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It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","James Abbott McNeill Whistler",{"_295":377,"_297":378,"_299":379},"https://img.ochreeditions.com/m/1828.jpg?dl=1","/art/girl-in-black-pouting-tom-si-hmsg-66-5532","/galleries/style/american-gilded-age/girl-in-black-pouting-tom-si-hmsg-66-5532",{"_291":375,"_293":376},{"_224":367,"_125":368,"_285":369},{"_276":364,"_278":365,"_280":366,"_281":349},46.40896810506567,66.4,31.408968105065664,{"_287":224,"_123":373,"_154":374,"_140":230},{"_287":125,"_123":370,"_154":371,"_140":372},{"_287":285,"_123":166,"_154":165,"_140":168},"style/painting-19","More paintings of the 19th century",432,"artist/james-mcneill-whistler","More by James McNeill Whistler","natural","ivory","https://img.ochreeditions.com/a/1828/480.jpg","https://img.ochreeditions.com/a/1828/960.jpg","https://img.ochreeditions.com/a/1828/1920.jpg","Washington, DC",{"_314":394,"_316":395},{"_314":392,"_316":393},{"_314":390,"_316":391},{"_314":388,"_316":389},{"_314":386,"_316":387},"#4f3417",0.0176,"#754f24",0.0288,"#2d2215",0.0709,"#191915",0.1671,"#0d1415",0.7156,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","green-and-blue-the-dancer-aic-111164","Green and Blue: The Dancer",{"_42":396,"_221":397,"_328":398,"_330":331,"_332":399,"_334":400,"_336":401,"_337":402,"_338":403,"_140":230},"c. 1893","watercolour","Drawing and Watercolor","Watercolor and opaque watercolor over traces of black chalk on brown wove paper laid down on card","27.5 × 18.3 cm (10 7/8 × 7 1/4 in.)",18,27,0.6738479098302183,[445,446,447,448,449],{"_220":441,"_221":442,"_42":443,"_307":444},"Courtesy of the Art Institute of Chicago","1988.219","James McNeill Whistler painted this in about 1893, aged about 54. It is now at the Art Institute of Chicago.","A young dancer in a long, sheer dress is set down in pale washes of watercolour and opaque colour on brown paper, her form emerging from the warm tone of the sheet.","Pale watercolor drawing of young dancer in long sheer dress.",{"_295":438,"_297":439,"_299":440},"https://img.ochreeditions.com/m/277.jpg?dl=1","/art/green-and-blue-the-dancer-aic-111164","/galleries/style/american-gilded-age/green-and-blue-the-dancer-aic-111164",{"_291":292,"_293":294},{"_224":432,"_125":433,"_285":434},{"_276":429,"_278":430,"_280":431,"_281":413},42.19389356541589,51,18.19389356541589,{"_287":224,"_123":373,"_154":374,"_140":230},{"_287":125,"_123":435,"_154":436,"_140":437},{"_287":285,"_123":166,"_154":165,"_140":168},"style/watercolour-19","More watercolours of the 19th century",40,"https://img.ochreeditions.com/a/277/480.jpg","https://img.ochreeditions.com/a/277/960.jpg","https://img.ochreeditions.com/a/277/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_314":458,"_316":459},{"_314":456,"_316":457},{"_314":454,"_316":455},{"_314":452,"_316":453},{"_314":450,"_316":451},"#8f867d",0.0887,"#757d71",0.1744,"#817b68",0.2424,"#756a5a",0.2449,"#8a725c",0.2496,"two-studies-of-women-standing-behind-railing-looking-at-the-si-chndm-1912-12-16","Two Studies of Women Standing behind Railing, Looking at the Launching of Dories, Cullercoats, England",{"_42":510,"_221":511,"_328":512,"_330":331,"_332":513,"_334":514,"_336":515,"_337":516,"_338":517,"_140":53},"1881","Pen and brown ink on off-white wove paper","19.9 x 17.9 cm (7 13/16 x 7 1/16 in.)",17.9,19.9,0.9123489657997133,[495,496,497,498,499],{"_220":304,"_221":305,"_42":306,"_307":308},"1912-12-16","Winslow Homer drew this in 1881, aged 45. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":494,"_302":303},"TWO STUDIES OF WOMEN STANDING BEHIND RAILING, LOOKING AT THE LAUNCHING OF DORIES, CULLERCOATS, ENGLAND",{"_295":491,"_297":492,"_299":493},"https://img.ochreeditions.com/m/1714.jpg?dl=1","/art/two-studies-of-women-standing-behind-railing-looking-at-the-si-chndm-1912-12-16","/galleries/style/american-gilded-age/two-studies-of-women-standing-behind-railing-looking-at-the-si-chndm-1912-12-16",{"_291":292,"_293":294},{"_224":486,"_125":487,"_285":488},{"_276":482,"_278":483,"_280":484,"_281":485},46.80872414499283,49,22.80872414499283,25,{"_287":224,"_123":489,"_154":490,"_140":53},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/1714/480.jpg","https://img.ochreeditions.com/a/1714/960.jpg","https://img.ochreeditions.com/a/1714/1920.jpg","In upper half of composition, figures of women stand at a railing and watch the fishermen and the sea; at left is a house with a hipped roof and porch; beyond the railing, four dories are drawn up on beach. Framing lines.",{"_314":508,"_316":509},{"_314":506,"_316":507},{"_314":504,"_316":505},{"_314":502,"_316":503},{"_314":500,"_316":501},"#a87f61",0.0207,"#caa688",0.0733,"#dbc1a6",0.1886,"#e4d3bf",0.1996,"#ebe3d4",0.5178,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","talcott-williams-si-npg-npg-85-50","Talcott Williams",{"_42":565,"_221":566,"_328":567,"_330":331,"_332":568,"_334":569,"_336":570,"_337":570,"_338":571,"_140":87},"c. 1889","Stretcher: 62.5 x 51.8cm (24 5/8 x 20 3/8\")",51.8,62.5,0.834,[550,551,552,553,554],{"_220":304,"_221":305,"_42":306,"_307":380},"Courtesy of the National Portrait Gallery, Smithsonian Institution","NPG.85.50","Thomas Eakins painted this in about 1889, aged 45. It is now at the National Portrait Gallery in Washington, DC.","Artist: Thomas Cowperthwaite Eakins, Sitter: Talcott Williams, Current owner: National Portrait Gallery, Smithsonian Institution",{"_295":547,"_297":548,"_299":549},"https://img.ochreeditions.com/m/1852.jpg?dl=1","/art/talcott-williams-si-npg-npg-85-50","/galleries/style/american-gilded-age/talcott-williams-si-npg-npg-85-50",{"_291":375,"_293":376},{"_224":542,"_125":543,"_285":544},{"_276":539,"_278":540,"_280":541,"_281":524},67.125,77.5,52.125,{"_287":224,"_123":545,"_154":546,"_140":87},{"_287":125,"_123":370,"_154":371,"_140":372},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/thomas-eakins","More by Thomas Eakins","https://img.ochreeditions.com/a/1852/480.jpg","https://img.ochreeditions.com/a/1852/960.jpg","https://img.ochreeditions.com/a/1852/1920.jpg",{"_314":563,"_316":564},{"_314":561,"_316":562},{"_314":559,"_316":560},{"_314":557,"_316":558},{"_314":555,"_316":556},"#b98d63",0.0121,"#765334",0.0203,"#433828",0.2532,"#4f402c",0.3051,"#2e2d2a",0.4093,"Thomas Eakins","thomas-eakins","American, 1844–1916",1844,1916,"Philadelphia, Pennsylvania","Eakins studied in Paris under Jean-Léon Gérôme and was impressed in Spain by Velázquez and Ribera, then returned to Philadelphia, where he spent