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The intricate line work and shading depict a textured, busy street under an overcast sky.","images",{"_291":292,"_293":294,"_295":296},"download_url","https://img.ochreeditions.com/m/1686.jpg?dl=1","page_url","/art/rainy-day-boston-nga-180939","walk_url","/galleries/style/american-gilded-age/rainy-day-boston-nga-180939","frame",{"_287":288,"_289":290},{"_221":279,"_125":280,"_281":282},"size",{"_272":273,"_274":275,"_276":240,"_277":278},"w",51.3,"h",46.304100000000005,"image_w","image_h",22.304100000000002,{"_283":221,"_123":170,"_154":169,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},"era",{"_283":281,"_123":166,"_154":165,"_140":168},"facet","style/drawing-19","More drawings of the 19th century",92,"moulding","white","mount","snow","480","https://img.ochreeditions.com/a/1686/480.jpg","960","https://img.ochreeditions.com/a/1686/960.jpg","1920","https://img.ochreeditions.com/a/1686/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_307":317,"_309":318},{"_307":315,"_309":316},{"_307":313,"_309":314},{"_307":311,"_309":312},{"_307":308,"_309":310},"hex","#696760","weight",0.0243,"#a0998c",0.07,"#c0b6a6",0.1758,"#d9ccbb",0.3275,"#e7d8c5",0.4024,"Childe Hassam","childe-hassam","bio","American, 1859–1935","nationality","American","birth_year",1859,"death_year",1935,"birth_place","death_place","about_excerpt","autumn-nga-66420","Autumn",{"_42":387,"_218":388,"_321":389,"_323":324,"_325":390,"_327":391,"_329":392,"_330":393,"_331":394,"_140":53},"1877","painting","Painting","oil on canvas","overall: 97.1 x 58.9 cm (38 1/4 x 23 3/16 in.) framed: 126.4 x 91.1 x 7.9 cm (49 3/4 x 35 7/8 x 3 1/8 in.)",58.9,97.1,0.626220703125,[372,373,374,375,376],{"_217":297,"_218":298,"_42":299,"_300":301},"1985.64.22","Winslow Homer painted this in 1877, aged 41. It is now at the National Gallery of Art in Washington, DC.","A fashionably dressed young woman in a black jacket and round hat stands on a hillside carpeted with fallen leaves, lifting her ruffled skirt to reveal its sky-blue lining and holding a basket overflowing with orange foliage. She looks straight out at us.","A woman with smooth, pale skin and wearing a hat, long dress, and gloves, stands holding a bunch of pumpkin-orange leaves against a background of trees painted with touches of rust orange and pine green in this vertical painting. The woman tips her head back slightly to look at us with dark eyes under arched eyebrows. Her cheeks are flushed and her coral-pink lips closed. Her round black hat perches on the back of her head and she has an inky black, long-sleeved, hip-length jacket with bronze trim at the shoulders, cuffs, and down the front. A gauzy bow is tied at her neck. Her left elbow, on our right, is bent and she holds up her tan-colored, ruffled skirt with a white-gloved hand. The raised skirt exposes sky-blue lining and white, ruffled flounces at her feet. Her right arm, on our left, hangs at her side and holds the handle of a basket. Deep marigold-orange leaves cascade out of the basket. One black shoe peeks out from under her long skirt. She stands on a hill carpeted with crimson-red, tawny-brown, golden yellow, and forest-green leaves. The space behind her is filled with touches and dabs of red, orange, brown, black, and tan.",{"_291":369,"_293":370,"_295":371},"https://img.ochreeditions.com/m/1611.jpg?dl=1","/art/autumn-nga-66420","/galleries/style/american-gilded-age/autumn-nga-66420",{"_287":367,"_289":368},{"_221":359,"_125":360,"_281":361},{"_272":356,"_274":357,"_276":358,"_277":341},75.8060302734375,112.1,60.80603027343749,{"_283":221,"_123":365,"_154":366,"_140":53},{"_283":125,"_123":362,"_154":363,"_140":364},{"_283":281,"_123":166,"_154":165,"_140":168},"style/painting-19","More