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Eilshemius","https://img.ochreeditions.com/a/1823/480.jpg","https://img.ochreeditions.com/a/1823/960.jpg","https://img.ochreeditions.com/a/1823/1920.jpg",{"_311":447,"_313":448},{"_311":445,"_313":446},{"_311":443,"_313":444},{"_311":441,"_313":442},{"_311":439,"_313":440},"#733c09",0.1276,"#d79435",0.1348,"#daa762",0.1559,"#9f5303",0.2858,"#bc6907",0.2959,"Louis M. Eilshemius","louis-m-eilshemius","New Jersey, 1864–1941","New Jersey",1864,1941,"Eilshemius studied in New York and at the Académie Julian in Paris and travelled widely, as far as Samoa, painting romantic landscapes and nudes that found few admirers.","drapery-study-si-chndm-1914-38-155","Drapery Study",{"_42":514,"_222":515,"_380":516,"_382":383,"_384":517,"_386":518,"_388":-5,"_390":-5,"_392":519,"_140":99},"drawing","Drawing","Graphite on tracing paper","17.9 × 33.3 cm (7 1/16 × 13 1/8 in.)",33.3,17.9,1.8188170701272772,[499,500,501,502,503],{"_221":359,"_222":360,"_42":361,"_304":498},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1914-38-155","Francis Augustus Lathrop drew this in about 1895, aged 46. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":496,"_357":497},"DRAPERY STUDY",{"_295":493,"_297":494,"_299":495},"https://img.ochreeditions.com/m/1718.jpg?dl=1","/art/drapery-study-si-chndm-1914-38-155","/galleries/style/american-gilded-age/drapery-study-si-chndm-1914-38-155",{"_291":491,"_293":492},{"_225":483,"_125":484,"_285":485},{"_276":480,"_278":481,"_280":463,"_282":482},57.3,42.308603183315036,18.308603183315036,{"_287":225,"_123":489,"_154":490,"_140":99},{"_287":125,"_123":486,"_154":487,"_140":488},{"_287":285,"_123":167,"_154":166,"_140":169},"style/drawing-19","More drawings of the 19th century",92,"artist/francis-augustus-lathrop","More by Francis Augustus Lathrop","white","snow","https://img.ochreeditions.com/a/1718/480.jpg","https://img.ochreeditions.com/a/1718/960.jpg","https://img.ochreeditions.com/a/1718/1920.jpg","Female figure reclining to the right, head up and hands in a praying attitude.","Text from Cooper Hewitt, Smithsonian Design Museum.","New York",{"_311":512,"_313":513},{"_311":510,"_313":511},{"_311":508,"_313":509},{"_311":506,"_313":507},{"_311":504,"_313":505},"#8f826e",0.0317,"#aeaba9",0.0946,"#9a9385",0.2371,"#ada89b",0.2563,"#a79f92",0.3803,"Francis Augustus Lathrop","francis-augustus-lathrop","American, 1849–1909",1849,1909,"Lathrop trained in London, where he worked with the Pre-Raphaelite circle around Ford Madox Brown and William Morris.","hound-and-hunter-nga-33970","Hound and Hunter",{"_42":571,"_222":572,"_380":573,"_382":383,"_384":574,"_386":575,"_388":576,"_390":577,"_392":578,"_140":53},"1892","overall: 71.8 x 122.3 cm (28 1/4 x 48 1/8 in.) framed: 102.2 x 151.8 x 10.2 cm (40 1/4 x 59 3/4 x 4 in.)",122.3,71.8,1.7188417960553923,[556,557,558,559,560],{"_221":553,"_222":554,"_42":555,"_304":362},"Courtesy National Gallery of Art, Washington","1947.11.1","Winslow Homer painted this in 1892, aged 56. It is now at the National Gallery of Art in Washington, DC.","A young hunter lies across the stern of a rowboat, gripping the antler of a deer submerged in the water with one hand and holding a rope with the other, while he turns to shout at his hound swimming towards them. Behind, the