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In Venice in 1880 he worked in the circle of Frank Duveneck and was influenced by Whistler.","bare-knuckles-nga-59902","Bare Knuckles",{"_42":511,"_222":512,"_324":327,"_326":327,"_328":-5,"_330":513,"_332":-5,"_334":-5,"_335":-5,"_140":103},"c. 1870/1885","oil on paperboard on wood","overall: 30.5 x 48.6 cm (12 x 19 1/8 in.)",48.6,30.5,1.6279809220985693,[496,497,498,499,500],{"_221":493,"_222":494,"_42":495,"_304":305},"Courtesy National Gallery of Art, Washington","1980.62.9","George A. Hayes painted this in about 1870/1885. It is now at the National Gallery of Art in Washington, DC.","This is a painting depicting a bare-knuckle boxing match with two fighters in a ring surrounded by a crowd. Both fighters are men with light skin, and they wear no shirts. The fighter on the left wears orange pants with black dots, while the fighter on the right wears red pants with white dots. Behind these men are two other shirtless men wearing the same types of pants, as well as two other men wearing more formal attire, including jackets, vests, and hats. Outside the ring, a semi-circle of light-skinned men in formal attire watch the central fight. The setting is outdoors, with grass around the feet of the spectators and green hills in the background. Above the group, the sky is light gray.",{"_295":490,"_297":491,"_299":492},"https://img.ochreeditions.com/m/1596.jpg?dl=1","/art/bare-knuckles-nga-59902","/galleries/style/american-gilded-age/bare-knuckles-nga-59902",{"_291":292,"_293":294},{"_225":485,"_125":486,"_285":487},{"_276":482,"_278":483,"_280":466,"_282":484},63.6,44.852929687499994,29.852929687499998,{"_287":225,"_123":488,"_154":489,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-george-a-hayes","George A. Hayes's contemporaries","https://img.ochreeditions.com/a/1596/480.jpg","https://img.ochreeditions.com/a/1596/960.jpg","https://img.ochreeditions.com/a/1596/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_311":509,"_313":510},{"_311":507,"_313":508},{"_311":505,"_313":506},{"_311":503,"_313":504},{"_311":501,"_313":502},"#87632e",0.0909,"#262c20",0.135,"#c5bfa5",0.226,"#908865",0.248,"#585131",0.3001,"George A. Hayes","george-a-hayes",1930,"samoan-scene-si-hmsg-66-1730","Samoan Scene",{"_42":568,"_222":569,"_324":570,"_326":571,"_328":572,"_330":573,"_332":-5,"_334":-5,"_335":574,"_140":97},"1908",20,"Oil on fiberboard","23 1/4 x 30 in. (59.1 x 76.4 cm)",76.4,59.1,1.3204667863554758,[553,554,555,556,557],{"_221":301,"_222":302,"_42":303,"_304":305},"66.1730","Louis M. Eilshemius painted this in 1908, aged 44. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","Louis Eilshemius",{"_295":550,"_297":551,"_299":552},"https://img.ochreeditions.com/m/1823.jpg?dl=1","/art/samoan-scene-si-hmsg-66-1730","/galleries/style/american-gilded-age/samoan-scene-si-hmsg-66-1730",{"_291":292,"_293":294},{"_225":539,"_125":540,"_285":541},{"_276":536,"_278":537,"_280":521,"_282":538},91.4,72.85832766825288,57.85832766825289,{"_287":225,"_123":548,"_154":549,"_140":97},{"_287":125,"_123":545,"_154":546,"_140":547},{"_287":285,"_123":542,"_154":543,"_140":544},"era/20-united-states","20th-century United States",124,"style/painting-20","More paintings of the 20th century",75,"artist/louis-m-eilshemius","More by Louis