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Instead, he began to draw using pastel, a powdery medium that allowed him to render line and color with each stroke.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":457,"_313":458},{"_311":455,"_313":456},{"_311":453,"_313":454},{"_311":451,"_313":452},{"_311":449,"_313":450},"#42362f",0.1215,"#c4b4a5",0.1353,"#6e6b66",0.1483,"#a99f90",0.2618,"#8f8a84",0.3331,"Édouard Manet","edouard-manet","French, 1832–1883","French",1832,1883,"Paris","Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","stag-at-sharkey-s-cma-92937","Stag at Sharkey's",{"_42":522,"_223":523,"_325":524,"_327":328,"_329":525,"_331":526,"_333":-5,"_335":-5,"_337":527,"_140":93},"1909",20,"oil on canvas","Framed: 110 x 140.5 x 8.5 cm (43 5/16 x 55 5/16 x 3 3/8 in.); Unframed: 92 x 122.6 cm (36 1/4 x 48 1/4 in.)",122.6,1.3375295043273014,[507,508,509,510,511],{"_222":440,"_223":441,"_42":442,"_304":443},"1922.1133","George Bellows painted this in 1909, aged 27. It is now at the Cleveland Museum of Art.",{"_118":506,"_381":439},"Stag at Sharkey's, by George Bellows, 1909",{"_295":503,"_297":504,"_299":505},"https://img.ochreeditions.com/m/459.jpg?dl=1","/art/stag-at-sharkey-s-cma-92937","/galleries/style/american-gilded-age/stag-at-sharkey-s-cma-92937",{"_291":292,"_293":294},{"_226":492,"_125":493,"_285":494},{"_276":489,"_278":490,"_280":474,"_282":491},137.6,106.66152941176469,91.66152941176469,{"_287":226,"_123":501,"_154":502,"_140":93},{"_287":125,"_123":498,"_154":499,"_140":500},{"_287":285,"_123":495,"_154":496,"_140":497},"era/20-united-states","20th-century United States",124,"style/painting-20","More paintings of the 20th century",75,"artist/george-bellows","More by George Bellows","https://img.ochreeditions.com/a/459/480.jpg","https://img.ochreeditions.com/a/459/960.jpg","https://img.ochreeditions.com/a/459/1920.jpg","Bellows was no stranger to Sharkey’s Athletic Club, a raucous saloon with a backroom boxing ring, located near his studio. Founded by Tom “Sailor” Sharkey, an ex-fighter who had also served in the US Navy, the club attracted men seeking to watch or participate in matches.",{"_311":520,"_313":521},{"_311":518,"_313":519},{"_311":516,"_313":517},{"_311":514,"_313":515},{"_311":512,"_313":513},"#765643",0.0469,"#b59f8d",0.0605,"#646363",0.0684,"#2e2d2d",0.235,"#141517",0.5892,"George Bellows","george-bellows","American, 1882–1925",1882,1925,"Bellows left Ohio State University to study in New York with Robert Henri and became the most celebrated of the younger realists around him.","portrait-of-mrs-thomas-eakins-si-hmsg-66-1522","Portrait of Mrs. Thomas Eakins",{"_42":540,"_223":574,"_325":575,"_327":328,"_329":576,"_331":577,"_333":578,"_335":578,"_337":579,"_140":87},"(c. 1899)","20 1/8 x 16 1/8 in. (51 x 40.8 cm)",40.8,51,0.8036666666666666,[559,560,561,562,563],{"_222":301,"_223":302,"_42":303,"_304":305},"66.1522","Thomas Eakins painted this ((c. 1899)), aged 55. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","Thomas Eakins",{"_295":556,"_297":557,"_299":558},"https://img.ochreeditions.com/m/1822.jpg?dl=1","/art/portrait-of-mrs-thomas-eakins-si-hmsg-66-1522","/galleries/style/american-gilded-age/portrait-of-mrs-thomas-eakins-si-hmsg-66-1522",{"_291":292,"_293":294},{"_226":551,"_125":552,"_285":553},{"_276":548,"_278":549,"_280":550,"_282":534},55.987,66,40.987,{"_287":226,"_123":554,"_154":555,"_140":87},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/thomas-eakins","More by Thomas Eakins","https://img.ochreeditions.com/a/1822/480.jpg","https://img.ochreeditions.com/a/1822/960.jpg","https://img.ochreeditions.com/a/1822/1920.jpg",{"_311":572,"_313":573},{"_311":570,"_313":571},{"_311":568,"_313":569},{"_311":566,"_313":567},{"_311":564,"_313":565},"#684b39",0.0374,"#a1765b",0.038,"#3a312a",0.091,"#26211e",0.3349,"#1b1816",0.4987,"thomas-eakins","American, 1844–1916",1844,1916,"Philadelphia, Pennsylvania","Eakins studied in Paris under Jean-Léon Gérôme and was impressed in Spain by Velázquez and Ribera, then returned to Philadelphia, where he spent his life.","good-friends-si-hmsg-66-880","Good Friends",{"_42":593,"_223":627,"_325":628,"_327":328,"_329":629,"_331":577,"_333":630,"_335":383,"_337":631,"_140":93},"(c. 1909)","Oil on wood","22 1/4 x 31 in. (56.4 x 78.5 cm)",78.5,56.4,1.393296089385475,[612,613,614,615,616],{"_222":301,"_223":302,"_42":303,"_304":305},"66.880","William Merritt Chase painted this ((c. 1909)), aged 60. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","William Merritt Chase",{"_295":609,"_297":610,"_299":611},"https://img.ochreeditions.com/m/1829.jpg?dl=1","/art/good-friends-si-hmsg-66-880","/galleries/style/american-gilded-age/good-friends-si-hmsg-66-880",{"_291":292,"_293":294},{"_226":604,"_125":605,"_285":606},{"_276":601,"_278":602,"_280":586,"_282":603},93.5,71.341218925421,56.34121892542101,{"_287":226,"_123":607,"_154":608,"_140":93},{"_287":125,"_123":498,"_154":499,"_140":500},{"_287":285,"_123":495,"_154":496,"_140":497},"artist/william-merritt-chase","More by William Merritt Chase","https://img.ochreeditions.com/a/1829/480.jpg","https://img.ochreeditions.com/a/1829/960.jpg","https://img.ochreeditions.com/a/1829/1920.jpg",{"_311":625,"_313":626},{"_311":623,"_313":624},{"_311":621,"_313":622},{"_311":619,"_313":620},{"_311":617,"_313":618},"#98acb8",0.0958,"#233721",0.1016,"#928e6b",0.2167,"#5b6541",0.2554,"#8d914b",0.3305,"william-merritt-chase","American, 1849–1916",1849,"Williamsburg, Indiana","Chase studied at the Royal Academy in Munich, then returned to New York in 1878 to teach at the Art Students League, setting up a lavish Tenth Street studio that became a showcase.","seventeenth-century-lady-met-10475","Seventeenth Century Lady",{"_42":593,"_223":627,"_325":628,"_327":328,"_329":629,"_331":577,"_333":630,"_335":383,"_337":631,"_140":93},"ca. 1895","36 1/2 x 23 3/4in. (92.7 x 60.3cm)",60.3,92.7,0.6552258064516129,[665,666,667,668,669],{"_222":662,"_223":663,"_42":664,"_304":383},"Courtesy of The Metropolitan Museum of Art","06.1220","William Merritt Chase painted this in about 1895, aged about 43. It is now at The Met in New York.","Seventeenth Century Lady, by William Merritt Chase, ca. 1895",{"_295":659,"_297":660,"_299":661},"https://img.ochreeditions.com/m/810.jpg?dl=1","/art/seventeenth-century-lady-met-10475","/galleries/style/american-gilded-age/seventeenth-century-lady-met-10475",{"_291":292,"_293":294},{"_226":656,"_125":657,"_285":658},{"_276":653,"_278":654,"_280":655,"_282":638},75.73943225806451,107.7,60.73943225806452,{"_287":226,"_123":607,"_154":608,"_140":93},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/810/480.jpg","https://img.ochreeditions.com/a/810/960.jpg","https://img.ochreeditions.com/a/810/1920.jpg","met","the-met","The