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In Venice in 1880 he worked in the circle of Frank Duveneck and was influenced by Whistler.","the-red-school-house-nga-66419","The Red School House",{"_42":467,"_221":468,"_328":469,"_330":331,"_332":470,"_334":471,"_336":472,"_337":473,"_338":474,"_140":53},"1873","overall: 55.5 x 39.5 cm (21 7/8 x 15 9/16 in.) framed: 65.4 x 49.9 x 4.4 cm (25 3/4 x 19 5/8 x 1 3/4 in.)",39.5,55.5,0.7001953125,[452,453,454,455,456],{"_220":448,"_221":449,"_42":450,"_307":451},"Courtesy National Gallery of Art, Washington","1985.64.21","Winslow Homer painted this in 1873, aged 37. 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The woman’s arms hang by her sides, and she holds two paperback-sized books in her left hand, to our right. An earth-brown lawn stretches back to the schoolhouse, which has crimson-red walls, a chimney, and a dark gray roof. Three forms painted with a few streaks of dark or light gray or topaz blue suggest people standing near the door of the schoolhouse. Trees and a grassy lawn beyond the building are loosely painted with blended strokes. The sky is shaded pale lemon yellow and light peach with touches of rose pink. The artist signed and dated the lower right corner, “HOMER 1873.”",{"_295":445,"_297":446,"_299":447},"https://img.ochreeditions.com/m/1610.jpg?dl=1","/art/the-red-school-house-nga-66419","/galleries/style/american-gilded-age/the-red-school-house-nga-66419",{"_291":292,"_293":294},{"_224":437,"_125":438,"_285":439},{"_276":434,"_278":435,"_280":436,"_281":418},53.86083984375,70.5,38.86083984375,{"_287":224,"_123":443,"_154":444,"_140":53},{"_287":125,"_123":440,"_154":441,"_140":442},{"_287":285,"_123":372,"_154":373,"_140":374},"style/painting-19","More paintings of the 19th century",432,"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/1610/480.jpg","https://img.ochreeditions.com/a/1610/960.jpg","https://img.ochreeditions.com/a/1610/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_314":465,"_316":466},{"_314":463,"_316":464},{"_314":461,"_316":462},{"_314":459,"_316":460},{"_314":457,"_316":458},"#783613",0.0139,"#3c361f",0.1378,"#694019",0.1854,"#dfb685",0.3045,"#8a7760",0.3584,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","the-old-hopkinson-house-bordentown-nj-si-chndm-1923-41-11","The Old Hopkinson House, Bordentown, NJ",{"_42":523,"_221":524,"_328":525,"_330":331,"_332":526,"_334":527,"_336":-5,"_337":-5,"_338":-5,"_140":103},"ca. 1880","Charcoal, brush and gouache on paper","32.2 × 56.7 cm (12 11/16 × 22 5/16 in.)",56.7,32.2,1.7116778523489933,[509,510,511,512,513],{"_220":387,"_221":388,"_42":389,"_307":390},"1923-41-11","Francis Hopkinson Smith painted this in about 1880, aged 42. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":508,"_302":386},"THE OLD HOPKINSON HOUSE, BORDENTOWN, NJ",{"_295":505,"_297":506,"_299":507},"https://img.ochreeditions.com/m/1727.jpg?dl=1","/art/the-old-hopkinson-house-bordentown-nj-si-chndm-1923-41-11","/galleries/style/american-gilded-age/the-old-hopkinson-house-bordentown-nj-si-chndm-1923-41-11",{"_291":380,"_293":381},{"_224":500,"_125":501,"_285":502},{"_276":497,"_278":498,"_280":481,"_281":499},80.7,57.12539209535759,33.12539209535759,{"_287":224,"_123":503,"_154":504,"_140":89},{"_287":125,"_123":375,"_154":376,"_140":377},{"_287":285,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-francis-hopkinson-smith","Francis Hopkinson Smith's