M. Eilshemius","https://img.ochreeditions.com/a/1823/480.jpg","https://img.ochreeditions.com/a/1823/960.jpg","https://img.ochreeditions.com/a/1823/1920.jpg",{"_311":566,"_313":567},{"_311":564,"_313":565},{"_311":562,"_313":563},{"_311":560,"_313":561},{"_311":558,"_313":559},"#733c09",0.1276,"#d79435",0.1348,"#daa762",0.1559,"#9f5303",0.2858,"#bc6907",0.2959,"Louis M. Eilshemius","louis-m-eilshemius","New Jersey, 1864–1941","New Jersey",1864,1941,"Eilshemius studied in New York and at the Académie Julian in Paris and travelled widely, as far as Samoa, painting romantic landscapes and nudes that found few admirers.","king-lear-act-i-scene-i-met-10049","\"King Lear,\" Act I, Scene I",{"_42":622,"_222":623,"_324":624,"_326":327,"_328":625,"_330":626,"_332":333,"_334":627,"_335":-5,"_140":103},"1898","54 1/4 x 127 1/4 in. (137.8 x 323.2 cm)",323.2,137.8,2.3225616921269094,[607,608,609,610,611],{"_221":369,"_222":370,"_42":371,"_304":372},"13.140","Edwin Austin Abbey painted this in 1898, aged 46. It is now at The Met in New York.","\"King Lear,\" Act I, Scene I, by Edwin Austin Abbey, 1898",{"_295":604,"_297":605,"_299":606},"https://img.ochreeditions.com/m/801.jpg?dl=1","/art/king-lear-act-i-scene-i-met-10049","/galleries/style/american-gilded-age/king-lear-act-i-scene-i-met-10049",{"_291":292,"_293":294},{"_225":599,"_125":600,"_285":601},{"_276":595,"_278":596,"_280":597,"_282":598},255,118.33417657475336,240,103.33417657475336,{"_287":225,"_123":602,"_154":603,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-edwin-austin-abbey","Edwin Austin Abbey's contemporaries","https://img.ochreeditions.com/a/801/480.jpg","https://img.ochreeditions.com/a/801/960.jpg","https://img.ochreeditions.com/a/801/1920.jpg",{"_311":620,"_313":621},{"_311":618,"_313":619},{"_311":616,"_313":617},{"_311":614,"_313":615},{"_311":612,"_313":613},"#5e2b2b",0.0742,"#79735d",0.0921,"#43302b",0.202,"#4e4739",0.2204,"#2b2b29",0.4113,"Edwin Austin Abbey","edwin-austin-abbey","American, 1852–1911",1852,1911,"London","alvan-clark-cma-107283","Alvan Clark","Unrecorded American maker","1870s","oil on canvas","Unframed: 69.6 x 56 cm (27 3/8 x 22 1/16 in.)",56,69.6,0.8182352941176471,[665,666,667,668,669],{"_221":661,"_222":662,"_42":663,"_304":664},"Courtesy of the Cleveland Museum of Art","1925.126","An unrecorded United States artist painted this in the 1870s. It is now at the Cleveland Museum of Art.","Alvan Clark, 1870s",{"_295":658,"_297":659,"_299":660},"https://img.ochreeditions.com/m/514.jpg?dl=1","/art/alvan-clark-cma-107283","/galleries/style/american-gilded-age/alvan-clark-cma-107283",{"_291":292,"_293":294},{"_225":653,"_125":654,"_285":655},{"_276":650,"_278":651,"_280":652,"_282":635},71.94917647058823,84.6,56.94917647058823,{"_287":225,"_123":656,"_154":657,"_140":87},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/unrecorded-united-states","More by unrecorded makers of the United States","https://img.ochreeditions.com/a/514/480.jpg","https://img.ochreeditions.com/a/514/960.jpg","https://img.ochreeditions.com/a/514/1920.jpg","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":678,"_313":679},{"_311":676,"_313":677},{"_311":674,"_313":675},{"_311":672,"_313":673},{"_311":670,"_313":671},"#a87c5b",0.0183,"#623f2e",0.0436,"#37281f",0.1337,"#1e1513",0.3999,"#473626",0.4045,"capri-cma-148312","Capri",{"_42":729,"_222":730,"_324":731,"_326":327,"_328":732,"_330":733,"_332":-5,"_334":-5,"_335":734,"_140":99},"1869","Framed: 69.5 x 99.5 x 9 cm (27 3/8 x 39 3/16 x 3 9/16 in.); Unframed: 50 x 80 cm (19 11/16 x 31 1/2 in.)",80,50,1.60075329566855,[714,715,716,717,718],{"_221":661,"_222":662,"_42":663,"_304":664},"1975.4","William