Metropolitan Museum of Art",{"_311":678,"_313":679},{"_311":676,"_313":677},{"_311":674,"_313":675},{"_311":672,"_313":673},{"_311":670,"_313":671},"#6a603f",0.1027,"#433625",0.1376,"#8f8157",0.1522,"#312a20",0.1581,"#221f18",0.4494,"sand-dunes-harlech-north-wales-si-saam-1983-83-268","Sand Dunes, Harlech, North Wales",{"_42":727,"_223":728,"_325":729,"_327":328,"_329":730,"_331":731,"_333":-5,"_335":-5,"_337":732,"_140":99},"1899","watercolor on paper","sheet: 5 1/2 x 8 7/8 in. (14.0 x 22.5 cm)",22.5,1.6130917592051432,[713,714,715,716,717],{"_222":301,"_223":302,"_42":303,"_304":305},"Courtesy of the Smithsonian American Art Museum","1983.83.268","George Elbert Burr painted this in 1899, aged 40. It is now at the Smithsonian American Art Museum in Washington, DC.","Sand Dunes, Harlech, North Wales, by George Elbert Burr, 1899",{"_295":710,"_297":711,"_299":712},"https://img.ochreeditions.com/m/1969.jpg?dl=1","/art/sand-dunes-harlech-north-wales-si-saam-1983-83-268","/galleries/style/american-gilded-age/sand-dunes-harlech-north-wales-si-saam-1983-83-268",{"_291":292,"_293":294},{"_226":705,"_125":706,"_285":707},{"_276":701,"_278":702,"_280":703,"_282":704},40,30.4981884057971,25,15.498188405797102,{"_287":226,"_123":708,"_154":709,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/george-elbert-burr","More by George Elbert Burr","https://img.ochreeditions.com/a/1969/480.jpg","https://img.ochreeditions.com/a/1969/960.jpg","https://img.ochreeditions.com/a/1969/1920.jpg",{"_311":725,"_313":726},{"_311":723,"_313":724},{"_311":721,"_313":722},{"_311":720,"_313":620},{"_311":718,"_313":719},"#9793a1",0.0898,"#9f866a","#c0beb6",0.1203,"#a6b0b5",0.2246,"#d4b79d",0.4637,"George Elbert Burr","george-elbert-burr","American, 1859–1939",1859,1939,"Burr worked as an illustrator in New York before spending several years travelling and sketching in Europe around 1900.","pointe-de-cabellou-brittany-cma-151796","Pointe de Cabellou, Brittany",{"_42":778,"_223":779,"_325":780,"_327":328,"_329":781,"_331":782,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1881","Unframed: 60.3 x 92.2 cm (23 3/4 x 36 5/16 in.)",92.2,1.5440508628519527,[763,764,765,766,767],{"_222":440,"_223":441,"_42":442,"_304":443},"1984.13","William L. Picknell painted this in 1881, aged 27. It is now at the Cleveland Museum of Art.","Pointe de Cabellou, Brittany, by William L. Picknell, 1881",{"_295":760,"_297":761,"_299":762},"https://img.ochreeditions.com/m/720.jpg?dl=1","/art/pointe-de-cabellou-brittany-cma-151796","/galleries/style/american-gilded-age/pointe-de-cabellou-brittany-cma-151796",{"_291":292,"_293":294},{"_226":755,"_125":756,"_285":757},{"_276":752,"_278":753,"_280":738,"_282":754},107.2,74.71305882352942,59.713058823529416,{"_287":226,"_123":758,"_154":759,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-william-l-picknell","William L. Picknell's