paintings of the 19th century",432,"artist/winslow-homer","More by Winslow Homer","natural","ivory","https://img.ochreeditions.com/a/1611/480.jpg","https://img.ochreeditions.com/a/1611/960.jpg","https://img.ochreeditions.com/a/1611/1920.jpg",{"_307":385,"_309":386},{"_307":383,"_309":384},{"_307":381,"_309":382},{"_307":379,"_309":380},{"_307":377,"_309":378},"#1e1811",0.0441,"#695539",0.0754,"#6a2e18",0.2262,"#552d15",0.3074,"#442b15",0.3469,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","girl-in-black-pouting-tom-si-hmsg-66-5532","Girl in Black (Pouting Tom)",{"_42":446,"_218":447,"_321":448,"_323":324,"_325":449,"_327":450,"_329":451,"_330":452,"_331":453,"_140":227},"(1896-1901)","Oil on canvas","20 1/4 x 12 3/8 in. (51.4 x 31.4 cm)",31.4,51.4,0.6110694183864915,[431,432,433,434,435],{"_217":428,"_218":429,"_42":430,"_300":301},"Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution","66.5532","James McNeill Whistler painted this ((1896-1901)), aged about 62. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","James Abbott McNeill Whistler",{"_291":425,"_293":426,"_295":427},"https://img.ochreeditions.com/m/1828.jpg?dl=1","/art/girl-in-black-pouting-tom-si-hmsg-66-5532","/galleries/style/american-gilded-age/girl-in-black-pouting-tom-si-hmsg-66-5532",{"_287":367,"_289":368},{"_221":420,"_125":421,"_281":422},{"_272":417,"_274":418,"_276":419,"_277":402},46.40896810506567,66.4,31.408968105065664,{"_283":221,"_123":423,"_154":424,"_140":227},{"_283":125,"_123":362,"_154":363,"_140":364},{"_283":281,"_123":166,"_154":165,"_140":168},"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/1828/480.jpg","https://img.ochreeditions.com/a/1828/960.jpg","https://img.ochreeditions.com/a/1828/1920.jpg","si","smithsonian","Smithsonian Institution",{"_307":444,"_309":445},{"_307":442,"_309":443},{"_307":440,"_309":441},{"_307":438,"_309":439},{"_307":436,"_309":437},"#4f3417",0.0176,"#754f24",0.0288,"#2d2215",0.0709,"#191915",0.1671,"#0d1415",0.7156,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","the-stubble-field-cma-106093","The Stubble Field",{"_42":516,"_218":517,"_321":518,"_323":324,"_325":519,"_327":520,"_329":-5,"_330":-5,"_331":-5,"_140":103},"c. 1909",20,"Unframed: 81 x 115.5 cm (31 7/8 x 45 1/2 in.)",115.5,81,1.4261744966442953,[501,502,503,504,505],{"_217":497,"_218":498,"_42":499,"_300":500},"Courtesy of the Cleveland Museum of Art","1924.198","Henry Golden Dearth painted this in about 1909, aged about 40. It is now at the Cleveland Museum of Art.",{"_118":494,"_495":496},"The Stubble Field, by Henry Golden Dearth, c. 1909",{"_291":491,"_293":492,"_295":493},"https://img.ochreeditions.com/m/511.jpg?dl=1","/art/the-stubble-field-cma-106093","/galleries/style/american-gilded-age/the-stubble-field-cma-106093",{"_287":367,"_289":368},{"_221":480,"_125":481,"_281":482},{"_272":477,"_274":478,"_276":460,"_277":479},130.5,95.98588235294118,80.98588235294118,{"_283":221,"_123":489,"_154":490,"_140":89},{"_283":125,"_123":486,"_154":487,"_140":488},{"_283":281,"_123":483,"_154":484,"_140":485},"era/20-united-states","20th-century United States",124,"style/painting-20","More paintings of the 20th century",75,"artist/contemporaries-of-henry-golden-dearth","Henry Golden Dearth's contemporaries","https://img.ochreeditions.com/a/511/480.jpg","https://img.ochreeditions.com/a/511/960.jpg","https://img.ochreeditions.com/a/511/1920.jpg","Henry Golden Dearth's composition presents a farm worker guiding a pair of workhorses after a day of harvesting grain. The painting's title refers the short pieces of grain stalks left in the ground after the crop has been cut.