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It is now at the Art Institute of Chicago.","A narrow Venetian courtyard, the Corte del Paradiso, is evoked with a few lines of black chalk and touches of coloured pastel on brown paper, the bare sheet standing for walls and shadow.","A work made of pastel and black chalk on brown wove paper with fibrous inclusions.",{"_296":447,"_298":448,"_300":449},"https://img.ochreeditions.com/m/340.jpg?dl=1","/art/corte-del-paradiso-aic-158382","/galleries/style/american-gilded-age/corte-del-paradiso-aic-158382",{"_292":379,"_294":380},{"_225":439,"_125":440,"_286":441},{"_277":437,"_279":365,"_281":438,"_283":348},38.863998230871296,14.863998230871296,{"_288":225,"_123":445,"_154":446,"_140":343},{"_288":125,"_123":442,"_154":443,"_140":444},{"_288":286,"_123":371,"_154":372,"_140":373},"style/watercolour-19","More watercolours of the 19th century",40,"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/340/480.jpg","https://img.ochreeditions.com/a/340/960.jpg","https://img.ochreeditions.com/a/340/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_312":467,"_314":468},{"_312":465,"_314":466},{"_312":463,"_314":464},{"_312":461,"_314":462},{"_312":459,"_314":460},"#766539",0.0298,"#605043",0.1128,"#8a7968",0.1333,"#725d4b",0.2852,"#796756",0.4389,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","good-friends-si-hmsg-66-880","Good Friends",{"_42":491,"_222":525,"_326":526,"_328":329,"_330":527,"_332":333,"_334":528,"_336":390,"_337":529,"_140":93},"(c. 1909)","Oil on wood","22 1/4 x 31 in. (56.4 x 78.5 cm)",78.5,56.4,1.393296089385475,[510,511,512,513,514],{"_221":387,"_222":388,"_42":389,"_305":306},"Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution","66.880","William Merritt Chase painted this ((c. 1909)), aged 60. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","William Merritt Chase",{"_296":507,"_298":508,"_300":509},"https://img.ochreeditions.com/m/1829.jpg?dl=1","/art/good-friends-si-hmsg-66-880","/galleries/style/american-gilded-age/good-friends-si-hmsg-66-880",{"_292":293,"_294":295},{"_225":502,"_125":503,"_286":504},{"_277":499,"_279":500,"_281":483,"_283":501},93.5,71.341218925421,56.34121892542101,{"_288":225,"_123":505,"_154":506,"_140":93},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/william-merritt-chase","More by William Merritt Chase","https://img.ochreeditions.com/a/1829/480.jpg","https://img.ochreeditions.com/a/1829/960.jpg","https://img.ochreeditions.com/a/1829/1920.jpg",{"_312":523,"_314":524},{"_312":521,"_314":522},{"_312":519,"_314":520},{"_312":517,"_314":518},{"_312":515,"_314":516},"#98acb8",0.0958,"#233721",0.1016,"#928e6b",0.2167,"#5b6541",0.2554,"#8d914b",0.3305,"william-merritt-chase","American, 1849–1916",1849,"Williamsburg, Indiana","Chase studied at the Royal Academy in Munich, then returned to New York in 1878 to teach at the Art Students League, setting up a lavish Tenth Street studio that became a showcase.","cartoon-for-mural-of-minnesota-state-capital-institute-of-ju-si-saam-1983-114-23","Cartoon for mural of Minnesota State Capital, \"Institute of Justice\"",{"_42":577,"_222":578,"_326":579,"_328":329,"_330":580,"_332":581,"_334":-5,"_336":-5,"_337":582,"_140":95},"ca. 1904","22 1/8 x 45 3/8 in. (56.2 x 115.1 cm)",115.1,56.2,2.0380434782608696,[562,563,564,565,566],{"_221":387,"_222":388,"_42":389,"_305":306},"Courtesy of the Smithsonian American Art Museum","1983.114.23","Kenyon Cox painted this in about 1904, aged 48. It is now at the Smithsonian American Art Museum in Washington, DC.","Cartoon for mural of Minnesota State