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It is now at the National Gallery of Art in Washington, DC.","note","A young woman, perhaps the schoolteacher, stands holding her books in a striped white dress and ruffled hat, her head turned away, while behind her the red schoolhouse glows under a pale sunset sky and a few small figures gather at the door.","Shown from the knees up, a pale-skinned woman stands close to us with a red schoolhouse in the distance under a sunset sky in this vertical painting. The woman’s body faces us, but she turns her head to look off to the left with light brown eyes. She has a short, straight nose, full pink lips, and a round face. Her blond hair is pulled up under a round white hat layered with ruffles, which lies like a pancake over the top of her head. Her white dress is vertically striped with thin rust-red lines and has a long-sleeved, tight-fitting bodice and a long skirt. A dark gray belt is cinched around her narrow waist, and she wears a black, lacy ruffle around her neck. The woman’s arms hang by her sides, and she holds two paperback-sized books in her left hand, to our right. An earth-brown lawn stretches back to the schoolhouse, which has crimson-red walls, a chimney, and a dark gray roof. Three forms painted with a few streaks of dark or light gray or topaz blue suggest people standing near the door of the schoolhouse. Trees and a grassy lawn beyond the building are loosely painted with blended strokes. The sky is shaded pale lemon yellow and light peach with touches of rose pink. The artist signed and dated the lower right corner, “HOMER 1873.”","images",{"_295":296,"_297":298,"_299":300},"download_url","https://img.ochreeditions.com/m/1610.jpg?dl=1","page_url","/art/the-red-school-house-nga-66419","walk_url","/galleries/style/american-gilded-age/the-red-school-house-nga-66419","frame",{"_291":292,"_293":294},{"_224":283,"_125":284,"_285":286},"size",{"_276":277,"_278":279,"_280":281,"_282":245},"w",53.86083984375,"h",70.5,"image_w",38.86083984375,"image_h",{"_287":224,"_123":170,"_154":169,"_140":53},{"_287":125,"_123":288,"_154":289,"_140":290},"era",{"_287":285,"_123":166,"_154":165,"_140":168},"facet","style/painting-19","More paintings of the 19th century",432,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1610/480.jpg","960","https://img.ochreeditions.com/a/1610/960.jpg","1920","https://img.ochreeditions.com/a/1610/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_311":321,"_313":322},{"_311":319,"_313":320},{"_311":317,"_313":318},{"_311":315,"_313":316},{"_311":312,"_313":314},"hex","#783613","weight",0.0139,"#3c361f",0.1378,"#694019",0.1854,"#dfb685",0.3045,"#8a7760",0.3584,"Winslow Homer","winslow-homer","bio","American, 1836–1910","nationality","American","birth_year",1836,"death_year",1910,"birth_place","Boston, Massachusetts","death_place","Prouts Neck, Maine","about_excerpt","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","a-rose-met-14931","A Rose",{"_42":398,"_221":399,"_325":400,"_327":328,"_329":401,"_331":402,"_333":403,"_335":404,"_337":405,"_140":99},"1907",20,"Oil on canvas","58 x 43 7/8 in. (147.3 x 111.4 cm)",111.4,147.3,0.7563138097796883,[383,384,385,386,387],{"_220":379,"_221":380,"_42":381,"_304":382},"Courtesy of The Metropolitan Museum of Art","1993.324","Thomas Anshutz painted this in 1907, aged 56. 