contemporaries","https://img.ochreeditions.com/a/1727/480.jpg","https://img.ochreeditions.com/a/1727/960.jpg","https://img.ochreeditions.com/a/1727/1920.jpg","Exterior of a house, seen through trees, from a path that leads to the porch steps.",{"_314":521,"_316":522},{"_314":519,"_316":520},{"_314":517,"_316":518},{"_314":515,"_316":516},{"_314":514,"_316":397},"#67635a","#ddd6c0",0.0845,"#868373",0.1807,"#989481",0.3062,"#a4a28e",0.3788,"Francis Hopkinson Smith","francis-hopkinson-smith","American, 1838–1915",1838,1915,"the-gulf-stream-met-11122","The Gulf Stream",{"_42":467,"_221":468,"_328":469,"_330":331,"_332":470,"_334":471,"_336":472,"_337":473,"_338":474,"_140":53},"1899; reworked by 1906","Oil on canvas","28 1/8 x 49 1/8 in. (71.4 x 124.8 cm) Framed: 42 5/16 x 62 11/16 x 5 7/8 in. (107.5 x 159.3 x 15 cm)",124.8,71.4,1.6207455429497568,[563,564,565,566,567],{"_220":560,"_221":561,"_42":562,"_307":390},"Courtesy of The Metropolitan Museum of Art","06.1234","Winslow Homer painted this in 1899; reworked by 1906, aged about 63. It is now at The Met in New York.","A lone Black sailor lies on the deck of a dismasted, rudderless boat in the open sea, surrounded by circling sharks, while a waterspout churns on the horizon and a distant ship sails by, apparently unaware of him.","The Gulf Stream, by Winslow Homer, 1899; reworked by 1906",{"_295":557,"_297":558,"_299":559},"https://img.ochreeditions.com/m/832.jpg?dl=1","/art/the-gulf-stream-met-11122","/galleries/style/american-gilded-age/the-gulf-stream-met-11122",{"_291":292,"_293":294},{"_224":554,"_125":555,"_285":556},{"_276":551,"_278":552,"_280":534,"_281":553},139.8,92.0016,77.0016,{"_287":224,"_123":443,"_154":444,"_140":53},{"_287":125,"_123":440,"_154":441,"_140":442},{"_287":285,"_123":372,"_154":373,"_140":374},"https://img.ochreeditions.com/a/832/480.jpg","https://img.ochreeditions.com/a/832/960.jpg","https://img.ochreeditions.com/a/832/1920.jpg","met","the-met","The Metropolitan Museum of Art",{"_314":576,"_316":577},{"_314":574,"_316":575},{"_314":572,"_316":573},{"_314":570,"_316":571},{"_314":568,"_316":569},"#5c422e",0.0529,"#3a524c",0.2151,"#233231",0.2167,"#90866d",0.2179,"#151819",0.2974,"locust-blossoms-si-chndm-1939-85-93","Locust Blossoms",{"_42":627,"_221":628,"_328":629,"_330":331,"_332":630,"_334":631,"_336":-5,"_337":-5,"_338":-5,"_140":103},"June 6, 1877","Brush and watercolor, graphite on cream paper","39.8 × 28.5 cm (15 11/16 × 11 1/4 in.)",28.5,39.8,0.7338490487141961,[612,613,614,615,616],{"_220":387,"_221":388,"_42":389,"_307":390},"1939-85-93","Samuel Colman painted this (June 6, 1877), aged 45. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":611,"_302":386},"LOCUST BLOSSOMS",{"_295":608,"_297":609,"_299":610},"https://img.ochreeditions.com/m/1743.jpg?dl=1","/art/locust-blossoms-si-chndm-1939-85-93","/galleries/style/american-gilded-age/locust-blossoms-si-chndm-1939-85-93",{"_291":380,"_293":381},{"_224":603,"_125":604,"_285":605},{"_276":600,"_278":601,"_280":602,"_281":585},53.20719213882501,63.8,29.207192138825004,{"_287":224,"_123":606,"_154":607,"_140":89},{"_287":125,"_123":375,"_154":376,"_140":377},{"_287":285,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-samuel-colman","Samuel Colman's contemporaries","https://img.ochreeditions.com/a/1743/480.jpg","https://img.ochreeditions.com/a/1743/960.jpg","https://img.ochreeditions.com/a/1743/1920.jpg","Studies of locust blossoms in watercolor, center; below, studies in graphite of horse-chestnut leaves; above, studies in