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It is now at the Cleveland Museum of Art.",{"_118":430,"_304":431},"Boy with Anchor, by Winslow Homer, 1873",{"_297":427,"_299":428,"_301":429},"https://img.ochreeditions.com/m/603.jpg?dl=1","/art/boy-with-anchor-cma-131337","/galleries/style/american-gilded-age/boy-with-anchor-cma-131337",{"_293":294,"_295":296},{"_225":422,"_125":423,"_287":424},{"_277":419,"_279":420,"_281":402,"_283":421},58.9,43.82114705882353,19.821147058823527,{"_289":225,"_123":425,"_154":426,"_140":53},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/603/480.jpg","https://img.ochreeditions.com/a/603/960.jpg","https://img.ochreeditions.com/a/603/1920.jpg","In this work from a series of watercolors produced in Gloucester, MA, in the summer of 1873 Winslow Homer evokes the fraught nature of the local fishing industry by focusing not on the perilous work of adults, but rather the children they leave behind.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_316":449,"_318":450},{"_316":447,"_318":448},{"_316":445,"_318":446},{"_316":443,"_318":444},{"_316":441,"_318":442},"#c5c4c8",0.0959,"#6a5a58",0.1532,"#988980",0.1732,"#c9b59c",0.2873,"#8e99b3",0.2904,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","the-race-track-death-on-a-pale-horse-cma-110180","The Race Track (Death on a Pale Horse)",{"_42":515,"_222":516,"_330":517,"_332":333,"_334":518,"_336":519,"_338":-5,"_339":-5,"_340":-5,"_140":103},"c. 1896–1908","painting","Painting","oil on canvas","Framed: 84.5 x 102 x 6.5 cm (33 1/4 x 40 3/16 x 2 9/16 in.); Unframed: 70.5 x 90 cm (27 3/4 x 35 7/16 in.)",90,70.5,1.266294227188082,[500,501,502,503,504],{"_221":432,"_222":433,"_42":434,"_309":435},"1928.8","Albert Pinkham Ryder painted this in about 1896–1908, aged about 49. It is now at the Cleveland Museum of Art.",{"_118":499,"_304":431},"The Race Track (Death on a Pale Horse), by Albert Pinkham Ryder, c. 1896–1908",{"_297":496,"_299":497,"_301":498},"https://img.ochreeditions.com/m/522.jpg?dl=1","/art/the-race-track-death-on-a-pale-horse-cma-110180","/galleries/style/american-gilded-age/the-race-track-death-on-a-pale-horse-cma-110180",{"_293":494,"_295":495},{"_225":486,"_125":487,"_287":488},{"_277":483,"_279":484,"_281":467,"_283":485},105,86.07352941176471,71.07352941176471,{"_289":225,"_123":492,"_154":493,"_140":89},{"_289":125,"_123":489,"_154":490,"_140":491},{"_289":287,"_123":167,"_154":166,"_140":169},"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-albert-pinkham-ryder","Albert Pinkham Ryder's contemporaries","natural","ivory","https://img.ochreeditions.com/a/522/480.jpg","https://img.ochreeditions.com/a/522/960.jpg","https://img.ochreeditions.com/a/522/1920.jpg","Ryder’s subject was inspired by a horse race that took place in New York during 1888. One of the artist’s friends wagered $500 on the race and then died by suicide after the horse lost.",{"_316":513,"_318":514},{"_316":511,"_318":512},{"_316":509,"_318":510},{"_316":507,"_318":508},{"_316":505,"_318":506},"#3c3318",0.1109,"#584c26",0.1263,"#716437",0.1291,"#2c2414",0.2466,"#1f170e",0.3871,"Albert Pinkham Ryder","albert-pinkham-ryder","American, 1847–1917",1847,1917,"pointe-de-cabellou-brittany-cma-151796","Pointe de Cabellou, Brittany",{"_42":566,"_222":567,"_330":568,"_332":333,"_334":569,"_336":570,"_338":-5,"_339":-5,"_340":-5,"_140":103},"1881","Unframed: 60.3 