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It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":301,"_302":303},"note","ITALIAN GIRL","images",{"_295":296,"_297":298,"_299":300},"download_url","https://img.ochreeditions.com/m/1752.jpg?dl=1","page_url","/art/italian-girl-si-chndm-1955-38-12-a","walk_url","/galleries/style/american-gilded-age/italian-girl-si-chndm-1955-38-12-a","frame",{"_291":292,"_293":294},{"_224":283,"_125":284,"_285":286},"size",{"_276":277,"_278":279,"_280":281,"_282":245},"w",54.19518197573656,"h",56.3,"image_w",30.195181975736563,"image_h",{"_287":224,"_123":170,"_154":169,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},"era",{"_287":285,"_123":166,"_154":165,"_140":168},"facet","style/drawing-19","More drawings of the 19th century",92,"moulding","white","mount","snow","480","https://img.ochreeditions.com/a/1752/480.jpg","960","https://img.ochreeditions.com/a/1752/960.jpg","1920","https://img.ochreeditions.com/a/1752/1920.jpg","Head of a young female figure, turned toward the right.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution","city","New York",{"_314":324,"_316":325},{"_314":322,"_316":323},{"_314":320,"_316":321},{"_314":318,"_316":319},{"_314":315,"_316":317},"hex","#e2d0ba","weight",0.0315,"#b19981",0.0805,"#f8ebd8",0.0818,"#cab39e",0.1039,"#c8ac90",0.7023,"Elihu Vedder","elihu-vedder","bio","American, 1836–1923","nationality","American","birth_year",1836,"death_year",1923,"birth_place","death_place","Rome","about_excerpt","blue-morning-nga-46557","Blue Morning",{"_42":404,"_221":405,"_328":406,"_330":331,"_332":407,"_334":408,"_336":-5,"_337":-5,"_339":409,"_140":93},"1909",20,"painting","Painting","oil on canvas","overall: 86.3 x 111.7 cm (34 x 44 in.) framed: 102.9 x 135.6 x 6 cm (40 1/2 x 53 3/8 x 2 3/8 in.)",111.7,86.3,1.2832080200501252,[389,390,391,392,393],{"_220":385,"_221":386,"_42":387,"_307":388},"Courtesy National Gallery of Art, Washington","1963.10.82","George Bellows painted this in 1909, aged 27. It is now at the National Gallery of Art in Washington, DC.","Workmen hammer and haul behind a wooden fence beneath the iron column of an elevated railway, while beyond them the ground drops into a vast excavation and the pale blue façade of a building rises in the haze.","From under an elevated train track, we look at a cluster of people hammering and working on the far side of a wooden fence, all against a silvery-blue building that fills most of the background in this horizontal painting. The scene is loosely painted mostly in tones of hazy and saturated blues, so many of the details are indistinct. About a quarter of the way in from the right edge of the composition, a thin iron column holds up the train platform. The column nearly spans the height of the painting, and the track it supports runs across the top edge of the canvas. At the foot of the column, along the bottom edge, are two parallel tracks embedded in an area otherwise painted with short, diagonal strokes in topaz blue, olive green, and straw yellow. Just beyond the tracks, the split-rail wooden fence runs across most of the painting, though there is an opening at the left edge of the canvas. A man sits with his back to us on the railing to our right of center. He wears a dark cap, a lapis-blue shirt, and navy-blue pants. Several men work on or near a mound-shaped form, perhaps a piece of machinery, just beyond the fence, near the center of the painting. One man holds a hammer high overhead while another