trees of the Adirondack forest blaze red and gold.","A young man with a peachy, ruddy complexion lies on his stomach in a wooden rowboat on a river, reaching forward to grasp the horn of a stag almost completely submerged in the rippling water with one hand. On the opposite riverbank, gold, rust, and scarlet-red trees span the width of this horizontal painting. The boy’s arms straddle the stern of the boat so one holds the antler with his right hand, closer to us, while the other clutches a rope with a loop at the end. He turns his face, mouth agape and cheeks flushed, over his right shoulder to look to our left, at a dog swimming toward the boat. The dog has white and caramel-brown markings, with dark brown ears. The boy wears earth-brown clothing and the front of his wide-brimmed hat is pushed up to reveal dark eyes and sable-brown bangs and brows. The stag and dog are between us and the boat, and are surrounded by thick brushstrokes of parchment white to create ripples in the forest-green water. Only the open muzzle, part of the eye, and the tips of the stag’s antlers are above the water’s surface. To our right, a bare, fallen tree lies along the far riverbank parallel to the boat. The boat and water fill the lower half of the scene and the autumn trees fill the upper half. The artist has signed and dated the painting in the lower right, “Winslow Homer 1892.”",{"_295":550,"_297":551,"_299":552},"https://img.ochreeditions.com/m/1491.jpg?dl=1","/art/hound-and-hunter-nga-33970","/galleries/style/american-gilded-age/hound-and-hunter-nga-33970",{"_291":292,"_293":294},{"_225":545,"_125":546,"_285":547},{"_276":542,"_278":543,"_280":525,"_282":544},137.3,86.1525634765625,71.1525634765625,{"_287":225,"_123":548,"_154":549,"_140":53},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/1491/480.jpg","https://img.ochreeditions.com/a/1491/960.jpg","https://img.ochreeditions.com/a/1491/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_311":569,"_313":570},{"_311":567,"_313":568},{"_311":565,"_313":566},{"_311":563,"_313":564},{"_311":561,"_313":562},"#c7b58a",0.0236,"#756d53",0.0921,"#4b402b",0.1098,"#342113",0.2821,"#251e11",0.4924,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","study-for-diana-and-her-attendants-among-the-constellations-si-chndm-1914-38-3","Study for \"Diana and Her Attendants among the Constellations\"",{"_42":514,"_222":515,"_380":516,"_382":383,"_384":517,"_386":518,"_388":-5,"_390":-5,"_392":519,"_140":99},"ca. 1894","Graphite on paper","42.9 × 67.8 cm (16 7/8 × 26 11/16 in.)",67.8,42.9,1.5276033773544058,[611,612,613,614,615],{"_221":359,"_222":360,"_42":361,"_304":498},"1914-38-3","Francis Augustus Lathrop drew this in about 1894, aged 45. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":610,"_357":497},"STUDY FOR \"DIANA AND HER ATTENDANTS AMONG THE CONSTELLATIONS\"",{"_295":607,"_297":608,"_299":609},"https://img.ochreeditions.com/m/1719.jpg?dl=1","/art/study-for-diana-and-her-attendants-among-the-constellations-si-chndm-1914-38-3","/galleries/style/american-gilded-age/study-for-diana-and-her-attendants-among-the-constellations-si-chndm-1914-38-3",{"_291":491,"_293":492},{"_225":604,"_125":605,"_285":606},{"_276":601,"_278":602,"_280":585,"_282":603},91.8,68.38324829931972,44.383248299319725,{"_287":225,"_123":489,"_154":490,"_140":99},{"_287":125,"_123":486,"_154":487,"_140":488},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1719/480.jpg","https://img.ochreeditions.com/a/1719/960.jpg","https://img.ochreeditions.com/a/1719/1920.jpg","Sketch