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_307":514,"_309":515},{"_307":512,"_309":513},{"_307":510,"_309":511},{"_307":508,"_309":509},{"_307":506,"_309":507},"#3a382c",0.1267,"#53442b",0.1476,"#9f9271",0.1816,"#685837",0.2208,"#c5bd9b",0.3233,"Henry Golden Dearth","henry-golden-dearth","American, 1864–1918",1864,1918,"as-they-threw-their-animals-back-upon-their-haunches-illustr-aic-99607","\"As They Threw their Animals Back upon their Haunches,\" illustration for An Arabian Day and Night, in Harper's New Monthly Magazine",{"_42":579,"_218":580,"_321":581,"_323":324,"_325":582,"_327":583,"_329":-5,"_330":-5,"_331":-5,"_140":103},"n.d.","watercolour","Drawing and Watercolor","Brush and black gray wash heightened with white gouache over graphite, on cream laminate board","34.9 × 44.7 cm (13 3/4 × 17 5/8 in.)",44,34,0.6854395604395604,[564,565,566,567,568],{"_217":560,"_218":561,"_42":562,"_300":563},"Courtesy of the Art Institute of Chicago","1982.1583","Frederic Remington painted this (n.d.), aged 33. It is now at the Art Institute of Chicago.","A work made of brush and black gray wash heightened with white gouache over graphite, on cream laminate board.",{"_291":557,"_293":558,"_295":559},"https://img.ochreeditions.com/m/257.jpg?dl=1","/art/as-they-threw-their-animals-back-upon-their-haunches-illustr-aic-99607","/galleries/style/american-gilded-age/as-they-threw-their-animals-back-upon-their-haunches-illustr-aic-99607",{"_287":288,"_289":290},{"_221":549,"_125":550,"_281":551},{"_272":545,"_274":546,"_276":547,"_277":548},56.02214206478983,70.71767419472344,32.02214206478983,46.71767419472344,{"_283":221,"_123":555,"_154":556,"_140":89},{"_283":125,"_123":552,"_154":553,"_140":554},{"_283":281,"_123":166,"_154":165,"_140":168},"style/watercolour-19","More watercolours of the 19th century",40,"artist/contemporaries-of-frederic-remington","Frederic Remington's contemporaries","https://img.ochreeditions.com/a/257/480.jpg","https://img.ochreeditions.com/a/257/960.jpg","https://img.ochreeditions.com/a/257/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_307":577,"_309":578},{"_307":575,"_309":576},{"_307":573,"_309":574},{"_307":571,"_309":572},{"_307":569,"_309":570},"#36322b",0.0433,"#6c665a",0.1019,"#a09787",0.131,"#c8bdac",0.3253,"#dcd5c5",0.3985,"Frederic Remington","frederic-remington","American, 1861–1909",1861,1909,"hound-and-hunter-nga-33970","Hound and Hunter",{"_42":387,"_218":388,"_321":389,"_323":324,"_325":390,"_327":391,"_329":392,"_330":393,"_331":394,"_140":53},"1892","overall: 71.8 x 122.3 cm (28 1/4 x 48 1/8 in.) framed: 102.2 x 151.8 x 10.2 cm (40 1/4 x 59 3/4 x 4 in.)",122.3,71.8,1.7188417960553923,[614,615,616,617,618],{"_217":297,"_218":298,"_42":299,"_300":301},"1947.11.1","Winslow Homer painted this in 1892, aged 56. It is now at the National Gallery of Art in Washington, DC.","A young hunter lies across the stern of a rowboat, gripping the antler of a deer submerged in the water with one hand and holding a rope with the other, while he turns to shout at his hound swimming towards them. Behind, the trees of the Adirondack forest blaze red and gold.","A young man with a peachy, ruddy complexion lies on his stomach in a wooden rowboat on a river, reaching forward to grasp the horn of a stag almost completely submerged in the rippling water with one hand. On the opposite riverbank, gold, rust, and scarlet-red trees span the width of this horizontal painting. The boy’s arms straddle the stern of the boat so one holds the antler with his right hand, closer to us, while the other clutches a rope with a loop at the end. He turns his face, mouth agape and cheeks flushed, over his right shoulder to look to our left, at a dog swimming toward the boat. The