x 92.2 cm (23 3/4 x 36 5/16 in.)",92.2,60.3,1.5440508628519527,[551,552,553,554,555],{"_221":432,"_222":433,"_42":434,"_309":435},"1984.13","William L. Picknell painted this in 1881, aged 27. It is now at the Cleveland Museum of Art.","Pointe de Cabellou, Brittany, by William L. Picknell, 1881",{"_297":548,"_299":549,"_301":550},"https://img.ochreeditions.com/m/720.jpg?dl=1","/art/pointe-de-cabellou-brittany-cma-151796","/galleries/style/american-gilded-age/pointe-de-cabellou-brittany-cma-151796",{"_293":494,"_295":495},{"_225":543,"_125":544,"_287":545},{"_277":540,"_279":541,"_281":525,"_283":542},107.2,74.71305882352942,59.713058823529416,{"_289":225,"_123":546,"_154":547,"_140":89},{"_289":125,"_123":489,"_154":490,"_140":491},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-william-l-picknell","William L. Picknell's contemporaries","https://img.ochreeditions.com/a/720/480.jpg","https://img.ochreeditions.com/a/720/960.jpg","https://img.ochreeditions.com/a/720/1920.jpg",{"_316":564,"_318":565},{"_316":562,"_318":563},{"_316":560,"_318":561},{"_316":558,"_318":559},{"_316":556,"_318":557},"#352e2a",0.0956,"#897665",0.1083,"#b4bec3",0.1447,"#bdac98",0.2147,"#7ea0b6",0.4367,"William L. Picknell","william-l-picknell","American, 1854–1897",1854,1897,"capri-cma-148312","Capri",{"_42":619,"_222":620,"_330":621,"_332":333,"_334":622,"_336":623,"_338":-5,"_339":-5,"_340":624,"_140":99},"1869","Framed: 69.5 x 99.5 x 9 cm (27 3/8 x 39 3/16 x 3 9/16 in.); Unframed: 50 x 80 cm (19 11/16 x 31 1/2 in.)",80,50,1.60075329566855,[604,605,606,607,608],{"_221":432,"_222":433,"_42":434,"_309":435},"1975.4","William Stanley Haseltine painted this in 1869, aged 34. It is now at the Cleveland Museum of Art.",{"_118":603,"_304":431},"Capri, by William Stanley Haseltine, 1869",{"_297":600,"_299":601,"_301":602},"https://img.ochreeditions.com/m/687.jpg?dl=1","/art/capri-cma-148312","/galleries/style/american-gilded-age/capri-cma-148312",{"_293":494,"_295":495},{"_225":595,"_125":596,"_287":597},{"_277":592,"_279":593,"_281":576,"_283":594},95,64.97647058823529,49.976470588235294,{"_289":225,"_123":598,"_154":599,"_140":99},{"_289":125,"_123":489,"_154":490,"_140":491},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/william-stanley-haseltine","More by William Stanley Haseltine","https://img.ochreeditions.com/a/687/480.jpg","https://img.ochreeditions.com/a/687/960.jpg","https://img.ochreeditions.com/a/687/1920.jpg","The Philadelphia-born Haseltine favored images of coastal rocks, painting them on both sides of the Atlantic throughout his career.",{"_316":617,"_318":618},{"_316":615,"_318":616},{"_316":613,"_318":614},{"_316":611,"_318":612},{"_316":609,"_318":610},"#726253",0.059,"#3e332a",0.1574,"#2d221d",0.1707,"#9b9688",0.2793,"#b89d85",0.3336,"William Stanley Haseltine","william-stanley-haseltine","American, 1835–1900",1835,1900,"Haseltine was born in Philadelphia, studied at Harvard and trained in Düsseldorf, where he travelled and painted with Albert Bierstadt and Worthington Whittredge.","good-friends-si-hmsg-66-880","Good Friends",{"_42":640,"_222":681,"_330":682,"_332":333,"_334":683,"_336":684,"_338":685,"_339":310,"_340":686,"_140":93},"(c. 1909)",20,"Oil on wood","22 1/4 x 31 in. (56.4 x 78.5 cm)",78.5,56.4,1.393296089385475,[666,667,668,669,670],{"_221":306,"_222":307,"_42":308,"_309":665},"Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution","66.880","William Merritt Chase painted this ((c. 1909)), aged 60. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","William Merritt Chase",{"_297":662,"_299":663,"_301":664},"https://img.ochreeditions.com/m/1829.jpg?dl=1","/art/good-friends-si-hmsg-66-880","/galleries/style/american-gilded-age/good-friends-si-hmsg-66-880",{"_293":494,"_295":495},{"_225":651,"_125":652,"_287":653},{"_277":648,"_279":649,"_281":632,"_283":650},93.5,71.341218925421,56.34121892542101,{"_289":225,"_123":660,"_154":661,"_140":93},{"_289":125,"_123":657,"_154":658,"_140":659},{"_289":287,"_123":654,"_154":655,"_140":656},"era/20-united-states","20th-century United States",124,"style/painting-20","More paintings of the 20th century",75,"artist/william-merritt-chase","More by William Merritt Chase","https://img.ochreeditions.com/a/1829/480.jpg","https://img.ochreeditions.com/a/1829/960.jpg","https://img.ochreeditions.com/a/1829/1920.jpg","Washington, DC",{"_316":679,"_318":680},{"_316":677,"_318":678},{"_316":675,"_318":676},{"_316":673,"_318":674},{"_316":671,"_318":672},"#98acb8",0.0958,"#233721",0.1016,"#928e6b",0.2167,"#5b6541",0.2554,"#8d914b",0.3305,"william-merritt-chase","American, 1849–1916",1849,1916,"Williamsburg, Indiana","Chase studied at the Royal Academy in Munich, then returned to New York in 1878 to teach at the Art Students League, setting up a lavish Tenth Street studio that became a showcase.","the-chaperone-nga-72165","The Chaperone",{"_42":738,"_222":739,"_330":740,"_332":333,"_334":741,"_336":684,"_338":742,"_339":742,"_340":743,"_140":87},"c. 1908","overall: 46.3 x 36.2 cm (18 1/4 x 14 1/4 in.) framed: 63.5 x 53.3 x 8.3 cm (25 x 21 x 3 1/4 in.)",36.2,46.3,0.76513671875,[723,724,725,726,727],{"_221":720,"_222":721,"_42":722,"_309":665},"Courtesy National Gallery of Art, Washington","1991.34.1","Thomas Eakins painted this in about 1908, aged 64. It is now at the National Gallery of Art in Washington, DC.","An elderly woman in a dark blue gown and head covering sits absorbed in the work in her hands, her eyes lowered. She is the chaperone from Thomas Eakins’s late paintings of William Rush, the Philadelphia sculptor shown carving a statue from a nude model while an older woman sits by for propriety, knitting.","This painting shows a person seated on a stool or chair, wearing a long, dark-blue robe or gown. They are slightly turned toward the right, looking downward at something they hold in their hands, and their head is covered with a cloth or cap. The background is textured with earthy tones, mostly tan with some patches of yellow ochre and gray.",{"_297":717,"_299":718,"_301":719},"https://img.ochreeditions.com/m/1618.jpg?dl=1","/art/the-chaperone-nga-72165","/galleries/style/american-gilded-age/the-chaperone-nga-72165",{"_293":494,"_295":495},{"_225":712,"_125":713,"_287":714},{"_277":709,"_279":710,"_281":711,"_283":693},50.425830078124996,61.3,35.425830078124996,{"_289":225,"_123":715,"_154":716,"_140":87},{"_289":125,"_123":657,"_154":658,"_140":659},{"_289":287,"_123":654,"_154":655,"_140":656},"artist/thomas-eakins","More by Thomas Eakins","https://img.ochreeditions.com/a/1618/480.jpg","https://img.ochreeditions.com/a/1618/960.jpg","https://img.ochreeditions.com/a/1618/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_316":736,"_318":737},{"_316":734,"_318":735},{"_316":732,"_318":733},{"_316":730,"_318":731},{"_316":728,"_318":729},"#705c4c",0.0794,"#403837",0.1084,"#514942",0.161,"#8c6e58",0.2889,"#97745a",0.3623,"Thomas