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It is now at the National Gallery of Art in Washington, DC.","The image shows a street scene from an elevated viewpoint. A horse-drawn carriage is seen moving on a wet road, reflecting light. Pedestrians with umbrellas populate the avenue. The road is visibly marked with rainwater. The skyline displays detailed architectural features like church spires and towers. The painting is done in fine, linear brushstrokes highlighting movement and atmosphere. The grayscale palette emphasizes the rainy urban setting. Wisps of steam or smoke are visible. 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The dog has white and caramel-brown markings, with dark brown ears. The boy wears earth-brown clothing and the front of his wide-brimmed hat is pushed up to reveal dark eyes and sable-brown bangs and brows. The stag and dog are between us and the boat, and are surrounded by thick brushstrokes of parchment white to create ripples in the forest-green water. Only the open muzzle, part of the eye, and the tips of the stag’s antlers are above the water’s surface. To our right, a bare, fallen tree lies along the far riverbank parallel to the boat. The boat and water fill the lower half of the scene and the autumn trees fill the upper half. The artist has signed and dated the painting in the lower right, “Winslow Homer 1892.”",{"_295":434,"_297":435,"_299":436},"https://img.ochreeditions.com/m/1491.jpg?dl=1","/art/hound-and-hunter-nga-33970","/galleries/style/american-gilded-age/hound-and-hunter-nga-33970",{"_291":432,"_293":433},{"_224":426,"_125":427,"_285":428},{"_276":423,"_278":424,"_280":407,"_281":425},137.3,86.1525634765625,71.1525634765625,{"_287":224,"_123":170,"_154":169,"_140":53},{"_287":125,"_123":429,"_154":430,"_140":431},{"_287":285,"_123":166,"_154":165,"_140":168},"style/painting-19","More paintings of the 19th century",432,"natural","ivory","https://img.ochreeditions.com/a/1491/480.jpg","https://img.ochreeditions.com/a/1491/960.jpg","https://img.ochreeditions.com/a/1491/1920.jpg",{"_314":450,"_316":451},{"_314":448,"_316":449},{"_314":446,"_316":447},{"_314":444,"_316":445},{"_314":442,"_316":443},"#c7b58a",0.0236,"#756d53",0.0921,"#4b402b",0.1098,"#342113",0.2821,"#251e11",0.4924,"study-of-drapery-si-chndm-1914-38-149","Study of Drapery",{"_42":502,"_221":503,"_328":504,"_330":331,"_332":505,"_334":506,"_336":-5,"_338":-5,"_340":507,"_140":99},"ca. 1895","Black crayon on cream laid paper","24.3 × 18.7 cm (9 9/16 × 7 3/8 in.)",18.7,24.3,0.7880906971816063,[487,488,489,490,491],{"_220":304,"_221":305,"_42":306,"_307":308},"1914-38-149","Francis Augustus Lathrop drew this in about 1895, aged 46. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":486,"_302":303},"STUDY OF DRAPERY",{"_295":483,"_297":484,"_299":485},"https://img.ochreeditions.com/m/1717.jpg?dl=1","/art/study-of-drapery-si-chndm-1914-38-149","/galleries/style/american-gilded-age/study-of-drapery-si-chndm-1914-38-149",{"_291":292,"_293":294},{"_224":478,"_125":479,"_285":480},{"_276":474,"_278":475,"_280":476,"_281":477},43.70226742954016,49,19.702267429540157,25,{"_287":224,"_123":481,"_154":482,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/francis-augustus-lathrop","More by Francis Augustus