Capital, \"Institute of Justice\", by Kenyon Cox, ca. 1904",{"_296":559,"_298":560,"_300":561},"https://img.ochreeditions.com/m/1966.jpg?dl=1","/art/cartoon-for-mural-of-minnesota-state-capital-institute-of-ju-si-saam-1983-114-23","/galleries/style/american-gilded-age/cartoon-for-mural-of-minnesota-state-capital-institute-of-ju-si-saam-1983-114-23",{"_292":293,"_294":295},{"_225":554,"_125":555,"_286":556},{"_277":551,"_279":552,"_281":535,"_283":553},130.1,71.47573333333332,56.47573333333333,{"_288":225,"_123":557,"_154":558,"_140":95},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/kenyon-cox","More by Kenyon Cox","https://img.ochreeditions.com/a/1966/480.jpg","https://img.ochreeditions.com/a/1966/960.jpg","https://img.ochreeditions.com/a/1966/1920.jpg",{"_312":575,"_314":576},{"_312":573,"_314":574},{"_312":571,"_314":572},{"_312":569,"_314":570},{"_312":567,"_314":568},"#7e4b22",0.0353,"#986c40",0.0998,"#a9855e",0.1709,"#b39977",0.3367,"#bda686",0.3573,"Kenyon Cox","kenyon-cox","American, 1856–1919",1856,1919,"Cox trained in Cincinnati, Philadelphia and Paris, where he studied with Carolus-Duran and Jean-Léon Gérôme, before settling in New York in 1883.","portrait-of-dora-wheeler-cma-102578","Portrait of Dora Wheeler",{"_42":491,"_222":525,"_326":526,"_328":329,"_330":527,"_332":333,"_334":528,"_336":390,"_337":529,"_140":93},"1882–83","Framed: 180.6 x 188.6 x 11 cm (71 1/8 x 74 1/4 x 4 5/16 in.); Unframed: 159.8 x 166.4 cm (62 15/16 x 65 1/2 in.)",166.4,159.8,1.0448678549477566,[623,624,625,626,627],{"_221":619,"_222":620,"_42":621,"_305":622},"Courtesy of the Cleveland Museum of Art","1921.1239","William Merritt Chase painted this in 1882–83, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":617,"_385":618},"Portrait of Dora Wheeler, by William Merritt Chase, 1882–83",{"_296":614,"_298":615,"_300":616},"https://img.ochreeditions.com/m/504.jpg?dl=1","/art/portrait-of-dora-wheeler-cma-102578","/galleries/style/american-gilded-age/portrait-of-dora-wheeler-cma-102578",{"_292":293,"_294":295},{"_225":608,"_125":609,"_286":610},{"_277":605,"_279":606,"_281":588,"_283":607},181.4,174.25458823529414,159.25458823529414,{"_288":225,"_123":505,"_154":506,"_140":93},{"_288":125,"_123":611,"_154":612,"_140":613},{"_288":286,"_123":371,"_154":372,"_140":373},"style/painting-19","More paintings of the 19th century",432,"https://img.ochreeditions.com/a/504/480.jpg","https://img.ochreeditions.com/a/504/960.jpg","https://img.ochreeditions.com/a/504/1920.jpg","Dora Wheeler became Chase's first student when he returned from overseas study in Munich and set up a teaching studio in New York. At the time, few American artists accepted women as private pupils.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":636,"_314":637},{"_312":634,"_314":635},{"_312":632,"_314":633},{"_312":630,"_314":631},{"_312":628,"_314":629},"#947c52",0.0766,"#2e2e2b",0.1253,"#446465",0.1411,"#593a26",0.2236,"#ceab64",0.4334,"bare-knuckles-nga-59902","Bare Knuckles",{"_42":685,"_222":686,"_326":329,"_328":329,"_330":-5,"_332":687,"_334":-5,"_336":-5,"_337":-5,"_140":103},"c. 1870/1885","oil on paperboard on wood","overall: 30.5 x 48.6 cm (12 x 19 1/8 in.)",48.6,30.5,1.6279809220985693,[670,671,672,673,674],{"_221":302,"_222":303,"_42":304,"_305":306},"1980.62.9","George A. Hayes painted this in about 1870/1885. It is now at the National Gallery of Art in Washington, DC.","This is a painting depicting a bare-knuckle boxing match with two fighters in a ring surrounded by a crowd. Both fighters are men with light skin, and they wear no shirts. The fighter on the left wears orange