dog has white and caramel-brown markings, with dark brown ears. The boy wears earth-brown clothing and the front of his wide-brimmed hat is pushed up to reveal dark eyes and sable-brown bangs and brows. The stag and dog are between us and the boat, and are surrounded by thick brushstrokes of parchment white to create ripples in the forest-green water. Only the open muzzle, part of the eye, and the tips of the stag’s antlers are above the water’s surface. To our right, a bare, fallen tree lies along the far riverbank parallel to the boat. The boat and water fill the lower half of the scene and the autumn trees fill the upper half. The artist has signed and dated the painting in the lower right, “Winslow Homer 1892.”",{"_291":611,"_293":612,"_295":613},"https://img.ochreeditions.com/m/1491.jpg?dl=1","/art/hound-and-hunter-nga-33970","/galleries/style/american-gilded-age/hound-and-hunter-nga-33970",{"_287":367,"_289":368},{"_221":608,"_125":609,"_281":610},{"_272":605,"_274":606,"_276":589,"_277":607},137.3,86.1525634765625,71.1525634765625,{"_283":221,"_123":365,"_154":366,"_140":53},{"_283":125,"_123":362,"_154":363,"_140":364},{"_283":281,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1491/480.jpg","https://img.ochreeditions.com/a/1491/960.jpg","https://img.ochreeditions.com/a/1491/1920.jpg",{"_307":627,"_309":628},{"_307":625,"_309":626},{"_307":623,"_309":624},{"_307":621,"_309":622},{"_307":619,"_309":620},"#c7b58a",0.0236,"#756d53",0.0921,"#4b402b",0.1098,"#342113",0.2821,"#251e11",0.4924,"diving-cormorant-cma-103625","Diving Cormorant",{"_42":676,"_218":677,"_321":678,"_323":324,"_325":679,"_327":583,"_329":-5,"_330":-5,"_331":-5,"_140":103},"1900","oil on board","Unframed: 23 x 33.2 cm (9 1/16 x 13 1/16 in.)",33.2,23,1.5131286159323543,[661,662,663,664,665],{"_217":497,"_218":498,"_42":499,"_300":500},"1921.571","Otto H. Bacher painted this in 1900, aged 44. It is now at the Cleveland Museum of Art.","Diving Cormorant, by Otto H. Bacher, 1900",{"_291":658,"_293":659,"_295":660},"https://img.ochreeditions.com/m/506.jpg?dl=1","/art/diving-cormorant-cma-103625","/galleries/style/american-gilded-age/diving-cormorant-cma-103625",{"_287":367,"_289":368},{"_221":653,"_125":654,"_281":655},{"_272":650,"_274":651,"_276":635,"_277":652},48.2,36.94129411764706,21.94129411764706,{"_283":221,"_123":656,"_154":657,"_140":89},{"_283":125,"_123":362,"_154":363,"_140":364},{"_283":281,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-otto-h-bacher","Otto H. Bacher's contemporaries","https://img.ochreeditions.com/a/506/480.jpg","https://img.ochreeditions.com/a/506/960.jpg","https://img.ochreeditions.com/a/506/1920.jpg",{"_307":674,"_309":675},{"_307":672,"_309":673},{"_307":670,"_309":671},{"_307":668,"_309":669},{"_307":666,"_309":667},"#96958a",0.0766,"#757670",0.0982,"#3f4242",0.1391,"#5e615b",0.2932,"#4f5451",0.3929,"Otto H. Bacher","otto-h-bacher","American, 1856–1909",1856,"portrait-of-mrs-thomas-eakins-si-hmsg-66-1522","Portrait of Mrs. Thomas Eakins",{"_42":692,"_218":726,"_321":727,"_323":324,"_325":728,"_327":729,"_329":730,"_330":730,"_331":731,"_140":87},"(c. 1899)","20 1/8 x 16 1/8 in. (51 x 40.8 cm)",40.8,51,0.8036666666666666,[711,712,713,714,715],{"_217":428,"_218":429,"_42":430,"_300":301},"66.1522","Thomas Eakins painted this ((c. 1899)), aged 55. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","Thomas Eakins",{"_291":708,"_293":709,"_295":710},"https://img.ochreeditions.com/m/1822.jpg?dl=1","/art/portrait-of-mrs-thomas-eakins-si-hmsg-66-1522","/galleries/style/american-gilded-age/portrait-of-mrs-thomas-eakins-si-hmsg-66-1522",{"_287":367,"_289":368},{"_221":703,"_125":704,"_281":705},{"_272":700,"_274":701,"_276":702,"_277":686},55.987,66,40.987,{"_283":221,"_123":706,"_154":707,"_140":87},{"_283":125,"_123":362,"_154":363,"_140":364},{"_283":281,"_123":166,"_154":165,"_140":168},"artist/thomas-eakins","More by Thomas Eakins","https://img.ochreeditions.com/a/1822/480.jpg","https://img.ochreeditions.com/a/1822/960.jpg","https://img.ochreeditions.com/a/1822/1920.jpg",{"_307":724,"_309":725},{"_307":722,"_309":723},{"_307":720,"_309":721},{"_307":718,"_309":719},{"_307":716,"_309":717},"#684b39",0.0374,"#a1765b",0.038,"#3a312a",0.091,"#26211e",0.3349,"#1b1816",0.4987,"thomas-eakins","American, 1844–1916",1844,1916,"Philadelphia, Pennsylvania","Eakins studied in Paris under Jean-Léon Gérôme and was impressed in Spain by Velázquez and Ribera, then returned to Philadelphia, where he spent his life.","balcony-si-chndm-1904-16-329","Balcony",{"_42":784,"_218":785,"_321":786,"_323":324,"_325":787,"_327":450,"_329":-5,"_330":-5,"_331":788,"_140":99},"1880","Graphite on wove paper","16.6 × 10 cm (6 9/16 × 3 15/16 in.)",16.6,0.6239086635325722,[769,770,771,772,773],{"_217":428,"_218":429,"_42":430,"_300":768},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1904-16-329","Robert Frederick Blum drew this in 1880, aged 23. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":766,"_495":767},"BALCONY",{"_291":763,"_293":764,"_295":765},"https://img.ochreeditions.com/m/1709.jpg?dl=1","/art/balcony-si-chndm-1904-16-329","/galleries/style/american-gilded-age/balcony-si-chndm-1904-16-329",{"_287":288,"_289":290},{"_221":758,"_125":759,"_281":760},{"_272":754,"_274":755,"_276":756,"_277":757},39.597716588314306,49,15.597716588314306,25,{"_283":221,"_123":761,"_154":762,"_140":99},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":166,"_154":165,"_140":168},"artist/robert-frederick-blum","More by Robert Frederick Blum","https://img.ochreeditions.com/a/1709/480.jpg","https://img.ochreeditions.com/a/1709/960.jpg","https://img.ochreeditions.com/a/1709/1920.jpg","Sketch of a balcony and exterior wall of a building from the street below.","Text from Cooper Hewitt, Smithsonian Design Museum.","New York",{"_307":782,"_309":783},{"_307":780,"_309":781},{"_307":778,"_309":779},{"_307":776,"_309":777},{"_307":774,"_309":775},"#a69a8d",0.0551,"#b3b2b4",0.1148,"#c2b4a4",0.1625,"#d9c1a6",0.1867,"#dbc7b2",0.4809,"Robert Frederick Blum","robert-frederick-blum","American, 1857–1903",1857,"Blum trained in Cincinnati and Philadelphia and became a leading American illustrator, admired for his deft pen work, pastels and etchings. In Venice in 1880 he worked in the circle of Frank Duveneck and was influenced by Whistler.","talcott-williams-si-npg-npg-85-50","Talcott Williams",{"_42":692,"_218":726,"_321":727,"_323":324,"_325":728,"_327":729,"_329":730,"_330":730,"_331":731,"_140":87},"c. 1889","Stretcher: 62.5 x 51.8cm (24 5/8 x 20 3/8\")",51.8,62.5,0.834,[819,820,821,822,823],{"_217":428,"_218":429,"_42":430,"_300":301},"Courtesy of the National Portrait Gallery, Smithsonian Institution","NPG.85.50","Thomas Eakins painted this in about 1889, aged 45. It is now at the National Portrait Gallery in Washington, DC.","Artist: Thomas Cowperthwaite Eakins, Sitter: Talcott Williams, Current owner: National Portrait Gallery, Smithsonian Institution",{"_291":816,"_293":817,"_295":818},"https://img.ochreeditions.com/m/1852.jpg?dl=1","/art/talcott-williams-si-npg-npg-85-50","/galleries/style/american-gilded-age/talcott-williams-si-npg-npg-85-50",{"_287":367,"_289":368},{"_221":813,"_125":814,"_281":815},{"_272":810,"_274":811,"_276":812,"_277":795},67.125,77.5,52.125,{"_283":221,"_123":706,"_154":707,"_140":87},{"_283":125,"_123":362,"_154":363,"_140":364},{"_283":281,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1852/480.jpg","https://img.ochreeditions.com/a/1852/960.jpg","https://img.ochreeditions.com/a/1852/1920.jpg",{"_307":832,"_309":833},{"_307":830,"_309":831},{"_307":828,"_309":829},{"_307":826,"_309":827},{"_307":824,"_309":825},"#b98d63",0.0121,"#765334",0.0203,"#433828",0.2532,"#4f402c",0.3051,"#2e2d2a",0.4093,"we-both-must-fade-mrs-fithian-si-saam-1970-101","We