Lathrop","https://img.ochreeditions.com/a/1717/480.jpg","https://img.ochreeditions.com/a/1717/960.jpg","https://img.ochreeditions.com/a/1717/1920.jpg","Drapery on a figure, probably an angel.",{"_314":500,"_316":501},{"_314":498,"_316":499},{"_314":496,"_316":497},{"_314":494,"_316":495},{"_314":492,"_316":493},"#b8b5b0",0.0338,"#a7a298",0.0534,"#b0b1b6",0.0609,"#c3bbad",0.0869,"#d6cab9",0.765,"Francis Augustus Lathrop","francis-augustus-lathrop","American, 1849–1909",1849,1909,"Lathrop trained in London, where he worked with the Pre-Raphaelite circle around Ford Madox Brown and William Morris.","checker-players-si-saam-1967-136-4","Checker Players",{"_42":557,"_221":558,"_328":559,"_330":331,"_332":560,"_334":561,"_336":562,"_338":563,"_340":564,"_140":99},"16 1/8 x 20 1/8 in. (40.8 x 51.0 cm.)",51,40.8,1.257100149476831,[542,543,544,545,546],{"_220":304,"_221":305,"_42":306,"_307":378},"Courtesy of the Smithsonian American Art Museum","1967.136.4","Thomas Anshutz painted this in about 1895, aged 44. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":540,"_302":541},"Checker Players, by Thomas Anshutz, ca. 1895",{"_295":537,"_297":538,"_299":539},"https://img.ochreeditions.com/m/1927.jpg?dl=1","/art/checker-players-si-saam-1967-136-4","/galleries/style/american-gilded-age/checker-players-si-saam-1967-136-4",{"_291":432,"_293":433},{"_224":532,"_125":533,"_285":534},{"_276":529,"_278":530,"_280":512,"_281":531},66,55.569560047562426,40.569560047562426,{"_287":224,"_123":535,"_154":536,"_140":99},{"_287":125,"_123":429,"_154":430,"_140":431},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/thomas-anshutz","More by Thomas Anshutz","https://img.ochreeditions.com/a/1927/480.jpg","https://img.ochreeditions.com/a/1927/960.jpg","https://img.ochreeditions.com/a/1927/1920.jpg","Two boys sit engrossed in a game of checkers, each focusing intently on his next move. The dark, featureless interior draws our attention to the players' rigid poses.","Text from the Smithsonian American Art Museum.",{"_314":555,"_316":556},{"_314":553,"_316":554},{"_314":551,"_316":552},{"_314":549,"_316":550},{"_314":547,"_316":548},"#d89553",0.0463,"#bf9c85",0.0551,"#8a5a41",0.0665,"#4f302b",0.1137,"#301d23",0.7184,"Thomas Anshutz","thomas-anshutz","American, 1851–1912",1851,1912,"Newport, Kentucky","Fort Washington, Pennsylvania","Anshutz studied at the Pennsylvania Academy of the Fine Arts under Thomas Eakins, assisting his photographic and anatomical studies, and succeeded him as a teacher there after Eakins was forced out in 1886.","the-witch-s-daughter-si-saam-1929-6-18","The Witch's Daughter",{"_42":611,"_221":612,"_328":613,"_330":614,"_332":615,"_334":616,"_336":-5,"_338":-5,"_340":-5,"_140":103},"watercolor","sight 20 1/2 x 12 1/2 in. (52.1 x 31.8 cm)",31.8,52.1,0.593,[596,597,598,599,600],{"_220":304,"_221":305,"_42":306,"_307":378},"1929.6.18","Frederick Stuart Church painted this in 1881, aged 39. It is now at the Smithsonian American Art Museum in Washington, DC.","The Witch's Daughter, by Frederick Stuart Church, 1881",{"_295":593,"_297":594,"_299":595},"https://img.ochreeditions.com/m/1876.jpg?dl=1","/art/the-witch-s-daughter-si-saam-1929-6-18","/galleries/style/american-gilded-age/the-witch-s-daughter-si-saam-1929-6-18",{"_291":432,"_293":433},{"_224":588,"_125":589,"_285":590},{"_276":585,"_278":586,"_280":587,"_281":571},45.8953,67.1,30.8953,{"_287":224,"_123":591,"_154":592,"_140":89},{"_287":125,"_123":429,"_154":430,"_140":431},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-frederick-stuart-church","Frederick