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It is now at the National Gallery of Art in Washington, DC.","An elderly woman in a dark blue gown and head covering sits absorbed in the work in her hands, her eyes lowered. She is the chaperone from Thomas Eakins’s late paintings of William Rush, the Philadelphia sculptor shown carving a statue from a nude model while an older woman sits by for propriety, knitting.","This painting shows a person seated on a stool or chair, wearing a long, dark-blue robe or gown. They are slightly turned toward the right, looking downward at something they hold in their hands, and their head is covered with a cloth or cap. The background is textured with earthy tones, mostly tan with some patches of yellow ochre and gray.",{"_295":435,"_297":436,"_299":437},"https://img.ochreeditions.com/m/1618.jpg?dl=1","/art/the-chaperone-nga-72165","/galleries/style/american-gilded-age/the-chaperone-nga-72165",{"_291":292,"_293":294},{"_224":430,"_125":431,"_285":432},{"_276":427,"_278":428,"_280":429,"_282":412},50.425830078124996,61.3,35.425830078124996,{"_287":224,"_123":433,"_154":434,"_140":87},{"_287":125,"_123":371,"_154":372,"_140":373},{"_287":285,"_123":368,"_154":369,"_140":370},"artist/thomas-eakins","More by Thomas Eakins","https://img.ochreeditions.com/a/1618/480.jpg","https://img.ochreeditions.com/a/1618/960.jpg","https://img.ochreeditions.com/a/1618/1920.jpg",{"_311":451,"_313":452},{"_311":449,"_313":450},{"_311":447,"_313":448},{"_311":445,"_313":446},{"_311":443,"_313":444},"#705c4c",0.0794,"#403837",0.1084,"#514942",0.161,"#8c6e58",0.2889,"#97745a",0.3623,"Thomas Eakins","thomas-eakins","American, 1844–1916",1844,1916,"Philadelphia, Pennsylvania","Eakins studied in Paris under Jean-Léon Gérôme and was impressed in Spain by Velázquez and Ribera, then returned to Philadelphia, where he spent his life.","checker-players-si-saam-1967-136-4","Checker Players",{"_42":398,"_221":399,"_325":400,"_327":328,"_329":401,"_331":402,"_333":403,"_335":404,"_337":405,"_140":99},"ca. 1895","16 1/8 x 20 1/8 in. (40.8 x 51.0 cm.)",51,40.8,1.257100149476831,[497,498,499,500,501],{"_220":494,"_221":495,"_42":496,"_304":305},"Courtesy of the Smithsonian American Art Museum","1967.136.4","Thomas Anshutz painted this in about 1895, aged 44. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":491,"_492":493},"Checker Players, by Thomas Anshutz, ca. 1895",{"_295":488,"_297":489,"_299":490},"https://img.ochreeditions.com/m/1927.jpg?dl=1","/art/checker-players-si-saam-1967-136-4","/galleries/style/american-gilded-age/checker-players-si-saam-1967-136-4",{"_291":292,"_293":294},{"_224":485,"_125":486,"_285":487},{"_276":482,"_278":483,"_280":465,"_282":484},66,55.569560047562426,40.569560047562426,{"_287":224,"_123":374,"_154":375,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1927/480.jpg","https://img.ochreeditions.com/a/1927/960.jpg","https://img.ochreeditions.com/a/1927/1920.jpg","Two boys sit engrossed in a game of checkers, each focusing intently on his next move. The dark, featureless interior draws our attention to the players' rigid poses.","source","Text from the Smithsonian American Art Museum.","si","smithsonian","Smithsonian Institution",{"_311":510,"_313":511},{"_311":508,"_313":509},{"_311":506,"_313":507},{"_311":504,"_313":505},{"_311":502,"_313":503},"#d89553",0.0463,"#bf9c85",0.0551,"#8a5a41",0.0665,"#4f302b",0.1137,"#301d23",0.7184,"peaceful-valley-nga-50295","Peaceful Valley",{"_42":558,"_221":559,"_325":560,"_327":328,"_329":330,"_331":561,"_333":-5,"_335":-5,"_337":-5,"_140":103},"c. 1872","overall: 17.7 x 31.1 cm (6 15/16 x 12 1/4 in.) framed: 36.8 x 49.5 x 4.8 cm (14 1/2 x 19 1/2 x 1 7/8 