graphite of apple blossoms. Verso: sweet pea; marshmallow leaves.",{"_314":625,"_316":626},{"_314":623,"_316":624},{"_314":621,"_316":622},{"_314":619,"_316":620},{"_314":617,"_316":618},"#bfb29d",0.0572,"#bab8bb",0.0725,"#d0c1af",0.1971,"#deccb9",0.2832,"#e8d4c0",0.39,"Samuel Colman","samuel-colman","American, 1832–1920",1832,1920,"study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165","Study for \"The Blue Girl: Portrait of Miss Elinor Leyland\"",{"_42":687,"_221":688,"_328":689,"_330":331,"_332":690,"_334":410,"_336":691,"_337":692,"_338":693,"_140":343},"c. 1879","watercolour","Drawing and Watercolor","Pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper","17.9 × 11.2 cm (7 1/16 × 4 7/16 in.)",17,0.7061027837259101,[672,673,674,675,676],{"_220":668,"_221":669,"_42":670,"_307":671},"Courtesy of the Art Institute of Chicago","1921.124","James McNeill Whistler painted this in about 1879, aged 45. It is now at the Art Institute of Chicago.","A work made of pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper.",{"_295":665,"_297":666,"_299":667},"https://img.ochreeditions.com/m/291.jpg?dl=1","/art/study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165","/galleries/style/american-gilded-age/study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165",{"_291":380,"_293":381},{"_224":657,"_125":658,"_285":659},{"_276":655,"_278":366,"_280":656,"_281":368},41.65256959314775,17.652569593147753,{"_287":224,"_123":663,"_154":664,"_140":343},{"_287":125,"_123":660,"_154":661,"_140":662},{"_287":285,"_123":372,"_154":373,"_140":374},"style/watercolour-19","More watercolours of the 19th century",40,"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/291/480.jpg","https://img.ochreeditions.com/a/291/960.jpg","https://img.ochreeditions.com/a/291/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_314":685,"_316":686},{"_314":683,"_316":684},{"_314":681,"_316":682},{"_314":679,"_316":680},{"_314":677,"_316":678},"#6e4f40",0.0108,"#a68a75",0.0132,"#d3baa3",0.0444,"#a5a09a",0.0743,"#e8d2bb",0.8573,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","king-lear-act-i-scene-i-met-10049","\"King Lear,\" Act I, Scene I",{"_42":741,"_221":742,"_328":743,"_330":331,"_332":744,"_334":745,"_336":746,"_337":692,"_338":-5,"_140":103},"1898","54 1/4 x 127 1/4 in. (137.8 x 323.2 cm)",323.2,137.8,2.3225616921269094,[726,727,728,729,730],{"_220":560,"_221":561,"_42":562,"_307":390},"13.140","Edwin Austin Abbey painted this in 1898, aged 46. It is now at The Met in New York.","\"King Lear,\" Act I, Scene I, by Edwin Austin Abbey, 1898",{"_295":723,"_297":724,"_299":725},"https://img.ochreeditions.com/m/801.jpg?dl=1","/art/king-lear-act-i-scene-i-met-10049","/galleries/style/american-gilded-age/king-lear-act-i-scene-i-met-10049",{"_291":292,"_293":294},{"_224":718,"_125":719,"_285":720},{"_276":714,"_278":715,"_280":716,"_281":717},255,118.33417657475336,240,103.33417657475336,{"_287":224,"_123":721,"_154":722,"_140":89},{"_287":125,"_123":440,"_154":441,"_140":442},{"_287":285,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-edwin-austin-abbey","Edwin Austin Abbey's contemporaries","https://img.ochreeditions.com/a/801/480.jpg","https://img.ochreeditions.com/a/801/960.jpg","https://img.ochreeditions.com/a/801/1920.jpg",{"_314":739,"_316":740},{"_314":737,"_316":738},{"_314":735,"_316":736},{"_314":733,"_316":734},{"_314":731,"_316":732},"#5e2b2b",0.0742,"#79735d",0.0921,"#43302b",0.202,"#4e4739",0.2204,"#2b2b29",0.4113,"Edwin