Stuart Church's contemporaries","https://img.ochreeditions.com/a/1876/480.jpg","https://img.ochreeditions.com/a/1876/960.jpg","https://img.ochreeditions.com/a/1876/1920.jpg",{"_314":609,"_316":610},{"_314":607,"_316":608},{"_314":605,"_316":606},{"_314":603,"_316":604},{"_314":601,"_316":602},"#674631",0.0189,"#886c60",0.0954,"#b9b196",0.2549,"#a89782",0.2993,"#9c8471",0.3315,"Frederick Stuart Church","frederick-stuart-church","Grand Rapids, MI 1842-New York City 1924","Grand Rapids",1842,1924,"balcony-si-chndm-1904-16-329","Balcony",{"_42":663,"_221":664,"_328":665,"_330":331,"_332":666,"_334":667,"_336":-5,"_338":-5,"_340":668,"_140":99},"1880","Graphite on wove paper","16.6 × 10 cm (6 9/16 × 3 15/16 in.)",16.6,0.6239086635325722,[649,650,651,652,653],{"_220":304,"_221":305,"_42":306,"_307":308},"1904-16-329","Robert Frederick Blum drew this in 1880, aged 23. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":648,"_302":303},"BALCONY",{"_295":645,"_297":646,"_299":647},"https://img.ochreeditions.com/m/1709.jpg?dl=1","/art/balcony-si-chndm-1904-16-329","/galleries/style/american-gilded-age/balcony-si-chndm-1904-16-329",{"_291":292,"_293":294},{"_224":640,"_125":641,"_285":642},{"_276":638,"_278":475,"_280":639,"_281":477},39.597716588314306,15.597716588314306,{"_287":224,"_123":643,"_154":644,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/robert-frederick-blum","More by Robert Frederick Blum","https://img.ochreeditions.com/a/1709/480.jpg","https://img.ochreeditions.com/a/1709/960.jpg","https://img.ochreeditions.com/a/1709/1920.jpg","Sketch of a balcony and exterior wall of a building from the street below.",{"_314":661,"_316":662},{"_314":659,"_316":660},{"_314":657,"_316":658},{"_314":655,"_316":656},{"_314":654,"_316":550},"#a69a8d","#b3b2b4",0.1148,"#c2b4a4",0.1625,"#d9c1a6",0.1867,"#dbc7b2",0.4809,"Robert Frederick Blum","robert-frederick-blum","American, 1857–1903",1857,1903,"Blum trained in Cincinnati and Philadelphia and became a leading American illustrator, admired for his deft pen work, pastels and etchings. In Venice in 1880 he worked in the circle of Frank Duveneck and was influenced by Whistler.","two-studies-of-women-standing-behind-railing-looking-at-the-si-chndm-1912-12-16","Two Studies of Women Standing behind Railing, Looking at the Launching of Dories, Cullercoats, England",{"_42":326,"_221":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_340":341,"_140":53},"Pen and brown ink on off-white wove paper","19.9 x 17.9 cm (7 13/16 x 7 1/16 in.)",17.9,19.9,0.9123489657997133,[698,699,700,701,702],{"_220":304,"_221":305,"_42":306,"_307":308},"1912-12-16",{"_118":697,"_302":303},"TWO STUDIES OF WOMEN STANDING BEHIND RAILING, LOOKING AT THE LAUNCHING OF DORIES, CULLERCOATS, ENGLAND",{"_295":694,"_297":695,"_299":696},"https://img.ochreeditions.com/m/1714.jpg?dl=1","/art/two-studies-of-women-standing-behind-railing-looking-at-the-si-chndm-1912-12-16","/galleries/style/american-gilded-age/two-studies-of-women-standing-behind-railing-looking-at-the-si-chndm-1912-12-16",{"_291":292,"_293":294},{"_224":691,"_125":692,"_285":693},{"_276":689,"_278":475,"_280":690,"_281":477},46.80872414499283,22.80872414499283,{"_287":224,"_123":170,"_154":169,"_140":53},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1714/480.jpg","https://img.ochreeditions.com/a/1714/960.jpg","https://img.ochreeditions.com/a/1714/1920.jpg","In