Stanley Haseltine painted this in 1869, aged 34. It is now at the Cleveland Museum of Art.",{"_118":712,"_437":713},"Capri, by William Stanley Haseltine, 1869",{"_295":709,"_297":710,"_299":711},"https://img.ochreeditions.com/m/687.jpg?dl=1","/art/capri-cma-148312","/galleries/style/american-gilded-age/capri-cma-148312",{"_291":292,"_293":294},{"_225":704,"_125":705,"_285":706},{"_276":701,"_278":702,"_280":685,"_282":703},95,64.97647058823529,49.976470588235294,{"_287":225,"_123":707,"_154":708,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/william-stanley-haseltine","More by William Stanley Haseltine","https://img.ochreeditions.com/a/687/480.jpg","https://img.ochreeditions.com/a/687/960.jpg","https://img.ochreeditions.com/a/687/1920.jpg","The Philadelphia-born Haseltine favored images of coastal rocks, painting them on both sides of the Atlantic throughout his career.","Text from the Cleveland Museum of Art.",{"_311":727,"_313":728},{"_311":725,"_313":726},{"_311":723,"_313":724},{"_311":721,"_313":722},{"_311":719,"_313":720},"#726253",0.059,"#3e332a",0.1574,"#2d221d",0.1707,"#9b9688",0.2793,"#b89d85",0.3336,"William Stanley Haseltine","william-stanley-haseltine","American, 1835–1900",1835,1900,"Haseltine was born in Philadelphia, studied at Harvard and trained in Düsseldorf, where he travelled and painted with Albert Bierstadt and Worthington Whittredge.","christ-cma-101158","Christ",{"_42":781,"_222":782,"_324":783,"_326":327,"_328":784,"_330":785,"_332":-5,"_334":-5,"_335":786,"_140":95},"1905","Unframed: 137 x 91.5 cm (53 15/16 x 36 in.)",91.5,137,0.7485294117647059,[766,767,768,769,770],{"_221":661,"_222":662,"_42":663,"_304":664},"1920.150","Kenyon Cox painted this in 1905, aged 49. It is now at the Cleveland Museum of Art.","Christ, by Kenyon Cox, 1905",{"_295":763,"_297":764,"_299":765},"https://img.ochreeditions.com/m/495.jpg?dl=1","/art/christ-cma-101158","/galleries/style/american-gilded-age/christ-cma-101158",{"_291":292,"_293":294},{"_225":758,"_125":759,"_285":760},{"_276":755,"_278":756,"_280":757,"_282":741},117.5485294117647,152,102.5485294117647,{"_287":225,"_123":761,"_154":762,"_140":95},{"_287":125,"_123":545,"_154":546,"_140":547},{"_287":285,"_123":542,"_154":543,"_140":544},"artist/kenyon-cox","More by Kenyon Cox","https://img.ochreeditions.com/a/495/480.jpg","https://img.ochreeditions.com/a/495/960.jpg","https://img.ochreeditions.com/a/495/1920.jpg",{"_311":779,"_313":780},{"_311":777,"_313":778},{"_311":775,"_313":776},{"_311":773,"_313":774},{"_311":771,"_313":772},"#3f4e35",0.1107,"#632f1a",0.1784,"#e0ddd2",0.2064,"#8e7441",0.2367,"#c7aa67",0.2678,"Kenyon Cox","kenyon-cox","American, 1856–1919",1856,1919,"Cox trained in Cincinnati, Philadelphia and Paris, where he studied with Carolus-Duran and Jean-Léon Gérôme, before settling in New York in 1883.","the-chaperone-nga-72165","The Chaperone",{"_42":262,"_222":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":333,"_335":336,"_140":87},"c. 1908","overall: 46.3 x 36.2 cm (18 1/4 x 14 1/4 in.) framed: 63.5 x 53.3 x 8.3 cm (25 x 21 x 3 1/4 in.)",36.2,46.3,0.76513671875,[817,818,819,820,821],{"_221":493,"_222":494,"_42":495,"_304":305},"1991.34.1","Thomas Eakins painted this in about 1908, aged 64. It is now at the National Gallery of Art in Washington, DC.","An elderly woman in a dark blue gown and head covering sits absorbed in the work in her hands, her eyes lowered. She is the chaperone from Thomas Eakins’s late paintings of William