of a female nude figure reclining.",{"_311":624,"_313":625},{"_311":622,"_313":623},{"_311":620,"_313":621},{"_311":618,"_313":619},{"_311":616,"_313":617},"#dfcdb6",0.0149,"#f7f2e5",0.0387,"#efe8cd",0.0472,"#c6a17e",0.0521,"#ba855c",0.8471,"diving-cormorant-cma-103625","Diving Cormorant",{"_42":673,"_222":674,"_380":675,"_382":383,"_384":676,"_386":518,"_388":-5,"_390":-5,"_392":-5,"_140":103},"1900","oil on board","Unframed: 23 x 33.2 cm (9 1/16 x 13 1/16 in.)",33.2,23,1.5131286159323543,[658,659,660,661,662],{"_221":301,"_222":302,"_42":303,"_304":305},"1921.571","Otto H. Bacher painted this in 1900, aged 44. It is now at the Cleveland Museum of Art.","Diving Cormorant, by Otto H. Bacher, 1900",{"_295":655,"_297":656,"_299":657},"https://img.ochreeditions.com/m/506.jpg?dl=1","/art/diving-cormorant-cma-103625","/galleries/style/american-gilded-age/diving-cormorant-cma-103625",{"_291":292,"_293":294},{"_225":650,"_125":651,"_285":652},{"_276":647,"_278":648,"_280":632,"_282":649},48.2,36.94129411764706,21.94129411764706,{"_287":225,"_123":653,"_154":654,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-otto-h-bacher","Otto H. Bacher's contemporaries","https://img.ochreeditions.com/a/506/480.jpg","https://img.ochreeditions.com/a/506/960.jpg","https://img.ochreeditions.com/a/506/1920.jpg",{"_311":671,"_313":672},{"_311":669,"_313":670},{"_311":667,"_313":668},{"_311":665,"_313":666},{"_311":663,"_313":664},"#96958a",0.0766,"#757670",0.0982,"#3f4242",0.1391,"#5e615b",0.2932,"#4f5451",0.3929,"Otto H. Bacher","otto-h-bacher","American, 1856–1909",1856,"fishermen-beaching-a-dory-cullercoats-england-si-chndm-1912-12-41","Fishermen Beaching a Dory, Cullercoats, England",{"_42":571,"_222":572,"_380":573,"_382":383,"_384":574,"_386":575,"_388":576,"_390":577,"_392":578,"_140":53},"1881","Charcoal, black and white chalk on cream wove paper","17.6 x 30 cm (6 15/16 x 11 13/16 in.)",30,17.6,1.6583278472679395,[709,710,711,712,713],{"_221":359,"_222":360,"_42":361,"_304":498},"1912-12-41","Winslow Homer drew this in 1881, aged 45. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":708,"_357":497},"FISHERMEN BEACHING A DORY, CULLERCOATS, ENGLAND",{"_295":705,"_297":706,"_299":707},"https://img.ochreeditions.com/m/1715.jpg?dl=1","/art/fishermen-beaching-a-dory-cullercoats-england-si-chndm-1912-12-41","/galleries/style/american-gilded-age/fishermen-beaching-a-dory-cullercoats-england-si-chndm-1912-12-41",{"_291":491,"_293":492},{"_225":702,"_125":703,"_285":704},{"_276":699,"_278":700,"_280":683,"_282":701},54,42.09051210797936,18.090512107979357,{"_287":225,"_123":548,"_154":549,"_140":53},{"_287":125,"_123":486,"_154":487,"_140":488},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1715/480.jpg","https://img.ochreeditions.com/a/1715/960.jpg","https://img.ochreeditions.com/a/1715/1920.jpg","Horizontal view of five fishermen shown beaching a boat on a four- wheeled truck, in the foreground, with sailboats on the sea indicated in the