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The woman’s arms hang by her sides, and she holds two paperback-sized books in her left hand, to our right. An earth-brown lawn stretches back to the schoolhouse, which has crimson-red walls, a chimney, and a dark gray roof. Three forms painted with a few streaks of dark or light gray or topaz blue suggest people standing near the door of the schoolhouse. Trees and a grassy lawn beyond the building are loosely painted with blended strokes. The sky is shaded pale lemon yellow and light peach with touches of rose pink. The artist signed and dated the lower right corner, “HOMER 1873.”",{"_295":370,"_297":371,"_299":372},"https://img.ochreeditions.com/m/1610.jpg?dl=1","/art/the-red-school-house-nga-66419","/galleries/style/american-gilded-age/the-red-school-house-nga-66419",{"_291":292,"_293":294},{"_224":365,"_125":366,"_285":367},{"_276":362,"_278":363,"_280":364,"_281":346},53.86083984375,70.5,38.86083984375,{"_287":224,"_123":368,"_154":369,"_140":53},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/1610/480.jpg","https://img.ochreeditions.com/a/1610/960.jpg","https://img.ochreeditions.com/a/1610/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_314":390,"_316":391},{"_314":388,"_316":389},{"_314":386,"_316":387},{"_314":384,"_316":385},{"_314":382,"_316":383},"#783613",0.0139,"#3c361f",0.1378,"#694019",0.1854,"#dfb685",0.3045,"#8a7760",0.3584,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165","Study for \"The Blue Girl: Portrait of Miss Elinor Leyland\"",{"_42":459,"_221":460,"_328":461,"_330":331,"_332":462,"_334":463,"_336":464,"_338":465,"_339":466,"_140":230},"c. 1879","watercolour","Drawing and Watercolor","Pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper","17.9 × 11.2 cm (7 1/16 × 4 7/16 in.)",17,0.7061027837259101,[444,445,446,447,448],{"_220":440,"_221":441,"_42":442,"_307":443},"Courtesy of the Art Institute of Chicago","1921.124","James McNeill Whistler painted this in about 1879, aged 45. It is now at the Art Institute of Chicago.","A work made of pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper.",{"_295":437,"_297":438,"_299":439},"https://img.ochreeditions.com/m/291.jpg?dl=1","/art/study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165","/galleries/style/american-gilded-age/study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165",{"_291":435,"_293":436},{"_224":427,"_125":428,"_285":429},{"_276":423,"_278":424,"_280":425,"_281":426},41.65256959314775,49,17.652569593147753,25,{"_287":224,"_123":433,"_154":434,"_140":230},{"_287":125,"_123":430,"_154":431,"_140":432},{"_287":285,"_123":166,"_154":165,"_140":168},"style/watercolour-19","More watercolours of the 19th century",40,"artist/james-mcneill-whistler","More by James McNeill Whistler","white","snow","https://img.ochreeditions.com/a/291/480.jpg","https://img.ochreeditions.com/a/291/960.jpg","https://img.ochreeditions.com/a/291/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_314":457,"_316":458},{"_314":455,"_316":456},{"_314":453,"_316":454},{"_314":451,"_316":452},{"_314":449,"_316":450},"#6e4f40",0.0108,"#a68a75",0.0132,"#d3baa3",0.0444,"#a5a09a",0.0743,"#e8d2bb",0.8573,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","the-race-track-death-on-a-pale-horse-cma-110180","The Race Track (Death on a Pale