Rush, the Philadelphia sculptor shown carving a statue from a nude model while an older woman sits by for propriety, knitting.","This painting shows a person seated on a stool or chair, wearing a long, dark-blue robe or gown. They are slightly turned toward the right, looking downward at something they hold in their hands, and their head is covered with a cloth or cap. The background is textured with earthy tones, mostly tan with some patches of yellow ochre and gray.",{"_295":814,"_297":815,"_299":816},"https://img.ochreeditions.com/m/1618.jpg?dl=1","/art/the-chaperone-nga-72165","/galleries/style/american-gilded-age/the-chaperone-nga-72165",{"_291":292,"_293":294},{"_225":811,"_125":812,"_285":813},{"_276":808,"_278":809,"_280":810,"_282":793},50.425830078124996,61.3,35.425830078124996,{"_287":225,"_123":171,"_154":170,"_140":87},{"_287":125,"_123":545,"_154":546,"_140":547},{"_287":285,"_123":542,"_154":543,"_140":544},"https://img.ochreeditions.com/a/1618/480.jpg","https://img.ochreeditions.com/a/1618/960.jpg","https://img.ochreeditions.com/a/1618/1920.jpg",{"_311":830,"_313":831},{"_311":828,"_313":829},{"_311":826,"_313":827},{"_311":824,"_313":825},{"_311":822,"_313":823},"#705c4c",0.0794,"#403837",0.1084,"#514942",0.161,"#8c6e58",0.2889,"#97745a",0.3623,"autumn-nga-66420","Autumn",{"_42":879,"_222":880,"_324":881,"_326":327,"_328":882,"_330":883,"_332":884,"_334":885,"_335":886,"_140":53},"1877","overall: 97.1 x 58.9 cm (38 1/4 x 23 3/16 in.) framed: 126.4 x 91.1 x 7.9 cm (49 3/4 x 35 7/8 x 3 1/8 in.)",58.9,97.1,0.626220703125,[864,865,866,867,868],{"_221":493,"_222":494,"_42":495,"_304":305},"1985.64.22","Winslow Homer painted this in 1877, aged 41. It is now at the National Gallery of Art in Washington, DC.","A fashionably dressed young woman in a black jacket and round hat stands on a hillside carpeted with fallen leaves, lifting her ruffled skirt to reveal its sky-blue lining and holding a basket overflowing with orange foliage. She looks straight out at us.","A woman with smooth, pale skin and wearing a hat, long dress, and gloves, stands holding a bunch of pumpkin-orange leaves against a background of trees painted with touches of rust orange and pine green in this vertical painting. The woman tips her head back slightly to look at us with dark eyes under arched eyebrows. Her cheeks are flushed and her coral-pink lips closed. Her round black hat perches on the back of her head and she has an inky black, long-sleeved, hip-length jacket with bronze trim at the shoulders, cuffs, and down the front. A gauzy bow is tied at her neck. Her left elbow, on our right, is bent and she holds up her tan-colored, ruffled skirt with a white-gloved hand. The raised skirt exposes sky-blue lining and white, ruffled flounces at her feet. Her right arm, on our left, hangs at her side and holds the handle of a basket. Deep marigold-orange leaves cascade out of the basket. One black shoe peeks out from under her long skirt. She stands on a hill carpeted with crimson-red, tawny-brown, golden yellow, and forest-green leaves. The space behind her is filled with touches and dabs of red, orange, brown, black, and