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It is now at the Art Institute of Chicago.","A young dancer in a long, sheer dress is set down in pale washes of watercolour and opaque colour on brown paper, her form emerging from the warm tone of the sheet.","Pale watercolor drawing of young dancer in long sheer dress.",{"_293":439,"_295":440,"_297":441},"https://img.ochreeditions.com/m/277.jpg?dl=1","/art/green-and-blue-the-dancer-aic-111164","/galleries/style/american-gilded-age/green-and-blue-the-dancer-aic-111164",{"_289":375,"_291":376},{"_223":431,"_125":432,"_283":433},{"_274":428,"_276":429,"_278":430,"_280":412},42.19389356541589,51,18.19389356541589,{"_285":223,"_123":437,"_154":438,"_140":229},{"_285":125,"_123":434,"_154":435,"_140":436},{"_285":283,"_123":165,"_154":164,"_140":167},"style/watercolour-19","More watercolours of the 19th century",40,"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/277/480.jpg","https://img.ochreeditions.com/a/277/960.jpg","https://img.ochreeditions.com/a/277/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_309":459,"_311":460},{"_309":457,"_311":458},{"_309":455,"_311":456},{"_309":453,"_311":454},{"_309":451,"_311":452},"#8f867d",0.0887,"#757d71",0.1744,"#817b68",0.2424,"#756a5a",0.2449,"#8a725c",0.2496,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","a-rose-met-14931","A Rose",{"_42":523,"_220":524,"_323":525,"_325":326,"_327":526,"_329":527,"_331":528,"_333":529,"_334":530,"_140":99},"1907","58 x 43 7/8 in. (147.3 x 111.4 cm)",111.4,147.3,0.7563138097796883,[508,509,510,511,512],{"_219":504,"_220":505,"_42":506,"_302":507},"Courtesy of The Metropolitan Museum of Art","1993.324","Thomas Anshutz painted this in 1907, aged 56. It is now at The Met in New York.","A Rose, by Thomas Anshutz, 1907",{"_293":501,"_295":502,"_297":503},"https://img.ochreeditions.com/m/865.jpg?dl=1","/art/a-rose-met-14931","/galleries/style/american-gilded-age/a-rose-met-14931",{"_289":290,"_291":292},{"_223":493,"_125":494,"_283":495},{"_274":490,"_276":491,"_278":492,"_280":475},126.4050241805481,162.3,111.4050241805481,{"_285":223,"_123":499,"_154":500,"_140":99},{"_285":125,"_123":496,"_154":497,"_140":498},{"_285":283,"_123":367,"_154":368,"_140":369},"style/painting-20","More paintings of the 20th century",75,"artist/thomas-anshutz","More by Thomas Anshutz","https://img.ochreeditions.com/a/865/480.jpg","https://img.ochreeditions.com/a/865/960.jpg","https://img.ochreeditions.com/a/865/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_309":521,"_311":522},{"_309":519,"_311":520},{"_309":517,"_311":518},{"_309":515,"_311":516},{"_309":513,"_311":514},"#b58d68",0.0534,"#b84a3b",0.109,"#6e4232",0.1211,"#e66e63",0.1911,"#1d1c20",0.5254,"Thomas Anshutz","thomas-anshutz","American, 1851–1912",1851,1912,"Newport, Kentucky","Fort Washington, Pennsylvania","Anshutz studied at the Pennsylvania Academy of the Fine Arts under Thomas Eakins, assisting his photographic and anatomical studies, and succeeded him as a teacher there after Eakins was forced out in 1886.","alvan-clark-cma-107283","Alvan Clark","Unrecorded American maker","1870s","oil on canvas","Unframed: 69.6 x 56 cm (27 3/8 x 22 1/16 in.)",56,69.6,0.8182352941176471,[568,569,570,571,572],{"_219":564,"_220":565,"_42":566,"_302":567},"Courtesy of the Cleveland Museum of Art","1925.126","An unrecorded United States artist painted this in the 1870s. It is now at the Cleveland Museum of Art.","Alvan Clark, 