pants with black dots, while the fighter on the right wears red pants with white dots. Behind these men are two other shirtless men wearing the same types of pants, as well as two other men wearing more formal attire, including jackets, vests, and hats. Outside the ring, a semi-circle of light-skinned men in formal attire watch the central fight. The setting is outdoors, with grass around the feet of the spectators and green hills in the background. Above the group, the sky is light gray.",{"_296":667,"_298":668,"_300":669},"https://img.ochreeditions.com/m/1596.jpg?dl=1","/art/bare-knuckles-nga-59902","/galleries/style/american-gilded-age/bare-knuckles-nga-59902",{"_292":293,"_294":295},{"_225":662,"_125":663,"_286":664},{"_277":659,"_279":660,"_281":644,"_283":661},63.6,44.852929687499994,29.852929687499998,{"_288":225,"_123":665,"_154":666,"_140":89},{"_288":125,"_123":611,"_154":612,"_140":613},{"_288":286,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-george-a-hayes","George A. Hayes's contemporaries","https://img.ochreeditions.com/a/1596/480.jpg","https://img.ochreeditions.com/a/1596/960.jpg","https://img.ochreeditions.com/a/1596/1920.jpg",{"_312":683,"_314":684},{"_312":681,"_314":682},{"_312":679,"_314":680},{"_312":677,"_314":678},{"_312":675,"_314":676},"#87632e",0.0909,"#262c20",0.135,"#c5bfa5",0.226,"#908865",0.248,"#585131",0.3001,"George A. Hayes","george-a-hayes",1930,"two-studies-of-women-standing-behind-railing-looking-at-the-si-chndm-1912-12-16","Two Studies of Women Standing behind Railing, Looking at the Launching of Dories, Cullercoats, England",{"_42":406,"_222":407,"_326":408,"_328":329,"_330":409,"_332":410,"_334":411,"_336":412,"_337":413,"_140":53},"Pen and brown ink on off-white wove paper","19.9 x 17.9 cm (7 13/16 x 7 1/16 in.)",17.9,19.9,0.9123489657997133,[719,720,721,722,723],{"_221":387,"_222":388,"_42":389,"_305":390},"1912-12-16",{"_118":718,"_385":386},"TWO STUDIES OF WOMEN STANDING BEHIND RAILING, LOOKING AT THE LAUNCHING OF DORIES, CULLERCOATS, ENGLAND",{"_296":715,"_298":716,"_300":717},"https://img.ochreeditions.com/m/1714.jpg?dl=1","/art/two-studies-of-women-standing-behind-railing-looking-at-the-si-chndm-1912-12-16","/galleries/style/american-gilded-age/two-studies-of-women-standing-behind-railing-looking-at-the-si-chndm-1912-12-16",{"_292":379,"_294":380},{"_225":712,"_125":713,"_286":714},{"_277":708,"_279":709,"_281":710,"_283":711},46.80872414499283,49,22.80872414499283,25,{"_288":225,"_123":377,"_154":378,"_140":53},{"_288":125,"_123":374,"_154":375,"_140":376},{"_288":286,"_123":371,"_154":372,"_140":373},"https://img.ochreeditions.com/a/1714/480.jpg","https://img.ochreeditions.com/a/1714/960.jpg","https://img.ochreeditions.com/a/1714/1920.jpg","In upper half of composition, figures of women stand at a railing and watch the fishermen and the sea; at left is a house with a hipped roof and porch; beyond the railing, four dories are drawn up on beach. Framing lines.",{"_312":732,"_314":733},{"_312":730,"_314":731},{"_312":728,"_314":729},{"_312":726,"_314":727},{"_312":724,"_314":725},"#a87f61",0.0207,"#caa688",0.0733,"#dbc1a6",0.1886,"#e4d3bf",0.1996,"#ebe3d4",0.5178,"hound-and-hunter-nga-33970","Hound and Hunter",{"_42":406,"_222":407,"_326":408,"_328":329,"_330":409,"_332":410,"_334":411,"_336":412,"_337":413,"_140":53},"1892","overall: 71.8 x 122.3 cm (28 1/4 x 48 1/8 in.) framed: 102.2 x 151.8 x 10.2 cm (40 1/4 x 59 3/4 x 4 in.)",122.3,71.8,1.7188417960553923,[764,765,766,767,768],{"_221":302,"_222":303,"_42":304,"_305":306},"1947.11.1","Winslow Homer painted this in 1892, aged 56. It is now