his life.","peaceful-valley-nga-50295","Peaceful Valley",{"_42":623,"_221":624,"_328":625,"_330":331,"_332":513,"_334":626,"_336":-5,"_337":-5,"_338":-5,"_140":103},"c. 1872","oil on canvas","overall: 17.7 x 31.1 cm (6 15/16 x 12 1/4 in.) framed: 36.8 x 49.5 x 4.8 cm (14 1/2 x 19 1/2 x 1 7/8 in.)",31.1,17.7,1.7333897587812104,[608,609,610,611,612],{"_220":605,"_221":606,"_42":607,"_307":380},"Courtesy National Gallery of Art, Washington","1965.10.1","Alexander Helwig Wyant painted this in about 1872, aged 36. It is now at the National Gallery of Art in Washington, DC.","The painting depicts a rural landscape at sunset or sunrise. The horizon is slightly above the center, showing distant pale-pink and purple mountains against the sky. Closest to us is an area with dark green bushes and vegetation, leading to a lighter green field surrounded by green-and-brown trees. The palette is warm and earthy, with greens and browns in the bottom transitioning to purples and pinks in the distance. The sky is a pale-yellow color that fades into light blue towards the top left corner, and faint yellow and gray clouds drift across it.",{"_295":602,"_297":603,"_299":604},"https://img.ochreeditions.com/m/1535.jpg?dl=1","/art/peaceful-valley-nga-50295","/galleries/style/american-gilded-age/peaceful-valley-nga-50295",{"_291":375,"_293":376},{"_224":597,"_125":598,"_285":599},{"_276":594,"_278":595,"_280":578,"_281":596},46.1,32.9417236328125,17.9417236328125,{"_287":224,"_123":600,"_154":601,"_140":89},{"_287":125,"_123":370,"_154":371,"_140":372},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-alexander-helwig-wyant","Alexander Helwig Wyant's contemporaries","https://img.ochreeditions.com/a/1535/480.jpg","https://img.ochreeditions.com/a/1535/960.jpg","https://img.ochreeditions.com/a/1535/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_314":621,"_316":622},{"_314":619,"_316":620},{"_314":617,"_316":618},{"_314":615,"_316":616},{"_314":613,"_316":614},"#4c3923",0.1376,"#815b28",0.1693,"#322a1e",0.1879,"#cba885",0.2339,"#e8bc81",0.2713,"Alexander Helwig Wyant","alexander-helwig-wyant","American, 1836–1892",1892,"vignette-man-crouching-on-a-scaffolding-si-chndm-1957-58-13","Vignette: Man Crouching on a Scaffolding",{"_42":676,"_221":677,"_328":678,"_330":331,"_332":679,"_334":680,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1899","Brush and black washes, with graphite, on white watercolor paper","39.3 × 30.6 cm (15 1/2 × 12 1/16 in.)",30.6,39.3,0.754759011745646,[661,662,663,664,665],{"_220":304,"_221":305,"_42":306,"_307":308},"1957-58-13","Walter Appleton Clark painted this in 1899, aged 23. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":660,"_302":303},"VIGNETTE: MAN CROUCHING ON A SCAFFOLDING",{"_295":657,"_297":658,"_299":659},"https://img.ochreeditions.com/m/1753.jpg?dl=1","/art/vignette-man-crouching-on-a-scaffolding-si-chndm-1957-58-13","/galleries/style/american-gilded-age/vignette-man-crouching-on-a-scaffolding-si-chndm-1957-58-13",{"_291":292,"_293":294},{"_224":652,"_125":653,"_285":654},{"_276":649,"_278":650,"_280":651,"_281":634},53.66202916160388,63.3,29.662029161603883,{"_287":224,"_123":655,"_154":656,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-walter-appleton-clark","Walter Appleton