reaches down or strikes the mound with his feet planted wide. More people work together to our left, and a man to our right stands near a crane. The people and these areas are painted with broad strokes and touches of cobalt blue, charcoal gray, khaki brown, and a few swipes of shell pink and bright white. A puff of white smoke billows up behind the central group, before the land drops precipitously away. The chasm is painted with shimmering tones of aquamarine and cerulean blue. A sky-blue, rectangular building perches at the far edge. A few windows are outlined in royal blue to our left but the rest of the building is loosely painted with long, vertical strokes so no architectural details can be made out. Behind this structure are more city buildings, suggested with strokes of muted rust red, parchment and bright white, and cobalt blue. The ice-blue sky fills the band between the top of the buildings and the train track running overhead. 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(14.0 x 22.5 cm)",22.5,1.6130917592051432,[446,447,448,449,450],{"_220":304,"_221":305,"_42":306,"_307":388},"Courtesy of the Smithsonian American Art Museum","1983.83.268","George Elbert Burr painted this in 1899, aged 40. It is now at the Smithsonian American Art Museum in Washington, DC.","Sand Dunes, Harlech, North Wales, by George Elbert Burr, 1899",{"_295":443,"_297":444,"_299":445},"https://img.ochreeditions.com/m/1969.jpg?dl=1","/art/sand-dunes-harlech-north-wales-si-saam-1983-83-268","/galleries/style/american-gilded-age/sand-dunes-harlech-north-wales-si-saam-1983-83-268",{"_291":380,"_293":381},{"_224":435,"_125":436,"_285":437},{"_276":431,"_278":432,"_280":433,"_282":434},40,30.4981884057971,25,15.498188405797102,{"_287":224,"_123":441,"_154":442,"_140":99},{"_287":125,"_123":438,"_154":439,"_140":440},{"_287":285,"_123":166,"_154":165,"_140":168},"style/painting-19","More paintings of the 19th century",432,"artist/george-elbert-burr","More by George Elbert Burr","https://img.ochreeditions.com/a/1969/480.jpg","https://img.ochreeditions.com/a/1969/960.jpg","https://img.ochreeditions.com/a/1969/1920.jpg",{"_314":459,"_316":460},{"_314":457,"_316":458},{"_314":455,"_316":456},{"_314":453,"_316":454},{"_314":451,"_316":452},"#9793a1",0.0898,"#9f866a",0.1016,"#c0beb6",0.1203,"#a6b0b5",0.2246,"#d4b79d",0.4637,"George Elbert Burr","george-elbert-burr","American, 1859–1939",1859,1939,"Burr worked as an illustrator in New York before spending several years travelling and sketching in Europe around 1900.","drapery-study-si-chndm-1914-38-155","Drapery Study",{"_42":516,"_221":517,"_328":518,"_330":331,"_332":519,"_334":520,"_336":-5,"_337":-5,"_339":521,"_140":99},"ca. 1895","Graphite on tracing paper","17.9 × 33.3 cm (7 1/16 × 13 1/8 in.)",33.3,17.9,1.8188170701272772,[501,502,503,504,505],{"_220":304,"_221":305,"_42":306,"_307":308},"1914-38-155","Francis Augustus Lathrop drew this in about 1895, aged 46. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":500,"_302":303},"DRAPERY STUDY",{"_295":497,"_297":498,"_299":499},"https://img.ochreeditions.com/m/1718.jpg?dl=1","/art/drapery-study-si-chndm-1914-38-155","/galleries/style/american-gilded-age/drapery-study-si-chndm-1914-38-155",{"_291":292,"_293":294},{"_224":492,"_125":493,"_285":494},{"_276":489,"_278":490,"_280":473,"_282":491},57.3,42.308603183315036,18.308603183315036,{"_287":224,"_123":495,"_154":496,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/francis-augustus-lathrop","More by