":561},{"_315":558,"_317":559},{"_315":556,"_317":557},{"_315":554,"_317":555},"#8f867d",0.0887,"#757d71",0.1744,"#817b68",0.2424,"#756a5a",0.2449,"#8a725c",0.2496,"low-tide-riverside-yacht-club-met-19523","Low Tide, Riverside Yacht Club",{"_42":613,"_221":614,"_329":615,"_331":332,"_333":616,"_335":617,"_337":-5,"_338":-5,"_339":-5,"_140":103},"1894","18 x 24 in. (45.7 x 61 cm)",61,45.7,1.326026443980515,[598,599,600,601,602],{"_220":492,"_221":493,"_42":494,"_308":309},"2007.281.3","Theodore Robinson painted this in 1894, aged 42. It is now at The Met in New York.","Low Tide, Riverside Yacht Club, by Theodore Robinson, 1894",{"_296":595,"_298":596,"_300":597},"https://img.ochreeditions.com/m/869.jpg?dl=1","/art/low-tide-riverside-yacht-club-met-19523","/galleries/style/american-gilded-age/low-tide-riverside-yacht-club-met-19523",{"_292":487,"_294":488},{"_224":587,"_125":588,"_286":589},{"_276":584,"_278":585,"_280":569,"_282":586},76,61.002099186565204,46.002099186565204,{"_288":224,"_123":593,"_154":594,"_140":89},{"_288":125,"_123":590,"_154":591,"_140":592},{"_288":286,"_123":166,"_154":165,"_140":168},"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-theodore-robinson","Theodore Robinson's contemporaries","https://img.ochreeditions.com/a/869/480.jpg","https://img.ochreeditions.com/a/869/960.jpg","https://img.ochreeditions.com/a/869/1920.jpg",{"_315":611,"_317":612},{"_315":609,"_317":610},{"_315":607,"_317":608},{"_315":605,"_317":606},{"_315":603,"_317":604},"#382d21",0.016,"#91a6b4",0.125,"#887c60",0.1807,"#b0b0b1",0.2367,"#948c87",0.4416,"Theodore Robinson","theodore-robinson","1852–1896",1852,1896,"cartoon-for-mural-of-minnesota-state-capital-institute-of-ju-si-saam-1983-114-23","Cartoon for mural of Minnesota State Capital, \"Institute of Justice\"",{"_42":667,"_221":668,"_329":669,"_331":332,"_333":670,"_335":671,"_337":-5,"_338":-5,"_339":672,"_140":95},"ca. 1904","oil on canvas","22 1/8 x 45 3/8 in. (56.2 x 115.1 cm)",115.1,56.2,2.0380434782608696,[652,653,654,655,656],{"_220":305,"_221":306,"_42":307,"_308":651},"Courtesy of the Smithsonian American Art Museum","1983.114.23","Kenyon Cox painted this in about 1904, aged 48. It is now at the Smithsonian American Art Museum in Washington, DC.","Cartoon for mural of Minnesota State Capital, \"Institute of Justice\", by Kenyon Cox, ca. 1904",{"_296":648,"_298":649,"_300":650},"https://img.ochreeditions.com/m/1966.jpg?dl=1","/art/cartoon-for-mural-of-minnesota-state-capital-institute-of-ju-si-saam-1983-114-23","/galleries/style/american-gilded-age/cartoon-for-mural-of-minnesota-state-capital-institute-of-ju-si-saam-1983-114-23",{"_292":487,"_294":488},{"_224":643,"_125":644,"_286":645},{"_276":640,"_278":641,"_280":624,"_282":642},130.1,71.47573333333332,56.47573333333333,{"_288":224,"_123":646,"_154":647,"_140":95},{"_288":125,"_123":482,"_154":483,"_140":484},{"_288":286,"_123":479,"_154":480,"_140":481},"artist/kenyon-cox","More by Kenyon Cox","https://img.ochreeditions.com/a/1966/480.jpg","https://img.ochreeditions.com/a/1966/960.jpg","https://img.ochreeditions.com/a/1966/1920.jpg","Washington, DC",{"_315":665,"_317":666},{"_315":663,"_317":664},{"_315":661,"_317":662},{"_315":659,"_317":660},{"_315":657,"_317":658},"#7e4b22",0.0353,"#986c40",0.0998,"#a9855e",0.1709,"#b39977",0.3367,"#bda686",0.3573,"Kenyon Cox","kenyon-cox","American, 1856–1919",1856,1919,"Cox trained in