tan.",{"_295":861,"_297":862,"_299":863},"https://img.ochreeditions.com/m/1611.jpg?dl=1","/art/autumn-nga-66420","/galleries/style/american-gilded-age/autumn-nga-66420",{"_291":292,"_293":294},{"_225":856,"_125":857,"_285":858},{"_276":853,"_278":854,"_280":855,"_282":838},75.8060302734375,112.1,60.80603027343749,{"_287":225,"_123":859,"_154":860,"_140":53},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/1611/480.jpg","https://img.ochreeditions.com/a/1611/960.jpg","https://img.ochreeditions.com/a/1611/1920.jpg",{"_311":877,"_313":878},{"_311":875,"_313":876},{"_311":873,"_313":874},{"_311":871,"_313":872},{"_311":869,"_313":870},"#1e1811",0.0441,"#695539",0.0754,"#6a2e18",0.2262,"#552d15",0.3074,"#442b15",0.3469,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","cartoon-for-mural-of-minnesota-state-capital-institute-of-ju-si-saam-1983-114-23","Cartoon for mural of Minnesota State Capital, \"Institute of Justice\"",{"_42":781,"_222":782,"_324":783,"_326":327,"_328":784,"_330":785,"_332":-5,"_334":-5,"_335":786,"_140":95},"ca. 1904","22 1/8 x 45 3/8 in. (56.2 x 115.1 cm)",115.1,56.2,2.0380434782608696,[917,918,919,920,921],{"_221":301,"_222":302,"_42":303,"_304":305},"Courtesy of the Smithsonian American Art Museum","1983.114.23","Kenyon Cox painted this in about 1904, aged 48. It is now at the Smithsonian American Art Museum in Washington, DC.","Cartoon for mural of Minnesota State Capital, \"Institute of Justice\", by Kenyon Cox, ca. 1904",{"_295":914,"_297":915,"_299":916},"https://img.ochreeditions.com/m/1966.jpg?dl=1","/art/cartoon-for-mural-of-minnesota-state-capital-institute-of-ju-si-saam-1983-114-23","/galleries/style/american-gilded-age/cartoon-for-mural-of-minnesota-state-capital-institute-of-ju-si-saam-1983-114-23",{"_291":292,"_293":294},{"_225":911,"_125":912,"_285":913},{"_276":908,"_278":909,"_280":892,"_282":910},130.1,71.47573333333332,56.47573333333333,{"_287":225,"_123":761,"_154":762,"_140":95},{"_287":125,"_123":545,"_154":546,"_140":547},{"_287":285,"_123":542,"_154":543,"_140":544},"https://img.ochreeditions.com/a/1966/480.jpg","https://img.ochreeditions.com/a/1966/960.jpg","https://img.ochreeditions.com/a/1966/1920.jpg",{"_311":930,"_313":931},{"_311":928,"_313":929},{"_311":926,"_313":927},{"_311":924,"_313":925},{"_311":922,"_313":923},"#7e4b22",0.0353,"#986c40",0.0998,"#a9855e",0.1709,"#b39977",0.3367,"#bda686",0.3573,"pink-roses-nga-134158","Pink Roses",{"_42":979,"_222":980,"_324":981,"_326":327,"_328":982,"_330":983,"_332":984,"_334":985,"_335":-5,"_140":101},"1875","watercolor on wove paper","sheet: 35.56 × 25.4 cm (14 × 10 in.)",25.4,35.6,0.71826171875,[964,965,966,967,968],{"_221":493,"_222":494,"_42":495,"_304":305},"2004.165.2","Fidelia Bridges painted this in 1875, aged 41. It is now at the National Gallery of Art in Washington, DC.","This detailed painting shows two pink roses and a pink bud on a long, thin green stem with green leaves and small green thorns. The tall stem rises near the right edge of the painting, with some thin branches reaching out to either side. The largest rose is positioned near the top left corner of the painting, with the small bud right below it. The other large flower is right around the center of the painting. The background is a flat beige color.",{"_295":961,"_297":962,"_299":963},"https://img.ochreeditions.com/m/1658.jpg?dl=1","/art/pink-roses-nga-134158","/galleries/style/american-gilded-age/pink-roses-nga-134158",{"_291":431,"_293":432},{"_225":956,"_125":957,"_285":958},{"_276":953,"_278":954,"_280":955,"_282":939},49.5701171875,59.6,25.5701171875,{"_287":225,"_123":959,"_154":960,"_140":89},{"_287":125,"_123":426,"_154":427,"_140":428},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-fidelia-bridges","Fidelia Bridges's