in.)",31.1,17.7,1.7333897587812104,[543,544,545,546,547],{"_220":301,"_221":302,"_42":303,"_304":305},"1965.10.1","Alexander Helwig Wyant painted this in about 1872, aged 36. It is now at the National Gallery of Art in Washington, DC.","The painting depicts a rural landscape at sunset or sunrise. The horizon is slightly above the center, showing distant pale-pink and purple mountains against the sky. Closest to us is an area with dark green bushes and vegetation, leading to a lighter green field surrounded by green-and-brown trees. The palette is warm and earthy, with greens and browns in the bottom transitioning to purples and pinks in the distance. The sky is a pale-yellow color that fades into light blue towards the top left corner, and faint yellow and gray clouds drift across it.",{"_295":540,"_297":541,"_299":542},"https://img.ochreeditions.com/m/1535.jpg?dl=1","/art/peaceful-valley-nga-50295","/galleries/style/american-gilded-age/peaceful-valley-nga-50295",{"_291":292,"_293":294},{"_224":535,"_125":536,"_285":537},{"_276":532,"_278":533,"_280":517,"_282":534},46.1,32.9417236328125,17.9417236328125,{"_287":224,"_123":538,"_154":539,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-alexander-helwig-wyant","Alexander Helwig Wyant's contemporaries","https://img.ochreeditions.com/a/1535/480.jpg","https://img.ochreeditions.com/a/1535/960.jpg","https://img.ochreeditions.com/a/1535/1920.jpg",{"_311":556,"_313":557},{"_311":554,"_313":555},{"_311":552,"_313":553},{"_311":550,"_313":551},{"_311":548,"_313":549},"#4c3923",0.1376,"#815b28",0.1693,"#322a1e",0.1879,"#cba885",0.2339,"#e8bc81",0.2713,"Alexander Helwig Wyant","alexander-helwig-wyant","American, 1836–1892",1892,"buttresses-on-city-walls-loches-si-chndm-1948-47-145","Buttresses on City Walls; Loches",{"_42":621,"_221":622,"_325":623,"_327":328,"_329":624,"_331":625,"_333":-5,"_335":-5,"_337":626,"_140":99},"1883","drawing","Drawing","Graphite, brush with blue wash and white heightening on blue-grey paper","23.2 × 14.3 cm (9 1/8 × 5 5/8 in.)",14.3,23.2,0.6302105715513536,[606,607,608,609,610],{"_220":494,"_221":495,"_42":496,"_304":382},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1948-47-145","Arnold William Brunner drew this in 1883, aged 26. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":604,"_492":605},"BUTTRESSES ON CITY WALLS; LOCHES",{"_295":601,"_297":602,"_299":603},"https://img.ochreeditions.com/m/1747.jpg?dl=1","/art/buttresses-on-city-walls-loches-si-chndm-1948-47-145","/galleries/style/american-gilded-age/buttresses-on-city-walls-loches-si-chndm-1948-47-145",{"_291":599,"_293":600},{"_224":591,"_125":592,"_285":593},{"_276":587,"_278":588,"_280":589,"_282":590},39.75526428878384,49,15.75526428878384,25,{"_287":224,"_123":597,"_154":598,"_140":99},{"_287":125,"_123":594,"_154":595,"_140":596},{"_287":285,"_123":166,"_154":165,"_140":168},"style/drawing-19","More drawings of the 19th century",92,"artist/arnold-william-brunner","More by Arnold William Brunner","white","snow","https://img.ochreeditions.com/a/1747/480.jpg","https://img.ochreeditions.com/a/1747/960.jpg","https://img.ochreeditions.com/a/1747/1920.jpg","Stone or brick buttress juts from right, Houses below, right and left.","Text from Cooper Hewitt, Smithsonian Design Museum.",{"_311":619,"_313":620},{"_311":617,"_313":618},{"_311":615,"_313":616},{"_311":613,"_313":614},{"_311":611,"_313":612},"#849091",0.0563,"#919c9c",0.1332,"#9ea7a5",0.1938,"#a8afad",0.298,"#a1a8a1",0.3187,"Arnold William Brunner","arnold-william-brunner","American, 1857–1925",1857,1925,"Arnold W. Brunner was a New York architect who trained at the Massachusetts Institute of Technology and sketched widely in Europe as a young man.","balcony-si-chndm-1904-16-329","Balcony",{"_42":673,"_221":674,"_325":675,"_327":328,"_329":624,"_331":676,"_333":-5,"_335":-5,"_337":677,"_140":99},"1880","Graphite on wove paper","16.6 × 10 cm (6 9/16 × 3 15/16 in.)",16.6,0.6239086635325722,[659,660,661,662,663],{"_220":494,"_221":495,"_42":496,"_304":382},"1904-16-329","Robert Frederick Blum drew this in 1880, aged 23. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":658,"_492":605},"BALCONY",{"_295":655,"_297":656,"_299":657},"https://img.ochreeditions.com/m/1709.jpg?dl=1","/art/balcony-si-chndm-1904-16-329","/galleries/style/american-gilded-age/balcony-si-chndm-1904-16-329",{"_291":599,"_293":600},{"_224":650,"_125":651,"_285":652},{"_276":648,"_278":588,"_280":649,"_282":590},39.597716588314306,15.597716588314306,{"_287":224,"_123":653,"_154":654,"_140":99},{"_287":125,"_123":594,"_154":595,"_140":596},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/robert-frederick-blum","More by Robert Frederick Blum","https://img.ochreeditions.com/a/1709/480.jpg","https://img.ochreeditions.com/a/1709/960.jpg","https://img.ochreeditions.com/a/1709/1920.jpg","Sketch of a balcony and exterior wall of a building from the street below.",{"_311":671,"_313":672},{"_311":669,"_313":670},{"_311":667,"_313":668},{"_311":665,"_313":666},{"_311":664,"_313":505},"#a69a8d","#b3b2b4",0.1148,"#c2b4a4",0.1625,"#d9c1a6",0.1867,"#dbc7b2",0.4809,"Robert Frederick Blum","robert-frederick-blum","American, 1857–1903",1903,"Blum trained in Cincinnati and Philadelphia and became a leading American illustrator, admired for his deft pen work, pastels and etchings. In Venice in 1880 he worked in the circle of Frank Duveneck and was influenced by Whistler.","the-stubble-field-cma-106093","The Stubble Field",{"_42":732,"_221":733,"_325":734,"_327":328,"_329":735,"_331":736,"_333":-5,"_335":-5,"_337":-5,"_140":103},"c. 1909","Unframed: 81 x 115.5 cm (31 7/8 x 45 1/2 in.)",115.5,81,1.4261744966442953,[717,718,719,720,721],{"_220":713,"_221":714,"_42":715,"_304":716},"Courtesy of the Cleveland Museum of Art","1924.198","Henry Golden Dearth painted this in about 1909, aged about 40. It is now at the Cleveland Museum of Art.",{"_118":711,"_492":712},"The Stubble Field, by Henry Golden Dearth, c. 1909",{"_295":708,"_297":709,"_299":710},"https://img.ochreeditions.com/m/511.jpg?dl=1","/art/the-stubble-field-cma-106093","/galleries/style/american-gilded-age/the-stubble-field-cma-106093",{"_291":292,"_293":294},{"_224":703,"_125":704,"_285":705},{"_276":700,"_278":701,"_280":683,"_282":702},130.5,95.98588235294118,80.98588235294118,{"_287":224,"_123":706,"_154":707,"_140":89},{"_287":125,"_123":371,"_154":372,"_140":373},{"_287":285,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-henry-golden-dearth","Henry Golden Dearth's contemporaries","https://img.ochreeditions.com/a/511/480.jpg","https://img.ochreeditions.com/a/511/960.jpg","https://img.ochreeditions.com/a/511/1920.jpg","Henry Golden Dearth's composition presents a farm worker guiding a pair of workhorses after a day of harvesting grain. The painting's title refers the short pieces of grain stalks left in the ground after the crop has been cut.