contemporaries","https://img.ochreeditions.com/a/720/480.jpg","https://img.ochreeditions.com/a/720/960.jpg","https://img.ochreeditions.com/a/720/1920.jpg",{"_311":776,"_313":777},{"_311":774,"_313":775},{"_311":772,"_313":773},{"_311":770,"_313":771},{"_311":768,"_313":769},"#352e2a",0.0956,"#897665",0.1083,"#b4bec3",0.1447,"#bdac98",0.2147,"#7ea0b6",0.4367,"William L. Picknell","william-l-picknell","American, 1854–1897",1854,1897,"peaceful-valley-nga-50295","Peaceful Valley",{"_42":832,"_223":833,"_325":834,"_327":328,"_329":835,"_331":836,"_333":-5,"_335":-5,"_337":-5,"_140":103},"c. 1872","overall: 17.7 x 31.1 cm (6 15/16 x 12 1/4 in.) framed: 36.8 x 49.5 x 4.8 cm (14 1/2 x 19 1/2 x 1 7/8 in.)",31.1,17.7,1.7333897587812104,[818,819,820,821,822],{"_222":815,"_223":816,"_42":817,"_304":305},"Courtesy National Gallery of Art, Washington","1965.10.1","Alexander Helwig Wyant painted this in about 1872, aged 36. It is now at the National Gallery of Art in Washington, DC.","The painting depicts a rural landscape at sunset or sunrise. The horizon is slightly above the center, showing distant pale-pink and purple mountains against the sky. Closest to us is an area with dark green bushes and vegetation, leading to a lighter green field surrounded by green-and-brown trees. The palette is warm and earthy, with greens and browns in the bottom transitioning to purples and pinks in the distance. The sky is a pale-yellow color that fades into light blue towards the top left corner, and faint yellow and gray clouds drift across it.",{"_295":812,"_297":813,"_299":814},"https://img.ochreeditions.com/m/1535.jpg?dl=1","/art/peaceful-valley-nga-50295","/galleries/style/american-gilded-age/peaceful-valley-nga-50295",{"_291":292,"_293":294},{"_226":807,"_125":808,"_285":809},{"_276":804,"_278":805,"_280":788,"_282":806},46.1,32.9417236328125,17.9417236328125,{"_287":226,"_123":810,"_154":811,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-alexander-helwig-wyant","Alexander Helwig Wyant's contemporaries","https://img.ochreeditions.com/a/1535/480.jpg","https://img.ochreeditions.com/a/1535/960.jpg","https://img.ochreeditions.com/a/1535/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_311":830,"_313":831},{"_311":828,"_313":829},{"_311":826,"_313":827},{"_311":824,"_313":825},{"_311":823,"_313":673},"#4c3923","#815b28",0.1693,"#322a1e",0.1879,"#cba885",0.2339,"#e8bc81",0.2713,"Alexander Helwig Wyant","alexander-helwig-wyant","American, 1836–1892",1836,1892,"corte-del-paradiso-aic-158382","Corte del Paradiso",{"_42":323,"_223":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_140":173},"1880","watercolour","Drawing and Watercolor","Pastel and black chalk on brown wove paper with fibrous inclusions","30.1 × 14.9 cm (11 7/8 × 5 7/8 in.)",30,0.4954666076957099,[876,877,878,879,880],{"_222":872,"_223":873,"_42":874,"_304":875},"Courtesy of the Art Institute of Chicago","2002.679","James McNeill Whistler painted this in 1880, aged 46. It is now at the Art Institute of Chicago.","A narrow Venetian courtyard, the Corte del Paradiso, is evoked with a few lines of black chalk and touches of coloured pastel on brown paper, the bare sheet standing for walls and shadow.","A work made of pastel and black chalk on brown wove paper with fibrous