Clark's contemporaries","https://img.ochreeditions.com/a/1753/480.jpg","https://img.ochreeditions.com/a/1753/960.jpg","https://img.ochreeditions.com/a/1753/1920.jpg","Vignette showing a workman on his knees croushing on a scaffolding, a trowel and wooden bucket beside him.",{"_314":674,"_316":675},{"_314":672,"_316":673},{"_314":670,"_316":671},{"_314":668,"_316":669},{"_314":666,"_316":667},"#a49c8f",0.0488,"#777166",0.0638,"#47433d",0.0804,"#c7bfb0",0.0807,"#f0ebdd",0.7263,"Walter Appleton Clark","walter-appleton-clark","American, 1876–1906",1876,1906,"study-for-the-dancing-lesson-the-banjo-player-nga-66414","Study for \"The Dancing Lesson\": The Banjo Player",{"_42":565,"_221":566,"_328":567,"_330":331,"_332":568,"_334":569,"_336":570,"_337":570,"_338":571,"_140":87},"probably 1877","oil on canvas on cardboard","overall: 49.5 x 37.9 cm (19 1/2 x 14 15/16 in.) framed: 57.9 x 45.7 x 3.5 cm (22 13/16 x 18 x 1 3/8 in.)",37.9,49.5,0.75341796875,[712,713,714,715,716],{"_220":605,"_221":606,"_42":607,"_307":380},"1985.64.16","Thomas Eakins painted this (probably 1877), aged 33. It is now at the National Gallery of Art in Washington, DC.","A young banjo player leans over his instrument, lit from the left so that his profile falls into shadow, in an oil study Thomas Eakins made for his watercolour The Dancing Lesson of 1878.","A young, gangly, brown-skinned boy sits on a green chair and leans over the banjo he plays in this loosely painted, vertical composition. His body faces our right in profile, and his head leans to his left and away from us. Light comes from our left to highlight his ear and the side of his chin, but throws his profile into shadow against the lighter background. The boy has short black hair and wears a white shirt with the sleeves rolled up, black pants, and black shoes. The floor is loosely painted with streaks of earth brown, taupe, and dark moss green. The wall behind the boy is painted with visible strokes of parchment brown, peachy tan, pearl white, and fog gray. The space to our left of the boy is dark brown, and an outline of a standing person is sketched in the top left corner. A grid is overlaid across the boy’s body and the chair.",{"_295":709,"_297":710,"_299":711},"https://img.ochreeditions.com/m/1606.jpg?dl=1","/art/study-for-the-dancing-lesson-the-banjo-player-nga-66414","/galleries/style/american-gilded-age/study-for-the-dancing-lesson-the-banjo-player-nga-66414",{"_291":375,"_293":376},{"_224":706,"_125":707,"_285":708},{"_276":703,"_278":704,"_280":705,"_281":688},52.294189453125,64.5,37.294189453125,{"_287":224,"_123":545,"_154":546,"_140":87},{"_287":125,"_123":370,"_154":371,"_140":372},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1606/480.jpg","https://img.ochreeditions.com/a/1606/960.jpg","https://img.ochreeditions.com/a/1606/1920.jpg",{"_314":725,"_316":726},{"_314":723,"_316":724},{"_314":721,"_316":722},{"_314":719,"_316":720},{"_314":717,"_316":718},"#b2a17f",0.111,"#8b775a",0.1413,"#463422",0.2197,"#6a543b",0.251,"#282017",0.277,"figures-si-chndm-1904-16-345","Figures",{"_42":774,"_221":775,"_328":776,"_330":331,"_332":777,"_334":400,"_336":-5,"_337":-5,"_338":778,"_140":99},"Graphite on wove paper","16.9 × 10.9 cm (6 5/8 × 4 5/16 in.)",10.9,16.9,0.6752250750250083,[759,760,761,762,763],{"_220":304,"_221":305,"_42":306,"_307":308},"1904-16-345","Robert Frederick Blum drew this in 1881, aged 24. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":758,"_302":303},"FIGURES",{"_295":755,"_297":756,"_299":757},"https://img.ochreeditions.com/m/1710.jpg?dl=1","/art/figures-si-chndm-1904-16-345","/galleries/style/american-gilded-age/figures-si-chndm-1904-16-345",{"_291":292,"_293":294},{"_224":750,"_125":751,"_285":752},{"_276":748,"_278":483,"_280":749,"_281":485},40.88062687562521,16.880626875625207,{"_287":224,"_123":753,"_154":754,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/robert-frederick-blum","More by Robert Frederick Blum","https://img.ochreeditions.com/a/1710/480.jpg","https://img.ochreeditions.com/a/1710/960.jpg","https://img.ochreeditions.com/a/1710/1920.jpg","Partial sketch of three figures.",{"_314":772,"_316":773},{"_314":770,"_316":771},{"_314":768,"_316":769},{"_314":766,"_316":767},{"_314":764,"_316":765},"#d2c6b8",0.0498,"#beb8b1",0.077,"#b5b5b9",0.0781,"#dfd3c4",0.2936,"#e1d4c3",0.5015,"Robert Frederick Blum","robert-frederick-blum","American, 1857–1903",1857,"Blum trained in Cincinnati and Philadelphia and became a leading American illustrator, admired for his deft pen work, pastels and etchings. In Venice in 1880 he worked in the circle of Frank Duveneck and was influenced by Whistler.","italian-girl-si-chndm-1955-38-12-a","Italian girl",{"_42":828,"_221":829,"_328":830,"_330":331,"_332":513,"_334":831,"_336":308,"_337":832,"_338":-5,"_140":101},"ca. 1885","Pastel crayon on tan paper","32.3 x 25.4 cm (12 11/16 x 10 in.)",25.4,32.3,0.9348353552859618,[813,814,815,816,817],{"_220":304,"_221":305,"_42":306,"_307":308},"1955-38-12-a","Elihu Vedder drew this in about 1885, aged 49. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":812,"_302":303},"ITALIAN GIRL",{"_295":809,"_297":810,"_299":811},"https://img.ochreeditions.com/m/1752.jpg?dl=1","/art/italian-girl-si-chndm-1955-38-12-a","/galleries/style/american-gilded-age/italian-girl-si-chndm-1955-38-12-a",{"_291":292,"_293":294},{"_224":804,"_125":805,"_285":806},{"_276":801,"_278":802,"_280":803,"_281":786},54.19518197573656,56.3,30.195181975736563,{"_287":224,"_123":807,"_154":808,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-elihu-vedder","Elihu Vedder's contemporaries","https://img.ochreeditions.com/a/1752/480.jpg","https://img.ochreeditions.com/a/1752/960.jpg","https://img.ochreeditions.com/a/1752/1920.jpg","Head of a young female figure, turned toward the right.",{"_314":826,"_316":827},{"_314":824,"_316":825},{"_314":822,"_316":823},{"_314":820,"_316":821},{"_314":818,"_316":819},"#e2d0ba",0.0315,"#b19981",0.0805,"#f8ebd8",0.0818,"#cab39e",0.1039,"#c8ac90",0.7023,"Elihu Vedder","elihu-vedder","American, 1836–1923",1923,"Rome","three-girls-and-river-si-saam-1980-34-3","Three Girls and River",{"_42":891,"_221":892,"_328":893,"_330":894,"_332":895,"_334":896,"_336":-5,"_337":-5,"_338":897,"_140":97},"1907",20,"oil on fiberboard","23 x 27 in. (58.5 x 68.5 cm)",68.5,58.5,1.1801730920535012,[876,877,878,879,880],{"_220":304,"_221":305,"_42":306,"_307":380},"Courtesy of the Smithsonian American Art Museum","1980.34.3","Louis M. Eilshemius painted this in 1907, aged 43. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":874,"_302":875},"Three Girls and River, by Louis M. Eilshemius, 1907",{"_295":871,"_297":872,"_299":873},"https://img.ochreeditions.com/m/1958.jpg?dl=1","/art/three-girls-and-river-si-saam-1980-34-3","/galleries/style/american-gilded-age/three-girls-and-river-si-saam-1980-34-3",{"_291":375,"_293":376},{"_224":860,"_125":861,"_285":862},{"_276":857,"_278":858,"_280":840,"_281":859},83.5,73.04233333333333,58.04233333333333,{"_287":224,"_123":869,"_154":870,"_140":97},{"_287":125,"_123":866,"_154":867,"_140":868},{"_287":285,"_123":863,"_154":864,"_140":865},"era/20-united-states","20th-century United States",124,"style/painting-20","More paintings of the 20th century",75,"artist/louis-m-eilshemius","More by Louis M. Eilshemius","https://img.ochreeditions.com/a/1958/480.jpg","https://img.ochreeditions.com/a/1958/960.jpg","https://img.ochreeditions.com/a/1958/1920.jpg","Louis M. Eilshemius is best known for his romanticized and often erotically charged landscapes that contain nude women or nymphs. In Three Girls and River, three nude women relax in a bucolic setting with lush trees and a babbling river.","Text from the Smithsonian American Art Museum.",{"_314":889,"_316":890},{"_314":887,"_316":888},{"_314":885,"_316":886},{"_314":883,"_316":884},{"_314":881,"_316":882},"#a69b73",0.1273,"#665b40",0.1487,"#d1bc82",0.1548,"#343838",0.2824,"#5d6767",0.2868,"Louis M. Eilshemius","louis-m-eilshemius","New Jersey, 1864–1941","New Jersey",1864,1941,"Eilshemius studied in New York and at the Académie Julian in Paris and travelled widely, as far as Samoa, painting romantic landscapes and nudes that found few admirers.","alvan-clark-cma-107283","Alvan Clark","Unrecorded American maker","1870s","Unframed: 69.6 x 56 cm (27 3/8 x 22 1/16 in.)",56,69.6,0.8182352941176471,[934,935,936,937,938],{"_220":930,"_221":931,"_42":932,"_307":933},"Courtesy of the Cleveland Museum of Art","1925.126","An unrecorded United States artist painted this in the 1870s. It is now at the Cleveland Museum of Art.","Alvan Clark, 1870s",{"_295":927,"_297":928,"_299":929},"https://img.ochreeditions.com/m/514.jpg?dl=1","/art/alvan-clark-cma-107283","/galleries/style/american-gilded-age/alvan-clark-cma-107283",{"_291":375,"_293":376},{"_224":922,"_125":923,"_285":924},{"_276":919,"_278":920,"_280":921,"_281":904},71.94917647058823,84.6,56.94917647058823,{"_287":224,"_123":925,"_154":926,"_140":87},{"_287":125,"_123":370,"_154":371,"_140":372},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/unrecorded-united-states","More by unrecorded makers of the United States","https://img.ochreeditions.com/a/514/480.jpg","https://img.ochreeditions.com/a/514/960.jpg","https://img.ochreeditions.com/a/514/1920.jpg","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_314":947,"_316":948},{"_314":945,"_316":946},{"_314":943,"_316":944},{"_314":941,"_316":942},{"_314":939,"_316":940},"#a87c5b",0.0183,"#623f2e",0.0436,"#37281f",0.1337,"#1e1513",0.3999,"#473626",0.4045,"edward-guthrie-kennedy-met-10466","Edward Guthrie Kennedy",{"_42":999,"_221":1000,"_328":1001,"_330":331,"_332":333,"_334":569,"_336":1002,"_337":308,"_338":1003,"_140":93},"ca. 1895","22 x 17 7/8 in. (55.9 x 45.4 cm)",45.4,55.9,0.8089536699635607,[984,985,986,987,988],{"_220":981,"_221":982,"_42":983,"_307":308},"Courtesy