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":730,"_313":731},{"_311":728,"_313":729},{"_311":726,"_313":727},{"_311":724,"_313":725},{"_311":722,"_313":723},"#3a382c",0.1267,"#53442b",0.1476,"#9f9271",0.1816,"#685837",0.2208,"#c5bd9b",0.3233,"Henry Golden Dearth","henry-golden-dearth","American, 1864–1918",1864,1918,"study-for-the-dancing-lesson-the-banjo-player-nga-66414","Study for \"The Dancing Lesson\": The Banjo Player",{"_42":453,"_221":454,"_325":455,"_327":328,"_329":456,"_331":457,"_333":458,"_335":458,"_337":459,"_140":87},"probably 1877","oil on canvas on cardboard","overall: 49.5 x 37.9 cm (19 1/2 x 14 15/16 in.) framed: 57.9 x 45.7 x 3.5 cm (22 13/16 x 18 x 1 3/8 in.)",37.9,49.5,0.75341796875,[768,769,770,771,772],{"_220":301,"_221":302,"_42":303,"_304":305},"1985.64.16","Thomas Eakins painted this (probably 1877), aged 33. It is now at the National Gallery of Art in Washington, DC.","A young banjo player leans over his instrument, lit from the left so that his profile falls into shadow, in an oil study Thomas Eakins made for his watercolour The Dancing Lesson of 1878.","A young, gangly, brown-skinned boy sits on a green chair and leans over the banjo he plays in this loosely painted, vertical composition. His body faces our right in profile, and his head leans to his left and away from us. Light comes from our left to highlight his ear and the side of his chin, but throws his profile into shadow against the lighter background. The boy has short black hair and wears a white shirt with the sleeves rolled up, black pants, and black shoes. The floor is loosely painted with streaks of earth brown, taupe, and dark moss green. The wall behind the boy is painted with visible strokes of parchment brown, peachy tan, pearl white, and fog gray. The space to our left of the boy is dark brown, and an outline of a standing person is sketched in the top left corner. A grid is overlaid across the boy’s body and the chair.",{"_295":765,"_297":766,"_299":767},"https://img.ochreeditions.com/m/1606.jpg?dl=1","/art/study-for-the-dancing-lesson-the-banjo-player-nga-66414","/galleries/style/american-gilded-age/study-for-the-dancing-lesson-the-banjo-player-nga-66414",{"_291":292,"_293":294},{"_224":762,"_125":763,"_285":764},{"_276":759,"_278":760,"_280":761,"_282":744},52.294189453125,64.5,37.294189453125,{"_287":224,"_123":433,"_154":434,"_140":87},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1606/480.jpg","https://img.ochreeditions.com/a/1606/960.jpg","https://img.ochreeditions.com/a/1606/1920.jpg",{"_311":781,"_313":782},{"_311":779,"_313":780},{"_311":777,"_313":778},{"_311":775,"_313":776},{"_311":773,"_313":774},"#b2a17f",0.111,"#8b775a",0.1413,"#463422",0.2197,"#6a543b",0.251,"#282017",0.277,"vignette-man-crouching-on-a-scaffolding-si-chndm-1957-58-13","Vignette: Man Crouching on a Scaffolding",{"_42":832,"_221":833,"_325":834,"_327":328,"_329":835,"_331":836,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1899","Brush and black washes, with graphite, on white watercolor paper","39.3 × 30.6 cm (15 1/2 × 12 1/16 in.)",30.6,39.3,0.754759011745646,[817,818,819,820,821],{"_220":494,"_221":495,"_42":496,"_304":382},"1957-58-13","Walter Appleton Clark painted this in 1899, aged 23. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":816,"_492":605},"VIGNETTE: MAN CROUCHING ON A SCAFFOLDING",{"_295":813,"_297":814,"_299":815},"https://img.ochreeditions.com/m/1753.jpg?dl=1","/art/vignette-man-crouching-on-a-scaffolding-si-chndm-1957-58-13","/galleries/style/american-gilded-age/vignette-man-crouching-on-a-scaffolding-si-chndm-1957-58-13",{"_291":599,"_293":600},{"_224":808,"_125":809,"_285":810},{"_276":805,"_278":806,"_280":807,"_282":790},53.66202916160388,63.3,29.662029161603883,{"_287":224,"_123":811,"_154":812,"_140":89},{"_287":125,"_123":594,"_154":595,"_140":596},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-walter-appleton-clark","Walter Appleton Clark's contemporaries","https://img.ochreeditions.com/a/1753/480.jpg","https://img.ochreeditions.com/a/1753/960.jpg","https://img.ochreeditions.com/a/1753/1920.jpg","Vignette showing a workman on his knees croushing on a scaffolding, a trowel and wooden bucket beside him.",{"_311":830,"_313":831},{"_311":828,"_313":829},{"_311":826,"_313":827},{"_311":824,"_313":825},{"_311":822,"_313":823},"#a49c8f",0.0488,"#777166",0.0638,"#47433d",0.0804,"#c7bfb0",0.0807,"#f0ebdd",0.7263,"Walter Appleton Clark","walter-appleton-clark","American, 1876–1906",1876,1906,"the-bridge-at-grez-recto-nga-180938","The Bridge at Grez [recto]",{"_42":887,"_221":888,"_325":889,"_327":328,"_329":890,"_331":891,"_333":-5,"_335":-5,"_337":-5,"_140":101},"1904","watercolor on wove paper","sheet: 17.62 × 25.24 cm (6 15/16 × 9 15/16 in.)",25.2,17.6,1.4341736694677871,[872,873,874,875,876],{"_220":301,"_221":302,"_42":303,"_304":305},"2015.19.505.a","Childe Hassam painted this in 1904, aged 45. It is now at the National Gallery of Art in Washington, DC.","The Bridge at Grez [recto], by Childe Hassam, 1904",{"_295":869,"_297":870,"_299":871},"https://img.ochreeditions.com/m/1685.jpg?dl=1","/art/the-bridge-at-grez-recto-nga-180938","/galleries/style/american-gilded-age/the-bridge-at-grez-recto-nga-180938",{"_291":599,"_293":600},{"_224":861,"_125":862,"_285":863},{"_276":858,"_278":859,"_280":843,"_282":860},49.2,41.57109375,17.57109375,{"_287":224,"_123":867,"_154":868,"_140":89},{"_287":125,"_123":864,"_154":865,"_140":866},{"_287":285,"_123":368,"_154":369,"_140":370},"style/drawing-20","More drawings of the 20th century",98,"artist/contemporaries-of-childe-hassam","Childe Hassam's contemporaries","https://img.ochreeditions.com/a/1685/480.jpg","https://img.ochreeditions.com/a/1685/960.jpg","https://img.ochreeditions.com/a/1685/1920.jpg",{"_311":885,"_313":886},{"_311":883,"_313":884},{"_311":881,"_313":882},{"_311":879,"_313":880},{"_311":877,"_313":878},"#a89e81",0.0842,"#bebaaf",0.1538,"#6c7d73",0.2212,"#395b59",0.2457,"#9ba7a1",0.2951,"Childe Hassam","childe-hassam","American, 1859–1935",1859,1935,"the-gulf-stream-met-11122","The Gulf Stream",{"_42":323,"_221":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_140":53},"1899; reworked by 1906","28 1/8 x 49 1/8 in. (71.4 x 124.8 cm) Framed: 42 5/16 x 62 11/16 x 5 7/8 in. (107.5 x 159.3 x 15 cm)",124.8,71.4,1.6207455429497568,[922,923,924,925,926],{"_220":379,"_221":380,"_42":381,"_304":382},"06.1234","Winslow Homer painted this in 1899; reworked by 1906, aged about 63. It is now at The Met in New York.","A lone Black sailor lies on the deck of a dismasted, rudderless boat in the open sea, surrounded by circling sharks, while a waterspout churns on the horizon and a distant ship sails by, apparently unaware of him.","The Gulf Stream, by Winslow Homer, 1899; reworked by 1906",{"_295":919,"_297":920,"_299":921},"https://img.ochreeditions.com/m/832.jpg?dl=1","/art/the-gulf-stream-met-11122","/galleries/style/american-gilded-age/the-gulf-stream-met-11122",{"_291":292,"_293":294},{"_224":916,"_125":917,"_285":918},{"_276":913,"_278":914,"_280":897,"_282":915},139.8,92.0016,77.0016,{"_287":224,"_123":170,"_154":169,"_140":53},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/832/480.jpg","https://img.ochreeditions.com/a/832/960.jpg","https://img.ochreeditions.com/a/832/1920.jpg",{"_311":935,"_313":936},{"_311":933,"_313":934},{"_311":931,"_313":932},{"_311":929,"_313":930},{"_311":927,"_313":928},"#5c422e",0.0529,"#3a524c",0.2151,"#233231",0.2167,"#90866d",0.2179,"#151819",0.2974,"we-both-must-fade-mrs-fithian-si-saam-1970-101","We