Both Must Fade (Mrs. Fithian)",{"_42":884,"_218":885,"_321":886,"_323":324,"_325":185,"_327":887,"_329":-5,"_330":-5,"_331":-5,"_140":101},"1869","72 x 53 3/4 in. (182.9 x 136.5 cm.)",136.5,182.9,0.744,[869,870,871,872,873],{"_217":428,"_218":429,"_42":430,"_300":301},"Courtesy of the Smithsonian American Art Museum","1970.101","Lilly Martin Spencer painted this in 1869, aged 47. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":867,"_495":868},"We Both Must Fade (Mrs. Fithian), by Lilly Martin Spencer, 1869",{"_291":864,"_293":865,"_295":866},"https://img.ochreeditions.com/m/1938.jpg?dl=1","/art/we-both-must-fade-mrs-fithian-si-saam-1970-101","/galleries/style/american-gilded-age/we-both-must-fade-mrs-fithian-si-saam-1970-101",{"_287":367,"_289":368},{"_221":859,"_125":860,"_281":861},{"_272":856,"_274":857,"_276":858,"_277":840},151.0776,197.9,136.0776,{"_283":221,"_123":862,"_154":863,"_140":89},{"_283":125,"_123":362,"_154":363,"_140":364},{"_283":281,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-lilly-martin-spencer","Lilly Martin Spencer's contemporaries","https://img.ochreeditions.com/a/1938/480.jpg","https://img.ochreeditions.com/a/1938/960.jpg","https://img.ochreeditions.com/a/1938/1920.jpg","Mrs. Fithian stands before a mirror, admiring the tokens that others have given in praise of her beauty. She wears lace and pearls, and a blue gown that has just been taken from its box. But like the rose in her hand with its falling petals, her beauty will fade, and with it, all the pleasures the world can provide.","Text from the Smithsonian American Art Museum.",{"_307":882,"_309":883},{"_307":880,"_309":881},{"_307":878,"_309":879},{"_307":876,"_309":877},{"_307":874,"_309":875},"#b4a487",0.0854,"#1c2f4f",0.1024,"#5c7b90",0.1157,"#542916",0.2586,"#261210",0.4379,"Lilly Martin Spencer","lilly-martin-spencer","1822–1902",1902,"portrait-of-mrs-helen-mac-knight-portrait-of-a-mother-si-hmsg-66-1496","Portrait of Mrs. Helen Mac Knight (Portrait of a Mother)",{"_42":692,"_218":726,"_321":727,"_323":324,"_325":728,"_327":729,"_329":730,"_330":730,"_331":731,"_140":87},"(c. 1903)","20 1/8 x 16 in. (51 x 40.6 cm)",40.6,0.8323699421965318,[914,915,916,917,918],{"_217":428,"_218":429,"_42":430,"_300":301},"66.1496","Thomas Eakins painted this ((c. 1903)), aged 59. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.",{"_291":911,"_293":912,"_295":913},"https://img.ochreeditions.com/m/1821.jpg?dl=1","/art/portrait-of-mrs-helen-mac-knight-portrait-of-a-mother-si-hmsg-66-1496","/galleries/style/american-gilded-age/portrait-of-mrs-helen-mac-knight-portrait-of-a-mother-si-hmsg-66-1496",{"_287":367,"_289":368},{"_221":908,"_125":909,"_281":910},{"_272":906,"_274":701,"_276":907,"_277":686},57.45086705202312,42.45086705202312,{"_283":221,"_123":706,"_154":707,"_140":87},{"_283":125,"_123":486,"_154":487,"_140":488},{"_283":281,"_123":483,"_154":484,"_140":485},"https://img.ochreeditions.com/a/1821/480.jpg","https://img.ochreeditions.com/a/1821/960.jpg","https://img.ochreeditions.com/a/1821/1920.jpg",{"_307":927,"_309":928},{"_307":925,"_309":926},{"_307":923,"_309":924},{"_307":921,"_309":922},{"_307":919,"_309":920},"#bd9860",0.0743,"#24170e",0.2081,"#433220",0.2084,"#644e33",0.2529,"#87683e",0.2563,"pink-roses-nga-134158","Pink Roses",{"_42":976,"_218":977,"_321":978,"_323":324,"_325":449,"_327":979,"_329":980,"_330":981,"_331":-5,"_140":101},"1875","watercolor