background.",{"_311":722,"_313":723},{"_311":720,"_313":721},{"_311":718,"_313":719},{"_311":716,"_313":717},{"_311":714,"_313":715},"#efe9d9",0.0913,"#735f4e",0.1032,"#9a836b",0.1493,"#bca387",0.2019,"#d7c0a4",0.4543,"rainy-day-boston-nga-180939","Rainy Day, Boston",{"_42":771,"_222":772,"_380":773,"_382":383,"_384":774,"_386":775,"_388":-5,"_390":-5,"_392":-5,"_140":101},"1886","pen and black ink, charcoal, and gouache on wove paper","image: 21.59 × 27.31 cm (8 1/2 × 10 3/4 in.) sheet: 26.35 × 31.43 cm (10 3/8 × 12 3/8 in.)",27.3,21.6,1.2239902080783354,[756,757,758,759,760],{"_221":553,"_222":554,"_42":555,"_304":362},"2015.19.852","Childe Hassam painted this in 1886, aged 27. It is now at the National Gallery of Art in Washington, DC.","The image shows a street scene from an elevated viewpoint. A horse-drawn carriage is seen moving on a wet road, reflecting light. Pedestrians with umbrellas populate the avenue. The road is visibly marked with rainwater. The skyline displays detailed architectural features like church spires and towers. The painting is done in fine, linear brushstrokes highlighting movement and atmosphere. The grayscale palette emphasizes the rainy urban setting. Wisps of steam or smoke are visible. The intricate line work and shading depict a textured, busy street under an overcast sky.",{"_295":753,"_297":754,"_299":755},"https://img.ochreeditions.com/m/1686.jpg?dl=1","/art/rainy-day-boston-nga-180939","/galleries/style/american-gilded-age/rainy-day-boston-nga-180939",{"_291":491,"_293":492},{"_225":748,"_125":749,"_285":750},{"_276":745,"_278":746,"_280":730,"_282":747},51.3,46.304100000000005,22.304100000000002,{"_287":225,"_123":751,"_154":752,"_140":89},{"_287":125,"_123":486,"_154":487,"_140":488},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-childe-hassam","Childe Hassam's contemporaries","https://img.ochreeditions.com/a/1686/480.jpg","https://img.ochreeditions.com/a/1686/960.jpg","https://img.ochreeditions.com/a/1686/1920.jpg",{"_311":769,"_313":770},{"_311":767,"_313":768},{"_311":765,"_313":766},{"_311":763,"_313":764},{"_311":761,"_313":762},"#696760",0.0243,"#a0998c",0.07,"#c0b6a6",0.1758,"#d9ccbb",0.3275,"#e7d8c5",0.4024,"Childe Hassam","childe-hassam","American, 1859–1935",1859,1935,"view-of-venice-italy-si-chndm-1904-16-455","View of Venice, Italy",{"_42":826,"_222":827,"_380":828,"_382":383,"_384":829,"_386":830,"_388":-5,"_390":-5,"_392":831,"_140":99},"1880","Graphite on wove paper","21.9 × 14.3 cm (8 5/8 × 5 5/8 in.)",14.3,21.9,0.6867469879518072,[811,812,813,814,815],{"_221":359,"_222":360,"_42":361,"_304":498},"1904-16-455","Robert Frederick Blum drew this in 1880, aged 23. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":810,"_357":497},"VIEW OF VENICE, ITALY",{"_295":807,"_297":808,"_299":809},"https://img.ochreeditions.com/m/1711.jpg?dl=1","/art/view-of-venice-italy-si-chndm-1904-16-455","/galleries/style/american-gilded-age/view-of-venice-italy-si-chndm-1904-16-455",{"_291":491,"_293":492},{"_225":802,"_125":803,"_285":804},{"_276":798,"_278":799,"_280":800,"_282":801},41.16867469879518,49,17.16867469879518,25,{"_287":225,"_123":805,"_154":806,"_140":99},{"_287":125,"_123":486,"_154":487,"_140":488},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/robert-frederick-blum","More by Robert Frederick