inclusions.",{"_295":869,"_297":870,"_299":871},"https://img.ochreeditions.com/m/340.jpg?dl=1","/art/corte-del-paradiso-aic-158382","/galleries/style/american-gilded-age/corte-del-paradiso-aic-158382",{"_291":375,"_293":376},{"_226":864,"_125":865,"_285":866},{"_276":861,"_278":862,"_280":863,"_282":845},38.863998230871296,54,14.863998230871296,{"_287":226,"_123":171,"_154":170,"_140":173},{"_287":125,"_123":867,"_154":868,"_140":701},{"_287":285,"_123":167,"_154":166,"_140":169},"style/watercolour-19","More watercolours of the 19th century","https://img.ochreeditions.com/a/340/480.jpg","https://img.ochreeditions.com/a/340/960.jpg","https://img.ochreeditions.com/a/340/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_311":889,"_313":890},{"_311":887,"_313":888},{"_311":885,"_313":886},{"_311":883,"_313":884},{"_311":881,"_313":882},"#766539",0.0298,"#605043",0.1128,"#8a7968",0.1333,"#725d4b",0.2852,"#796756",0.4389,"portrait-of-dora-wheeler-cma-102578","Portrait of Dora Wheeler",{"_42":593,"_223":627,"_325":628,"_327":328,"_329":629,"_331":577,"_333":630,"_335":383,"_337":631,"_140":93},"1882–83","Framed: 180.6 x 188.6 x 11 cm (71 1/8 x 74 1/4 x 4 5/16 in.); Unframed: 159.8 x 166.4 cm (62 15/16 x 65 1/2 in.)",166.4,159.8,1.0448678549477566,[922,923,924,925,926],{"_222":440,"_223":441,"_42":442,"_304":443},"1921.1239","William Merritt Chase painted this in 1882–83, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":921,"_381":439},"Portrait of Dora Wheeler, by William Merritt Chase, 1882–83",{"_295":918,"_297":919,"_299":920},"https://img.ochreeditions.com/m/504.jpg?dl=1","/art/portrait-of-dora-wheeler-cma-102578","/galleries/style/american-gilded-age/portrait-of-dora-wheeler-cma-102578",{"_291":292,"_293":294},{"_226":915,"_125":916,"_285":917},{"_276":912,"_278":913,"_280":896,"_282":914},181.4,174.25458823529414,159.25458823529414,{"_287":226,"_123":607,"_154":608,"_140":93},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/504/480.jpg","https://img.ochreeditions.com/a/504/960.jpg","https://img.ochreeditions.com/a/504/1920.jpg","Dora Wheeler became Chase's first student when he returned from overseas study in Munich and set up a teaching studio in New York. At the time, few American artists accepted women as private pupils.",{"_311":935,"_313":936},{"_311":933,"_313":934},{"_311":931,"_313":932},{"_311":929,"_313":930},{"_311":927,"_313":928},"#947c52",0.0766,"#2e2e2b",0.1253,"#446465",0.1411,"#593a26",0.2236,"#ceab64",0.4334,"checker-players-si-saam-1967-136-4","Checker Players",{"_42":982,"_223":983,"_325":984,"_327":328,"_329":985,"_331":986,"_333":987,"_335":988,"_337":989,"_140":99},"16 1/8 x 20 1/8 in. (40.8 x 51.0 cm.)",1.257100149476831,[967,968,969,970,971],{"_222":301,"_223":302,"_42":303,"_304":305},"1967.136.4","Thomas Anshutz painted this in about 1895, aged 44. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":965,"_381":966},"Checker Players, by Thomas Anshutz, ca. 1895",{"_295":962,"_297":963,"_299":964},"https://img.ochreeditions.com/m/1927.jpg?dl=1","/art/checker-players-si-saam-1967-136-4","/galleries/style/american-gilded-age/checker-players-si-saam-1967-136-4",{"_291":292,"_293":294},{"_226":957,"_125":958,"_285":959},{"_276":549,"_278":955,"_280":534,"_282":956},55.569560047562426,40.569560047562426,{"_287":226,"_123":960,"_154":961,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/thomas-anshutz","More