Francis Augustus Lathrop","https://img.ochreeditions.com/a/1718/480.jpg","https://img.ochreeditions.com/a/1718/960.jpg","https://img.ochreeditions.com/a/1718/1920.jpg","Female figure reclining to the right, head up and hands in a praying attitude.",{"_314":514,"_316":515},{"_314":512,"_316":513},{"_314":510,"_316":511},{"_314":508,"_316":509},{"_314":506,"_316":507},"#8f826e",0.0317,"#aeaba9",0.0946,"#9a9385",0.2371,"#ada89b",0.2563,"#a79f92",0.3803,"Francis Augustus Lathrop","francis-augustus-lathrop","American, 1849–1909",1849,1909,"Lathrop trained in London, where he worked with the Pre-Raphaelite circle around Ford Madox Brown and William Morris.","leaping-trout-cma-147393","Leaping Trout",{"_42":577,"_221":578,"_328":579,"_330":331,"_332":333,"_334":580,"_336":581,"_337":582,"_339":583,"_140":53},"1889","watercolor over graphite","Sheet: 35 x 50.6 cm (13 3/4 x 19 15/16 in.)",50.6,35,1.423785594639866,[562,563,564,565,566],{"_220":558,"_221":559,"_42":560,"_307":561},"Courtesy of the Cleveland Museum of Art","1973.142","Winslow Homer painted this in 1889, aged 53. It is now at the Cleveland Museum of Art.",{"_118":556,"_302":557},"Leaping Trout, by Winslow Homer, 1889",{"_295":553,"_297":554,"_299":555},"https://img.ochreeditions.com/m/682.jpg?dl=1","/art/leaping-trout-cma-147393","/galleries/style/american-gilded-age/leaping-trout-cma-147393",{"_291":292,"_293":294},{"_224":548,"_125":549,"_285":550},{"_276":545,"_278":546,"_280":528,"_282":547},74.6,59.53905882352941,35.53905882352941,{"_287":224,"_123":551,"_154":552,"_140":53},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/682/480.jpg","https://img.ochreeditions.com/a/682/960.jpg","https://img.ochreeditions.com/a/682/1920.jpg","In 1886, Winslow Homer began to produce oil paintings and watercolors of subjects in the Adirondack Mountains, where he and his brother Charles had fished and hunted since the 1870s. In Leaping Trout , a silvery trout propels itself from the water in pursuit of a hapless insect or a fisherman’s fly.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_314":575,"_316":576},{"_314":573,"_316":574},{"_314":571,"_316":572},{"_314":569,"_316":570},{"_314":567,"_316":568},"#b5b0a6",0.0785,"#79766d",0.0979,"#30312e",0.1965,"#4b4e42",0.251,"#3d3f38",0.3761,"Winslow Homer","winslow-homer","American, 1836–1910",1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","boy-with-anchor-cma-131337","Boy with Anchor",{"_42":577,"_221":578,"_328":579,"_330":331,"_332":333,"_334":580,"_336":581,"_337":582,"_339":583,"_140":53},"1873","Watercolor and graphite on paper","Sheet: 19.4 x 34.9 cm (7 5/8 x 13 3/4 in.)",34.9,19.4,1.7607457276022787,[616,617,618,619,620],{"_220":558,"_221":559,"_42":560,"_307":561},"1954.128","Winslow Homer painted this in 1873, aged 37. It is now at the Cleveland Museum of Art.",{"_118":615,"_302":557},"Boy with Anchor, by Winslow Homer, 1873",{"_295":612,"_297":613,"_299":614},"https://img.ochreeditions.com/m/603.jpg?dl=1","/art/boy-with-anchor-cma-131337","/galleries/style/american-gilded-age/boy-with-anchor-cma-131337",{"_291":292,"_293":294},{"_224":609,"_125":610,"_285":611},{"_276":606,"_278":607,"_280":590,"_282":608},58.9,43.82114705882353,19.821147058823527,{"_287":224,"_123":551,"_154":552,"_140":53},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/603/480.jpg","https://img.ochreeditions.com/a/603/960.jpg","https://img.ochreeditions.com/a/603/1920.jpg","In this work from a series of watercolors produced in Gloucester, MA, in the summer