Blum","https://img.ochreeditions.com/a/1711/480.jpg","https://img.ochreeditions.com/a/1711/960.jpg","https://img.ochreeditions.com/a/1711/1920.jpg","Sketch of a gondola on a canal in Venice.",{"_311":824,"_313":825},{"_311":822,"_313":823},{"_311":820,"_313":821},{"_311":818,"_313":819},{"_311":816,"_313":817},"#978573",0.0075,"#b5a59a",0.0295,"#b4b4b7",0.1186,"#c4a282",0.2255,"#cfae8b",0.6189,"Robert Frederick Blum","robert-frederick-blum","American, 1857–1903",1857,1903,"Blum trained in Cincinnati and Philadelphia and became a leading American illustrator, admired for his deft pen work, pastels and etchings. In Venice in 1880 he worked in the circle of Frank Duveneck and was influenced by Whistler.","the-witch-s-daughter-si-saam-1929-6-18","The Witch's Daughter",{"_42":878,"_222":879,"_380":880,"_382":881,"_384":882,"_386":883,"_388":-5,"_390":-5,"_392":-5,"_140":103},"watercolor","sight 20 1/2 x 12 1/2 in. (52.1 x 31.8 cm)",31.8,52.1,0.593,[863,864,865,866,867],{"_221":359,"_222":360,"_42":361,"_304":362},"1929.6.18","Frederick Stuart Church painted this in 1881, aged 39. It is now at the Smithsonian American Art Museum in Washington, DC.","The Witch's Daughter, by Frederick Stuart Church, 1881",{"_295":860,"_297":861,"_299":862},"https://img.ochreeditions.com/m/1876.jpg?dl=1","/art/the-witch-s-daughter-si-saam-1929-6-18","/galleries/style/american-gilded-age/the-witch-s-daughter-si-saam-1929-6-18",{"_291":292,"_293":294},{"_225":855,"_125":856,"_285":857},{"_276":852,"_278":853,"_280":854,"_282":838},45.8953,67.1,30.8953,{"_287":225,"_123":858,"_154":859,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-frederick-stuart-church","Frederick Stuart Church's contemporaries","https://img.ochreeditions.com/a/1876/480.jpg","https://img.ochreeditions.com/a/1876/960.jpg","https://img.ochreeditions.com/a/1876/1920.jpg",{"_311":876,"_313":877},{"_311":874,"_313":875},{"_311":872,"_313":873},{"_311":870,"_313":871},{"_311":868,"_313":869},"#674631",0.0189,"#886c60",0.0954,"#b9b196",0.2549,"#a89782",0.2993,"#9c8471",0.3315,"Frederick Stuart Church","frederick-stuart-church","Grand Rapids, MI 1842-New York City 1924","Grand Rapids",1842,1924,"the-chaperone-nga-72165","The Chaperone",{"_42":931,"_222":932,"_380":933,"_382":383,"_384":934,"_386":935,"_388":936,"_390":936,"_392":937,"_140":87},"c. 1908","overall: 46.3 x 36.2 cm (18 1/4 x 14 1/4 in.) framed: 63.5 x 53.3 x 8.3 cm (25 x 21 x 3 1/4 in.)",36.2,46.3,0.76513671875,[916,917,918,919,920],{"_221":553,"_222":554,"_42":555,"_304":362},"1991.34.1","Thomas Eakins painted this in about 1908, aged 64. It is now at the National Gallery of Art in Washington, DC.","An elderly woman in a dark blue gown and head covering sits absorbed in the work in her hands, her eyes lowered. She is the chaperone from Thomas Eakins’s late paintings of William Rush, the Philadelphia sculptor shown carving a statue from a nude model while an older woman sits by for propriety, knitting.","This painting shows a person seated on a stool or chair, wearing a long, dark-blue robe or gown. They are slightly turned toward the right, looking downward at something they hold in their hands, and their head is covered with a cloth or cap. The background is textured with earthy tones, mostly tan with some patches of yellow ochre and