Horse)",{"_42":514,"_221":515,"_328":516,"_330":331,"_332":517,"_334":518,"_336":-5,"_338":-5,"_339":-5,"_140":103},"c. 1896–1908","Framed: 84.5 x 102 x 6.5 cm (33 1/4 x 40 3/16 x 2 9/16 in.); Unframed: 70.5 x 90 cm (27 3/4 x 35 7/16 in.)",90,1.266294227188082,[499,500,501,502,503],{"_220":304,"_221":305,"_42":306,"_307":308},"1928.8","Albert Pinkham Ryder painted this in about 1896–1908, aged about 49. It is now at the Cleveland Museum of Art.",{"_118":498,"_302":303},"The Race Track (Death on a Pale Horse), by Albert Pinkham Ryder, c. 1896–1908",{"_295":495,"_297":496,"_299":497},"https://img.ochreeditions.com/m/522.jpg?dl=1","/art/the-race-track-death-on-a-pale-horse-cma-110180","/galleries/style/american-gilded-age/the-race-track-death-on-a-pale-horse-cma-110180",{"_291":292,"_293":294},{"_224":490,"_125":491,"_285":492},{"_276":487,"_278":488,"_280":472,"_281":489},105,86.07352941176471,71.07352941176471,{"_287":224,"_123":493,"_154":494,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-albert-pinkham-ryder","Albert Pinkham Ryder's contemporaries","https://img.ochreeditions.com/a/522/480.jpg","https://img.ochreeditions.com/a/522/960.jpg","https://img.ochreeditions.com/a/522/1920.jpg","Ryder’s subject was inspired by a horse race that took place in New York during 1888. One of the artist’s friends wagered $500 on the race and then died by suicide after the horse lost.",{"_314":512,"_316":513},{"_314":510,"_316":511},{"_314":508,"_316":509},{"_314":506,"_316":507},{"_314":504,"_316":505},"#3c3318",0.1109,"#584c26",0.1263,"#716437",0.1291,"#2c2414",0.2466,"#1f170e",0.3871,"Albert Pinkham Ryder","albert-pinkham-ryder","American, 1847–1917",1847,1917,"fishermen-beaching-a-dory-cullercoats-england-si-chndm-1912-12-41","Fishermen Beaching a Dory, Cullercoats, England",{"_42":392,"_221":393,"_328":394,"_330":331,"_332":395,"_334":396,"_336":397,"_338":398,"_339":399,"_140":53},"1881","drawing","Drawing","Charcoal, black and white chalk on cream wove paper","17.6 x 30 cm (6 15/16 x 11 13/16 in.)",30,17.6,1.6583278472679395,[562,563,564,565,566],{"_220":558,"_221":559,"_42":560,"_307":561},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1912-12-41","Winslow Homer drew this in 1881, aged 45. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":556,"_302":557},"FISHERMEN BEACHING A DORY, CULLERCOATS, ENGLAND",{"_295":553,"_297":554,"_299":555},"https://img.ochreeditions.com/m/1715.jpg?dl=1","/art/fishermen-beaching-a-dory-cullercoats-england-si-chndm-1912-12-41","/galleries/style/american-gilded-age/fishermen-beaching-a-dory-cullercoats-england-si-chndm-1912-12-41",{"_291":435,"_293":436},{"_224":547,"_125":548,"_285":549},{"_276":544,"_278":545,"_280":527,"_281":546},54,42.09051210797936,18.090512107979357,{"_287":224,"_123":368,"_154":369,"_140":53},{"_287":125,"_123":550,"_154":551,"_140":552},{"_287":285,"_123":166,"_154":165,"_140":168},"style/drawing-19","More drawings of the 19th century",92,"https://img.ochreeditions.com/a/1715/480.jpg","https://img.ochreeditions.com/a/1715/960.jpg","https://img.ochreeditions.com/a/1715/1920.jpg","Horizontal view of five fishermen shown beaching a boat on a four- wheeled truck, in the foreground, with sailboats on the sea indicated in the background.","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution","New