Eakins","thomas-eakins","American, 1844–1916",1844,"Philadelphia, Pennsylvania","Eakins studied in Paris under Jean-Léon Gérôme and was impressed in Spain by Velázquez and Ribera, then returned to Philadelphia, where he spent his life.","repose-met-10065","Repose",{"_42":795,"_222":796,"_330":797,"_332":333,"_334":798,"_336":395,"_338":799,"_339":310,"_340":-5,"_140":103},"1895","Oil on canvas","52 1/4 x 63 5/8 in. (132.7 x 161.6 cm)",161.6,132.7,1.2113795295613476,[780,781,782,783,784],{"_221":777,"_222":778,"_42":779,"_309":310},"Courtesy of The Metropolitan Museum of Art","1980.224","John White Alexander painted this in 1895, aged 39. It is now at The Met in New York.","Repose, by John White Alexander, 1895",{"_297":774,"_299":775,"_301":776},"https://img.ochreeditions.com/m/802.jpg?dl=1","/art/repose-met-10065","/galleries/style/american-gilded-age/repose-met-10065",{"_293":494,"_295":495},{"_225":769,"_125":770,"_287":771},{"_277":766,"_279":767,"_281":750,"_283":768},176.6,148.40162686958803,133.40162686958803,{"_289":225,"_123":772,"_154":773,"_140":89},{"_289":125,"_123":489,"_154":490,"_140":491},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-white-alexander","John White Alexander's contemporaries","https://img.ochreeditions.com/a/802/480.jpg","https://img.ochreeditions.com/a/802/960.jpg","https://img.ochreeditions.com/a/802/1920.jpg","met","the-met","The Metropolitan Museum of Art",{"_316":793,"_318":794},{"_316":791,"_318":792},{"_316":789,"_318":790},{"_316":787,"_318":788},{"_316":785,"_318":786},"#613c27",0.1001,"#806c50",0.1749,"#584a3c",0.1752,"#3a2d24",0.2575,"#a9a486",0.2923,"John White Alexander","john-white-alexander","American, 1856–1915",1856,"Allegheny, Pennsylvania","the-old-road-to-the-sea-cma-117715","The Old Road to the Sea",{"_42":640,"_222":681,"_330":682,"_332":333,"_334":683,"_336":684,"_338":685,"_339":310,"_340":686,"_140":93},"c. 1893","Framed: 134.3 x 159.7 x 10.8 cm (52 7/8 x 62 7/8 x 4 1/4 in.); Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Former: 118.5 x 144 x 5.5 cm (46 5/8 x 56 11/16 x 2 3/16 in.)",127,101.5,1.2513801987486197,[831,832,833,834,835],{"_221":432,"_222":433,"_42":434,"_309":435},"1938.333","William Merritt Chase painted this in about 1893, aged about 39. It is now at the Cleveland Museum of Art.",{"_118":830,"_304":431},"The Old Road to the Sea, by William Merritt Chase, c. 1893",{"_297":827,"_299":828,"_301":829},"https://img.ochreeditions.com/m/534.jpg?dl=1","/art/the-old-road-to-the-sea-cma-117715","/galleries/style/american-gilded-age/the-old-road-to-the-sea-cma-117715",{"_293":494,"_295":495},{"_225":824,"_125":825,"_287":826},{"_277":821,"_279":822,"_281":805,"_283":823},142,116.4879411764706,101.4879411764706,{"_289":225,"_123":660,"_154":661,"_140":93},{"_289":125,"_123":489,"_154":490,"_140":491},{"_289":287,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/534/480.jpg","https://img.ochreeditions.com/a/534/960.jpg","https://img.ochreeditions.com/a/534/1920.jpg","One of the most influential of the American Impressionists, William Merritt Chase established his own summer school at Shinnecock, on the eastern tip of Long Island, New York. Attracted to the low-lying dunes and beaches, Chase and his students were among the first