Cincinnati, Philadelphia and Paris, where he studied with Carolus-Duran and Jean-Léon Gérôme, before settling in New York in 1883.","samoan-scene-si-hmsg-66-1730","Samoan Scene",{"_42":721,"_221":722,"_329":723,"_331":724,"_333":725,"_335":726,"_337":-5,"_338":-5,"_339":727,"_140":97},"1908","Oil on fiberboard","23 1/4 x 30 in. (59.1 x 76.4 cm)",76.4,59.1,1.3204667863554758,[706,707,708,709,710],{"_220":305,"_221":306,"_42":307,"_308":651},"Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution","66.1730","Louis M. Eilshemius painted this in 1908, aged 44. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","Louis Eilshemius",{"_296":703,"_298":704,"_300":705},"https://img.ochreeditions.com/m/1823.jpg?dl=1","/art/samoan-scene-si-hmsg-66-1730","/galleries/style/american-gilded-age/samoan-scene-si-hmsg-66-1730",{"_292":487,"_294":488},{"_224":698,"_125":699,"_286":700},{"_276":695,"_278":696,"_280":679,"_282":697},91.4,72.85832766825288,57.85832766825289,{"_288":224,"_123":701,"_154":702,"_140":97},{"_288":125,"_123":482,"_154":483,"_140":484},{"_288":286,"_123":479,"_154":480,"_140":481},"artist/louis-m-eilshemius","More by Louis M. Eilshemius","https://img.ochreeditions.com/a/1823/480.jpg","https://img.ochreeditions.com/a/1823/960.jpg","https://img.ochreeditions.com/a/1823/1920.jpg",{"_315":719,"_317":720},{"_315":717,"_317":718},{"_315":715,"_317":716},{"_315":713,"_317":714},{"_315":711,"_317":712},"#733c09",0.1276,"#d79435",0.1348,"#daa762",0.1559,"#9f5303",0.2858,"#bc6907",0.2959,"Louis M. Eilshemius","louis-m-eilshemius","New Jersey, 1864–1941","New Jersey",1864,1941,"Eilshemius studied in New York and at the Académie Julian in Paris and travelled widely, as far as Samoa, painting romantic landscapes and nudes that found few admirers.","sand-dunes-harlech-north-wales-si-saam-1983-83-268","Sand Dunes, Harlech, North Wales",{"_42":773,"_221":774,"_329":775,"_331":332,"_333":776,"_335":777,"_337":-5,"_338":-5,"_339":778,"_140":99},"1899","watercolor on paper","sheet: 5 1/2 x 8 7/8 in. (14.0 x 22.5 cm)",22.5,1.6130917592051432,[758,759,760,761,762],{"_220":305,"_221":306,"_42":307,"_308":651},"1983.83.268","George Elbert Burr painted this in 1899, aged 40. It is now at the Smithsonian American Art Museum in Washington, DC.","Sand Dunes, Harlech, North Wales, by George Elbert Burr, 1899",{"_296":755,"_298":756,"_300":757},"https://img.ochreeditions.com/m/1969.jpg?dl=1","/art/sand-dunes-harlech-north-wales-si-saam-1983-83-268","/galleries/style/american-gilded-age/sand-dunes-harlech-north-wales-si-saam-1983-83-268",{"_292":487,"_294":488},{"_224":750,"_125":751,"_286":752},{"_276":373,"_278":748,"_280":283,"_282":749},30.4981884057971,15.498188405797102,{"_288":224,"_123":753,"_154":754,"_140":99},{"_288":125,"_123":590,"_154":591,"_140":592},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/george-elbert-burr","More by George Elbert Burr","https://img.ochreeditions.com/a/1969/480.jpg","https://img.ochreeditions.com/a/1969/960.jpg","https://img.ochreeditions.com/a/1969/1920.jpg",{"_315":771,"_317":772},{"_315":769,"_317":770},{"_315":767,"_317":768},{"_315":765,"_317":766},{"_315":763,"_317":764},"#9793a1",0.0898,"#9f866a",0.1016,"#c0beb6",0.1203,"#a6b0b5",0.2246,"#d4b79d",0.4637,"George Elbert Burr","george-elbert-burr","American, 1859–1939",1859,1939,"Burr worked as an illustrator in New York before spending several years travelling and sketching in Europe around 1900.","portrait-of-mrs-thomas-eakins-si-hmsg-66-1522","Portrait of Mrs. Thomas Eakins",{"_42":790,"_221":824,"_329":825,"_331":332,"_333":826,"_335":827,"_337":828,"_338":828,"_339":829,"_140":87},"(c. 1899)","20 1/8 x 16 1/8 in. (51 x 40.8 cm)",40.8,0.8036666666666666,[809,810,811,812,813],{"_220":305,"_221":306,"_42":307,"_308":651},"66.1522","Thomas Eakins painted this ((c. 1899)), aged 55. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","Thomas Eakins",{"_296":806,"_298":807,"_300":808},"https://img.ochreeditions.com/m/1822.jpg?dl=1","/art/portrait-of-mrs-thomas-eakins-si-hmsg-66-1522","/galleries/style/american-gilded-age/portrait-of-mrs-thomas-eakins-si-hmsg-66-1522",{"_292":487,"_294":488},{"_224":801,"_125":802,"_286":803},{"_276":798,"_278":799,"_280":800,"_282":541},55.987,66,40.987,{"_288":224,"_123":804,"_154":805,"_140":87},{"_288":125,"_123":590,"_154":591,"_140":592},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/thomas-eakins","More by Thomas Eakins","https://img.ochreeditions.com/a/1822/480.jpg","https://img.ochreeditions.com/a/1822/960.jpg","https://img.ochreeditions.com/a/1822/1920.jpg",{"_315":822,"_317":823},{"_315":820,"_317":821},{"_315":818,"_317":819},{"_315":816,"_317":817},{"_315":814,"_317":815},"#684b39",0.0374,"#a1765b",0.038,"#3a312a",0.091,"#26211e",0.3349,"#1b1816",0.4987,"thomas-eakins","American, 1844–1916",1844,1916,"Philadelphia, Pennsylvania","Eakins studied in Paris under Jean-Léon Gérôme and was impressed in Spain by Velázquez and Ribera, then returned to Philadelphia, where he spent his life.","the-lone-tenement-nga-46558","The Lone Tenement",{"_42":881,"_221":882,"_329":883,"_331":332,"_333":884,"_335":885,"_337":-5,"_338":-5,"_339":886,"_140":93},"1909","overall: 91.8 x 122.3 cm (36 1/8 x 48 1/8 in.) framed: 123.2 x 153.4 x 12.7 cm (48 1/2 x 60 3/8 x 5 in.)",122.3,91.8,1.336378466557912,[866,867,868,869,870],{"_220":863,"_221":864,"_42":865,"_308":651},"Courtesy National Gallery of Art, Washington","1963.10.83","George Bellows painted this in 1909, aged 27. It is now at the National Gallery of Art in Washington, DC.","A narrow six-storey tenement stands alone on a cleared lot beneath the massive pier and deck of a bridge, its top floor catching warm sunlight while people gather around a small fire at its foot. Beyond, a tugboat puffs white smoke on an icy river.","A six-story, narrow building stands alone in an otherwise unoccupied lot under the deck of a high bridge, with a river and cityscape in the background in this horizontal painting. Dozens of people, small in scale, are each painted with a few swipes of black and some with peach-colored faces. They gather at the foot of the building and around a fire to our left, near the lower left corner of the composition. The fire is painted with a dash of orange, a few touches of canary yellow, and a smudge of gray smoke. Several more people stand and sit against the building, which has a streetlamp near its entrance. The back end of the building angles away from us to our right, so we see the narrow, front entrance side to our left. Each of the six floors of the building has two windows with fire escape ladders on the narrow side we can see. Some strokes in red and white on the lower levels of the long, flat side of the building suggest signs or posters. The top story glows a warm sienna brown in sunlight, while the rest