by Thomas Anshutz","https://img.ochreeditions.com/a/1927/480.jpg","https://img.ochreeditions.com/a/1927/960.jpg","https://img.ochreeditions.com/a/1927/1920.jpg","Two boys sit engrossed in a game of checkers, each focusing intently on his next move. The dark, featureless interior draws our attention to the players' rigid poses.","Text from the Smithsonian American Art Museum.",{"_311":980,"_313":981},{"_311":978,"_313":979},{"_311":976,"_313":977},{"_311":974,"_313":975},{"_311":972,"_313":973},"#d89553",0.0463,"#bf9c85",0.0551,"#8a5a41",0.0665,"#4f302b",0.1137,"#301d23",0.7184,"Thomas Anshutz","thomas-anshutz","American, 1851–1912",1851,1912,"Newport, Kentucky","Fort Washington, Pennsylvania","Anshutz studied at the Pennsylvania Academy of the Fine Arts under Thomas Eakins, assisting his photographic and anatomical studies, and succeeded him as a teacher there after Eakins was forced out in 1886.","vignette-man-crouching-on-a-scaffolding-si-chndm-1957-58-13","Vignette: Man Crouching on a Scaffolding",{"_42":1038,"_223":1039,"_325":1040,"_327":328,"_329":1041,"_331":1042,"_333":-5,"_335":-5,"_337":-5,"_140":103},"Brush and black washes, with graphite, on white watercolor paper","39.3 × 30.6 cm (15 1/2 × 12 1/16 in.)",30.6,39.3,0.754759011745646,[1023,1024,1025,1026,1027],{"_222":301,"_223":302,"_42":303,"_304":383},"1957-58-13","Walter Appleton Clark painted this in 1899, aged 23. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1022,"_381":382},"VIGNETTE: MAN CROUCHING ON A SCAFFOLDING",{"_295":1019,"_297":1020,"_299":1021},"https://img.ochreeditions.com/m/1753.jpg?dl=1","/art/vignette-man-crouching-on-a-scaffolding-si-chndm-1957-58-13","/galleries/style/american-gilded-age/vignette-man-crouching-on-a-scaffolding-si-chndm-1957-58-13",{"_291":375,"_293":376},{"_226":1014,"_125":1015,"_285":1016},{"_276":1011,"_278":1012,"_280":1013,"_282":996},53.66202916160388,63.3,29.662029161603883,{"_287":226,"_123":1017,"_154":1018,"_140":89},{"_287":125,"_123":370,"_154":371,"_140":372},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-walter-appleton-clark","Walter Appleton Clark's contemporaries","https://img.ochreeditions.com/a/1753/480.jpg","https://img.ochreeditions.com/a/1753/960.jpg","https://img.ochreeditions.com/a/1753/1920.jpg","Vignette showing a workman on his knees croushing on a scaffolding, a trowel and wooden bucket beside him.",{"_311":1036,"_313":1037},{"_311":1034,"_313":1035},{"_311":1032,"_313":1033},{"_311":1030,"_313":1031},{"_311":1028,"_313":1029},"#a49c8f",0.0488,"#777166",0.0638,"#47433d",0.0804,"#c7bfb0",0.0807,"#f0ebdd",0.7263,"Walter Appleton Clark","walter-appleton-clark","American, 1876–1906",1876,1906,"buttresses-on-city-walls-loches-si-chndm-1948-47-145","Buttresses on City Walls; Loches",{"_42":1092,"_223":1093,"_325":1094,"_327":328,"_329":1095,"_331":526,"_333":-5,"_335":-5,"_337":1096,"_140":99},"1883","Graphite, brush with blue wash and white heightening on blue-grey paper","23.2 × 14.3 cm (9 1/8 × 5 5/8 in.)",14.3,23.2,0.6302105715513536,[1077,1078,1079,1080,1081],{"_222":301,"_223":302,"_42":303,"_304":383},"1948-47-145","Arnold William Brunner drew this in 1883, aged 26. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1076,"_381":382},"BUTTRESSES ON CITY WALLS; LOCHES",{"_295":1073,"_297":1074,"_299":1075},"https://img.ochreeditions.com/m/1747.jpg?dl=1","/art/buttresses-on-city-walls-loches-si-chndm-1948-47-145","/galleries/style/american-gilded-age/buttresses-on-city-walls-loches-si-chndm-1948-47-145",{"_291":375,"_293":376},{"_226":1068,"_125":1069,"_285":1070},{"_276":1065,"_278":1066,"_280":1067,"_282":703},39.75526428878384,49,15.75526428878384,{"_287":226,"_123":1071,"_154":1072,"_140":99},{"_287":125,"_123":370,"_154":371,"_140":372},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/arnold-william-brunner","More by Arnold William Brunner","https://img.ochreeditions.com/a/1747/480.jpg","https://img.ochreeditions.com/a/1747/960.jpg","https://img.ochreeditions.com/a/1747/1920.jpg","Stone or brick buttress juts from right, Houses below, right and left.",{"_311":1090,"_313":1091},{"_311":1088,"_313":1089},{"_311":1086,"_313":1087},{"_311":1084,"_313":1085},{"_311":1082,"_313":1083},"#849091",0.0563,"#919c9c",0.1332,"#9ea7a5",0.1938,"#a8afad",0.298,"#a1a8a1",0.3187,"Arnold William Brunner","arnold-william-brunner","American, 1857–1925",1857,"Arnold W. Brunner was a New York architect who trained at the Massachusetts Institute of Technology and sketched widely in Europe as a young man.","king-lear-act-i-scene-i-met-10049","\"King Lear,\" Act I, Scene I",{"_42":1144,"_223":1145,"_325":1146,"_327":328,"_329":1147,"_331":1148,"_333":578,"_335":336,"_337":-5,"_140":103},"1898","54 1/4 x 127 1/4 in. (137.8 x 323.2 cm)",323.2,137.8,2.3225616921269094,[1129,1130,1131,1132,1133],{"_222":662,"_223":663,"_42":664,"_304":383},"13.140","Edwin Austin Abbey painted this in 1898, aged 46. It is now at The Met in New York.","\"King Lear,\" Act I, Scene I, by Edwin Austin Abbey, 1898",{"_295":1126,"_297":1127,"_299":1128},"https://img.ochreeditions.com/m/801.jpg?dl=1","/art/king-lear-act-i-scene-i-met-10049","/galleries/style/american-gilded-age/king-lear-act-i-scene-i-met-10049",{"_291":292,"_293":294},{"_226":1121,"_125":1122,"_285":1123},{"_276":1117,"_278":1118,"_280":1119,"_282":1120},255,118.33417657475336,240,103.33417657475336,{"_287":226,"_123":1124,"_154":1125,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-edwin-austin-abbey","Edwin Austin Abbey's contemporaries","https://img.ochreeditions.com/a/801/480.jpg","https://img.ochreeditions.com/a/801/960.jpg","https://img.ochreeditions.com/a/801/1920.jpg",{"_311":1142,"_313":1143},{"_311":1140,"_313":1141},{"_311":1138,"_313":1139},{"_311":1136,"_313":1137},{"_311":1134,"_313":1135},"#5e2b2b",0.0742,"#79735d",0.0921,"#43302b",0.202,"#4e4739",0.2204,"#2b2b29",0.4113,"Edwin Austin Abbey","edwin-austin-abbey","American, 1852–1911",1852,1911,{"_1150":-5,"_1151":1152,"_1153":1154,"_1155":8,"_1156":1157,"_1158":8},"user","csrf","d69e96f887ddb17c0ec0b22add95f3d2e360e59a","cartCount",0,"dropLive","legal",[1159,1160,1161,1162,1163,1164,1165,1166,1167,1168,1169,1170],"uploadsEnabled",{"_223":1193,"_20":1194},{"_223":1191,"_20":1192},{"_223":1189,"_20":1190},{"_223":1187,"_20":1188},{"_223":1185,"_20":1186},{"_223":1183,"_20":1184},{"_223":1181,"_20":1182},{"_223":1179,"_20":1180},{"_223":1177,"_20":1178},{"_223":1175,"_20":1176},{"_223":1173,"_20":1174},{"_223":1171,"_20":1172},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]