contemporaries","https://img.ochreeditions.com/a/1658/480.jpg","https://img.ochreeditions.com/a/1658/960.jpg","https://img.ochreeditions.com/a/1658/1920.jpg",{"_311":977,"_313":978},{"_311":975,"_313":976},{"_311":973,"_313":974},{"_311":971,"_313":972},{"_311":969,"_313":970},"#a26a79",0.0267,"#69664e",0.0372,"#837b60",0.0819,"#9a8569",0.2948,"#a28d70",0.5594,"Fidelia Bridges","fidelia-bridges","American, 1834–1923",1834,1923,"Salem, Massachusetts","Canaan, Connecticut","diving-cormorant-cma-103625","Diving Cormorant",{"_42":1033,"_222":1034,"_324":1035,"_326":327,"_328":784,"_330":1036,"_332":-5,"_334":-5,"_335":-5,"_140":103},"1900","oil on board","Unframed: 23 x 33.2 cm (9 1/16 x 13 1/16 in.)",33.2,23,1.5131286159323543,[1018,1019,1020,1021,1022],{"_221":661,"_222":662,"_42":663,"_304":664},"1921.571","Otto H. Bacher painted this in 1900, aged 44. It is now at the Cleveland Museum of Art.","Diving Cormorant, by Otto H. Bacher, 1900",{"_295":1015,"_297":1016,"_299":1017},"https://img.ochreeditions.com/m/506.jpg?dl=1","/art/diving-cormorant-cma-103625","/galleries/style/american-gilded-age/diving-cormorant-cma-103625",{"_291":292,"_293":294},{"_225":1010,"_125":1011,"_285":1012},{"_276":1007,"_278":1008,"_280":992,"_282":1009},48.2,36.94129411764706,21.94129411764706,{"_287":225,"_123":1013,"_154":1014,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-otto-h-bacher","Otto H. Bacher's contemporaries","https://img.ochreeditions.com/a/506/480.jpg","https://img.ochreeditions.com/a/506/960.jpg","https://img.ochreeditions.com/a/506/1920.jpg",{"_311":1031,"_313":1032},{"_311":1029,"_313":1030},{"_311":1027,"_313":1028},{"_311":1025,"_313":1026},{"_311":1023,"_313":1024},"#96958a",0.0766,"#757670",0.0982,"#3f4242",0.1391,"#5e615b",0.2932,"#4f5451",0.3929,"Otto H. Bacher","otto-h-bacher","American, 1856–1909",1909,"the-old-road-to-the-sea-cma-117715","The Old Road to the Sea",{"_42":388,"_222":389,"_324":390,"_326":327,"_328":391,"_330":331,"_332":392,"_334":372,"_335":393,"_140":93},"c. 1893","Framed: 134.3 x 159.7 x 10.8 cm (52 7/8 x 62 7/8 x 4 1/4 in.); Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Former: 118.5 x 144 x 5.5 cm (46 5/8 x 56 11/16 x 2 3/16 in.)",127,101.5,1.2513801987486197,[1068,1069,1070,1071,1072],{"_221":661,"_222":662,"_42":663,"_304":664},"1938.333","William Merritt Chase painted this in about 1893, aged about 39. It is now at the Cleveland Museum of Art.",{"_118":1067,"_437":713},"The Old Road to the Sea, by William Merritt Chase, c. 1893",{"_295":1064,"_297":1065,"_299":1066},"https://img.ochreeditions.com/m/534.jpg?dl=1","/art/the-old-road-to-the-sea-cma-117715","/galleries/style/american-gilded-age/the-old-road-to-the-sea-cma-117715",{"_291":292,"_293":294},{"_225":1061,"_125":1062,"_285":1063},{"_276":1058,"_278":1059,"_280":1042,"_282":1060},142,116.4879411764706,101.4879411764706,{"_287":225,"_123":364,"_154":365,"_140":93},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/534/480.jpg","https://img.ochreeditions.com/a/534/960.jpg","https://img.ochreeditions.com/a/534/1920.jpg","One of the most influential of the American Impressionists, William Merritt Chase established his own summer school at Shinnecock, on the eastern tip of Long Island, New York. Attracted to the low-lying dunes and beaches, Chase and his students were among the first American artists to pursue open-air painting.",{"_311":1081,"_313":1082},{"_311":1079,"_313":1080},{"_311":1077,"_313":1078},{"_311":1075,"_313":1076},{"_311":1073,"_313":1074},"#80a8b3",0.1373,"#85875e",0.1572,"#c9cabf",0.1682,"#adc0be",0.2053,"#aa9f78",0.332,"hound-and-hunter-nga-33970","Hound