Austin Abbey","edwin-austin-abbey","American, 1852–1911",1852,1911,"Philadelphia, Pennsylvania","edward-guthrie-kennedy-met-10466","Edward Guthrie Kennedy",{"_42":793,"_221":794,"_328":795,"_330":331,"_332":796,"_334":797,"_336":798,"_337":390,"_338":799,"_140":93},"ca. 1895","22 x 17 7/8 in. (55.9 x 45.4 cm)",45.4,55.9,0.8089536699635607,[778,779,780,781,782],{"_220":560,"_221":561,"_42":562,"_307":390},"1973.342","William Merritt Chase painted this in about 1895, aged about 43. It is now at The Met in New York.","Edward Guthrie Kennedy, by William Merritt Chase, ca. 1895",{"_295":775,"_297":776,"_299":777},"https://img.ochreeditions.com/m/809.jpg?dl=1","/art/edward-guthrie-kennedy-met-10466","/galleries/style/american-gilded-age/edward-guthrie-kennedy-met-10466",{"_291":292,"_293":294},{"_224":770,"_125":771,"_285":772},{"_276":767,"_278":768,"_280":769,"_281":753},60.22051015096304,70.9,45.22051015096304,{"_287":224,"_123":773,"_154":774,"_140":93},{"_287":125,"_123":440,"_154":441,"_140":442},{"_287":285,"_123":372,"_154":373,"_140":374},"artist/william-merritt-chase","More by William Merritt Chase","https://img.ochreeditions.com/a/809/480.jpg","https://img.ochreeditions.com/a/809/960.jpg","https://img.ochreeditions.com/a/809/1920.jpg",{"_314":791,"_316":792},{"_314":789,"_316":790},{"_314":787,"_316":788},{"_314":785,"_316":786},{"_314":783,"_316":784},"#ba9078",0.0367,"#916d5b",0.0535,"#5e4c3f",0.055,"#1f1d1d",0.381,"#38322a",0.4738,"William Merritt Chase","william-merritt-chase","American, 1849–1916",1849,1916,"Williamsburg, Indiana","Chase studied at the Royal Academy in Munich, then returned to New York in 1878 to teach at the Art Students League, setting up a lavish Tenth Street studio that became a showcase.","leaping-trout-cma-147393","Leaping Trout",{"_42":467,"_221":468,"_328":469,"_330":331,"_332":470,"_334":471,"_336":472,"_337":473,"_338":474,"_140":53},"1889","watercolor over graphite","Sheet: 35 x 50.6 cm (13 3/4 x 19 15/16 in.)",50.6,35,1.423785594639866,[832,833,834,835,836],{"_220":304,"_221":305,"_42":306,"_307":308},"1973.142","Winslow Homer painted this in 1889, aged 53. It is now at the Cleveland Museum of Art.",{"_118":831,"_302":303},"Leaping Trout, by Winslow Homer, 1889",{"_295":828,"_297":829,"_299":830},"https://img.ochreeditions.com/m/682.jpg?dl=1","/art/leaping-trout-cma-147393","/galleries/style/american-gilded-age/leaping-trout-cma-147393",{"_291":380,"_293":381},{"_224":825,"_125":826,"_285":827},{"_276":822,"_278":823,"_280":806,"_281":824},74.6,59.53905882352941,35.53905882352941,{"_287":224,"_123":443,"_154":444,"_140":53},{"_287":125,"_123":375,"_154":376,"_140":377},{"_287":285,"_123":372,"_154":373,"_140":374},"https://img.ochreeditions.com/a/682/480.jpg","https://img.ochreeditions.com/a/682/960.jpg","https://img.ochreeditions.com/a/682/1920.jpg","In 1886, Winslow Homer began to produce oil paintings and watercolors of subjects in the Adirondack Mountains, where he and his brother Charles had fished and hunted since the 1870s. In Leaping Trout , a silvery trout propels itself from the water in pursuit of a hapless insect or a fisherman’s fly.",{"_314":845,"_316":846},{"_314":843,"_316":844},{"_314":841,"_316":842},{"_314":839,"_316":840},{"_314":837,"_316":838},"#b5b0a6",0.0785,"#79766d",0.0979,"#30312e",0.1965,"#4b4e42",0.251,"#3d3f38",0.3761,"girl-in-black-pouting-tom-si-hmsg-66-5532","Girl in Black (Pouting Tom)",{"_42":687,"_221":688,"_328":689,"_330":331,"_332":690,"_334":410,"_336":691,"_337":692,"_338":693,"_140":343},"(1896-1901)","20 1/4 x 12 3/8 in. (51.4 x 31.4 cm)",31.4,51.4,0.6110694183864915,[877,878,879,880,881],{"_220":387,"_221":388,"_42":389,"_307":451},"Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution","66.5532","James McNeill Whistler painted this ((1896-1901)), aged about 62. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","James Abbott McNeill Whistler",{"_295":874,"_297":875,"_299":876},"https://img.ochreeditions.com/m/1828.jpg?dl=1","/art/girl-in-black-pouting-tom-si-hmsg-66-5532","/galleries/style/american-gilded-age/girl-in-black-pouting-tom-si-hmsg-66-5532",{"_291":292,"_293":294},{"_224":871,"_125":872,"_285":873},{"_276":868,"_278":869,"_280":870,"_281":853},46.40896810506567,66.4,31.408968105065664,{"_287":224,"_123":663,"_154":664,"_140":343},{"_287":125,"_123":440,"_154":441,"_140":442},{"_287":285,"_123":372,"_154":373,"_140":374},"https://img.ochreeditions.com/a/1828/480.jpg","https://img.ochreeditions.com/a/1828/960.jpg","https://img.ochreeditions.com/a/1828/1920.jpg",{"_314":890,"_316":891},{"_314":888,"_316":889},{"_314":886,"_316":887},{"_314":884,"_316":885},{"_314":882,"_316":883},"#4f3417",0.0176,"#754f24",0.0288,"#2d2215",0.0709,"#191915",0.1671,"#0d1415",0.7156,"checker-players-si-saam-1967-136-4","Checker Players",{"_42":941,"_221":942,"_328":943,"_330":331,"_332":944,"_334":945,"_336":946,"_337":947,"_338":948,"_140":99},"16 1/8 x 20 1/8 in. (40.8 x 51.0 cm.)",51,40.8,1.257100149476831,[926,927,928,929,930],{"_220":387,"_221":388,"_42":389,"_307":451},"Courtesy of the Smithsonian American Art Museum","1967.136.4","Thomas Anshutz painted this in about 1895, aged 44. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":924,"_302":925},"Checker Players, by Thomas Anshutz, ca. 1895",{"_295":921,"_297":922,"_299":923},"https://img.ochreeditions.com/m/1927.jpg?dl=1","/art/checker-players-si-saam-1967-136-4","/galleries/style/american-gilded-age/checker-players-si-saam-1967-136-4",{"_291":292,"_293":294},{"_224":916,"_125":917,"_285":918},{"_276":913,"_278":914,"_280":896,"_281":915},66,55.569560047562426,40.569560047562426,{"_287":224,"_123":919,"_154":920,"_140":99},{"_287":125,"_123":440,"_154":441,"_140":442},{"_287":285,"_123":372,"_154":373,"_140":374},"artist/thomas-anshutz","More by Thomas Anshutz","https://img.ochreeditions.com/a/1927/480.jpg","https://img.ochreeditions.com/a/1927/960.jpg","https://img.ochreeditions.com/a/1927/1920.jpg","Two boys sit engrossed in a game of checkers, each focusing intently on his next move. The dark, featureless interior draws our attention to the players' rigid poses.","Text from the Smithsonian American Art Museum.",{"_314":939,"_316":940},{"_314":937,"_316":938},{"_314":935,"_316":936},{"_314":933,"_316":934},{"_314":931,"_316":932},"#d89553",0.0463,"#bf9c85",0.0551,"#8a5a41",0.0665,"#4f302b",0.1137,"#301d23",0.7184,"Thomas Anshutz","thomas-anshutz","American, 1851–1912",1851,1912,"Newport, Kentucky","Fort Washington, Pennsylvania","Anshutz studied at the Pennsylvania Academy of the Fine Arts under Thomas Eakins, assisting his photographic and anatomical studies, and succeeded him as a teacher there after Eakins was forced out in 1886.","in-cloister-of-cathedreal-le-puy-si-chndm-1948-47-155","In Cloister of Cathedreal, Le Puy",{"_42":997,"_221":998,"_328":999,"_330":331,"_332":409,"_334":1000,"_336":-5,"_337":-5,"_338":1001,"_140":99},"1883","Graphite on brown paper","14.4 × 23 cm (5 11/16 × 9 1/16 in.)",23,14.4,1.5815236125473975,[982,983,984,985,986],{"_220":387,"_221":388,"_42":389,"_307":390},"1948-47-155","Arnold William Brunner drew this in 1883, aged 26. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":981,"_302":386},"IN CLOISTER OF CATHEDREAL, LE PUY",{"_295":978,"_297":979,"_299":980},"https://img.ochreeditions.com/m/1748.jpg?dl=1","/art/in-cloister-of-cathedreal-le-puy-si-chndm-1948-47-155","/galleries/style/american-gilded-age/in-cloister-of-cathedreal-le-puy-si-chndm-1948-47-155",{"_291":380,"_293":381},{"_224":973,"_125":974,"_285":975},{"_276":366,"_278":971,"_280":368,"_281":972},39.80754141238012,15.807541412380122,{"_287":224,"_123":976,"_154":977,"_140":99},{"_287":125,"_123":375,"_154":376,"_140":377},{"_287":285,"_123":372,"_154":373,"_140":374},"artist/arnold-william-brunner","More by Arnold William Brunner","https://img.ochreeditions.com/a/1748/480.jpg","https://img.ochreeditions.com/a/1748/960.jpg","https://img.ochreeditions.com/a/1748/1920.jpg","Coupled columns, left; capital; right; grillework, center.",{"_314":995,"_316":996},{"_314":993,"_316":994},{"_314":991,"_316":992},{"_314":989,"_316":990},{"_314":987,"_316":988},"#a4866a",0.023,"#ada9a8",0.082,"#ad9a83",0.0824,"#b9a186",0.2434,"#c1aa8e",0.5692,"Arnold William Brunner","arnold-william-brunner","American, 1857–1925",1925,"Arnold W. Brunner was a New York architect who trained at the Massachusetts Institute of Technology and sketched widely in Europe as a young man.","as-they-threw-their-animals-back-upon-their-haunches-illustr-aic-99607","\"As They Threw their Animals Back upon their Haunches,\" illustration for An Arabian Day and Night, in Harper's New Monthly Magazine",{"_42":1050,"_221":1051,"_328":1052,"_330":331,"_332":1053,"_334":1054,"_336":-5,"_337":-5,"_338":-5,"_140":103},"n.d.","Brush and black gray wash heightened with white gouache over graphite, on cream laminate board","34.9 × 44.7 cm (13 3/4 × 17 5/8 in.)",44,34,0.6854395604395604,[1035,1036,1037,1038,1039],{"_220":668,"_221":669,"_42":670,"_307":671},"1982.1583","Frederic Remington painted this (n.d.), aged 33. It is now at the Art Institute of Chicago.","A work made of brush and black gray wash heightened with white gouache over graphite, on cream laminate board.",{"_295":1032,"_297":1033,"_299":1034},"https://img.ochreeditions.com/m/257.jpg?dl=1","/art/as-they-threw-their-animals-back-upon-their-haunches-illustr-aic-99607","/galleries/style/american-gilded-age/as-they-threw-their-animals-back-upon-their-haunches-illustr-aic-99607",{"_291":380,"_293":381},{"_224":1027,"_125":1028,"_285":1029},{"_276":1023,"_278":1024,"_280":1025,"_281":1026},56.02214206478983,70.71767419472344,32.02214206478983,46.71767419472344,{"_287":224,"_123":1030,"_154":1031,"_140":89},{"_287":125,"_123":660,"_154":661,"_140":662},{"_287":285,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-frederic-remington","Frederic Remington's contemporaries","https://img.ochreeditions.com/a/257/480.jpg","https://img.ochreeditions.com/a/257/960.jpg","https://img.ochreeditions.com/a/257/1920.jpg",{"_314":1048,"_316":1049},{"_314":1046,"_316":1047},{"_314":1044,"_316":1045},{"_314":1042,"_316":1043},{"_314":1040,"_316":1041},"#36322b",0.0433,"#6c665a",0.1019,"#a09787",0.131,"#c8bdac",0.3253,"#dcd5c5",0.3985,"Frederic Remington","frederic-remington","American, 1861–1909",1861,1909,"repose-met-10065","Repose",{"_42":1101,"_221":1102,"_328":1103,"_330":331,"_332":1104,"_334":527,"_336":1105,"_337":390,"_338":-5,"_140":103},"1895","52 