at the National Gallery of Art in Washington, DC.","A young hunter lies across the stern of a rowboat, gripping the antler of a deer submerged in the water with one hand and holding a rope with the other, while he turns to shout at his hound swimming towards them. Behind, the trees of the Adirondack forest blaze red and gold.","A young man with a peachy, ruddy complexion lies on his stomach in a wooden rowboat on a river, reaching forward to grasp the horn of a stag almost completely submerged in the rippling water with one hand. On the opposite riverbank, gold, rust, and scarlet-red trees span the width of this horizontal painting. The boy’s arms straddle the stern of the boat so one holds the antler with his right hand, closer to us, while the other clutches a rope with a loop at the end. He turns his face, mouth agape and cheeks flushed, over his right shoulder to look to our left, at a dog swimming toward the boat. The dog has white and caramel-brown markings, with dark brown ears. The boy wears earth-brown clothing and the front of his wide-brimmed hat is pushed up to reveal dark eyes and sable-brown bangs and brows. The stag and dog are between us and the boat, and are surrounded by thick brushstrokes of parchment white to create ripples in the forest-green water. Only the open muzzle, part of the eye, and the tips of the stag’s antlers are above the water’s surface. To our right, a bare, fallen tree lies along the far riverbank parallel to the boat. The boat and water fill the lower half of the scene and the autumn trees fill the upper half. The artist has signed and dated the painting in the lower right, “Winslow Homer 1892.”",{"_296":761,"_298":762,"_300":763},"https://img.ochreeditions.com/m/1491.jpg?dl=1","/art/hound-and-hunter-nga-33970","/galleries/style/american-gilded-age/hound-and-hunter-nga-33970",{"_292":293,"_294":295},{"_225":758,"_125":759,"_286":760},{"_277":755,"_279":756,"_281":739,"_283":757},137.3,86.1525634765625,71.1525634765625,{"_288":225,"_123":377,"_154":378,"_140":53},{"_288":125,"_123":611,"_154":612,"_140":613},{"_288":286,"_123":371,"_154":372,"_140":373},"https://img.ochreeditions.com/a/1491/480.jpg","https://img.ochreeditions.com/a/1491/960.jpg","https://img.ochreeditions.com/a/1491/1920.jpg",{"_312":777,"_314":778},{"_312":775,"_314":776},{"_312":773,"_314":774},{"_312":771,"_314":772},{"_312":769,"_314":770},"#c7b58a",0.0236,"#756d53",0.0921,"#4b402b",0.1098,"#342113",0.2821,"#251e11",0.4924,"the-lone-tenement-nga-46558","The Lone Tenement",{"_42":824,"_222":825,"_326":826,"_328":329,"_330":827,"_332":828,"_334":-5,"_336":-5,"_337":829,"_140":93},"1909","overall: 91.8 x 122.3 cm (36 1/8 x 48 1/8 in.) framed: 123.2 x 153.4 x 12.7 cm (48 1/2 x 60 3/8 x 5 in.)",91.8,1.336378466557912,[809,810,811,812,813],{"_221":302,"_222":303,"_42":304,"_305":306},"1963.10.83","George Bellows painted this in 1909, aged 27. It is now at the National Gallery of Art in Washington, DC.","A narrow six-storey tenement stands alone on a cleared lot beneath the massive pier and deck of a bridge, its top floor catching warm sunlight while people gather around a small fire at its foot. Beyond, a tugboat puffs white smoke on an icy river.","A six-story, narrow building stands alone in an otherwise unoccupied lot under the deck of a high bridge, with a river and cityscape in the background in this horizontal painting. Dozens of people, small in scale, are each painted with a few swipes of black and some with peach-colored faces. They gather at the foot of the building and around a fire to our left, near the lower left corner of the