and Hunter",{"_42":879,"_222":880,"_324":881,"_326":327,"_328":882,"_330":883,"_332":884,"_334":885,"_335":886,"_140":53},"1892","overall: 71.8 x 122.3 cm (28 1/4 x 48 1/8 in.) framed: 102.2 x 151.8 x 10.2 cm (40 1/4 x 59 3/4 x 4 in.)",122.3,71.8,1.7188417960553923,[1113,1114,1115,1116,1117],{"_221":493,"_222":494,"_42":495,"_304":305},"1947.11.1","Winslow Homer painted this in 1892, aged 56. It is now at the National Gallery of Art in Washington, DC.","A young hunter lies across the stern of a rowboat, gripping the antler of a deer submerged in the water with one hand and holding a rope with the other, while he turns to shout at his hound swimming towards them. Behind, the trees of the Adirondack forest blaze red and gold.","A young man with a peachy, ruddy complexion lies on his stomach in a wooden rowboat on a river, reaching forward to grasp the horn of a stag almost completely submerged in the rippling water with one hand. On the opposite riverbank, gold, rust, and scarlet-red trees span the width of this horizontal painting. The boy’s arms straddle the stern of the boat so one holds the antler with his right hand, closer to us, while the other clutches a rope with a loop at the end. He turns his face, mouth agape and cheeks flushed, over his right shoulder to look to our left, at a dog swimming toward the boat. The dog has white and caramel-brown markings, with dark brown ears. The boy wears earth-brown clothing and the front of his wide-brimmed hat is pushed up to reveal dark eyes and sable-brown bangs and brows. The stag and dog are between us and the boat, and are surrounded by thick brushstrokes of parchment white to create ripples in the forest-green water. Only the open muzzle, part of the eye, and the tips of the stag’s antlers are above the water’s surface. To our right, a bare, fallen tree lies along the far riverbank parallel to the boat. The boat and water fill the lower half of the scene and the autumn trees fill the upper half. The artist has signed and dated the painting in the lower right, “Winslow Homer 1892.”",{"_295":1110,"_297":1111,"_299":1112},"https://img.ochreeditions.com/m/1491.jpg?dl=1","/art/hound-and-hunter-nga-33970","/galleries/style/american-gilded-age/hound-and-hunter-nga-33970",{"_291":292,"_293":294},{"_225":1107,"_125":1108,"_285":1109},{"_276":1104,"_278":1105,"_280":1088,"_282":1106},137.3,86.1525634765625,71.1525634765625,{"_287":225,"_123":859,"_154":860,"_140":53},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1491/480.jpg","https://img.ochreeditions.com/a/1491/960.jpg","https://img.ochreeditions.com/a/1491/1920.jpg",{"_311":1125,"_313":1126},{"_311":1123,"_313":1124},{"_311":1121,"_313":1122},{"_311":1120,"_313":615},{"_311":1118,"_313":1119},"#c7b58a",0.0236,"#756d53","#4b402b",0.1098,"#342113",0.2821,"#251e11",0.4924,{"_1128":-5,"_1129":1130,"_1131":1132,"_1133":8,"_1134":1135,"_1136":8},"user","csrf","4865e7dd2866e58866773558a01243125090e6bc","cartCount",0,"dropLive","legal",[1137,1138,1139,1140,1141,1142,1143,1144,1145,1146,1147,1148],"uploadsEnabled",{"_222":1171,"_20":1172},{"_222":1169,"_20":1170},{"_222":1167,"_20":1168},{"_222":1165,"_20":1166},{"_222":1163,"_20":1164},{"_222":1161,"_20":1162},{"_222":1159,"_20":1160},{"_222":1157,"_20":1158},{"_222":1155,"_20":1156},{"_222":1153,"_20":1154},{"_222":1151,"_20":1152},{"_222":1149,"_20":1150},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]