of 1873 Winslow Homer evokes the fraught nature of the local fishing industry by focusing not on the perilous work of adults, but rather the children they leave behind.",{"_314":629,"_316":630},{"_314":627,"_316":628},{"_314":625,"_316":626},{"_314":623,"_316":624},{"_314":621,"_316":622},"#c5c4c8",0.0959,"#6a5a58",0.1532,"#988980",0.1732,"#c9b59c",0.2873,"#8e99b3",0.2904,"edward-guthrie-kennedy-met-10466","Edward Guthrie Kennedy",{"_42":681,"_221":682,"_328":683,"_330":331,"_332":519,"_334":684,"_336":685,"_337":308,"_339":686,"_140":93},"Oil on canvas","22 x 17 7/8 in. (55.9 x 45.4 cm)",45.4,55.9,0.8089536699635607,[666,667,668,669,670],{"_220":663,"_221":664,"_42":665,"_307":308},"Courtesy of The Metropolitan Museum of Art","1973.342","William Merritt Chase painted this in about 1895, aged about 43. It is now at The Met in New York.","Edward Guthrie Kennedy, by William Merritt Chase, ca. 1895",{"_295":660,"_297":661,"_299":662},"https://img.ochreeditions.com/m/809.jpg?dl=1","/art/edward-guthrie-kennedy-met-10466","/galleries/style/american-gilded-age/edward-guthrie-kennedy-met-10466",{"_291":380,"_293":381},{"_224":655,"_125":656,"_285":657},{"_276":652,"_278":653,"_280":654,"_282":637},60.22051015096304,70.9,45.22051015096304,{"_287":224,"_123":658,"_154":659,"_140":93},{"_287":125,"_123":438,"_154":439,"_140":440},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/william-merritt-chase","More by William Merritt Chase","https://img.ochreeditions.com/a/809/480.jpg","https://img.ochreeditions.com/a/809/960.jpg","https://img.ochreeditions.com/a/809/1920.jpg","met","the-met","The Metropolitan Museum of Art",{"_314":679,"_316":680},{"_314":677,"_316":678},{"_314":675,"_316":676},{"_314":673,"_316":674},{"_314":671,"_316":672},"#ba9078",0.0367,"#916d5b",0.0535,"#5e4c3f",0.055,"#1f1d1d",0.381,"#38322a",0.4738,"William Merritt Chase","william-merritt-chase","American, 1849–1916",1916,"Williamsburg, Indiana","Chase studied at the Royal Academy in Munich, then returned to New York in 1878 to teach at the Art Students League, setting up a lavish Tenth Street studio that became a showcase.","claire-campbell-cma-134236","Claire Campbell",{"_42":736,"_221":737,"_328":738,"_330":739,"_332":740,"_334":741,"_336":742,"_337":742,"_339":743,"_140":53},"1876","Pastel with oil on fine-weave canvas","Unframed: 55.2 x 45.7 cm (21 3/4 x 18 in.)",45.7,55.2,0.8232352941176471,[721,722,723,724,725],{"_220":558,"_221":559,"_42":560,"_307":561},"1956.718","Édouard Manet painted this in 1876, aged 44. It is now at the Cleveland Museum of Art.",{"_118":720,"_302":557},"Claire Campbell, by Édouard Manet, 1876",{"_295":717,"_297":718,"_299":719},"https://img.ochreeditions.com/m/612.jpg?dl=1","/art/claire-campbell-cma-134236","/galleries/style/american-gilded-age/claire-campbell-cma-134236",{"_291":292,"_293":294},{"_224":712,"_125":713,"_285":714},{"_276":709,"_278":710,"_280":711,"_282":694},69.44258823529412,79.2,45.44258823529412,{"_287":224,"_123":715,"_154":716,"_140":53},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/edouard-manet","More by Édouard Manet","https://img.ochreeditions.com/a/612/480.jpg","https://img.ochreeditions.com/a/612/960.jpg","https://img.ochreeditions.com/a/612/1920.jpg","During the late 1870s, Edouard Manet began to experience health problems that made it difficult for him to work in oil painting. Instead, he began to draw using pastel, a powdery medium that allowed him to render line and color with each