1870s",{"_293":561,"_295":562,"_297":563},"https://img.ochreeditions.com/m/514.jpg?dl=1","/art/alvan-clark-cma-107283","/galleries/style/american-gilded-age/alvan-clark-cma-107283",{"_289":290,"_291":292},{"_223":556,"_125":557,"_283":558},{"_274":553,"_276":554,"_278":555,"_280":538},71.94917647058823,84.6,56.94917647058823,{"_285":223,"_123":559,"_154":560,"_140":87},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/unrecorded-united-states","More by unrecorded makers of the United States","https://img.ochreeditions.com/a/514/480.jpg","https://img.ochreeditions.com/a/514/960.jpg","https://img.ochreeditions.com/a/514/1920.jpg","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":581,"_311":582},{"_309":579,"_311":580},{"_309":577,"_311":578},{"_309":575,"_311":576},{"_309":573,"_311":574},"#a87c5b",0.0183,"#623f2e",0.0436,"#37281f",0.1337,"#1e1513",0.3999,"#473626",0.4045,"the-lone-tenement-nga-46558","The Lone Tenement",{"_42":630,"_220":631,"_323":632,"_325":326,"_327":633,"_329":634,"_331":-5,"_333":-5,"_334":635,"_140":93},"1909","overall: 91.8 x 122.3 cm (36 1/8 x 48 1/8 in.) framed: 123.2 x 153.4 x 12.7 cm (48 1/2 x 60 3/8 x 5 in.)",122.3,91.8,1.336378466557912,[615,616,617,618,619],{"_219":380,"_220":381,"_42":382,"_302":303},"1963.10.83","George Bellows painted this in 1909, aged 27. It is now at the National Gallery of Art in Washington, DC.","A narrow six-storey tenement stands alone on a cleared lot beneath the massive pier and deck of a bridge, its top floor catching warm sunlight while people gather around a small fire at its foot. Beyond, a tugboat puffs white smoke on an icy river.","A six-story, narrow building stands alone in an otherwise unoccupied lot under the deck of a high bridge, with a river and cityscape in the background in this horizontal painting. Dozens of people, small in scale, are each painted with a few swipes of black and some with peach-colored faces. They gather at the foot of the building and around a fire to our left, near the lower left corner of the composition. The fire is painted with a dash of orange, a few touches of canary yellow, and a smudge of gray smoke. Several more people stand and sit against the building, which has a streetlamp near its entrance. The back end of the building angles away from us to our right, so we see the narrow, front entrance side to our left. Each of the six floors of the building has two windows with fire escape ladders on the narrow side we can see. Some strokes in red and white on the lower levels of the long, flat side of the building suggest signs or posters. The top story glows a warm sienna brown in sunlight, while the rest of the building and the scene below are in shadow. More people walk along a grayish-violet fence that encloses the lot beyond the building. The ground is painted thickly with slate gray, pale, sage green, and one smear of white to suggest snow. To our right and a short distance from us, a white horse pulls a carriage near the foot of the bridge. The ivory-white, concrete piling rises up and off the right edge of the canvas and supports the deck of the bridge above. Only a sliver of the brick-red underside of the bridge is visible, skimming the top edge of the painting in the upper right corner. Two twiggy, barren trees grow up beyond the muted purple fence, and the landscape beyond is bright in the sunlight. A terracotta-orange building rises along the left edge of the painting, with the area between it and the lot under the bridge filled with thickly painted patches of butter yellow, amethyst purple, and sage green. Beyond that, an ice-blue river flows across the composition. The shore beyond is lined with patches of beige and tan paint that could be buildings. A black tugboat puffs bright white smoke in the river. The sky above is frosty white. The artist signed the work with dark blue in the lower left corner