Both Must Fade (Mrs. Fithian)",{"_42":985,"_221":986,"_325":987,"_327":328,"_329":988,"_331":989,"_333":-5,"_335":-5,"_337":-5,"_140":101},"1869","72 x 53 3/4 in. (182.9 x 136.5 cm.)",136.5,182.9,0.744,[970,971,972,973,974],{"_220":494,"_221":495,"_42":496,"_304":305},"1970.101","Lilly Martin Spencer painted this in 1869, aged 47. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":969,"_492":493},"We Both Must Fade (Mrs. Fithian), by Lilly Martin Spencer, 1869",{"_295":966,"_297":967,"_299":968},"https://img.ochreeditions.com/m/1938.jpg?dl=1","/art/we-both-must-fade-mrs-fithian-si-saam-1970-101","/galleries/style/american-gilded-age/we-both-must-fade-mrs-fithian-si-saam-1970-101",{"_291":292,"_293":294},{"_224":961,"_125":962,"_285":963},{"_276":958,"_278":959,"_280":960,"_282":943},151.0776,197.9,136.0776,{"_287":224,"_123":964,"_154":965,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-lilly-martin-spencer","Lilly Martin Spencer's contemporaries","https://img.ochreeditions.com/a/1938/480.jpg","https://img.ochreeditions.com/a/1938/960.jpg","https://img.ochreeditions.com/a/1938/1920.jpg","Mrs. Fithian stands before a mirror, admiring the tokens that others have given in praise of her beauty. She wears lace and pearls, and a blue gown that has just been taken from its box. But like the rose in her hand with its falling petals, her beauty will fade, and with it, all the pleasures the world can provide.",{"_311":983,"_313":984},{"_311":981,"_313":982},{"_311":979,"_313":980},{"_311":977,"_313":978},{"_311":975,"_313":976},"#b4a487",0.0854,"#1c2f4f",0.1024,"#5c7b90",0.1157,"#542916",0.2586,"#261210",0.4379,"Lilly Martin Spencer","lilly-martin-spencer","1822–1902",1822,1902,"christ-cma-101158","Christ",{"_42":1036,"_221":1037,"_325":1038,"_327":328,"_329":1039,"_331":1040,"_333":-5,"_335":-5,"_337":1041,"_140":95},"1905","Unframed: 137 x 91.5 cm (53 15/16 x 36 in.)",91.5,137,0.7485294117647059,[1021,1022,1023,1024,1025],{"_220":713,"_221":714,"_42":715,"_304":716},"1920.150","Kenyon Cox painted this in 1905, aged 49. It is now at the Cleveland Museum of Art.","Christ, by Kenyon Cox, 1905",{"_295":1018,"_297":1019,"_299":1020},"https://img.ochreeditions.com/m/495.jpg?dl=1","/art/christ-cma-101158","/galleries/style/american-gilded-age/christ-cma-101158",{"_291":292,"_293":294},{"_224":1013,"_125":1014,"_285":1015},{"_276":1010,"_278":1011,"_280":1012,"_282":996},117.5485294117647,152,102.5485294117647,{"_287":224,"_123":1016,"_154":1017,"_140":95},{"_287":125,"_123":371,"_154":372,"_140":373},{"_287":285,"_123":368,"_154":369,"_140":370},"artist/kenyon-cox","More by Kenyon Cox","https://img.ochreeditions.com/a/495/480.jpg","https://img.ochreeditions.com/a/495/960.jpg","https://img.ochreeditions.com/a/495/1920.jpg",{"_311":1034,"_313":1035},{"_311":1032,"_313":1033},{"_311":1030,"_313":1031},{"_311":1028,"_313":1029},{"_311":1026,"_313":1027},"#3f4e35",0.1107,"#632f1a",0.1784,"#e0ddd2",0.2064,"#8e7441",0.2367,"#c7aa67",0.2678,"Kenyon Cox","kenyon-cox","American, 1856–1919",1856,1919,"Cox trained in Cincinnati, Philadelphia and Paris, where he studied with Carolus-Duran and Jean-Léon Gérôme, before settling in New York in 1883.","leaping-trout-cma-147393","Leaping Trout",{"_42":323,"_221":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_140":53},"1889","watercolor