upper half of composition, figures of women stand at a railing and watch the fishermen and the sea; at left is a house with a hipped roof and porch; beyond the railing, four dories are drawn up on beach. Framing lines.",{"_314":711,"_316":712},{"_314":709,"_316":710},{"_314":707,"_316":708},{"_314":705,"_316":706},{"_314":703,"_316":704},"#a87f61",0.0207,"#caa688",0.0733,"#dbc1a6",0.1886,"#e4d3bf",0.1996,"#ebe3d4",0.5178,"corte-del-paradiso-aic-158382","Corte del Paradiso",{"_42":767,"_221":768,"_328":769,"_330":331,"_332":770,"_334":667,"_336":771,"_338":772,"_340":773,"_140":230},"watercolour","Drawing and Watercolor","Pastel and black chalk on brown wove paper with fibrous inclusions","30.1 × 14.9 cm (11 7/8 × 5 7/8 in.)",0.4954666076957099,[752,753,754,755,756],{"_220":748,"_221":749,"_42":750,"_307":751},"Courtesy of the Art Institute of Chicago","2002.679","James McNeill Whistler painted this in 1880, aged 46. It is now at the Art Institute of Chicago.","A narrow Venetian courtyard, the Corte del Paradiso, is evoked with a few lines of black chalk and touches of coloured pastel on brown paper, the bare sheet standing for walls and shadow.","A work made of pastel and black chalk on brown wove paper with fibrous inclusions.",{"_295":745,"_297":746,"_299":747},"https://img.ochreeditions.com/m/340.jpg?dl=1","/art/corte-del-paradiso-aic-158382","/galleries/style/american-gilded-age/corte-del-paradiso-aic-158382",{"_291":292,"_293":294},{"_224":737,"_125":738,"_285":739},{"_276":735,"_278":277,"_280":736,"_281":243},38.863998230871296,14.863998230871296,{"_287":224,"_123":743,"_154":744,"_140":230},{"_287":125,"_123":740,"_154":741,"_140":742},{"_287":285,"_123":166,"_154":165,"_140":168},"style/watercolour-19","More watercolours of the 19th century",40,"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/340/480.jpg","https://img.ochreeditions.com/a/340/960.jpg","https://img.ochreeditions.com/a/340/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_314":765,"_316":766},{"_314":763,"_316":764},{"_314":761,"_316":762},{"_314":759,"_316":760},{"_314":757,"_316":758},"#766539",0.0298,"#605043",0.1128,"#8a7968",0.1333,"#725d4b",0.2852,"#796756",0.4389,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","portrait-of-mrs-thomas-eakins-si-hmsg-66-1522","Portrait of Mrs. Thomas Eakins",{"_42":786,"_221":819,"_328":820,"_330":331,"_332":821,"_334":822,"_336":823,"_338":823,"_340":824,"_140":87},"(c. 1899)","Oil on canvas","20 1/8 x 16 1/8 in. (51 x 40.8 cm)",0.8036666666666666,[804,805,806,807,808],{"_220":304,"_221":305,"_42":306,"_307":378},"Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution","66.1522","Thomas Eakins painted this ((c. 1899)), aged 55. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","Thomas Eakins",{"_295":801,"_297":802,"_299":803},"https://img.ochreeditions.com/m/1822.jpg?dl=1","/art/portrait-of-mrs-thomas-eakins-si-hmsg-66-1522","/galleries/style/american-gilded-age/portrait-of-mrs-thomas-eakins-si-hmsg-66-1522",{"_291":432,"_293":433},{"_224":796,"_125":797,"_285":798},{"_276":794,"_278":529,"_280":795,"_281":512},55.987,40.987,{"_287":224,"_123":799,"_154":800,"_140":87},{"_287":125,"_123":429,"_154":430,"_140":431},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/thomas-eakins","More by Thomas Eakins","https://img.ochreeditions.com/a/1822/480.jpg","https://img.ochreeditions.com/a/1822/960.jpg","https://img.ochreeditions.com/a/1822/1920.jpg",{"_314":817,"_316":818},{"_314":815,"_316":816},{"_314":813,"_316":814},{"_314":811,"_316":812},{"_314":809,"_316":810},"#684b39",0.0374,"#a1765b",0.038,"#3a312a",0.091,"#26211e",0.3349,"#1b1816",0.4987,"thomas-eakins","American, 1844–1916",1844,1916,"Philadelphia, Pennsylvania","Eakins studied in Paris under Jean-Léon Gérôme and was impressed in Spain by Velázquez and Ribera, then returned to Philadelphia, where he spent his life.","cartoon-for-mural-of-minnesota-state-capital-institute-of-ju-si-saam-1983-114-23","Cartoon for mural of Minnesota State Capital, \"Institute of Justice\"",{"_42":878,"_221":879,"_328":880,"_330":331,"_332":881,"_334":882,"_336":-5,"_338":-5,"_340":883,"_140":95},"ca. 1904",20,"22 1/8 x 45 3/8 in. (56.2 x 115.1 cm)",115.1,56.2,2.0380434782608696,[863,864,865,866,867],{"_220":304,"_221":305,"_42":306,"_307":378},"1983.114.23","Kenyon Cox painted this in about 1904, aged 48. It is now at the Smithsonian American Art Museum in Washington, DC.","Cartoon for mural of Minnesota State Capital, \"Institute of Justice\", by Kenyon Cox, ca. 1904",{"_295":860,"_297":861,"_299":862},"https://img.ochreeditions.com/m/1966.jpg?dl=1","/art/cartoon-for-mural-of-minnesota-state-capital-institute-of-ju-si-saam-1983-114-23","/galleries/style/american-gilded-age/cartoon-for-mural-of-minnesota-state-capital-institute-of-ju-si-saam-1983-114-23",{"_291":432,"_293":433},{"_224":849,"_125":850,"_285":851},{"_276":846,"_278":847,"_280":831,"_281":848},130.1,71.47573333333332,56.47573333333333,{"_287":224,"_123":858,"_154":859,"_140":95},{"_287":125,"_123":855,"_154":856,"_140":857},{"_287":285,"_123":852,"_154":853,"_140":854},"era/20-united-states","20th-century United States",124,"style/painting-20","More paintings of the 20th century",75,"artist/kenyon-cox","More by Kenyon Cox","https://img.ochreeditions.com/a/1966/480.jpg","https://img.ochreeditions.com/a/1966/960.jpg","https://img.ochreeditions.com/a/1966/1920.jpg",{"_314":876,"_316":877},{"_314":874,"_316":875},{"_314":872,"_316":873},{"_314":870,"_316":871},{"_314":868,"_316":869},"#7e4b22",0.0353,"#986c40",0.0998,"#a9855e",0.1709,"#b39977",0.3367,"#bda686",0.3573,"Kenyon Cox","kenyon-cox","American, 1856–1919",1856,1919,"Cox trained in Cincinnati, Philadelphia and Paris, where he studied with Carolus-Duran and Jean-Léon Gérôme, before settling in New York in 1883.","drapery-study-si-chndm-1914-38-155","Drapery Study",{"_42":502,"_221":503,"_328":504,"_330":331,"_332":505,"_334":506,"_336":-5,"_338":-5,"_340":507,"_140":99},"Graphite on tracing paper","17.9 × 33.3 cm (7 1/16 × 13 1/8 in.)",33.3,1.8188170701272772,[913,914,915,916,917],{"_220":304,"_221":305,"_42":306,"_307":308},"1914-38-155",{"_118":912,"_302":303},"DRAPERY