composition. The fire is painted with a dash of orange, a few touches of canary yellow, and a smudge of gray smoke. Several more people stand and sit against the building, which has a streetlamp near its entrance. The back end of the building angles away from us to our right, so we see the narrow, front entrance side to our left. Each of the six floors of the building has two windows with fire escape ladders on the narrow side we can see. Some strokes in red and white on the lower levels of the long, flat side of the building suggest signs or posters. The top story glows a warm sienna brown in sunlight, while the rest of the building and the scene below are in shadow. More people walk along a grayish-violet fence that encloses the lot beyond the building. The ground is painted thickly with slate gray, pale, sage green, and one smear of white to suggest snow. To our right and a short distance from us, a white horse pulls a carriage near the foot of the bridge. The ivory-white, concrete piling rises up and off the right edge of the canvas and supports the deck of the bridge above. Only a sliver of the brick-red underside of the bridge is visible, skimming the top edge of the painting in the upper right corner. Two twiggy, barren trees grow up beyond the muted purple fence, and the landscape beyond is bright in the sunlight. A terracotta-orange building rises along the left edge of the painting, with the area between it and the lot under the bridge filled with thickly painted patches of butter yellow, amethyst purple, and sage green. Beyond that, an ice-blue river flows across the composition. The shore beyond is lined with patches of beige and tan paint that could be buildings. A black tugboat puffs bright white smoke in the river. The sky above is frosty white. The artist signed the work with dark blue in the lower left corner of the painting, “Geo Bellows.”",{"_296":806,"_298":807,"_300":808},"https://img.ochreeditions.com/m/1525.jpg?dl=1","/art/the-lone-tenement-nga-46558","/galleries/style/american-gilded-age/the-lone-tenement-nga-46558",{"_292":293,"_294":295},{"_225":801,"_125":802,"_286":803},{"_277":755,"_279":799,"_281":739,"_283":800},106.5159912109375,91.5159912109375,{"_288":225,"_123":804,"_154":805,"_140":93},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/george-bellows","More by George Bellows","https://img.ochreeditions.com/a/1525/480.jpg","https://img.ochreeditions.com/a/1525/960.jpg","https://img.ochreeditions.com/a/1525/1920.jpg",{"_312":822,"_314":823},{"_312":820,"_314":821},{"_312":818,"_314":819},{"_312":816,"_314":817},{"_312":814,"_314":815},"#7c602a",0.1346,"#d2d2c8",0.141,"#483f2e",0.1563,"#ae9f71",0.1799,"#85866f",0.3882,"George Bellows","george-bellows","American, 1882–1925",1882,1925,"Bellows left Ohio State University to study in New York with Robert Henri and became the most celebrated of the younger realists around him.","the-old-hopkinson-house-bordentown-nj-si-chndm-1923-41-11","The Old Hopkinson House, Bordentown, NJ",{"_42":879,"_222":880,"_326":881,"_328":329,"_330":882,"_332":883,"_334":-5,"_336":-5,"_337":-5,"_140":103},"ca. 1880","Charcoal, brush and gouache on paper","32.2 × 56.7 cm (12 11/16 × 22 5/16 in.)",56.7,32.2,1.7116778523489933,[864,865,866,867,868],{"_221":387,"_222":388,"_42":389,"_305":390},"1923-41-11","Francis Hopkinson Smith painted this in about 1880, aged 42. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":863,"_385":386},"THE OLD HOPKINSON HOUSE, BORDENTOWN, NJ",{"_296":860,"_298":861,"_300":862},"https://img.ochreeditions.com/m/1727.jpg?dl=1","/art/the-old-hopkinson-house-bordentown-nj-si-chndm-1923-41-11","/galleries/style/american-gilded-age/the-old-hopkinson-house-bordentown-nj-si-chndm-1923-41-11",{"_292":379,"_294":380},{"_225":855,"_125":856,"_286":857},{"_277":852,"_279":853,"_281":836,"_283":854},80.7,57.12539209535759,33.12539209535759,{"_288":225,"_123":858,"_154":859,"_140":89},{"_288":125,"_123":374,"_154":375,"_140":376},{"_288":286,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-francis-hopkinson-smith","Francis Hopkinson Smith's contemporaries","https://img.ochreeditions.com/a/1727/480.jpg","https://img.ochreeditions.com/a/1727/960.jpg","https://img.ochreeditions.com/a/1727/1920.jpg","Exterior of a house, seen through trees, from a path that leads to the porch steps.",{"_312":877,"_314":878},{"_312":875,"_314":876},{"_312":873,"_314":874},{"_312":871,"_314":872},{"_312":869,"_314":870},"#67635a",0.0498,"#ddd6c0",0.0845,"#868373",0.1807,"#989481",0.3062,"#a4a28e",0.3788,"Francis Hopkinson Smith","francis-hopkinson-smith","American, 1838–1915",1838,1915,"christ-cma-101158","Christ",{"_42":577,"_222":578,"_326":579,"_328":329,"_330":580,"_332":581,"_334":-5,"_336":-5,"_337":582,"_140":95},"1905","Unframed: 137 x 91.5 cm (53 15/16 x 36 in.)",91.5,137,0.7485294117647059,[913,914,915,916,917],{"_221":619,"_222":620,"_42":621,"_305":622},"1920.150","Kenyon Cox painted this in 1905, aged 49. It is now at the Cleveland Museum of Art.","Christ, by Kenyon Cox, 1905",{"_296":910,"_298":911,"_300":912},"https://img.ochreeditions.com/m/495.jpg?dl=1","/art/christ-cma-101158","/galleries/style/american-gilded-age/christ-cma-101158",{"_292":293,"_294":295},{"_225":907,"_125":908,"_286":909},{"_277":904,"_279":905,"_281":906,"_283":890},117.5485294117647,152,102.5485294117647,{"_288":225,"_123":557,"_154":558,"_140":95},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/495/480.jpg","https://img.ochreeditions.com/a/495/960.jpg","https://img.ochreeditions.com/a/495/1920.jpg",{"_312":926,"_314":927},{"_312":924,"_314":925},{"_312":922,"_314":923},{"_312":920,"_314":921},{"_312":918,"_314":919},"#3f4e35",0.1107,"#632f1a",0.1784,"#e0ddd2",0.2064,"#8e7441",0.2367,"#c7aa67",0.2678,"giant-magnolias-on-a-blue-velvet-cloth-nga-93464","Giant Magnolias on a Blue Velvet Cloth",{"_42":974,"_222":975,"_326":976,"_328":329,"_330":977,"_332":978,"_334":-5,"_336":-5,"_337":979,"_140":97},"c. 1890","overall: 38.4 x 61.5 cm (15 1/8 x 24 3/16 in.) framed: 65.4 x 87.6 x 7.9 cm (25 3/4 x 34 1/2 x 3 1/8 in.)",61.5,38.4,1.6234641300039636,[960,961,962,963,964],{"_221":302,"_222":303,"_42":304,"_305":306},"1996.14.1","Martin Johnson Heade painted this in about 1890, aged 71. It is now at the National Gallery of Art in Washington, DC.","Three magnolia blossoms, from a tight bud to a fully open flower with an oval stamen at its heart, lie with their glossy leaves across a sapphire velvet cloth, brightly lit from the left against a dark background.","Twigs of a magnolia tree with light green, glossy leaves and three cream-white blossoms lie on a sapphire-blue cloth in this horizontal still life painting. Brightly lit from our left, the blossoms and leaves nearly fill the composition, and the cut ends lie on the fabric to our right. The blue fabric cascades from the upper left and across the table or ledge. The three flowers are in various stages of bloom. The tightest bud is to our left, overlapped by a stem and the tender, unfurling leaves of a branch. The blossom next to it, at the center, is starting to open. The petals of the third blossom, to our right, splay open around the flower’s oval-shaped stamen. Light glints off the waxy leaves surrounding the flowers. The tawny-brown underside of one leaf is visible where it turns over, near the cut ends of the branches. Light shimmering on the fabric darkens from bright blue to our right, to deep royal blue in the shadows to the upper left, suggesting the fabric is velvet. The background is streaked with tan and pine green behind the fabric, and becomes nearly black in the shadows of the upper right corner and along the bottom edge. The artist signed the lower right corner, \"MJ. Heade.