York",{"_314":575,"_316":576},{"_314":573,"_316":574},{"_314":571,"_316":572},{"_314":569,"_316":570},{"_314":567,"_316":568},"#efe9d9",0.0913,"#735f4e",0.1032,"#9a836b",0.1493,"#bca387",0.2019,"#d7c0a4",0.4543,"study-for-diana-and-her-attendants-among-the-constellations-si-chndm-1914-38-3","Study for \"Diana and Her Attendants among the Constellations\"",{"_42":626,"_221":627,"_328":628,"_330":331,"_332":629,"_334":630,"_336":-5,"_338":-5,"_339":631,"_140":99},"ca. 1894","Graphite on paper","42.9 × 67.8 cm (16 7/8 × 26 11/16 in.)",67.8,42.9,1.5276033773544058,[611,612,613,614,615],{"_220":558,"_221":559,"_42":560,"_307":561},"1914-38-3","Francis Augustus Lathrop drew this in about 1894, aged 45. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":610,"_302":557},"STUDY FOR \"DIANA AND HER ATTENDANTS AMONG THE CONSTELLATIONS\"",{"_295":607,"_297":608,"_299":609},"https://img.ochreeditions.com/m/1719.jpg?dl=1","/art/study-for-diana-and-her-attendants-among-the-constellations-si-chndm-1914-38-3","/galleries/style/american-gilded-age/study-for-diana-and-her-attendants-among-the-constellations-si-chndm-1914-38-3",{"_291":435,"_293":436},{"_224":602,"_125":603,"_285":604},{"_276":599,"_278":600,"_280":583,"_281":601},91.8,68.38324829931972,44.383248299319725,{"_287":224,"_123":605,"_154":606,"_140":99},{"_287":125,"_123":550,"_154":551,"_140":552},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/francis-augustus-lathrop","More by Francis Augustus Lathrop","https://img.ochreeditions.com/a/1719/480.jpg","https://img.ochreeditions.com/a/1719/960.jpg","https://img.ochreeditions.com/a/1719/1920.jpg","Sketch of a female nude figure reclining.",{"_314":624,"_316":625},{"_314":622,"_316":623},{"_314":620,"_316":621},{"_314":618,"_316":619},{"_314":616,"_316":617},"#dfcdb6",0.0149,"#f7f2e5",0.0387,"#efe8cd",0.0472,"#c6a17e",0.0521,"#ba855c",0.8471,"Francis Augustus Lathrop","francis-augustus-lathrop","American, 1849–1909",1849,1909,"Lathrop trained in London, where he worked with the Pre-Raphaelite circle around Ford Madox Brown and William Morris.","three-girls-and-river-si-saam-1980-34-3","Three Girls and River",{"_42":690,"_221":691,"_328":692,"_330":693,"_332":694,"_334":695,"_336":-5,"_338":-5,"_339":696,"_140":97},"1907",20,"oil on fiberboard","23 x 27 in. (58.5 x 68.5 cm)",68.5,58.5,1.1801730920535012,[675,676,677,678,679],{"_220":558,"_221":559,"_42":560,"_307":376},"Courtesy of the Smithsonian American Art Museum","1980.34.3","Louis M. Eilshemius painted this in 1907, aged 43. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":673,"_302":674},"Three Girls and River, by Louis M. Eilshemius, 1907",{"_295":670,"_297":671,"_299":672},"https://img.ochreeditions.com/m/1958.jpg?dl=1","/art/three-girls-and-river-si-saam-1980-34-3","/galleries/style/american-gilded-age/three-girls-and-river-si-saam-1980-34-3",{"_291":292,"_293":294},{"_224":659,"_125":660,"_285":661},{"_276":656,"_278":657,"_280":639,"_281":658},83.5,73.04233333333333,58.04233333333333,{"_287":224,"_123":668,"_154":669,"_140":97},{"_287":125,"_123":665,"_154":666,"_140":667},{"_287":285,"_123":662,"_154":663,"_140":664},"era/20-united-states","20th-century United States",124,"style/painting-20","More paintings of the 20th century",75,"artist/louis-m-eilshemius","More by Louis M. Eilshemius","https://img.ochreeditions.com/a/1958/480.jpg","https://img.ochreeditions.com/a/1958/960.jpg","https://img.ochreeditions.com/a/1958/1920.jpg","Louis