on wove paper","sheet: 35.56 × 25.4 cm (14 × 10 in.)",25.4,35.6,0.71826171875,[961,962,963,964,965],{"_217":297,"_218":298,"_42":299,"_300":301},"2004.165.2","Fidelia Bridges painted this in 1875, aged 41. It is now at the National Gallery of Art in Washington, DC.","This detailed painting shows two pink roses and a pink bud on a long, thin green stem with green leaves and small green thorns. The tall stem rises near the right edge of the painting, with some thin branches reaching out to either side. The largest rose is positioned near the top left corner of the painting, with the small bud right below it. The other large flower is right around the center of the painting. The background is a flat beige color.",{"_291":958,"_293":959,"_295":960},"https://img.ochreeditions.com/m/1658.jpg?dl=1","/art/pink-roses-nga-134158","/galleries/style/american-gilded-age/pink-roses-nga-134158",{"_287":288,"_289":290},{"_221":953,"_125":954,"_281":955},{"_272":950,"_274":951,"_276":952,"_277":936},49.5701171875,59.6,25.5701171875,{"_283":221,"_123":956,"_154":957,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-fidelia-bridges","Fidelia Bridges's contemporaries","https://img.ochreeditions.com/a/1658/480.jpg","https://img.ochreeditions.com/a/1658/960.jpg","https://img.ochreeditions.com/a/1658/1920.jpg",{"_307":974,"_309":975},{"_307":972,"_309":973},{"_307":970,"_309":971},{"_307":968,"_309":969},{"_307":966,"_309":967},"#a26a79",0.0267,"#69664e",0.0372,"#837b60",0.0819,"#9a8569",0.2948,"#a28d70",0.5594,"Fidelia Bridges","fidelia-bridges","American, 1834–1923",1923,"Salem, Massachusetts","Canaan, Connecticut","bare-knuckles-nga-59902","Bare Knuckles",{"_42":1029,"_218":1030,"_321":324,"_323":324,"_325":-5,"_327":1031,"_329":-5,"_330":-5,"_331":-5,"_140":103},"c. 1870/1885","oil on paperboard on wood","overall: 30.5 x 48.6 cm (12 x 19 1/8 in.)",48.6,30.5,1.6279809220985693,[1014,1015,1016,1017,1018],{"_217":297,"_218":298,"_42":299,"_300":301},"1980.62.9","George A. Hayes painted this in about 1870/1885. It is now at the National Gallery of Art in Washington, DC.","This is a painting depicting a bare-knuckle boxing match with two fighters in a ring surrounded by a crowd. Both fighters are men with light skin, and they wear no shirts. The fighter on the left wears orange pants with black dots, while the fighter on the right wears red pants with white dots. Behind these men are two other shirtless men wearing the same types of pants, as well as two other men wearing more formal attire, including jackets, vests, and hats. Outside the ring, a semi-circle of light-skinned men in formal attire watch the central fight. The setting is outdoors, with grass around the feet of the spectators and green hills in the background. Above the group, the sky is light gray.",{"_291":1011,"_293":1012,"_295":1013},"https://img.ochreeditions.com/m/1596.jpg?dl=1","/art/bare-knuckles-nga-59902","/galleries/style/american-gilded-age/bare-knuckles-nga-59902",{"_287":367,"_289":368},{"_221":1006,"_125":1007,"_281":1008},{"_272":1003,"_274":1004,"_276":988,"_277":1005},63.6,44.852929687499994,29.852929687499998,{"_283":221,"_123":1009,"_154":1010,"_140":89},{"_283":125,"_123":362,"_154":363,"_140":364},{"_283":281,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-george-a-hayes","George A. Hayes's contemporaries","https://img.ochreeditions.com/a/1596/480.jpg","https://img.ochreeditions.com/a/1596/960.jpg","https://img.ochreeditions.com/a/1596/1920.jpg",{"_307":1027,"_309":1028},{"_307":1025,"_309":1026},{"_307":1023,"_309":1024},{"_307":1021,"_309":1022},{"_307":1019,"_309":1020},"#87632e",0.0909,"#262c20",0.135,"#c5bfa5",0.226,"#908865",0.248,"#585131",0.3001,"George