of the building and the scene below are in shadow. More people walk along a grayish-violet fence that encloses the lot beyond the building. The ground is painted thickly with slate gray, pale, sage green, and one smear of white to suggest snow. To our right and a short distance from us, a white horse pulls a carriage near the foot of the bridge. The ivory-white, concrete piling rises up and off the right edge of the canvas and supports the deck of the bridge above. Only a sliver of the brick-red underside of the bridge is visible, skimming the top edge of the painting in the upper right corner. Two twiggy, barren trees grow up beyond the muted purple fence, and the landscape beyond is bright in the sunlight. A terracotta-orange building rises along the left edge of the painting, with the area between it and the lot under the bridge filled with thickly painted patches of butter yellow, amethyst purple, and sage green. Beyond that, an ice-blue river flows across the composition. The shore beyond is lined with patches of beige and tan paint that could be buildings. A black tugboat puffs bright white smoke in the river. The sky above is frosty white. The artist signed the work with dark blue in the lower left corner of the painting, “Geo Bellows.”",{"_296":860,"_298":861,"_300":862},"https://img.ochreeditions.com/m/1525.jpg?dl=1","/art/the-lone-tenement-nga-46558","/galleries/style/american-gilded-age/the-lone-tenement-nga-46558",{"_292":487,"_294":488},{"_224":855,"_125":856,"_286":857},{"_276":852,"_278":853,"_280":835,"_282":854},137.3,106.5159912109375,91.5159912109375,{"_288":224,"_123":858,"_154":859,"_140":93},{"_288":125,"_123":482,"_154":483,"_140":484},{"_288":286,"_123":479,"_154":480,"_140":481},"artist/george-bellows","More by George Bellows","https://img.ochreeditions.com/a/1525/480.jpg","https://img.ochreeditions.com/a/1525/960.jpg","https://img.ochreeditions.com/a/1525/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_315":879,"_317":880},{"_315":877,"_317":878},{"_315":875,"_317":876},{"_315":873,"_317":874},{"_315":871,"_317":872},"#7c602a",0.1346,"#d2d2c8",0.141,"#483f2e",0.1563,"#ae9f71",0.1799,"#85866f",0.3882,"George Bellows","george-bellows","American, 1882–1925",1882,1925,"Bellows left Ohio State University to study in New York with Robert Henri and became the most celebrated of the younger realists around him.","blue-morning-nga-46557","Blue Morning",{"_42":881,"_221":882,"_329":883,"_331":332,"_333":884,"_335":885,"_337":-5,"_338":-5,"_339":886,"_140":93},"overall: 86.3 x 111.7 cm (34 x 44 in.) framed: 102.9 x 135.6 x 6 cm (40 1/2 x 53 3/8 x 2 3/8 in.)",111.7,86.3,1.2832080200501252,[915,916,917,918,919],{"_220":863,"_221":864,"_42":865,"_308":651},"1963.10.82","Workmen hammer and haul behind a wooden fence beneath the iron column of an elevated railway, while beyond them the ground drops into a vast excavation and the pale blue façade of a building rises in the haze.","From under an elevated train track, we look at a cluster of people hammering and working on the far side of a wooden fence, all against a silvery-blue building that fills most of the background in this horizontal painting. The scene is loosely painted mostly in tones of hazy and saturated blues, so many of the details are indistinct. About a quarter of the way in from the right edge of the composition, a thin iron column holds up the train platform. The