of the painting, “Geo Bellows.”",{"_293":612,"_295":613,"_297":614},"https://img.ochreeditions.com/m/1525.jpg?dl=1","/art/the-lone-tenement-nga-46558","/galleries/style/american-gilded-age/the-lone-tenement-nga-46558",{"_289":290,"_291":292},{"_223":607,"_125":608,"_283":609},{"_274":604,"_276":605,"_278":588,"_280":606},137.3,106.5159912109375,91.5159912109375,{"_285":223,"_123":610,"_154":611,"_140":93},{"_285":125,"_123":496,"_154":497,"_140":498},{"_285":283,"_123":367,"_154":368,"_140":369},"artist/george-bellows","More by George Bellows","https://img.ochreeditions.com/a/1525/480.jpg","https://img.ochreeditions.com/a/1525/960.jpg","https://img.ochreeditions.com/a/1525/1920.jpg",{"_309":628,"_311":629},{"_309":626,"_311":627},{"_309":624,"_311":625},{"_309":622,"_311":623},{"_309":620,"_311":621},"#7c602a",0.1346,"#d2d2c8",0.141,"#483f2e",0.1563,"#ae9f71",0.1799,"#85866f",0.3882,"George Bellows","george-bellows","American, 1882–1925",1882,1925,"Bellows left Ohio State University to study in New York with Robert Henri and became the most celebrated of the younger realists around him.","portrait-of-mrs-helen-mac-knight-portrait-of-a-mother-si-hmsg-66-1496","Portrait of Mrs. Helen Mac Knight (Portrait of a Mother)",{"_42":321,"_220":322,"_323":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":332,"_334":335,"_140":87},"(c. 1903)","20 1/8 x 16 in. (51 x 40.6 cm)",40.6,0.8323699421965318,[664,665,666,667,668],{"_219":299,"_220":300,"_42":301,"_302":303},"Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution","66.1496","Thomas Eakins painted this ((c. 1903)), aged 59. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.",{"_293":661,"_295":662,"_297":663},"https://img.ochreeditions.com/m/1821.jpg?dl=1","/art/portrait-of-mrs-helen-mac-knight-portrait-of-a-mother-si-hmsg-66-1496","/galleries/style/american-gilded-age/portrait-of-mrs-helen-mac-knight-portrait-of-a-mother-si-hmsg-66-1496",{"_289":290,"_291":292},{"_223":658,"_125":659,"_283":660},{"_274":655,"_276":656,"_278":657,"_280":429},57.45086705202312,66,42.45086705202312,{"_285":223,"_123":169,"_154":168,"_140":87},{"_285":125,"_123":496,"_154":497,"_140":498},{"_285":283,"_123":367,"_154":368,"_140":369},"https://img.ochreeditions.com/a/1821/480.jpg","https://img.ochreeditions.com/a/1821/960.jpg","https://img.ochreeditions.com/a/1821/1920.jpg",{"_309":677,"_311":678},{"_309":675,"_311":676},{"_309":673,"_311":674},{"_309":671,"_311":672},{"_309":669,"_311":670},"#bd9860",0.0743,"#24170e",0.2081,"#433220",0.2084,"#644e33",0.2529,"#87683e",0.2563,"edward-guthrie-kennedy-met-10466","Edward Guthrie Kennedy",{"_42":725,"_220":726,"_323":727,"_325":326,"_327":728,"_329":330,"_331":729,"_333":507,"_334":730,"_140":93},"ca. 1895","22 x 17 7/8 in. (55.9 x 45.4 cm)",45.4,55.9,0.8089536699635607,[710,711,712,713,714],{"_219":504,"_220":505,"_42":506,"_302":507},"1973.342","William Merritt Chase painted this in about 1895, aged about 43. It is now at The Met in New York.","Edward Guthrie Kennedy, by William Merritt Chase, ca. 1895",{"_293":707,"_295":708,"_297":709},"https://img.ochreeditions.com/m/809.jpg?dl=1","/art/edward-guthrie-kennedy-met-10466","/galleries/style/american-gilded-age/edward-guthrie-kennedy-met-10466",{"_289":290,"_291":292},{"_223":702,"_125":703,"_283":704},{"_274":699,"_276":700,"_278":701,"_280":685},60.22051015096304,70.9,45.22051015096304,{"_285":223,"_123":705,"_154":706,"_140":93},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/william-merritt-chase","More by William Merritt