STUDY",{"_295":909,"_297":910,"_299":911},"https://img.ochreeditions.com/m/1718.jpg?dl=1","/art/drapery-study-si-chndm-1914-38-155","/galleries/style/american-gilded-age/drapery-study-si-chndm-1914-38-155",{"_291":292,"_293":294},{"_224":906,"_125":907,"_285":908},{"_276":903,"_278":904,"_280":889,"_281":905},57.3,42.308603183315036,18.308603183315036,{"_287":224,"_123":481,"_154":482,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1718/480.jpg","https://img.ochreeditions.com/a/1718/960.jpg","https://img.ochreeditions.com/a/1718/1920.jpg","Female figure reclining to the right, head up and hands in a praying attitude.",{"_314":926,"_316":927},{"_314":924,"_316":925},{"_314":922,"_316":923},{"_314":920,"_316":921},{"_314":918,"_316":919},"#8f826e",0.0317,"#aeaba9",0.0946,"#9a9385",0.2371,"#ada89b",0.2563,"#a79f92",0.3803,"italian-girl-si-chndm-1955-38-12-a","Italian girl",{"_42":977,"_221":978,"_328":979,"_330":331,"_332":333,"_334":980,"_336":308,"_338":981,"_340":-5,"_140":101},"ca. 1885","Pastel crayon on tan paper","32.3 x 25.4 cm (12 11/16 x 10 in.)",25.4,32.3,0.9348353552859618,[962,963,964,965,966],{"_220":304,"_221":305,"_42":306,"_307":308},"1955-38-12-a","Elihu Vedder drew this in about 1885, aged 49. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":961,"_302":303},"ITALIAN GIRL",{"_295":958,"_297":959,"_299":960},"https://img.ochreeditions.com/m/1752.jpg?dl=1","/art/italian-girl-si-chndm-1955-38-12-a","/galleries/style/american-gilded-age/italian-girl-si-chndm-1955-38-12-a",{"_291":292,"_293":294},{"_224":953,"_125":954,"_285":955},{"_276":950,"_278":951,"_280":952,"_281":935},54.19518197573656,56.3,30.195181975736563,{"_287":224,"_123":956,"_154":957,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-elihu-vedder","Elihu Vedder's contemporaries","https://img.ochreeditions.com/a/1752/480.jpg","https://img.ochreeditions.com/a/1752/960.jpg","https://img.ochreeditions.com/a/1752/1920.jpg","Head of a young female figure, turned toward the right.",{"_314":975,"_316":976},{"_314":973,"_316":974},{"_314":971,"_316":972},{"_314":969,"_316":970},{"_314":967,"_316":968},"#e2d0ba",0.0315,"#b19981",0.0805,"#f8ebd8",0.0818,"#cab39e",0.1039,"#c8ac90",0.7023,"Elihu Vedder","elihu-vedder","American, 1836–1923",1923,"Rome","the-lone-tenement-nga-46558","The Lone Tenement",{"_42":1027,"_221":1028,"_328":1029,"_330":331,"_332":1030,"_334":1031,"_336":-5,"_338":-5,"_340":1032,"_140":93},"1909","overall: 91.8 x 122.3 cm (36 1/8 x 48 1/8 in.) framed: 123.2 x 153.4 x 12.7 cm (48 1/2 x 60 3/8 x 5 in.)",91.8,1.336378466557912,[1012,1013,1014,1015,1016],{"_220":375,"_221":376,"_42":377,"_307":378},"1963.10.83","George Bellows painted this in 1909, aged 27. It is now at the National Gallery of Art in Washington, DC.","A narrow six-storey tenement stands alone on a cleared lot beneath the massive pier and deck of a bridge, its top floor catching warm sunlight while people gather around a small fire at its foot. Beyond, a tugboat puffs white smoke on an icy river.","A six-story, narrow building stands alone in an otherwise unoccupied lot under the deck of a high bridge, with a river and cityscape in the background in this horizontal painting. Dozens of people, small in scale, are each painted with a few swipes of black and some with peach-colored faces. They gather at the foot of the building and around a fire to our left, near the lower left corner of the composition. The fire is painted with a dash of orange, a few