\"",{"_296":957,"_298":958,"_300":959},"https://img.ochreeditions.com/m/1627.jpg?dl=1","/art/giant-magnolias-on-a-blue-velvet-cloth-nga-93464","/galleries/style/american-gilded-age/giant-magnolias-on-a-blue-velvet-cloth-nga-93464",{"_292":293,"_294":295},{"_225":952,"_125":953,"_286":954},{"_277":949,"_279":950,"_281":933,"_283":951},76.5,52.8819580078125,37.8819580078125,{"_288":225,"_123":955,"_154":956,"_140":97},{"_288":125,"_123":611,"_154":612,"_140":613},{"_288":286,"_123":371,"_154":372,"_140":373},"artist/martin-johnson-heade","More by Martin Johnson Heade","https://img.ochreeditions.com/a/1627/480.jpg","https://img.ochreeditions.com/a/1627/960.jpg","https://img.ochreeditions.com/a/1627/1920.jpg",{"_312":972,"_314":973},{"_312":970,"_314":971},{"_312":968,"_314":969},{"_312":966,"_314":967},{"_312":965,"_314":397},"#255152","#493e20",0.1094,"#c5ba99",0.1322,"#5a6734",0.1627,"#171d1d",0.5044,"Martin Johnson Heade","martin-johnson-heade","1819–1904",1819,1904,"Heade travelled restlessly and worked in many genres, but is best known for three subjects: the salt marshes of New England and New Jersey, with haystacks under changing skies; hummingbirds and orchids, which he studied on journeys to Brazil and Central America; and, in later…","view-of-venice-italy-si-chndm-1904-16-455","View of Venice, Italy",{"_42":1027,"_222":1028,"_326":1029,"_328":329,"_330":1030,"_332":473,"_334":-5,"_336":-5,"_337":1031,"_140":99},"Graphite on wove paper","21.9 × 14.3 cm (8 5/8 × 5 5/8 in.)",14.3,21.9,0.6867469879518072,[1012,1013,1014,1015,1016],{"_221":387,"_222":388,"_42":389,"_305":390},"1904-16-455","Robert Frederick Blum drew this in 1880, aged 23. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1011,"_385":386},"VIEW OF VENICE, ITALY",{"_296":1008,"_298":1009,"_300":1010},"https://img.ochreeditions.com/m/1711.jpg?dl=1","/art/view-of-venice-italy-si-chndm-1904-16-455","/galleries/style/american-gilded-age/view-of-venice-italy-si-chndm-1904-16-455",{"_292":379,"_294":380},{"_225":1003,"_125":1004,"_286":1005},{"_277":1001,"_279":709,"_281":1002,"_283":711},41.16867469879518,17.16867469879518,{"_288":225,"_123":1006,"_154":1007,"_140":99},{"_288":125,"_123":374,"_154":375,"_140":376},{"_288":286,"_123":371,"_154":372,"_140":373},"artist/robert-frederick-blum","More by Robert Frederick Blum","https://img.ochreeditions.com/a/1711/480.jpg","https://img.ochreeditions.com/a/1711/960.jpg","https://img.ochreeditions.com/a/1711/1920.jpg","Sketch of a gondola on a canal in Venice.",{"_312":1025,"_314":1026},{"_312":1023,"_314":1024},{"_312":1021,"_314":1022},{"_312":1019,"_314":1020},{"_312":1017,"_314":1018},"#978573",0.0075,"#b5a59a",0.0295,"#b4b4b7",0.1186,"#c4a282",0.2255,"#cfae8b",0.6189,"Robert Frederick Blum","robert-frederick-blum","American, 1857–1903",1857,"Blum trained in Cincinnati and Philadelphia and became a leading American illustrator, admired for his deft pen work, pastels and etchings. In Venice in 1880 he worked in the circle of Frank Duveneck and was influenced by Whistler.","the-biglin-brothers-turning-the-stake-cma-151904","The Biglin Brothers