column nearly spans the height of the painting, and the track it supports runs across the top edge of the canvas. At the foot of the column, along the bottom edge, are two parallel tracks embedded in an area otherwise painted with short, diagonal strokes in topaz blue, olive green, and straw yellow. Just beyond the tracks, the split-rail wooden fence runs across most of the painting, though there is an opening at the left edge of the canvas. A man sits with his back to us on the railing to our right of center. He wears a dark cap, a lapis-blue shirt, and navy-blue pants. Several men work on or near a mound-shaped form, perhaps a piece of machinery, just beyond the fence, near the center of the painting. One man holds a hammer high overhead while another reaches down or strikes the mound with his feet planted wide. More people work together to our left, and a man to our right stands near a crane. The people and these areas are painted with broad strokes and touches of cobalt blue, charcoal gray, khaki brown, and a few swipes of shell pink and bright white. A puff of white smoke billows up behind the central group, before the land drops precipitously away. The chasm is painted with shimmering tones of aquamarine and cerulean blue. A sky-blue, rectangular building perches at the far edge. A few windows are outlined in royal blue to our left but the rest of the building is loosely painted with long, vertical strokes so no architectural details can be made out. Behind this structure are more city buildings, suggested with strokes of muted rust red, parchment and bright white, and cobalt blue. The ice-blue sky fills the band between the top of the buildings and the train track running overhead. The artist signed his name near the lower left corner, “BELLOWS.”",{"_296":912,"_298":913,"_300":914},"https://img.ochreeditions.com/m/1524.jpg?dl=1","/art/blue-morning-nga-46557","/galleries/style/american-gilded-age/blue-morning-nga-46557",{"_292":487,"_294":488},{"_224":909,"_125":910,"_286":911},{"_276":906,"_278":907,"_280":891,"_282":908},126.7,102.0474609375,87.0474609375,{"_288":224,"_123":858,"_154":859,"_140":93},{"_288":125,"_123":482,"_154":483,"_140":484},{"_288":286,"_123":479,"_154":480,"_140":481},"https://img.ochreeditions.com/a/1524/480.jpg","https://img.ochreeditions.com/a/1524/960.jpg","https://img.ochreeditions.com/a/1524/1920.jpg",{"_315":928,"_317":929},{"_315":926,"_317":927},{"_315":924,"_317":925},{"_315":922,"_317":923},{"_315":920,"_317":921},"#426e85",0.0819,"#7c7f6c",0.1334,"#c2ccc2",0.1628,"#7c9aa1",0.2516,"#383f3e",0.3703,"rainy-day-boston-nga-180939","Rainy Day, Boston",{"_42":977,"_221":978,"_329":979,"_331":332,"_333":776,"_335":980,"_337":-5,"_338":-5,"_339":-5,"_140":101},"1886","pen and black ink, charcoal, and gouache on wove paper","image: 21.59 × 27.31 cm (8 1/2 × 10 3/4 in.) sheet: 26.35 × 31.43 cm (10 3/8 × 12 3/8 in.)",27.3,21.6,1.2239902080783354,[962,963,964,965,966],{"_220":863,"_221":864,"_42":865,"_308":651},"2015.19.852","Childe Hassam painted this in 1886, aged 27. It is now at the National Gallery of Art in Washington, DC.","The image shows a street scene from an elevated viewpoint. A horse-drawn carriage is seen moving on a wet road, reflecting light. Pedestrians with umbrellas populate the avenue. The road is visibly marked with rainwater. The skyline displays detailed architectural features like church