touches of canary yellow, and a smudge of gray smoke. Several more people stand and sit against the building, which has a streetlamp near its entrance. The back end of the building angles away from us to our right, so we see the narrow, front entrance side to our left. Each of the six floors of the building has two windows with fire escape ladders on the narrow side we can see. Some strokes in red and white on the lower levels of the long, flat side of the building suggest signs or posters. The top story glows a warm sienna brown in sunlight, while the rest of the building and the scene below are in shadow. More people walk along a grayish-violet fence that encloses the lot beyond the building. The ground is painted thickly with slate gray, pale, sage green, and one smear of white to suggest snow. To our right and a short distance from us, a white horse pulls a carriage near the foot of the bridge. The ivory-white, concrete piling rises up and off the right edge of the canvas and supports the deck of the bridge above. Only a sliver of the brick-red underside of the bridge is visible, skimming the top edge of the painting in the upper right corner. Two twiggy, barren trees grow up beyond the muted purple fence, and the landscape beyond is bright in the sunlight. A terracotta-orange building rises along the left edge of the painting, with the area between it and the lot under the bridge filled with thickly painted patches of butter yellow, amethyst purple, and sage green. Beyond that, an ice-blue river flows across the composition. The shore beyond is lined with patches of beige and tan paint that could be buildings. A black tugboat puffs bright white smoke in the river. The sky above is frosty white. The artist signed the work with dark blue in the lower left corner of the painting, “Geo Bellows.”",{"_295":1009,"_297":1010,"_299":1011},"https://img.ochreeditions.com/m/1525.jpg?dl=1","/art/the-lone-tenement-nga-46558","/galleries/style/american-gilded-age/the-lone-tenement-nga-46558",{"_291":432,"_293":433},{"_224":1004,"_125":1005,"_285":1006},{"_276":423,"_278":1002,"_280":407,"_281":1003},106.5159912109375,91.5159912109375,{"_287":224,"_123":1007,"_154":1008,"_140":93},{"_287":125,"_123":855,"_154":856,"_140":857},{"_287":285,"_123":852,"_154":853,"_140":854},"artist/george-bellows","More by George Bellows","https://img.ochreeditions.com/a/1525/480.jpg","https://img.ochreeditions.com/a/1525/960.jpg","https://img.ochreeditions.com/a/1525/1920.jpg",{"_314":1025,"_316":1026},{"_314":1023,"_316":1024},{"_314":1021,"_316":1022},{"_314":1019,"_316":1020},{"_314":1017,"_316":1018},"#7c602a",0.1346,"#d2d2c8",0.141,"#483f2e",0.1563,"#ae9f71",0.1799,"#85866f",0.3882,"George Bellows","george-bellows","American, 1882–1925",1882,1925,"Bellows left Ohio State University to study in New York with Robert Henri and became the most celebrated of the younger realists around him.","three-girls-and-river-si-saam-1980-34-3","Three Girls and River",{"_42":1082,"_221":1083,"_328":1084,"_330":1085,"_332":1086,"_334":1087,"_336":-5,"_338":-5,"_340":1088,"_140":97},"1907","oil on fiberboard","23 x 27 in. (58.5 x 68.5 cm)",68.5,58.5,1.1801730920535012,[1067,1068,1069,1070,1071],{"_220":304,"_221":305,"_42":306,"_307":378},"1980.34.3","Louis M. Eilshemius painted this in 1907, aged 43. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":1066,"_302":541},"Three Girls and River, by Louis M. Eilshemius, 1907",{"_295":1063,"_297":1064,"_299":1065},"https://img.ochreeditions.com/m/1958.jpg?dl=1","/art/three-girls-and-river-si-saam-1980-34-3","/galleries/style/american-gilded-age/three-girls-and-river-si-saam-1980-34-3",{"_291":432,"_293":433},{"_224":1058,"_125":1059,"_285":1060},{"_276":1055,"_278":1056,"_280":1039,"_281":1057},83.5,73.04233333333333,58.04233333333333,{"_287":224,"_123":1061,"_154":1062,"_140":97},{"_287":125,"_123":855,"_154":856,"_140":857},{"_287":285,"_123":852,"_154":853,"_140":854},"artist/louis-m-eilshemius","More by Louis M. Eilshemius","https://img.ochreeditions.com/a/1958/480.jpg","https://img.ochreeditions.com/a/1958/960.jpg","https://img.ochreeditions.com/a/1958/1920.jpg","Louis M. Eilshemius is best known for his romanticized and often erotically charged landscapes that contain nude women or nymphs. In Three Girls and River, three nude women relax in a bucolic setting with lush trees and a babbling river.",{"_314":1080,"_316":1081},{"_314":1078,"_316":1079},{"_314":1076,"_316":1077},{"_314":1074,"_316":1075},{"_314":1072,"_316":1073},"#a69b73",0.1273,"#665b40",0.1487,"#d1bc82",0.1548,"#343838",0.2824,"#5d6767",0.2868,"Louis M. Eilshemius","louis-m-eilshemius","New Jersey, 1864–1941","New Jersey",1864,1941,"Eilshemius studied in New York and at the Académie Julian in Paris and travelled widely, as far as Samoa, painting romantic landscapes and nudes that found few admirers.","samoan-scene-si-hmsg-66-1730","Samoan Scene",{"_42":1082,"_221":1083,"_328":1084,"_330":1085,"_332":1086,"_334":1087,"_336":-5,"_338":-5,"_340":1088,"_140":97},"1908","Oil on fiberboard","23 1/4 x 30 in. (59.1 x 76.4 cm)",76.4,59.1,1.3204667863554758,[1119,1120,1121,1122,1123],{"_220":304,"_221":305,"_42":306,"_307":378},"66.1730","Louis M. Eilshemius painted this in 1908, aged 44. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","Louis Eilshemius",{"_295":1116,"_297":1117,"_299":1118},"https://img.ochreeditions.com/m/1823.jpg?dl=1","/art/samoan-scene-si-hmsg-66-1730","/galleries/style/american-gilded-age/samoan-scene-si-hmsg-66-1730",{"_291":432,"_293":433},{"_224":1113,"_125":1114,"_285":1115},{"_276":1110,"_278":1111,"_280":1095,"_281":1112},91.4,72.85832766825288,57.85832766825289,{"_287":224,"_123":1061,"_154":1062,"_140":97},{"_287":125,"_123":855,"_154":856,"_140":857},{"_287":285,"_123":852,"_154":853,"_140":854},"https://img.ochreeditions.com/a/1823/480.jpg","https://img.ochreeditions.com/a/1823/960.jpg","https://img.ochreeditions.com/a/1823/1920.jpg",{"_314":1132,"_316":1133},{"_314":1130,"_316":1131},{"_314":1128,"_316":1129},{"_314":1126,"_316":1127},{"_314":1124,"_316":1125},"#733c09",0.1276,"#d79435",0.1348,"#daa762",0.1559,"#9f5303",0.2858,"#bc6907",0.2959,{"_1135":-5,"_1136":1137,"_1138":1139,"_1140":8,"_1141":1142,"_1143":8},"user","csrf","d6569acc747067032e04820df6c78575ba7a1e04","cartCount",0,"dropLive","legal",[1144,1145,1146,1147,1148,1149,1150,1151,1152,1153,1154,1155],"uploadsEnabled",{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},{"_221":1164,"_20":1165},{"_221":1162,"_20":1163},{"_221":1160,"_20":1161},{"_221":1158,"_20":1159},{"_221":1156,"_20":1157},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]