gray.",{"_295":913,"_297":914,"_299":915},"https://img.ochreeditions.com/m/1618.jpg?dl=1","/art/the-chaperone-nga-72165","/galleries/style/american-gilded-age/the-chaperone-nga-72165",{"_291":292,"_293":294},{"_225":908,"_125":909,"_285":910},{"_276":905,"_278":906,"_280":907,"_282":890},50.425830078124996,61.3,35.425830078124996,{"_287":225,"_123":911,"_154":912,"_140":87},{"_287":125,"_123":426,"_154":427,"_140":428},{"_287":285,"_123":423,"_154":424,"_140":425},"artist/thomas-eakins","More by Thomas Eakins","https://img.ochreeditions.com/a/1618/480.jpg","https://img.ochreeditions.com/a/1618/960.jpg","https://img.ochreeditions.com/a/1618/1920.jpg",{"_311":929,"_313":930},{"_311":927,"_313":928},{"_311":925,"_313":926},{"_311":923,"_313":924},{"_311":921,"_313":922},"#705c4c",0.0794,"#403837",0.1084,"#514942",0.161,"#8c6e58",0.2889,"#97745a",0.3623,"Thomas Eakins","thomas-eakins","American, 1844–1916",1844,1916,"Philadelphia, Pennsylvania","Eakins studied in Paris under Jean-Léon Gérôme and was impressed in Spain by Velázquez and Ribera, then returned to Philadelphia, where he spent his life.","we-both-must-fade-mrs-fithian-si-saam-1970-101","We Both Must Fade (Mrs. Fithian)",{"_42":986,"_222":987,"_380":988,"_382":383,"_384":989,"_386":990,"_388":-5,"_390":-5,"_392":-5,"_140":101},"1869","72 x 53 3/4 in. (182.9 x 136.5 cm.)",136.5,182.9,0.744,[971,972,973,974,975],{"_221":359,"_222":360,"_42":361,"_304":362},"1970.101","Lilly Martin Spencer painted this in 1869, aged 47. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":970,"_357":358},"We Both Must Fade (Mrs. Fithian), by Lilly Martin Spencer, 1869",{"_295":967,"_297":968,"_299":969},"https://img.ochreeditions.com/m/1938.jpg?dl=1","/art/we-both-must-fade-mrs-fithian-si-saam-1970-101","/galleries/style/american-gilded-age/we-both-must-fade-mrs-fithian-si-saam-1970-101",{"_291":292,"_293":294},{"_225":962,"_125":963,"_285":964},{"_276":959,"_278":960,"_280":961,"_282":944},151.0776,197.9,136.0776,{"_287":225,"_123":965,"_154":966,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-lilly-martin-spencer","Lilly Martin Spencer's contemporaries","https://img.ochreeditions.com/a/1938/480.jpg","https://img.ochreeditions.com/a/1938/960.jpg","https://img.ochreeditions.com/a/1938/1920.jpg","Mrs. Fithian stands before a mirror, admiring the tokens that others have given in praise of her beauty. She wears lace and pearls, and a blue gown that has just been taken from its box. But like the rose in her hand with its falling petals, her beauty will fade, and with it, all the pleasures the world can provide.",{"_311":984,"_313":985},{"_311":982,"_313":983},{"_311":980,"_313":981},{"_311":978,"_313":979},{"_311":976,"_313":977},"#b4a487",0.0854,"#1c2f4f",0.1024,"#5c7b90",0.1157,"#542916",0.2586,"#261210",0.4379,"Lilly Martin Spencer","lilly-martin-spencer","1822–1902",1822,1902,"christ-cma-101158","Christ",{"_42":1037,"_222":1038,"_380":1039,"_382":383,"_384":676,"_386":1040,"_388":-5,"_390":-5,"_392":1041,"_140":95},"1905","Unframed: 137 x 91.5 cm (53 15/16 x 36 in.)",91.5,137,0.7485294117647059,[1022,1023,1024,1025,1026],{"_221":301,"_222":302,"_42":303,"_304":305},"1920.150","Kenyon Cox painted this in 1905, aged 49. It is now at the Cleveland Museum of Art.","Christ, by Kenyon Cox, 