Turning the Stake",{"_42":324,"_222":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":335,"_337":338,"_140":87},"1873","Framed: 117 x 167 x 6.5 cm (46 1/16 x 65 3/4 x 2 9/16 in.); Unframed: 101.3 x 151.4 cm (39 7/8 x 59 5/8 in.)",151.4,101.3,1.5131286159323543,[1062,1063,1064,1065,1066],{"_221":619,"_222":620,"_42":621,"_305":622},"1927.1984","Thomas Eakins painted this in 1873, aged 29. It is now at the Cleveland Museum of Art.",{"_118":1061,"_385":618},"The Biglin Brothers Turning the Stake, by Thomas Eakins, 1873",{"_296":1058,"_298":1059,"_300":1060},"https://img.ochreeditions.com/m/721.jpg?dl=1","/art/the-biglin-brothers-turning-the-stake-cma-151904","/galleries/style/american-gilded-age/the-biglin-brothers-turning-the-stake-cma-151904",{"_292":293,"_294":295},{"_225":1055,"_125":1056,"_286":1057},{"_277":588,"_279":1053,"_281":1037,"_283":1054},115.05758823529412,100.05758823529412,{"_288":225,"_123":171,"_154":170,"_140":87},{"_288":125,"_123":611,"_154":612,"_140":613},{"_288":286,"_123":371,"_154":372,"_140":373},"https://img.ochreeditions.com/a/721/480.jpg","https://img.ochreeditions.com/a/721/960.jpg","https://img.ochreeditions.com/a/721/1920.jpg","Eakins's painting celebrates athletic teamwork while commemorating an actual event, a famous rowing race that took place on the Schuylkill River in Philadelphia during May 1872.",{"_312":1075,"_314":1076},{"_312":1073,"_314":1074},{"_312":1071,"_314":1072},{"_312":1069,"_314":1070},{"_312":1067,"_314":1068},"#7c7362",0.0822,"#3a2f27",0.1458,"#969787",0.1659,"#c9bfa6",0.2593,"#53493c",0.3468,"edward-guthrie-kennedy-met-10466","Edward Guthrie Kennedy",{"_42":491,"_222":525,"_326":526,"_328":329,"_330":527,"_332":333,"_334":528,"_336":390,"_337":529,"_140":93},"ca. 1895","Oil on canvas","22 x 17 7/8 in. (55.9 x 45.4 cm)",45.4,55.9,0.8089536699635607,[1111,1112,1113,1114,1115],{"_221":1108,"_222":1109,"_42":1110,"_305":390},"Courtesy of The Metropolitan Museum of Art","1973.342","William Merritt Chase painted this in about 1895, aged about 43. It is now at The Met in New York.","Edward Guthrie Kennedy, by William Merritt Chase, ca. 1895",{"_296":1105,"_298":1106,"_300":1107},"https://img.ochreeditions.com/m/809.jpg?dl=1","/art/edward-guthrie-kennedy-met-10466","/galleries/style/american-gilded-age/edward-guthrie-kennedy-met-10466",{"_292":293,"_294":295},{"_225":1102,"_125":1103,"_286":1104},{"_277":1099,"_279":1100,"_281":1101,"_283":1084},60.22051015096304,70.9,45.22051015096304,{"_288":225,"_123":505,"_154":506,"_140":93},{"_288":125,"_123":611,"_154":612,"_140":613},{"_288":286,"_123":371,"_154":372,"_140":373},"https://img.ochreeditions.com/a/809/480.jpg","https://img.ochreeditions.com/a/809/960.jpg","https://img.ochreeditions.com/a/809/1920.jpg","met","the-met","The Metropolitan Museum of Art",{"_312":1124,"_314":1125},{"_312":1122,"_314":1123},{"_312":1120,"_314":1121},{"_312":1118,"_314":1119},{"_312":1116,"_314":1117},"#ba9078",0.0367,"#916d5b",0.0535,"#5e4c3f",0.055,"#1f1d1d",0.381,"#38322a",0.4738,{"_1127":-5,"_1128":1129,"_1130":1131,"_1132":8,"_1133":1134,"_1135":8},"user","csrf","623ae6158c82d33ef77206e15c7c99dfcfefa1d5","cartCount",0,"dropLive","legal",[1136,1137,1138,1139,1140,1141,1142,1143,1144,1145,1146,1147],"uploadsEnabled",{"_222":1170,"_20":1171},{"_222":1168,"_20":1169},{"_222":1166,"_20":1167},{"_222":1164,"_20":1165},{"_222":1162,"_20":1163},{"_222":1160,"_20":1161},{"_222":1158,"_20":1159},{"_222":1156,"_20":1157},{"_222":1154,"_20":1155},{"_222":1152,"_20":1153},{"_222":1150,"_20":1151},{"_222":1148,"_20":1149},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]