Chase","https://img.ochreeditions.com/a/809/480.jpg","https://img.ochreeditions.com/a/809/960.jpg","https://img.ochreeditions.com/a/809/1920.jpg",{"_309":723,"_311":724},{"_309":721,"_311":722},{"_309":719,"_311":720},{"_309":717,"_311":718},{"_309":715,"_311":716},"#ba9078",0.0367,"#916d5b",0.0535,"#5e4c3f",0.055,"#1f1d1d",0.381,"#38322a",0.4738,"William Merritt Chase","william-merritt-chase","American, 1849–1916",1849,"Williamsburg, Indiana","Chase studied at the Royal Academy in Munich, then returned to New York in 1878 to teach at the Art Students League, setting up a lavish Tenth Street studio that became a showcase.","diving-cormorant-cma-103625","Diving Cormorant",{"_42":778,"_220":779,"_323":780,"_325":326,"_327":781,"_329":782,"_331":-5,"_333":-5,"_334":-5,"_140":103},"1900","oil on board","Unframed: 23 x 33.2 cm (9 1/16 x 13 1/16 in.)",33.2,23,1.5131286159323543,[763,764,765,766,767],{"_219":564,"_220":565,"_42":566,"_302":567},"1921.571","Otto H. Bacher painted this in 1900, aged 44. It is now at the Cleveland Museum of Art.","Diving Cormorant, by Otto H. Bacher, 1900",{"_293":760,"_295":761,"_297":762},"https://img.ochreeditions.com/m/506.jpg?dl=1","/art/diving-cormorant-cma-103625","/galleries/style/american-gilded-age/diving-cormorant-cma-103625",{"_289":290,"_291":292},{"_223":755,"_125":756,"_283":757},{"_274":752,"_276":753,"_278":737,"_280":754},48.2,36.94129411764706,21.94129411764706,{"_285":223,"_123":758,"_154":759,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-otto-h-bacher","Otto H. Bacher's contemporaries","https://img.ochreeditions.com/a/506/480.jpg","https://img.ochreeditions.com/a/506/960.jpg","https://img.ochreeditions.com/a/506/1920.jpg",{"_309":776,"_311":777},{"_309":774,"_311":775},{"_309":772,"_311":773},{"_309":770,"_311":771},{"_309":768,"_311":769},"#96958a",0.0766,"#757670",0.0982,"#3f4242",0.1391,"#5e615b",0.2932,"#4f5451",0.3929,"Otto H. Bacher","otto-h-bacher","American, 1856–1909",1856,1909,"leaping-trout-cma-147393","Leaping Trout",{"_42":837,"_220":838,"_323":839,"_325":326,"_327":840,"_329":841,"_331":842,"_333":843,"_334":844,"_140":53},"1889","watercolor over graphite","Sheet: 35 x 50.6 cm (13 3/4 x 19 15/16 in.)",50.6,35,1.423785594639866,[822,823,824,825,826],{"_219":564,"_220":565,"_42":566,"_302":567},"1973.142","Winslow Homer painted this in 1889, aged 53. It is now at the Cleveland Museum of Art.",{"_118":819,"_820":821},"Leaping Trout, by Winslow Homer, 1889",{"_293":816,"_295":817,"_297":818},"https://img.ochreeditions.com/m/682.jpg?dl=1","/art/leaping-trout-cma-147393","/galleries/style/american-gilded-age/leaping-trout-cma-147393",{"_289":375,"_291":376},{"_223":808,"_125":809,"_283":810},{"_274":805,"_276":806,"_278":789,"_280":807},74.6,59.53905882352941,35.53905882352941,{"_285":223,"_123":814,"_154":815,"_140":53},{"_285":125,"_123":811,"_154":812,"_140":813},{"_285":283,"_123":165,"_154":164,"_140":167},"style/drawing-19","More drawings of the 19th century",92,"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/682/480.jpg","https://img.ochreeditions.com/a/682/960.jpg","https://img.ochreeditions.com/a/682/1920.jpg","In 1886, Winslow Homer began to produce oil paintings and watercolors of subjects in the Adirondack Mountains, where he and his brother Charles had fished and hunted since the 1870s. In Leaping Trout , a silvery trout propels itself from the water in pursuit of a hapless insect or a fisherman’s fly.","source","Text from the Cleveland Museum of Art.",{"_309":835,"_311":836},{"_309":833,"_311":834},{"_309":831,"_311":832},{"_309":829,"_311":830},{"_309":827,"_311":828},"#b5b0a6",0.0785,"#79766d",0.0979,"#30312e",0.1965,"#4b4e42",0.251,"#3d3f38",0.3761,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","drapery-study-si-chndm-1914-38-155","Drapery Study",{"_42":894,"_220":895,"_323":896,"_325":326,"_327":728,"_329":782,"_331":-5,"_333":-5,"_334":897,"_140":99},"Graphite on tracing paper","17.9 × 33.3 cm (7 1/16 × 13 1/8 in.)",33.3,17.9,1.8188170701272772,[880,881,882,883,884],{"_219":299,"_220":300,"_42":301,"_302":507},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1914-38-155","Francis Augustus Lathrop drew this in about 1895, aged 46. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":878,"_820":879},"DRAPERY STUDY",{"_293":875,"_295":876,"_297":877},"https://img.ochreeditions.com/m/1718.jpg?dl=1","/art/drapery-study-si-chndm-1914-38-155","/galleries/style/american-gilded-age/drapery-study-si-chndm-1914-38-155",{"_289":375,"_291":376},{"_223":870,"_125":871,"_283":872},{"_274":867,"_276":868,"_278":850,"_280":869},57.3,42.308603183315036,18.308603183315036,{"_285":223,"_123":873,"_154":874,"_140":99},{"_285":125,"_123":811,"_154":812,"_140":813},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/francis-augustus-lathrop","More by Francis Augustus Lathrop","https://img.ochreeditions.com/a/1718/480.jpg","https://img.ochreeditions.com/a/1718/960.jpg","https://img.ochreeditions.com/a/1718/1920.jpg","Female figure reclining to the right, head up and hands in a praying attitude.","Text from Cooper Hewitt, Smithsonian Design Museum.",{"_309":892,"_311":893},{"_309":891,"_311":678},{"_309":889,"_311":890},{"_309":887,"_311":888},{"_309":885,"_311":886},"#8f826e",0.0317,"#aeaba9",0.0946,"#9a9385",0.2371,"#ada89b","#a79f92",0.3803,"Francis Augustus Lathrop","francis-augustus-lathrop","American, 1849–1909","Lathrop trained in London, where he worked with the Pre-Raphaelite circle around Ford Madox Brown and William Morris.","pink-roses-nga-134158","Pink Roses",{"_42":944,"_220":945,"_323":946,"_325":326,"_327":464,"_329":947,"_331":948,"_333":949,"_334":-5,"_140":101},"1875","sheet: 35.56 × 25.4 cm (14 × 10 in.)",25.4,35.6,0.71826171875,[929,930,931,932,933],{"_219":380,"_220":381,"_42":382,"_302":303},"2004.165.2","Fidelia Bridges painted this in 1875, aged 41. It is now at the National Gallery of Art in Washington, DC.","This detailed painting shows two pink roses and a pink bud on a long, thin green stem with green leaves and small green thorns. The tall stem rises near the right edge of the painting, with some thin branches reaching out to either side. The largest rose is positioned near the top left corner of the painting, with the small bud right below it. The other large flower is right around the center of the painting. The background is a flat beige color.",{"_293":926,"_295":927,"_297":928},"https://img.ochreeditions.com/m/1658.jpg?dl=1","/art/pink-roses-nga-134158","/galleries/style/american-gilded-age/pink-roses-nga-134158",{"_289":375,"_291":376},{"_223":921,"_125":922,"_283":923},{"_274":918,"_276":919,"_278":920,"_280":904},49.5701171875,59.6,25.5701171875,{"_285":223,"_123":924,"_154":925,"_140":89},{"_285":125,"_123":811,"_154":812,"_140":813},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-fidelia-bridges","Fidelia Bridges's contemporaries","https://img.ochreeditions.com/a/1658/480.jpg","https://img.ochreeditions.com/a/1658/960.jpg","https://img.ochreeditions.com/a/1658/1920.jpg",{"_309":942,"_311":943},{"_309":940,"_311":941},{"_309":938,"_311":939},{"_309":936,"_311":937},{"_309":934,"_311":935},"#a26a79",0.0267,"#69664e",0.0372,"#837b60",0.0819,"#9a8569",0.2948,"#a28d70",0.5594,"Fidelia Bridges","fidelia-bridges","American, 1834–1923",1923,"Salem, Massachusetts","Canaan, Connecticut","we-both-must-fade-mrs-fithian-si-saam-1970-101","We Both Must Fade (Mrs. Fithian)",{"_42":1000,"_220":1001,"_323":1002,"_325":326,"_327":1003,"_329":1004,"_331":-5,"_333":-5,"_334":-5,"_140":101},"1869","72 x 53 3/4 in. (182.9 x 136.5 cm.)",136.5,182.9,0.744,[985,986,987,988,989],{"_219":299,"_220":300,"_42":301,"_302":303},"Courtesy of the Smithsonian American Art Museum","1970.101","Lilly Martin Spencer painted this in 1869, aged 47. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":983,"_820":984},"We Both Must Fade (Mrs. Fithian), by Lilly Martin Spencer, 1869",{"_293":980,"_295":981,"_297":982},"https://img.ochreeditions.com/m/1938.jpg?dl=1","/art/we-both-must-fade-mrs-fithian-si-saam-1970-101","/galleries/style/american-gilded-age/we-both-must-fade-mrs-fithian-si-saam-1970-101",{"_289":290,"_291":292},{"_223":975,"_125":976,"_283":977},{"_274":972,"_276":973,"_278":974,"_280":956},151.0776,197.9,136.0776,{"_285":223,"_123":978,"_154":979,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-lilly-martin-spencer","Lilly Martin Spencer's contemporaries","https://img.ochreeditions.com/a/1938/480.jpg","https://img.ochreeditions.com/a/1938/960.jpg","https://img.ochreeditions.com/a/1938/1920.jpg","Mrs. Fithian stands before a mirror, admiring the tokens that others have given in praise of her beauty. She wears lace and pearls, and a blue gown that has just been taken from its box. But like the rose in her hand with its falling petals, her beauty will fade, and with it, all the pleasures the world can provide.","Text from the Smithsonian American Art Museum.",{"_309":998,"_311":999},{"_309":996,"_311":997},{"_309":994,"_311":995},{"_309":992,"_311":993},{"_309":990,"_311":991},"#b4a487",0.0854,"#1c2f4f",0.1024,"#5c7b90",0.1157,"#542916",0.2586,"#261210",0.4379,"Lilly Martin Spencer","lilly-martin-spencer","1822–1902",1822,1902,"capri-cma-148312","Capri",{"_42":1052,"_220":1053,"_323":1054,"_325":326,"_327":1055,"_329":1056,"_331":-5,"_333":-5,"_334":1057,"_140":99},"Framed: 69.5 x 99.5 x 9 cm (27 3/8 x 39 3/16 x 3 9/16 in.); Unframed: 50 x 80 cm (19 11/16 x 31 1/2 in.)",80,50,1.60075329566855,[1037,1038,1039,1040,1041],{"_219":564,"_220":565,"_42":566,"_302":567},"1975.4","William Stanley Haseltine painted this in 1869, aged 34. It is now at the Cleveland Museum of Art.",{"_118":1036,"_820":821},"Capri, by William Stanley Haseltine, 1869",{"_293":1033,"_295":1034,"_297":1035},"https://img.ochreeditions.com/m/687.jpg?dl=1","/art/capri-cma-148312","/galleries/style/american-gilded-age/capri-cma-148312",{"_289":290,"_291":292},{"_223":1028,"_125":1029,"_283":1030},{"_274":1025,"_276":1026,"_278":1009,"_280":1027},95,64.97647058823529,49.976470588235294,{"_285":223,"_123":1031,"_154":1032,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/william-stanley-haseltine","More by William Stanley Haseltine","https://img.ochreeditions.com/a/687/480.jpg","https://img.ochreeditions.com/a/687/960.jpg","https://img.ochreeditions.com/a/687/1920.jpg","The Philadelphia-born Haseltine favored images of coastal rocks, painting them on both sides of the Atlantic throughout his career.",{"_309":1050,"_311":1051},{"_309":1048,"_311":1049},{"_309":1046,"_311":1047},{"_309":1044,"_311":1045},{"_309":1042,"_311":1043},"#726253",0.059,"#3e332a",0.1574,"#2d221d",0.1707,"#9b9688",0.2793,"#b89d85",0.3336,"William Stanley Haseltine","william-stanley-haseltine","American, 1835–1900",1835,1900,"Haseltine was born in Philadelphia, studied at Harvard and trained in Düsseldorf, where he travelled and painted with Albert Bierstadt and Worthington Whittredge.","the-biglin-brothers-turning-the-stake-cma-151904","The Biglin Brothers Turning the Stake",{"_42":321,"_220":322,"_323":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":332,"_334":335,"_140":87},"1873","Framed: 117 x 167 x 6.5 cm (46 