stroke.",{"_314":734,"_316":735},{"_314":732,"_316":733},{"_314":730,"_316":731},{"_314":728,"_316":729},{"_314":726,"_316":727},"#42362f",0.1215,"#c4b4a5",0.1353,"#6e6b66",0.1483,"#a99f90",0.2618,"#8f8a84",0.3331,"Édouard Manet","edouard-manet","French, 1832–1883","French",1832,1883,"Paris","Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","the-gulf-stream-met-11122","The Gulf Stream",{"_42":577,"_221":578,"_328":579,"_330":331,"_332":333,"_334":580,"_336":581,"_337":582,"_339":583,"_140":53},"1899; reworked by 1906","28 1/8 x 49 1/8 in. (71.4 x 124.8 cm) Framed: 42 5/16 x 62 11/16 x 5 7/8 in. (107.5 x 159.3 x 15 cm)",124.8,71.4,1.6207455429497568,[774,775,776,777,778],{"_220":663,"_221":664,"_42":665,"_307":308},"06.1234","Winslow Homer painted this in 1899; reworked by 1906, aged about 63. It is now at The Met in New York.","A lone Black sailor lies on the deck of a dismasted, rudderless boat in the open sea, surrounded by circling sharks, while a waterspout churns on the horizon and a distant ship sails by, apparently unaware of him.","The Gulf Stream, by Winslow Homer, 1899; reworked by 1906",{"_295":771,"_297":772,"_299":773},"https://img.ochreeditions.com/m/832.jpg?dl=1","/art/the-gulf-stream-met-11122","/galleries/style/american-gilded-age/the-gulf-stream-met-11122",{"_291":380,"_293":381},{"_224":768,"_125":769,"_285":770},{"_276":765,"_278":766,"_280":749,"_282":767},139.8,92.0016,77.0016,{"_287":224,"_123":551,"_154":552,"_140":53},{"_287":125,"_123":438,"_154":439,"_140":440},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/832/480.jpg","https://img.ochreeditions.com/a/832/960.jpg","https://img.ochreeditions.com/a/832/1920.jpg",{"_314":787,"_316":788},{"_314":785,"_316":786},{"_314":783,"_316":784},{"_314":781,"_316":782},{"_314":779,"_316":780},"#5c422e",0.0529,"#3a524c",0.2151,"#233231",0.2167,"#90866d",0.2179,"#151819",0.2974,"the-race-track-death-on-a-pale-horse-cma-110180","The Race Track (Death on a Pale Horse)",{"_42":837,"_221":838,"_328":839,"_330":331,"_332":840,"_334":841,"_336":-5,"_337":-5,"_339":-5,"_140":103},"c. 1896–1908","Framed: 84.5 x 102 x 6.5 cm (33 1/4 x 40 3/16 x 2 9/16 in.); Unframed: 70.5 x 90 cm (27 3/4 x 35 7/16 in.)",90,70.5,1.266294227188082,[822,823,824,825,826],{"_220":558,"_221":559,"_42":560,"_307":561},"1928.8","Albert Pinkham Ryder painted this in about 1896–1908, aged about 49. It is now at the Cleveland Museum of Art.",{"_118":821,"_302":557},"The Race Track (Death on a Pale Horse), by Albert Pinkham Ryder, c. 1896–1908",{"_295":818,"_297":819,"_299":820},"https://img.ochreeditions.com/m/522.jpg?dl=1","/art/the-race-track-death-on-a-pale-horse-cma-110180","/galleries/style/american-gilded-age/the-race-track-death-on-a-pale-horse-cma-110180",{"_291":380,"_293":381},{"_224":813,"_125":814,"_285":815},{"_276":810,"_278":811,"_280":794,"_282":812},105,86.07352941176471,71.07352941176471,{"_287":224,"_123":816,"_154":817,"_140":89},{"_287":125,"_123":438,"_154":439,"_140":440},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-albert-pinkham-ryder","Albert Pinkham Ryder's contemporaries","https://img.ochreeditions.com/a/522/480.jpg","https://img.ochreeditions.com/a/522/960.jpg","https://img.ochreeditions.com/a/522/1920.jpg","Ryder’s subject was inspired by a horse race that took place in New York during 1888. One of the artist’s friends wagered $500 on the race and then died by suicide after the horse lost.",{"_314":835,"_316":836},{"_314":833,"_316":834},{"_314":831,"_316":832},{"_314":829,"_316":830},{"_314":827,"_316":828},"#3c3318",0.1109,"#584c26",0.1263,"#716437",0.1291,"#2c2414",0.2466,"#1f170e",0.3871,"Albert