1/4 x 63 5/8 in. (132.7 x 161.6 cm)",161.6,132.7,1.2113795295613476,[1086,1087,1088,1089,1090],{"_220":560,"_221":561,"_42":562,"_307":390},"1980.224","John White Alexander painted this in 1895, aged 39. It is now at The Met in New York.","Repose, by John White Alexander, 1895",{"_295":1083,"_297":1084,"_299":1085},"https://img.ochreeditions.com/m/802.jpg?dl=1","/art/repose-met-10065","/galleries/style/american-gilded-age/repose-met-10065",{"_291":292,"_293":294},{"_224":1078,"_125":1079,"_285":1080},{"_276":1075,"_278":1076,"_280":1060,"_281":1077},176.6,148.40162686958803,133.40162686958803,{"_287":224,"_123":1081,"_154":1082,"_140":89},{"_287":125,"_123":440,"_154":441,"_140":442},{"_287":285,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-john-white-alexander","John White Alexander's contemporaries","https://img.ochreeditions.com/a/802/480.jpg","https://img.ochreeditions.com/a/802/960.jpg","https://img.ochreeditions.com/a/802/1920.jpg",{"_314":1099,"_316":1100},{"_314":1097,"_316":1098},{"_314":1095,"_316":1096},{"_314":1093,"_316":1094},{"_314":1091,"_316":1092},"#613c27",0.1001,"#806c50",0.1749,"#584a3c",0.1752,"#3a2d24",0.2575,"#a9a486",0.2923,"John White Alexander","john-white-alexander","American, 1856–1915",1856,"Allegheny, Pennsylvania","study-of-drapery-si-chndm-1914-38-149","Study of Drapery",{"_42":1153,"_221":1154,"_328":1155,"_330":331,"_332":796,"_334":1054,"_336":-5,"_337":-5,"_338":1156,"_140":99},"Black crayon on cream laid paper","24.3 × 18.7 cm (9 9/16 × 7 3/8 in.)",18.7,24.3,0.7880906971816063,[1138,1139,1140,1141,1142],{"_220":387,"_221":388,"_42":389,"_307":390},"1914-38-149","Francis Augustus Lathrop drew this in about 1895, aged 46. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1137,"_302":386},"STUDY OF DRAPERY",{"_295":1134,"_297":1135,"_299":1136},"https://img.ochreeditions.com/m/1717.jpg?dl=1","/art/study-of-drapery-si-chndm-1914-38-149","/galleries/style/american-gilded-age/study-of-drapery-si-chndm-1914-38-149",{"_291":380,"_293":381},{"_224":1129,"_125":1130,"_285":1131},{"_276":1127,"_278":366,"_280":1128,"_281":368},43.70226742954016,19.702267429540157,{"_287":224,"_123":1132,"_154":1133,"_140":99},{"_287":125,"_123":375,"_154":376,"_140":377},{"_287":285,"_123":372,"_154":373,"_140":374},"artist/francis-augustus-lathrop","More by Francis Augustus Lathrop","https://img.ochreeditions.com/a/1717/480.jpg","https://img.ochreeditions.com/a/1717/960.jpg","https://img.ochreeditions.com/a/1717/1920.jpg","Drapery on a figure, probably an angel.",{"_314":1151,"_316":1152},{"_314":1149,"_316":1150},{"_314":1147,"_316":1148},{"_314":1145,"_316":1146},{"_314":1143,"_316":1144},"#b8b5b0",0.0338,"#a7a298",0.0534,"#b0b1b6",0.0609,"#c3bbad",0.0869,"#d6cab9",0.765,"Francis Augustus Lathrop","francis-augustus-lathrop","American, 1849–1909","Lathrop trained in London, where he worked with the Pre-Raphaelite circle around Ford Madox Brown and William Morris.",{"_1158":-5,"_1159":1160,"_1161":1162,"_1163":8,"_1164":1165,"_1166":8},"user","csrf","6730c18fc3744ae7abb9c491e7d718f41bf7c36f","cartCount",0,"dropLive","legal",[1167,1168,1169,1170,1171,1172,1173,1174,1175,1176,1177,1178],"uploadsEnabled",{"_221":1201,"_20":1202},{"_221":1199,"_20":1200},{"_221":1197,"_20":1198},{"_221":1195,"_20":1196},{"_221":1193,"_20":1194},{"_221":1191,"_20":1192},{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},{"_221":1179,"_20":1180},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]