over graphite","Sheet: 35 x 50.6 cm (13 3/4 x 19 15/16 in.)",50.6,35,1.423785594639866,[1074,1075,1076,1077,1078],{"_220":713,"_221":714,"_42":715,"_304":716},"1973.142","Winslow Homer painted this in 1889, aged 53. It is now at the Cleveland Museum of Art.",{"_118":1073,"_492":712},"Leaping Trout, by Winslow Homer, 1889",{"_295":1070,"_297":1071,"_299":1072},"https://img.ochreeditions.com/m/682.jpg?dl=1","/art/leaping-trout-cma-147393","/galleries/style/american-gilded-age/leaping-trout-cma-147393",{"_291":599,"_293":600},{"_224":1067,"_125":1068,"_285":1069},{"_276":1064,"_278":1065,"_280":1048,"_282":1066},74.6,59.53905882352941,35.53905882352941,{"_287":224,"_123":170,"_154":169,"_140":53},{"_287":125,"_123":594,"_154":595,"_140":596},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/682/480.jpg","https://img.ochreeditions.com/a/682/960.jpg","https://img.ochreeditions.com/a/682/1920.jpg","In 1886, Winslow Homer began to produce oil paintings and watercolors of subjects in the Adirondack Mountains, where he and his brother Charles had fished and hunted since the 1870s. In Leaping Trout , a silvery trout propels itself from the water in pursuit of a hapless insect or a fisherman’s fly.",{"_311":1086,"_313":1087},{"_311":1085,"_313":780},{"_311":1083,"_313":1084},{"_311":1081,"_313":1082},{"_311":1079,"_313":1080},"#b5b0a6",0.0785,"#79766d",0.0979,"#30312e",0.1965,"#4b4e42","#3d3f38",0.3761,"landscape-cma-110952","Landscape",{"_42":1134,"_221":1135,"_325":1136,"_327":328,"_329":1137,"_331":1138,"_333":1139,"_335":1140,"_337":1141,"_140":95},"1888","Framed: 79.5 x 92 x 6 cm (31 5/16 x 36 1/4 x 2 3/8 in.); Unframed: 56.2 x 70 cm (22 1/8 x 27 9/16 in.)",70,56.2,1.2151536812008576,[1119,1120,1121,1122,1123],{"_220":713,"_221":714,"_42":715,"_304":716},"1929.464","George Inness painted this in 1888, aged 63. It is now at the Cleveland Museum of Art.","Landscape, by George Inness, 1888",{"_295":1116,"_297":1117,"_299":1118},"https://img.ochreeditions.com/m/523.jpg?dl=1","/art/landscape-cma-110952","/galleries/style/american-gilded-age/landscape-cma-110952",{"_291":292,"_293":294},{"_224":1111,"_125":1112,"_285":1113},{"_276":1108,"_278":1109,"_280":1093,"_282":1110},85,72.60588235294118,57.60588235294118,{"_287":224,"_123":1114,"_154":1115,"_140":95},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/george-inness","More by George Inness","https://img.ochreeditions.com/a/523/480.jpg","https://img.ochreeditions.com/a/523/960.jpg","https://img.ochreeditions.com/a/523/1920.jpg",{"_311":1132,"_313":1133},{"_311":1130,"_313":1131},{"_311":1128,"_313":1129},{"_311":1126,"_313":1127},{"_311":1124,"_313":1125},"#b19364",0.079,"#797057",0.1583,"#694d2a",0.2099,"#494731",0.2703,"#2b2919",0.2825,"George Inness","george-inness","American, 1825–1894",1825,1894,"Newburgh, New York","Bridge of Allan, Scotland","Inness was largely self-taught and began in the manner of the Hudson River School, but journeys to Italy and France, where he admired the Barbizon painters, led him towards broader, more atmospheric landscapes.",{"_1143":-5,"_1144":1145,"_1146":1147,"_1148":8,"_1149":1150,"_1151":8},"user","csrf","9183811d9a485c4e5c6193f8386f90b3372e1639","cartCount",0,"dropLive","legal",[1152,1153,1154,1155,1156,1157,1158,1159,1160,1161,1162,1163],"uploadsEnabled",{"_221":1186,"_20":1187},{"_221":1184,"_20":1185},{"_221":1182,"_20":1183},{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},{"_221":1164,"_20":1165},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]