spires and towers. The painting is done in fine, linear brushstrokes highlighting movement and atmosphere. The grayscale palette emphasizes the rainy urban setting. Wisps of steam or smoke are visible. The intricate line work and shading depict a textured, busy street under an overcast sky.",{"_296":959,"_298":960,"_300":961},"https://img.ochreeditions.com/m/1686.jpg?dl=1","/art/rainy-day-boston-nga-180939","/galleries/style/american-gilded-age/rainy-day-boston-nga-180939",{"_292":293,"_294":295},{"_224":954,"_125":955,"_286":956},{"_276":951,"_278":952,"_280":936,"_282":953},51.3,46.304100000000005,22.304100000000002,{"_288":224,"_123":957,"_154":958,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-childe-hassam","Childe Hassam's contemporaries","https://img.ochreeditions.com/a/1686/480.jpg","https://img.ochreeditions.com/a/1686/960.jpg","https://img.ochreeditions.com/a/1686/1920.jpg",{"_315":975,"_317":976},{"_315":973,"_317":974},{"_315":971,"_317":972},{"_315":969,"_317":970},{"_315":967,"_317":968},"#696760",0.0243,"#a0998c",0.07,"#c0b6a6",0.1758,"#d9ccbb",0.3275,"#e7d8c5",0.4024,"Childe Hassam","childe-hassam","American, 1859–1935",1935,"girl-in-black-pouting-tom-si-hmsg-66-5532","Girl in Black (Pouting Tom)",{"_42":398,"_221":399,"_329":400,"_331":332,"_333":401,"_335":336,"_337":402,"_338":403,"_339":404,"_140":230},"(1896-1901)","20 1/4 x 12 3/8 in. (51.4 x 31.4 cm)",31.4,51.4,0.6110694183864915,[1010,1011,1012,1013,1014],{"_220":305,"_221":306,"_42":307,"_308":651},"66.5532","James McNeill Whistler painted this ((1896-1901)), aged about 62. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","James Abbott McNeill Whistler",{"_296":1007,"_298":1008,"_300":1009},"https://img.ochreeditions.com/m/1828.jpg?dl=1","/art/girl-in-black-pouting-tom-si-hmsg-66-5532","/galleries/style/american-gilded-age/girl-in-black-pouting-tom-si-hmsg-66-5532",{"_292":487,"_294":488},{"_224":1004,"_125":1005,"_286":1006},{"_276":1001,"_278":1002,"_280":1003,"_282":987},46.40896810506567,66.4,31.408968105065664,{"_288":224,"_123":374,"_154":375,"_140":230},{"_288":125,"_123":590,"_154":591,"_140":592},{"_288":286,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1828/480.jpg","https://img.ochreeditions.com/a/1828/960.jpg","https://img.ochreeditions.com/a/1828/1920.jpg",{"_315":1023,"_317":1024},{"_315":1021,"_317":1022},{"_315":1019,"_317":1020},{"_315":1017,"_317":1018},{"_315":1015,"_317":1016},"#4f3417",0.0176,"#754f24",0.0288,"#2d2215",0.0709,"#191915",0.1671,"#0d1415",0.7156,"the-chaperone-nga-72165","The Chaperone",{"_42":790,"_221":824,"_329":825,"_331":332,"_333":826,"_335":827,"_337":828,"_338":828,"_339":829,"_140":87},"c. 1908","overall: 46.3 x 36.2 cm (18 1/4 x 14 1/4 in.) framed: 63.5 x 53.3 x 8.3 cm (25 x 21 x 3 1/4 in.)",36.2,46.3,0.76513671875,[1055,1056,1057,1058,1059],{"_220":863,"_221":864,"_42":865,"_308":651},"1991.34.1","Thomas Eakins painted this in about 1908, aged 64. It is now at the National Gallery of Art in Washington, DC.","An elderly woman in a dark blue gown and head covering sits absorbed in the work in her hands, her eyes lowered. She is the chaperone from Thomas Eakins’s late paintings of William Rush, the Philadelphia sculptor shown carving a statue from a nude model while an older woman sits by for propriety, knitting.","This painting shows a person seated on a stool or chair, wearing a long, dark-blue robe or gown. They