1/16 x 65 3/4 x 2 9/16 in.); Unframed: 101.3 x 151.4 cm (39 7/8 x 59 5/8 in.)",151.4,101.3,[1088,1089,1090,1091,1092],{"_219":564,"_220":565,"_42":566,"_302":567},"1927.1984","Thomas Eakins painted this in 1873, aged 29. It is now at the Cleveland Museum of Art.",{"_118":1087,"_820":821},"The Biglin Brothers Turning the Stake, by Thomas Eakins, 1873",{"_293":1084,"_295":1085,"_297":1086},"https://img.ochreeditions.com/m/721.jpg?dl=1","/art/the-biglin-brothers-turning-the-stake-cma-151904","/galleries/style/american-gilded-age/the-biglin-brothers-turning-the-stake-cma-151904",{"_289":290,"_291":292},{"_223":1081,"_125":1082,"_283":1083},{"_274":1078,"_276":1079,"_278":1063,"_280":1080},166.4,115.05758823529412,100.05758823529412,{"_285":223,"_123":169,"_154":168,"_140":87},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/721/480.jpg","https://img.ochreeditions.com/a/721/960.jpg","https://img.ochreeditions.com/a/721/1920.jpg","Eakins's painting celebrates athletic teamwork while commemorating an actual event, a famous rowing race that took place on the Schuylkill River in Philadelphia during May 1872.",{"_309":1101,"_311":1102},{"_309":1099,"_311":1100},{"_309":1097,"_311":1098},{"_309":1095,"_311":1096},{"_309":1093,"_311":1094},"#7c7362",0.0822,"#3a2f27",0.1458,"#969787",0.1659,"#c9bfa6",0.2593,"#53493c",0.3468,"the-old-road-to-the-sea-cma-117715","The Old Road to the Sea",{"_42":725,"_220":726,"_323":727,"_325":326,"_327":728,"_329":330,"_331":729,"_333":507,"_334":730,"_140":93},"Framed: 134.3 x 159.7 x 10.8 cm (52 7/8 x 62 7/8 x 4 1/4 in.); Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Former: 118.5 x 144 x 5.5 cm (46 5/8 x 56 11/16 x 2 3/16 in.)",127,101.5,1.2513801987486197,[1133,1134,1135,1136,1137],{"_219":564,"_220":565,"_42":566,"_302":567},"1938.333","William Merritt Chase painted this in about 1893, aged about 39. It is now at the Cleveland Museum of Art.",{"_118":1132,"_820":821},"The Old Road to the Sea, by William Merritt Chase, c. 1893",{"_293":1129,"_295":1130,"_297":1131},"https://img.ochreeditions.com/m/534.jpg?dl=1","/art/the-old-road-to-the-sea-cma-117715","/galleries/style/american-gilded-age/the-old-road-to-the-sea-cma-117715",{"_289":290,"_291":292},{"_223":1126,"_125":1127,"_283":1128},{"_274":1123,"_276":1124,"_278":1107,"_280":1125},142,116.4879411764706,101.4879411764706,{"_285":223,"_123":705,"_154":706,"_140":93},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/534/480.jpg","https://img.ochreeditions.com/a/534/960.jpg","https://img.ochreeditions.com/a/534/1920.jpg","One of the most influential of the American Impressionists, William Merritt Chase established his own summer school at Shinnecock, on the eastern tip of Long Island, New York. Attracted to the low-lying dunes and beaches, Chase and his students were among the first American artists to pursue open-air painting.",{"_309":1146,"_311":1147},{"_309":1144,"_311":1145},{"_309":1142,"_311":1143},{"_309":1140,"_311":1141},{"_309":1138,"_311":1139},"#80a8b3",0.1373,"#85875e",0.1572,"#c9cabf",0.1682,"#adc0be",0.2053,"#aa9f78",0.332,{"_1149":-5,"_1150":1151,"_1152":1153,"_1154":8,"_1155":1156,"_1157":8},"user","csrf","884fe41361cbfef603f6c527d6fb160c1bc9376d","cartCount",0,"dropLive","legal",[1158,1159,1160,1161,1162,1163,1164,1165,1166,1167,1168,1169],"uploadsEnabled",{"_220":1192,"_20":1193},{"_220":1190,"_20":1191},{"_220":1188,"_20":1189},{"_220":1186,"_20":1187},{"_220":1184,"_20":1185},{"_220":1182,"_20":1183},{"_220":1180,"_20":1181},{"_220":1178,"_20":1179},{"_220":1176,"_20":1177},{"_220":1174,"_20":1175},{"_220":1172,"_20":1173},{"_220":1170,"_20":1171},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]