American artists to pursue open-air painting.",{"_316":844,"_318":845},{"_316":842,"_318":843},{"_316":840,"_318":841},{"_316":838,"_318":839},{"_316":836,"_318":837},"#80a8b3",0.1373,"#85875e",0.1572,"#c9cabf",0.1682,"#adc0be",0.2053,"#aa9f78",0.332,"as-they-threw-their-animals-back-upon-their-haunches-illustr-aic-99607","\"As They Threw their Animals Back upon their Haunches,\" illustration for An Arabian Day and Night, in Harper's New Monthly Magazine",{"_42":904,"_222":905,"_330":906,"_332":333,"_334":907,"_336":908,"_338":-5,"_339":-5,"_340":-5,"_140":103},"n.d.","watercolour","Drawing and Watercolor","Brush and black gray wash heightened with white gouache over graphite, on cream laminate board","34.9 × 44.7 cm (13 3/4 × 17 5/8 in.)",44,34,0.6854395604395604,[889,890,891,892,893],{"_221":885,"_222":886,"_42":887,"_309":888},"Courtesy of the Art Institute of Chicago","1982.1583","Frederic Remington painted this (n.d.), aged 33. It is now at the Art Institute of Chicago.","A work made of brush and black gray wash heightened with white gouache over graphite, on cream laminate board.",{"_297":882,"_299":883,"_301":884},"https://img.ochreeditions.com/m/257.jpg?dl=1","/art/as-they-threw-their-animals-back-upon-their-haunches-illustr-aic-99607","/galleries/style/american-gilded-age/as-they-threw-their-animals-back-upon-their-haunches-illustr-aic-99607",{"_293":294,"_295":296},{"_225":874,"_125":875,"_287":876},{"_277":870,"_279":871,"_281":872,"_283":873},56.02214206478983,70.71767419472344,32.02214206478983,46.71767419472344,{"_289":225,"_123":880,"_154":881,"_140":89},{"_289":125,"_123":877,"_154":878,"_140":879},{"_289":287,"_123":167,"_154":166,"_140":169},"style/watercolour-19","More watercolours of the 19th century",40,"artist/contemporaries-of-frederic-remington","Frederic Remington's contemporaries","https://img.ochreeditions.com/a/257/480.jpg","https://img.ochreeditions.com/a/257/960.jpg","https://img.ochreeditions.com/a/257/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_316":902,"_318":903},{"_316":900,"_318":901},{"_316":898,"_318":899},{"_316":896,"_318":897},{"_316":894,"_318":895},"#36322b",0.0433,"#6c665a",0.1019,"#a09787",0.131,"#c8bdac",0.3253,"#dcd5c5",0.3985,"Frederic Remington","frederic-remington","American, 1861–1909",1861,1909,"alvan-clark-cma-107283","Alvan Clark","Unrecorded American maker","1870s","Unframed: 69.6 x 56 cm (27 3/8 x 22 1/16 in.)",56,69.6,0.8182352941176471,[940,941,942,943,944],{"_221":432,"_222":433,"_42":434,"_309":435},"1925.126","An unrecorded United States artist painted this in the 1870s. It is now at the Cleveland Museum of Art.","Alvan Clark, 1870s",{"_297":937,"_299":938,"_301":939},"https://img.ochreeditions.com/m/514.jpg?dl=1","/art/alvan-clark-cma-107283","/galleries/style/american-gilded-age/alvan-clark-cma-107283",{"_293":494,"_295":495},{"_225":932,"_125":933,"_287":934},{"_277":929,"_279":930,"_281":931,"_283":915},71.94917647058823,84.6,56.94917647058823,{"_289":225,"_123":935,"_154":936,"_140":87},{"_289":125,"_123":489,"_154":490,"_140":491},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/unrecorded-united-states","More by unrecorded makers of the United States","https://img.ochreeditions.com/a/514/480.jpg","https://img.ochreeditions.com/a/514/960.jpg","https://img.ochreeditions.com/a/514/1920.jpg",{"_316":953,"_318":954},{"_316":951,"_318":952},{"_316":949,"_318":950},{"_316":947,"_318":948},{"_316":945,"_318":946},"#a87c5b",0.0183,"#623f2e",0.0436,"#37281f",0.1337,"#1e1513",0.3999,"#473626",0.4045,"drapery-study-si-chndm-1914-38-155","Drapery