Pinkham Ryder","albert-pinkham-ryder","American, 1847–1917",1847,1917,"study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165","Study for \"The Blue Girl: Portrait of Miss Elinor Leyland\"",{"_42":897,"_221":898,"_328":899,"_330":331,"_332":900,"_334":901,"_336":902,"_337":903,"_339":904,"_140":230},"c. 1879","watercolour","Drawing and Watercolor","Pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper","17.9 × 11.2 cm (7 1/16 × 4 7/16 in.)",17,0.7061027837259101,[882,883,884,885,886],{"_220":878,"_221":879,"_42":880,"_307":881},"Courtesy of the Art Institute of Chicago","1921.124","James McNeill Whistler painted this in about 1879, aged 45. It is now at the Art Institute of Chicago.","A work made of pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper.",{"_295":875,"_297":876,"_299":877},"https://img.ochreeditions.com/m/291.jpg?dl=1","/art/study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165","/galleries/style/american-gilded-age/study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165",{"_291":292,"_293":294},{"_224":868,"_125":869,"_285":870},{"_276":865,"_278":866,"_280":867,"_282":433},41.65256959314775,49,17.652569593147753,{"_287":224,"_123":873,"_154":874,"_140":230},{"_287":125,"_123":871,"_154":872,"_140":431},{"_287":285,"_123":166,"_154":165,"_140":168},"style/watercolour-19","More watercolours of the 19th century","artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/291/480.jpg","https://img.ochreeditions.com/a/291/960.jpg","https://img.ochreeditions.com/a/291/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_314":895,"_316":896},{"_314":893,"_316":894},{"_314":891,"_316":892},{"_314":889,"_316":890},{"_314":887,"_316":888},"#6e4f40",0.0108,"#a68a75",0.0132,"#d3baa3",0.0444,"#a5a09a",0.0743,"#e8d2bb",0.8573,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","girl-in-black-pouting-tom-si-hmsg-66-5532","Girl in Black (Pouting Tom)",{"_42":897,"_221":898,"_328":899,"_330":331,"_332":900,"_334":901,"_336":902,"_337":903,"_339":904,"_140":230},"(1896-1901)","20 1/4 x 12 3/8 in. (51.4 x 31.4 cm)",31.4,51.4,0.6110694183864915,[935,936,937,938,939],{"_220":304,"_221":305,"_42":306,"_307":388},"Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution","66.5532","James McNeill Whistler painted this ((1896-1901)), aged about 62. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","James Abbott McNeill Whistler",{"_295":932,"_297":933,"_299":934},"https://img.ochreeditions.com/m/1828.jpg?dl=1","/art/girl-in-black-pouting-tom-si-hmsg-66-5532","/galleries/style/american-gilded-age/girl-in-black-pouting-tom-si-hmsg-66-5532",{"_291":380,"_293":381},{"_224":929,"_125":930,"_285":931},{"_276":926,"_278":927,"_280":928,"_282":911},46.40896810506567,66.4,31.408968105065664,{"_287":224,"_123":873,"_154":874,"_140":230},{"_287":125,"_123":438,"_154":439,"_140":440},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1828/480.jpg","https://img.ochreeditions.com/a/1828/960.jpg","https://img.ochreeditions.com/a/1828/1920.jpg",{"_314":948,"_316":949},{"_314":946,"_316":947},{"_314":944,"_316":945},{"_314":942,"_316":943},{"_314":940,"_316":941},"#4f3417",0.0176,"#754f24",0.0288,"#2d2215",0.0709,"#191915",0.1671,"#0d1415",0.7156,"otter-cliffs-si-chndm-1948-47-249","Otter Cliffs",{"_42":997,"_221":998,"_328":999,"_330":331,"_332":1000,"_334":408,"_336":-5,"_337":-5,"_339":1001,"_140":99},"1879–80","Graphite and white heightening on gray paper","15.1 × 22.5 cm (5 15/16 × 8 7/8 in.)",15.1,1.473545842918173,[982,983,984,985,986],{"_220":304,"_221":305,"_42":306,"_307":308},"1948-47-249","Arnold William Brunner drew this in 1879–80, aged 22. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":981,"_302":303},"OTTER CLIFFS",{"_295":978,"_297":979,"_299":980},"https://img.ochreeditions.com/m/1749.jpg?dl=1","/art/otter-cliffs-si-chndm-1948-47-249","/galleries/style/american-gilded-age/otter-cliffs-si-chndm-1948-47-249",{"_291":292,"_293":294},{"_224":973,"_125":974,"_285":975},{"_276":866,"_278":971,"_280":433,"_282":972},40.96587867975022,16.965878679750222,{"_287":224,"_123":976,"_154":977,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/arnold-william-brunner","More by Arnold William Brunner","https://img.ochreeditions.com/a/1749/480.jpg","https://img.ochreeditions.com/a/1749/960.jpg","https://img.ochreeditions.com/a/1749/1920.jpg","Enclosed scene of mountains, top. Bottom, larger scene looking out to sea, lower right two figures sitting.",{"_314":995,"_316":996},{"_314":993,"_316":994},{"_314":991,"_316":992},{"_314":989,"_316":990},{"_314":987,"_316":988},"#a9abae",0.0425,"#98958e",0.1163,"#aba292",0.141,"#a6a299",0.2307,"#b0aca2",0.4695,"Arnold William Brunner","arnold-william-brunner","American, 1857–1925",1857,"Arnold W. Brunner was a New York architect who trained at the Massachusetts Institute of Technology and sketched widely in Europe as a young man.","king-lear-act-i-scene-i-met-10049","\"King Lear,\" Act I, Scene I",{"_42":1049,"_221":1050,"_328":1051,"_330":331,"_332":1052,"_334":1053,"_336":1054,"_337":903,"_339":-5,"_140":103},"1898","54 1/4 x 127 1/4 in. (137.8 x 323.2 cm)",323.2,137.8,2.3225616921269094,[1034,1035,1036,1037,1038],{"_220":663,"_221":664,"_42":665,"_307":308},"13.140","Edwin Austin Abbey painted this in 1898, aged 46. It is now at The Met in New York.","\"King Lear,\" Act I, Scene I, by Edwin Austin Abbey, 1898",{"_295":1031,"_297":1032,"_299":1033},"https://img.ochreeditions.com/m/801.jpg?dl=1","/art/king-lear-act-i-scene-i-met-10049","/galleries/style/american-gilded-age/king-lear-act-i-scene-i-met-10049",{"_291":380,"_293":381},{"_224":1026,"_125":1027,"_285":1028},{"_276":1022,"_278":1023,"_280":1024,"_282":1025},255,118.33417657475336,240,103.33417657475336,{"_287":224,"_123":1029,"_154":1030,"_140":89},{"_287":125,"_123":438,"_154":439,"_140":440},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-edwin-austin-abbey","Edwin Austin Abbey's contemporaries","https://img.ochreeditions.com/a/801/480.jpg","https://img.ochreeditions.com/a/801/960.jpg","https://img.ochreeditions.com/a/801/1920.jpg",{"_314":1047,"_316":1048},{"_314":1045,"_316":1046},{"_314":1043,"_316":1044},{"_314":1041,"_316":1042},{"_314":1039,"_316":1040},"#5e2b2b",0.0742,"#79735d",0.0921,"#43302b",0.202,"#4e4739",0.2204,"#2b2b29",0.4113,"Edwin Austin Abbey","edwin-austin-abbey","American, 1852–1911",1852,1911,"Philadelphia, Pennsylvania","locust-blossoms-si-chndm-1939-85-93","Locust Blossoms",{"_42":1104,"_221":1105,"_328":1106,"_330":331,"_332":740,"_334":1107,"_336":-5,"_337":-5,"_339":-5,"_140":103},"June 6, 1877","Brush and watercolor, graphite on cream paper","39.8 × 28.5 cm (15 11/16 × 11 1/4 in.)",28.5,39.8,0.7338490487141961,[1089,1090,1091,1092,1093],{"_220":304,"_221":305,"_42":306,"_307":308},"1939-85-93","Samuel Colman painted this (June 6, 1877), aged 45. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1088,"_302":303},"LOCUST BLOSSOMS",{"_295":1085,"_297":1086,"_299":1087},"https://img.ochreeditions.com/m/1743.jpg?dl=1","/art/locust-blossoms-si-chndm-1939-85-93","/galleries/style/american-gilded-age/locust-blossoms-si-chndm-1939-85-93",{"_291":292,"_293":294},{"_224":1080,"_125":1081,"_285":1082},{"_276":1077,"_278":1078,"_280":1079,"_282":1062},53.20719213882501,63.8,29.207192138825004,{"_287":224,"_123":1083,"_154":1084,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-samuel-colman","Samuel Colman's contemporaries","https://img.ochreeditions.com/a/1743/480.jpg","https://img.ochreeditions.com/a/1743/960.jpg","https://img.ochreeditions.com/a/1743/1920.jpg","Studies of locust blossoms in watercolor, center; below, studies in graphite of horse-chestnut leaves; above, studies in graphite of apple blossoms. Verso: sweet pea; marshmallow leaves.",{"_314":1102,"_316":1103},{"_314":1100,"_316":1101},{"_314":1098,"_316":1099},{"_314":1096,"_316":1097},{"_314":1094,"_316":1095},"#bfb29d",0.0572,"#bab8bb",0.0725,"#d0c1af",0.1971,"#deccb9",0.2832,"#e8d4c0",0.39,"Samuel Colman","samuel-colman","American, 1832–1920",1920,"capri-cma-148312","Capri",{"_42":1156,"_221":1157,"_328":1158,"_330":331,"_332":1159,"_334":1160,"_336":-5,"_337":-5,"_339":1161,"_140":99},"1869","Framed: 69.5 x 99.5 x 9 cm (27 3/8 x 39 3/16 x 3 9/16 in.); Unframed: 50 x 80 cm (19 11/16 x 31 1/2 in.)",80,50,1.60075329566855,[1141,1142,1143,1144,1145],{"_220":558,"_221":559,"_42":560,"_307":561},"1975.4","William Stanley Haseltine painted this in 1869, aged 34. It is now at the Cleveland Museum of Art.",{"_118":1140,"_302":557},"Capri, by William Stanley Haseltine, 1869",{"_295":1137,"_297":1138,"_299":1139},"https://img.ochreeditions.com/m/687.jpg?dl=1","/art/capri-cma-148312","/galleries/style/american-gilded-age/capri-cma-148312",{"_291":380,"_293":381},{"_224":1132,"_125":1133,"_285":1134},{"_276":1129,"_278":1130,"_280":1113,"_282":1131},95,64.97647058823529,49.976470588235294,{"_287":224,"_123":1135,"_154":1136,"_140":99},{"_287":125,"_123":438,"_154":439,"_140":440},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/william-stanley-haseltine","More by William Stanley Haseltine","https://img.ochreeditions.com/a/687/480.jpg","https://img.ochreeditions.com/a/687/960.jpg","https://img.ochreeditions.com/a/687/1920.jpg","The Philadelphia-born Haseltine favored images of coastal rocks, painting them on both sides of the Atlantic throughout his career.",{"_314":1154,"_316":1155},{"_314":1152,"_316":1153},{"_314":1150,"_316":1151},{"_314":1148,"_316":1149},{"_314":1146,"_316":1147},"#726253",0.059,"#3e332a",0.1574,"#2d221d",0.1707,"#9b9688",0.2793,"#b89d85",0.3336,"William Stanley Haseltine","william-stanley-haseltine","American, 1835–1900",1835,1900,"Haseltine was born in Philadelphia, studied at Harvard and trained in Düsseldorf, where he travelled and painted with Albert Bierstadt and Worthington Whittredge.",{"_1163":-5,"_1164":1165,"_1166":1167,"_1168":8,"_1169":1170,"_1171":8},"user","csrf","9f07dd762011ae2d96b5c07509fa0f2fcae0b1db","cartCount",0,"dropLive","legal",[1172,1173,1174,1175,1176,1177,1178,1179,1180,1181,1182,1183],"uploadsEnabled",{"_221":1206,"_20":1207},{"_221":1204,"_20":1205},{"_221":1202,"_20":1203},{"_221":1200,"_20":1201},{"_221":1198,"_20":1199},{"_221":1196,"_20":1197},{"_221":1194,"_20":1195},{"_221":1192,"_20":1193},{"_221":1190,"_20":1191},{"_221":1188,"_20":1189},{"_221":1186,"_20":1187},{"_221":1184,"_20":1185},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]