of The Metropolitan Museum of Art","1973.342","William Merritt Chase painted this in about 1895, aged about 43. It is now at The Met in New York.","Edward Guthrie Kennedy, by William Merritt Chase, ca. 1895",{"_295":978,"_297":979,"_299":980},"https://img.ochreeditions.com/m/809.jpg?dl=1","/art/edward-guthrie-kennedy-met-10466","/galleries/style/american-gilded-age/edward-guthrie-kennedy-met-10466",{"_291":375,"_293":376},{"_224":973,"_125":974,"_285":975},{"_276":970,"_278":971,"_280":972,"_281":955},60.22051015096304,70.9,45.22051015096304,{"_287":224,"_123":976,"_154":977,"_140":93},{"_287":125,"_123":370,"_154":371,"_140":372},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/william-merritt-chase","More by William Merritt Chase","https://img.ochreeditions.com/a/809/480.jpg","https://img.ochreeditions.com/a/809/960.jpg","https://img.ochreeditions.com/a/809/1920.jpg","met","the-met","The Metropolitan Museum of Art",{"_314":997,"_316":998},{"_314":995,"_316":996},{"_314":993,"_316":994},{"_314":991,"_316":992},{"_314":989,"_316":990},"#ba9078",0.0367,"#916d5b",0.0535,"#5e4c3f",0.055,"#1f1d1d",0.381,"#38322a",0.4738,"William Merritt Chase","william-merritt-chase","American, 1849–1916","Williamsburg, Indiana","Chase studied at the Royal Academy in Munich, then returned to New York in 1878 to teach at the Art Students League, setting up a lavish Tenth Street studio that became a showcase.","low-tide-riverside-yacht-club-met-19523","Low Tide, Riverside Yacht Club",{"_42":1050,"_221":1051,"_328":1052,"_330":331,"_332":184,"_334":1053,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1894","18 x 24 in. (45.7 x 61 cm)",61,45.7,1.326026443980515,[1035,1036,1037,1038,1039],{"_220":981,"_221":982,"_42":983,"_307":308},"2007.281.3","Theodore Robinson painted this in 1894, aged 42. It is now at The Met in New York.","Low Tide, Riverside Yacht Club, by Theodore Robinson, 1894",{"_295":1032,"_297":1033,"_299":1034},"https://img.ochreeditions.com/m/869.jpg?dl=1","/art/low-tide-riverside-yacht-club-met-19523","/galleries/style/american-gilded-age/low-tide-riverside-yacht-club-met-19523",{"_291":375,"_293":376},{"_224":1027,"_125":1028,"_285":1029},{"_276":1024,"_278":1025,"_280":1009,"_281":1026},76,61.002099186565204,46.002099186565204,{"_287":224,"_123":1030,"_154":1031,"_140":89},{"_287":125,"_123":370,"_154":371,"_140":372},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-theodore-robinson","Theodore Robinson's contemporaries","https://img.ochreeditions.com/a/869/480.jpg","https://img.ochreeditions.com/a/869/960.jpg","https://img.ochreeditions.com/a/869/1920.jpg",{"_314":1048,"_316":1049},{"_314":1046,"_316":1047},{"_314":1044,"_316":1045},{"_314":1042,"_316":1043},{"_314":1040,"_316":1041},"#382d21",0.016,"#91a6b4",0.125,"#887c60",0.1807,"#b0b0b1",0.2367,"#948c87",0.4416,"Theodore Robinson","theodore-robinson","1852–1896",1896,"landscape-cma-110952","Landscape",{"_42":1100,"_221":1101,"_328":1102,"_330":331,"_332":1103,"_334":1104,"_336":1105,"_337":1106,"_338":1107,"_140":95},"1888","Framed: 79.5 x 92 x 6 cm (31 5/16 x 36 1/4 x 2 3/8 in.); Unframed: 56.2 x 70 cm (22 1/8 x 27 9/16 in.)",70,56.2,1.2151536812008576,[1085,1086,1087,1088,1089],{"_220":930,"_221":931,"_42":932,"_307":933},"1929.464","George