Study",{"_42":1004,"_222":1005,"_330":1006,"_332":333,"_334":683,"_336":908,"_338":-5,"_339":-5,"_340":1007,"_140":99},"ca. 1895","Graphite on tracing paper","17.9 × 33.3 cm (7 1/16 × 13 1/8 in.)",33.3,17.9,1.8188170701272772,[989,990,991,992,993],{"_221":306,"_222":307,"_42":308,"_309":310},"1914-38-155","Francis Augustus Lathrop drew this in about 1895, aged 46. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":988,"_304":305},"DRAPERY STUDY",{"_297":985,"_299":986,"_301":987},"https://img.ochreeditions.com/m/1718.jpg?dl=1","/art/drapery-study-si-chndm-1914-38-155","/galleries/style/american-gilded-age/drapery-study-si-chndm-1914-38-155",{"_293":294,"_295":296},{"_225":980,"_125":981,"_287":982},{"_277":977,"_279":978,"_281":961,"_283":979},57.3,42.308603183315036,18.308603183315036,{"_289":225,"_123":983,"_154":984,"_140":99},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/francis-augustus-lathrop","More by Francis Augustus Lathrop","https://img.ochreeditions.com/a/1718/480.jpg","https://img.ochreeditions.com/a/1718/960.jpg","https://img.ochreeditions.com/a/1718/1920.jpg","Female figure reclining to the right, head up and hands in a praying attitude.",{"_316":1002,"_318":1003},{"_316":1000,"_318":1001},{"_316":998,"_318":999},{"_316":996,"_318":997},{"_316":994,"_318":995},"#8f826e",0.0317,"#aeaba9",0.0946,"#9a9385",0.2371,"#ada89b",0.2563,"#a79f92",0.3803,"Francis Augustus Lathrop","francis-augustus-lathrop","American, 1849–1909","Lathrop trained in London, where he worked with the Pre-Raphaelite circle around Ford Madox Brown and William Morris.","edward-guthrie-kennedy-met-10466","Edward Guthrie Kennedy",{"_42":640,"_222":681,"_330":682,"_332":333,"_334":683,"_336":684,"_338":685,"_339":310,"_340":686,"_140":93},"22 x 17 7/8 in. (55.9 x 45.4 cm)",45.4,55.9,0.8089536699635607,[1036,1037,1038,1039,1040],{"_221":777,"_222":778,"_42":779,"_309":310},"1973.342","William Merritt Chase painted this in about 1895, aged about 43. It is now at The Met in New York.","Edward Guthrie Kennedy, by William Merritt Chase, ca. 1895",{"_297":1033,"_299":1034,"_301":1035},"https://img.ochreeditions.com/m/809.jpg?dl=1","/art/edward-guthrie-kennedy-met-10466","/galleries/style/american-gilded-age/edward-guthrie-kennedy-met-10466",{"_293":494,"_295":495},{"_225":1030,"_125":1031,"_287":1032},{"_277":1027,"_279":1028,"_281":1029,"_283":1013},60.22051015096304,70.9,45.22051015096304,{"_289":225,"_123":660,"_154":661,"_140":93},{"_289":125,"_123":489,"_154":490,"_140":491},{"_289":287,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/809/480.jpg","https://img.ochreeditions.com/a/809/960.jpg","https://img.ochreeditions.com/a/809/1920.jpg",{"_316":1049,"_318":1050},{"_316":1047,"_318":1048},{"_316":1045,"_318":1046},{"_316":1043,"_318":1044},{"_316":1041,"_318":1042},"#ba9078",0.0367,"#916d5b",0.0535,"#5e4c3f",0.055,"#1f1d1d",0.381,"#38322a",0.4738,"corte-del-paradiso-aic-158382","Corte del Paradiso",{"_42":1098,"_222":1099,"_330":1100,"_332":333,"_334":1101,"_336":1102,"_338":1103,"_339":1104,"_340":1105,"_140":231},"1880","Pastel and black chalk on brown wove paper with fibrous inclusions","30.1 × 14.9 cm (11 7/8 × 5 7/8 