1905",{"_295":1019,"_297":1020,"_299":1021},"https://img.ochreeditions.com/m/495.jpg?dl=1","/art/christ-cma-101158","/galleries/style/american-gilded-age/christ-cma-101158",{"_291":292,"_293":294},{"_225":1014,"_125":1015,"_285":1016},{"_276":1011,"_278":1012,"_280":1013,"_282":997},117.5485294117647,152,102.5485294117647,{"_287":225,"_123":1017,"_154":1018,"_140":95},{"_287":125,"_123":426,"_154":427,"_140":428},{"_287":285,"_123":423,"_154":424,"_140":425},"artist/kenyon-cox","More by Kenyon Cox","https://img.ochreeditions.com/a/495/480.jpg","https://img.ochreeditions.com/a/495/960.jpg","https://img.ochreeditions.com/a/495/1920.jpg",{"_311":1035,"_313":1036},{"_311":1033,"_313":1034},{"_311":1031,"_313":1032},{"_311":1029,"_313":1030},{"_311":1027,"_313":1028},"#3f4e35",0.1107,"#632f1a",0.1784,"#e0ddd2",0.2064,"#8e7441",0.2367,"#c7aa67",0.2678,"Kenyon Cox","kenyon-cox","American, 1856–1919",1919,"Cox trained in Cincinnati, Philadelphia and Paris, where he studied with Carolus-Duran and Jean-Léon Gérôme, before settling in New York in 1883.","autumn-nga-66420","Autumn",{"_42":571,"_222":572,"_380":573,"_382":383,"_384":574,"_386":575,"_388":576,"_390":577,"_392":578,"_140":53},"1877","overall: 97.1 x 58.9 cm (38 1/4 x 23 3/16 in.) framed: 126.4 x 91.1 x 7.9 cm (49 3/4 x 35 7/8 x 3 1/8 in.)",58.9,97.1,0.626220703125,[1072,1073,1074,1075,1076],{"_221":553,"_222":554,"_42":555,"_304":362},"1985.64.22","Winslow Homer painted this in 1877, aged 41. It is now at the National Gallery of Art in Washington, DC.","A fashionably dressed young woman in a black jacket and round hat stands on a hillside carpeted with fallen leaves, lifting her ruffled skirt to reveal its sky-blue lining and holding a basket overflowing with orange foliage. She looks straight out at us.","A woman with smooth, pale skin and wearing a hat, long dress, and gloves, stands holding a bunch of pumpkin-orange leaves against a background of trees painted with touches of rust orange and pine green in this vertical painting. The woman tips her head back slightly to look at us with dark eyes under arched eyebrows. Her cheeks are flushed and her coral-pink lips closed. Her round black hat perches on the back of her head and she has an inky black, long-sleeved, hip-length jacket with bronze trim at the shoulders, cuffs, and down the front. A gauzy bow is tied at her neck. Her left elbow, on our right, is bent and she holds up her tan-colored, ruffled skirt with a white-gloved hand. The raised skirt exposes sky-blue lining and white, ruffled flounces at her feet. Her right arm, on our left, hangs at her side and holds the handle of a basket. Deep marigold-orange leaves cascade out of the basket. One black shoe peeks out from under her long skirt. She stands on a hill carpeted with crimson-red, tawny-brown, golden yellow, and forest-green leaves. The space behind her is filled with touches and dabs of red, orange, brown, black, and tan.",{"_295":1069,"_297":1070,"_299":1071},"https://img.ochreeditions.com/m/1611.jpg?dl=1","/art/autumn-nga-66420","/galleries/style/american-gilded-age/autumn-nga-66420",{"_291":292,"_293":294},{"_225":1066,"_125":1067,"_285":1068},{"_276":1063,"_278":1064,"_280":1065,"_282":1048},75.8060302734375,112.1,60.80603027343749,{"_287":225,"_123":548,"_154":549,"_140":53},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1611/480.jpg","https://img.ochreeditions.com/a/1611/960.jpg","https://img.ochreeditions.com/a/1611/1920.jpg",{"_311":1085,"_313":1086},{"_311":1083,"_313":1084},{"_311":1081,"_313":1082},{"_311":1079,"_313":1080},{"_311":1077,"_313":1078},"#1e1811",0.0441,"#695539",0.0754,"#6a2e18",0.2262,"#552d15",0.3074,"#442b15",0.3469,"study-for-the-dancing-lesson-the-banjo-player-nga-66414","Study