M. Eilshemius is best known for his romanticized and often erotically charged landscapes that contain nude women or nymphs. In Three Girls and River, three nude women relax in a bucolic setting with lush trees and a babbling river.","Text from the Smithsonian American Art Museum.",{"_314":688,"_316":689},{"_314":686,"_316":687},{"_314":684,"_316":685},{"_314":682,"_316":683},{"_314":680,"_316":681},"#a69b73",0.1273,"#665b40",0.1487,"#d1bc82",0.1548,"#343838",0.2824,"#5d6767",0.2868,"Louis M. Eilshemius","louis-m-eilshemius","New Jersey, 1864–1941","New Jersey",1864,1941,"Eilshemius studied in New York and at the Académie Julian in Paris and travelled widely, as far as Samoa, painting romantic landscapes and nudes that found few admirers.","buttresses-on-city-walls-loches-si-chndm-1948-47-145","Buttresses on City Walls; Loches",{"_42":745,"_221":746,"_328":747,"_330":331,"_332":748,"_334":749,"_336":-5,"_338":-5,"_339":750,"_140":99},"1883","Graphite, brush with blue wash and white heightening on blue-grey paper","23.2 × 14.3 cm (9 1/8 × 5 5/8 in.)",14.3,23.2,0.6302105715513536,[730,731,732,733,734],{"_220":558,"_221":559,"_42":560,"_307":561},"1948-47-145","Arnold William Brunner drew this in 1883, aged 26. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":729,"_302":557},"BUTTRESSES ON CITY WALLS; LOCHES",{"_295":726,"_297":727,"_299":728},"https://img.ochreeditions.com/m/1747.jpg?dl=1","/art/buttresses-on-city-walls-loches-si-chndm-1948-47-145","/galleries/style/american-gilded-age/buttresses-on-city-walls-loches-si-chndm-1948-47-145",{"_291":435,"_293":436},{"_224":721,"_125":722,"_285":723},{"_276":719,"_278":424,"_280":720,"_281":426},39.75526428878384,15.75526428878384,{"_287":224,"_123":724,"_154":725,"_140":99},{"_287":125,"_123":550,"_154":551,"_140":552},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/arnold-william-brunner","More by Arnold William Brunner","https://img.ochreeditions.com/a/1747/480.jpg","https://img.ochreeditions.com/a/1747/960.jpg","https://img.ochreeditions.com/a/1747/1920.jpg","Stone or brick buttress juts from right, Houses below, right and left.",{"_314":743,"_316":744},{"_314":741,"_316":742},{"_314":739,"_316":740},{"_314":737,"_316":738},{"_314":735,"_316":736},"#849091",0.0563,"#919c9c",0.1332,"#9ea7a5",0.1938,"#a8afad",0.298,"#a1a8a1",0.3187,"Arnold William Brunner","arnold-william-brunner","American, 1857–1925",1857,1925,"Arnold W. Brunner was a New York architect who trained at the Massachusetts Institute of Technology and sketched widely in Europe as a young man.","locust-blossoms-si-chndm-1939-85-93","Locust Blossoms",{"_42":800,"_221":801,"_328":802,"_330":331,"_332":803,"_334":804,"_336":-5,"_338":-5,"_339":-5,"_140":103},"June 6, 1877","Brush and watercolor, graphite on cream paper","39.8 × 28.5 cm (15 11/16 × 11 1/4 in.)",28.5,39.8,0.7338490487141961,[785,786,787,788,789],{"_220":558,"_221":559,"_42":560,"_307":561},"1939-85-93","Samuel Colman painted this (June 6, 1877), aged 45. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":784,"_302":557},"LOCUST BLOSSOMS",{"_295":781,"_297":782,"_299":783},"https://img.ochreeditions.com/m/1743.jpg?dl=1","/art/locust-blossoms-si-chndm-1939-85-93","/galleries/style/american-gilded-age/locust-blossoms-si-chndm-1939-85-93",{"_291":435,"_293":436},{"_224":776,"_125":777,"_285":778},{"_276":773,"_278":774,"_280":775,"_281":758},53.20719213882501,63.8,29.207192138825004,{"_287":224,"_123":779,"_154":780,"_140":89},{"_287":125,"_123":550,"_154":551,"_140":552},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-samuel-colman","Samuel Colman's contemporaries","https://img.ochreeditions.com/a/1743/480.jpg","https://img.ochreeditions.com/a/1743/960.jpg","https://img.ochreeditions.com/a/1743/1920.jpg","Studies of locust blossoms in watercolor, center; below, studies in graphite of horse-chestnut leaves; above, studies in graphite of apple blossoms. Verso: sweet pea; marshmallow leaves.",{"_314":798,"_316":799},{"_314":796,"_316":797},{"_314":794,"_316":795},{"_314":792,"_316":793},{"_314":790,"_316":791},"#bfb29d",0.0572,"#bab8bb",0.0725,"#d0c1af",0.1971,"#deccb9",0.2832,"#e8d4c0",0.39,"Samuel Colman","samuel-colman","American, 1832–1920",1832,1920,"giant-magnolias-on-a-blue-velvet-cloth-nga-93464","Giant Magnolias on a Blue Velvet Cloth",{"_42":851,"_221":852,"_328":853,"_330":331,"_332":854,"_334":855,"_336":-5,"_338":-5,"_339":856,"_140":97},"c. 1890","overall: 38.4 x 61.5 cm (15 1/8 x 24 3/16 in.) framed: 65.4 x 87.6 x 7.9 cm (25 3/4 x 34 1/2 x 3 1/8 in.)",61.5,38.4,1.6234641300039636,[837,838,839,840,841],{"_220":373,"_221":374,"_42":375,"_307":376},"1996.14.1","Martin Johnson Heade painted this in about 1890, aged 71. It is now at the National Gallery of Art in Washington, DC.","Three magnolia blossoms, from a tight bud to a fully open flower with an oval stamen at its heart, lie with their glossy leaves across a sapphire velvet cloth, brightly lit from the left against a dark background.","Twigs of a magnolia tree with light green, glossy leaves and three cream-white blossoms lie on a sapphire-blue cloth in this horizontal still life painting. Brightly lit from our left, the blossoms and leaves nearly fill the composition, and the cut ends lie on the fabric to our right. The blue fabric cascades from the upper left and across the table or ledge. The three flowers are in various stages of bloom. The tightest bud is to our left, overlapped by a stem and the tender, unfurling leaves of a branch. The blossom next to it, at the center, is starting to open. The petals of the third blossom, to our right, splay open around the flower’s oval-shaped stamen. Light glints off the waxy leaves surrounding the flowers. The tawny-brown underside of one leaf is visible where it turns over, near the cut ends of the branches. Light shimmering on the fabric darkens from bright blue to our right, to deep royal blue in the shadows to the upper left, suggesting the fabric is velvet. The background is streaked with tan and pine green behind the fabric, and becomes nearly black in the shadows of the upper right corner and along the bottom edge. The artist signed the lower right corner, \"MJ. Heade.\"",{"_295":834,"_297":835,"_299":836},"https://img.ochreeditions.com/m/1627.jpg?dl=1","/art/giant-magnolias-on-a-blue-velvet-cloth-nga-93464","/galleries/style/american-gilded-age/giant-magnolias-on-a-blue-velvet-cloth-nga-93464",{"_291":292,"_293":294},{"_224":829,"_125":830,"_285":831},{"_276":826,"_278":827,"_280":810,"_281":828},76.5,52.8819580078125,37.8819580078125,{"_287":224,"_123":832,"_154":833,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/martin-johnson-heade","More by Martin Johnson