in.)",30,0.4954666076957099,[1083,1084,1085,1086,1087],{"_221":885,"_222":886,"_42":887,"_309":888},"2002.679","James McNeill Whistler painted this in 1880, aged 46. It is now at the Art Institute of Chicago.","A narrow Venetian courtyard, the Corte del Paradiso, is evoked with a few lines of black chalk and touches of coloured pastel on brown paper, the bare sheet standing for walls and shadow.","A work made of pastel and black chalk on brown wove paper with fibrous inclusions.",{"_297":1080,"_299":1081,"_301":1082},"https://img.ochreeditions.com/m/340.jpg?dl=1","/art/corte-del-paradiso-aic-158382","/galleries/style/american-gilded-age/corte-del-paradiso-aic-158382",{"_293":294,"_295":296},{"_225":1075,"_125":1076,"_287":1077},{"_277":1072,"_279":1073,"_281":1074,"_283":1057},38.863998230871296,54,14.863998230871296,{"_289":225,"_123":1078,"_154":1079,"_140":231},{"_289":125,"_123":877,"_154":878,"_140":879},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/340/480.jpg","https://img.ochreeditions.com/a/340/960.jpg","https://img.ochreeditions.com/a/340/1920.jpg",{"_316":1096,"_318":1097},{"_316":1094,"_318":1095},{"_316":1092,"_318":1093},{"_316":1090,"_318":1091},{"_316":1088,"_318":1089},"#766539",0.0298,"#605043",0.1128,"#8a7968",0.1333,"#725d4b",0.2852,"#796756",0.4389,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","king-lear-act-i-scene-i-met-10049","\"King Lear,\" Act I, Scene I",{"_42":1153,"_222":1154,"_330":1155,"_332":333,"_334":1156,"_336":1157,"_338":742,"_339":1104,"_340":-5,"_140":103},"1898","54 1/4 x 127 1/4 in. (137.8 x 323.2 cm)",323.2,137.8,2.3225616921269094,[1138,1139,1140,1141,1142],{"_221":777,"_222":778,"_42":779,"_309":310},"13.140","Edwin Austin Abbey painted this in 1898, aged 46. It is now at The Met in New York.","\"King Lear,\" Act I, Scene I, by Edwin Austin Abbey, 1898",{"_297":1135,"_299":1136,"_301":1137},"https://img.ochreeditions.com/m/801.jpg?dl=1","/art/king-lear-act-i-scene-i-met-10049","/galleries/style/american-gilded-age/king-lear-act-i-scene-i-met-10049",{"_293":494,"_295":495},{"_225":1130,"_125":1131,"_287":1132},{"_277":1126,"_279":1127,"_281":1128,"_283":1129},255,118.33417657475336,240,103.33417657475336,{"_289":225,"_123":1133,"_154":1134,"_140":89},{"_289":125,"_123":489,"_154":490,"_140":491},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-edwin-austin-abbey","Edwin Austin Abbey's contemporaries","https://img.ochreeditions.com/a/801/480.jpg","https://img.ochreeditions.com/a/801/960.jpg","https://img.ochreeditions.com/a/801/1920.jpg",{"_316":1151,"_318":1152},{"_316":1149,"_318":1150},{"_316":1147,"_318":1148},{"_316":1145,"_318":1146},{"_316":1143,"_318":1144},"#5e2b2b",0.0742,"#79735d",0.0921,"#43302b",0.202,"#4e4739",0.2204,"#2b2b29",0.4113,"Edwin Austin Abbey","edwin-austin-abbey","American, 1852–1911",1852,1911,{"_1159":-5,"_1160":1161,"_1162":1163,"_1164":8,"_1165":1166,"_1167":8},"user","csrf","2c3c735b02a3a8eb6a239258334c6c31cca6e238","cartCount",0,"dropLive","legal",[1168,1169,1170,1171,1172,1173,1174,1175,1176,1177,1178,1179],"uploadsEnabled",{"_222":1202,"_20":1203},{"_222":1200,"_20":1201},{"_222":1198,"_20":1199},{"_222":1196,"_20":1197},{"_222":1194,"_20":1195},{"_222":1192,"_20":1193},{"_222":1190,"_20":1191},{"_222":1188,"_20":1189},{"_222":1186,"_20":1187},{"_222":1184,"_20":1185},{"_222":1182,"_20":1183},{"_222":1180,"_20":1181},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]