are slightly turned toward the right, looking downward at something they hold in their hands, and their head is covered with a cloth or cap. The background is textured with earthy tones, mostly tan with some patches of yellow ochre and gray.",{"_296":1052,"_298":1053,"_300":1054},"https://img.ochreeditions.com/m/1618.jpg?dl=1","/art/the-chaperone-nga-72165","/galleries/style/american-gilded-age/the-chaperone-nga-72165",{"_292":487,"_294":488},{"_224":1049,"_125":1050,"_286":1051},{"_276":1046,"_278":1047,"_280":1048,"_282":1031},50.425830078124996,61.3,35.425830078124996,{"_288":224,"_123":804,"_154":805,"_140":87},{"_288":125,"_123":482,"_154":483,"_140":484},{"_288":286,"_123":479,"_154":480,"_140":481},"https://img.ochreeditions.com/a/1618/480.jpg","https://img.ochreeditions.com/a/1618/960.jpg","https://img.ochreeditions.com/a/1618/1920.jpg",{"_315":1068,"_317":1069},{"_315":1066,"_317":1067},{"_315":1064,"_317":1065},{"_315":1062,"_317":1063},{"_315":1060,"_317":1061},"#705c4c",0.0794,"#403837",0.1084,"#514942",0.161,"#8c6e58",0.2889,"#97745a",0.3623,"stag-at-sharkey-s-cma-92937","Stag at Sharkey's",{"_42":881,"_221":882,"_329":883,"_331":332,"_333":884,"_335":885,"_337":-5,"_338":-5,"_339":886,"_140":93},"Framed: 110 x 140.5 x 8.5 cm (43 5/16 x 55 5/16 x 3 3/8 in.); Unframed: 92 x 122.6 cm (36 1/4 x 48 1/4 in.)",122.6,1.3375295043273014,[1105,1106,1107,1108,1109],{"_220":1101,"_221":1102,"_42":1103,"_308":1104},"Courtesy of the Cleveland Museum of Art","1922.1133","George Bellows painted this in 1909, aged 27. It is now at the Cleveland Museum of Art.",{"_118":1099,"_303":1100},"Stag at Sharkey's, by George Bellows, 1909",{"_296":1096,"_298":1097,"_300":1098},"https://img.ochreeditions.com/m/459.jpg?dl=1","/art/stag-at-sharkey-s-cma-92937","/galleries/style/american-gilded-age/stag-at-sharkey-s-cma-92937",{"_292":487,"_294":488},{"_224":1093,"_125":1094,"_286":1095},{"_276":1090,"_278":1091,"_280":1074,"_282":1092},137.6,106.66152941176469,91.66152941176469,{"_288":224,"_123":858,"_154":859,"_140":93},{"_288":125,"_123":482,"_154":483,"_140":484},{"_288":286,"_123":479,"_154":480,"_140":481},"https://img.ochreeditions.com/a/459/480.jpg","https://img.ochreeditions.com/a/459/960.jpg","https://img.ochreeditions.com/a/459/1920.jpg","Bellows was no stranger to Sharkey’s Athletic Club, a raucous saloon with a backroom boxing ring, located near his studio. Founded by Tom “Sailor” Sharkey, an ex-fighter who had also served in the US Navy, the club attracted men seeking to watch or participate in matches.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_315":1118,"_317":1119},{"_315":1116,"_317":1117},{"_315":1114,"_317":1115},{"_315":1112,"_317":1113},{"_315":1110,"_317":1111},"#765643",0.0469,"#b59f8d",0.0605,"#646363",0.0684,"#2e2d2d",0.235,"#141517",0.5892,{"_1121":-5,"_1122":1123,"_1124":1125,"_1126":8,"_1127":1128,"_1129":8},"user","csrf","3a66da35601a3845f4c25d231fc51131e0efc2f4","cartCount",0,"dropLive","legal",[1130,1131,1132,1133,1134,1135,1136,1137,1138,1139,1140,1141],"uploadsEnabled",{"_221":1164,"_20":1165},{"_221":1162,"_20":1163},{"_221":1160,"_20":1161},{"_221":1158,"_20":1159},{"_221":1156,"_20":1157},{"_221":1154,"_20":1155},{"_221":1152,"_20":1153},{"_221":1150,"_20":1151},{"_221":1148,"_20":1149},{"_221":1146,"_20":1147},{"_221":1144,"_20":1145},{"_221":1142,"_20":1143},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]