for \"The Dancing Lesson\": The Banjo Player",{"_42":931,"_222":932,"_380":933,"_382":383,"_384":934,"_386":935,"_388":936,"_390":936,"_392":937,"_140":87},"probably 1877","oil on canvas on cardboard","overall: 49.5 x 37.9 cm (19 1/2 x 14 15/16 in.) framed: 57.9 x 45.7 x 3.5 cm (22 13/16 x 18 x 1 3/8 in.)",37.9,49.5,0.75341796875,[1118,1119,1120,1121,1122],{"_221":553,"_222":554,"_42":555,"_304":362},"1985.64.16","Thomas Eakins painted this (probably 1877), aged 33. It is now at the National Gallery of Art in Washington, DC.","A young banjo player leans over his instrument, lit from the left so that his profile falls into shadow, in an oil study Thomas Eakins made for his watercolour The Dancing Lesson of 1878.","A young, gangly, brown-skinned boy sits on a green chair and leans over the banjo he plays in this loosely painted, vertical composition. His body faces our right in profile, and his head leans to his left and away from us. Light comes from our left to highlight his ear and the side of his chin, but throws his profile into shadow against the lighter background. The boy has short black hair and wears a white shirt with the sleeves rolled up, black pants, and black shoes. The floor is loosely painted with streaks of earth brown, taupe, and dark moss green. The wall behind the boy is painted with visible strokes of parchment brown, peachy tan, pearl white, and fog gray. The space to our left of the boy is dark brown, and an outline of a standing person is sketched in the top left corner. A grid is overlaid across the boy’s body and the chair.",{"_295":1115,"_297":1116,"_299":1117},"https://img.ochreeditions.com/m/1606.jpg?dl=1","/art/study-for-the-dancing-lesson-the-banjo-player-nga-66414","/galleries/style/american-gilded-age/study-for-the-dancing-lesson-the-banjo-player-nga-66414",{"_291":292,"_293":294},{"_225":1112,"_125":1113,"_285":1114},{"_276":1109,"_278":1110,"_280":1111,"_282":1094},52.294189453125,64.5,37.294189453125,{"_287":225,"_123":911,"_154":912,"_140":87},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1606/480.jpg","https://img.ochreeditions.com/a/1606/960.jpg","https://img.ochreeditions.com/a/1606/1920.jpg",{"_311":1131,"_313":1132},{"_311":1129,"_313":1130},{"_311":1127,"_313":1128},{"_311":1125,"_313":1126},{"_311":1123,"_313":1124},"#b2a17f",0.111,"#8b775a",0.1413,"#463422",0.2197,"#6a543b",0.251,"#282017",0.277,{"_1134":-5,"_1135":1136,"_1137":1138,"_1139":8,"_1140":1141,"_1142":8},"user","csrf","f5d547fba7d238005fab5eb4339eb4b9bd960fb1","cartCount",0,"dropLive","legal",[1143,1144,1145,1146,1147,1148,1149,1150,1151,1152,1153,1154],"uploadsEnabled",{"_222":1177,"_20":1178},{"_222":1175,"_20":1176},{"_222":1173,"_20":1174},{"_222":1171,"_20":1172},{"_222":1169,"_20":1170},{"_222":1167,"_20":1168},{"_222":1165,"_20":1166},{"_222":1163,"_20":1164},{"_222":1161,"_20":1162},{"_222":1159,"_20":1160},{"_222":1157,"_20":1158},{"_222":1155,"_20":1156},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]