A. Hayes","george-a-hayes",1930,"leaping-trout-cma-147393","Leaping Trout",{"_42":387,"_218":388,"_321":389,"_323":324,"_325":390,"_327":391,"_329":392,"_330":393,"_331":394,"_140":53},"1889","watercolor over graphite","Sheet: 35 x 50.6 cm (13 3/4 x 19 15/16 in.)",50.6,35,1.423785594639866,[1064,1065,1066,1067,1068],{"_217":497,"_218":498,"_42":499,"_300":500},"1973.142","Winslow Homer painted this in 1889, aged 53. It is now at the Cleveland Museum of Art.",{"_118":1063,"_495":496},"Leaping Trout, by Winslow Homer, 1889",{"_291":1060,"_293":1061,"_295":1062},"https://img.ochreeditions.com/m/682.jpg?dl=1","/art/leaping-trout-cma-147393","/galleries/style/american-gilded-age/leaping-trout-cma-147393",{"_287":288,"_289":290},{"_221":1057,"_125":1058,"_281":1059},{"_272":1054,"_274":1055,"_276":1038,"_277":1056},74.6,59.53905882352941,35.53905882352941,{"_283":221,"_123":365,"_154":366,"_140":53},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/682/480.jpg","https://img.ochreeditions.com/a/682/960.jpg","https://img.ochreeditions.com/a/682/1920.jpg","In 1886, Winslow Homer began to produce oil paintings and watercolors of subjects in the Adirondack Mountains, where he and his brother Charles had fished and hunted since the 1870s. In Leaping Trout , a silvery trout propels itself from the water in pursuit of a hapless insect or a fisherman’s fly.",{"_307":1077,"_309":1078},{"_307":1075,"_309":1076},{"_307":1073,"_309":1074},{"_307":1071,"_309":1072},{"_307":1069,"_309":1070},"#b5b0a6",0.0785,"#79766d",0.0979,"#30312e",0.1965,"#4b4e42",0.251,"#3d3f38",0.3761,"study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165","Study for \"The Blue Girl: Portrait of Miss Elinor Leyland\"",{"_42":446,"_218":447,"_321":448,"_323":324,"_325":449,"_327":450,"_329":451,"_330":452,"_331":453,"_140":227},"c. 1879","Pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper","17.9 × 11.2 cm (7 1/16 × 4 7/16 in.)",17,0.7061027837259101,[1107,1108,1109,1110,1111],{"_217":560,"_218":561,"_42":562,"_300":563},"1921.124","James McNeill Whistler painted this in about 1879, aged 45. It is now at the Art Institute of Chicago.","A work made of pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper.",{"_291":1104,"_293":1105,"_295":1106},"https://img.ochreeditions.com/m/291.jpg?dl=1","/art/study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165","/galleries/style/american-gilded-age/study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165",{"_287":288,"_289":290},{"_221":1101,"_125":1102,"_281":1103},{"_272":1099,"_274":755,"_276":1100,"_277":757},41.65256959314775,17.652569593147753,{"_283":221,"_123":423,"_154":424,"_140":227},{"_283":125,"_123":552,"_154":553,"_140":554},{"_283":281,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/291/480.jpg","https://img.ochreeditions.com/a/291/960.jpg","https://img.ochreeditions.com/a/291/1920.jpg",{"_307":1119,"_309":1120},{"_307":1118,"_309":920},{"_307":1116,"_309":1117},{"_307":1114,"_309":1115},{"_307":1112,"_309":1113},"#6e4f40",0.0108,"#a68a75",0.0132,"#d3baa3",0.0444,"#a5a09a","#e8d2bb",0.8573,{"_1122":-5,"_1123":1124,"_1125":1126,"_1127":8,"_1128":1129,"_1130":8},"user","csrf","12614541e36784ba4264d258e1429ae0f9b66b33","cartCount",0,"dropLive","legal",[1131,1132,1133,1134,1135,1136,1137,1138,1139,1140,1141,1142],"uploadsEnabled",{"_218":1165,"_20":1166},{"_218":1163,"_20":1164},{"_218":1161,"_20":1162},{"_218":1159,"_20":1160},{"_218":1157,"_20":1158},{"_218":1155,"_20":1156},{"_218":1153,"_20":1154},{"_218":1151,"_20":1152},{"_218":1149,"_20":1150},{"_218":1147,"_20":1148},{"_218":1145,"_20":1146},{"_218":1143,"_20":1144},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]