Inness painted this in 1888, aged 63. It is now at the Cleveland Museum of Art.","Landscape, by George Inness, 1888",{"_295":1082,"_297":1083,"_299":1084},"https://img.ochreeditions.com/m/523.jpg?dl=1","/art/landscape-cma-110952","/galleries/style/american-gilded-age/landscape-cma-110952",{"_291":375,"_293":376},{"_224":1077,"_125":1078,"_285":1079},{"_276":1074,"_278":1075,"_280":1059,"_281":1076},85,72.60588235294118,57.60588235294118,{"_287":224,"_123":1080,"_154":1081,"_140":95},{"_287":125,"_123":370,"_154":371,"_140":372},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/george-inness","More by George Inness","https://img.ochreeditions.com/a/523/480.jpg","https://img.ochreeditions.com/a/523/960.jpg","https://img.ochreeditions.com/a/523/1920.jpg",{"_314":1098,"_316":1099},{"_314":1096,"_316":1097},{"_314":1094,"_316":1095},{"_314":1092,"_316":1093},{"_314":1090,"_316":1091},"#b19364",0.079,"#797057",0.1583,"#694d2a",0.2099,"#494731",0.2703,"#2b2919",0.2825,"George Inness","george-inness","American, 1825–1894",1825,1894,"Newburgh, New York","Bridge of Allan, Scotland","Inness was largely self-taught and began in the manner of the Hudson River School, but journeys to Italy and France, where he admired the Barbizon painters, led him towards broader, more atmospheric landscapes.","christ-cma-101158","Christ",{"_42":1153,"_221":1154,"_328":1155,"_330":331,"_332":1156,"_334":1157,"_336":-5,"_337":-5,"_338":1158,"_140":95},"1905","Unframed: 137 x 91.5 cm (53 15/16 x 36 in.)",91.5,137,0.7485294117647059,[1139,1140,1141,1142,1143],{"_220":930,"_221":931,"_42":932,"_307":933},"1920.150","Kenyon Cox painted this in 1905, aged 49. It is now at the Cleveland Museum of Art.","Christ, by Kenyon Cox, 1905",{"_295":1136,"_297":1137,"_299":1138},"https://img.ochreeditions.com/m/495.jpg?dl=1","/art/christ-cma-101158","/galleries/style/american-gilded-age/christ-cma-101158",{"_291":375,"_293":376},{"_224":1131,"_125":1132,"_285":1133},{"_276":1128,"_278":1129,"_280":1130,"_281":1114},117.5485294117647,152,102.5485294117647,{"_287":224,"_123":1134,"_154":1135,"_140":95},{"_287":125,"_123":866,"_154":867,"_140":868},{"_287":285,"_123":863,"_154":864,"_140":865},"artist/kenyon-cox","More by Kenyon Cox","https://img.ochreeditions.com/a/495/480.jpg","https://img.ochreeditions.com/a/495/960.jpg","https://img.ochreeditions.com/a/495/1920.jpg",{"_314":1151,"_316":1152},{"_314":1150,"_316":1047},{"_314":1148,"_316":1149},{"_314":1146,"_316":1147},{"_314":1144,"_316":1145},"#3f4e35",0.1107,"#632f1a",0.1784,"#e0ddd2",0.2064,"#8e7441","#c7aa67",0.2678,"Kenyon Cox","kenyon-cox","American, 1856–1919",1856,1919,"Cox trained in Cincinnati, Philadelphia and Paris, where he studied with Carolus-Duran and Jean-Léon Gérôme, before settling in New York in 1883.",{"_1160":-5,"_1161":1162,"_1163":1164,"_1165":8,"_1166":1167,"_1168":8},"user","csrf","2c657df7267d51039281ce566ce89cfb0ba209b6","cartCount",0,"dropLive","legal",[1169,1170,1171,1172,1173,1174,1175,1176,1177,1178,1179,1180],"uploadsEnabled",{"_221":1203,"_20":1204},{"_221":1201,"_20":1202},{"_221":1199,"_20":1200},{"_221":1197,"_20":1198},{"_221":1195,"_20":1196},{"_221":1193,"_20":1194},{"_221":1191,"_20":1192},{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]