Heade","https://img.ochreeditions.com/a/1627/480.jpg","https://img.ochreeditions.com/a/1627/960.jpg","https://img.ochreeditions.com/a/1627/1920.jpg",{"_314":849,"_316":850},{"_314":847,"_316":848},{"_314":845,"_316":846},{"_314":843,"_316":844},{"_314":842,"_316":568},"#255152","#493e20",0.1094,"#c5ba99",0.1322,"#5a6734",0.1627,"#171d1d",0.5044,"Martin Johnson Heade","martin-johnson-heade","1819–1904",1819,1904,"Heade travelled restlessly and worked in many genres, but is best known for three subjects: the salt marshes of New England and New Jersey, with haystacks under changing skies; hummingbirds and orchids, which he studied on journeys to Brazil and Central America; and, in later…","cartoon-for-mural-of-minnesota-state-capital-institute-of-ju-si-saam-1983-114-23","Cartoon for mural of Minnesota State Capital, \"Institute of Justice\"",{"_42":903,"_221":904,"_328":905,"_330":331,"_332":906,"_334":907,"_336":-5,"_338":-5,"_339":908,"_140":95},"ca. 1904","22 1/8 x 45 3/8 in. (56.2 x 115.1 cm)",115.1,56.2,2.0380434782608696,[888,889,890,891,892],{"_220":558,"_221":559,"_42":560,"_307":376},"1983.114.23","Kenyon Cox painted this in about 1904, aged 48. It is now at the Smithsonian American Art Museum in Washington, DC.","Cartoon for mural of Minnesota State Capital, \"Institute of Justice\", by Kenyon Cox, ca. 1904",{"_295":885,"_297":886,"_299":887},"https://img.ochreeditions.com/m/1966.jpg?dl=1","/art/cartoon-for-mural-of-minnesota-state-capital-institute-of-ju-si-saam-1983-114-23","/galleries/style/american-gilded-age/cartoon-for-mural-of-minnesota-state-capital-institute-of-ju-si-saam-1983-114-23",{"_291":292,"_293":294},{"_224":880,"_125":881,"_285":882},{"_276":877,"_278":878,"_280":862,"_281":879},130.1,71.47573333333332,56.47573333333333,{"_287":224,"_123":883,"_154":884,"_140":95},{"_287":125,"_123":665,"_154":666,"_140":667},{"_287":285,"_123":662,"_154":663,"_140":664},"artist/kenyon-cox","More by Kenyon Cox","https://img.ochreeditions.com/a/1966/480.jpg","https://img.ochreeditions.com/a/1966/960.jpg","https://img.ochreeditions.com/a/1966/1920.jpg",{"_314":901,"_316":902},{"_314":899,"_316":900},{"_314":897,"_316":898},{"_314":895,"_316":896},{"_314":893,"_316":894},"#7e4b22",0.0353,"#986c40",0.0998,"#a9855e",0.1709,"#b39977",0.3367,"#bda686",0.3573,"Kenyon Cox","kenyon-cox","American, 1856–1919",1856,1919,"Cox trained in Cincinnati, Philadelphia and Paris, where he studied with Carolus-Duran and Jean-Léon Gérôme, before settling in New York in 1883.","the-stubble-field-cma-106093","The Stubble Field",{"_42":957,"_221":958,"_328":959,"_330":331,"_332":694,"_334":960,"_336":-5,"_338":-5,"_339":-5,"_140":103},"c. 1909","Unframed: 81 x 115.5 cm (31 7/8 x 45 1/2 in.)",115.5,81,1.4261744966442953,[942,943,944,945,946],{"_220":304,"_221":305,"_42":306,"_307":308},"1924.198","Henry Golden Dearth painted this in about 1909, aged about 40. It is now at the Cleveland Museum of Art.",{"_118":941,"_302":303},"The Stubble Field, by Henry Golden Dearth, c. 1909",{"_295":938,"_297":939,"_299":940},"https://img.ochreeditions.com/m/511.jpg?dl=1","/art/the-stubble-field-cma-106093","/galleries/style/american-gilded-age/the-stubble-field-cma-106093",{"_291":292,"_293":294},{"_224":933,"_125":934,"_285":935},{"_276":930,"_278":931,"_280":914,"_281":932},130.5,95.98588235294118,80.98588235294118,{"_287":224,"_123":936,"_154":937,"_140":89},{"_287":125,"_123":665,"_154":666,"_140":667},{"_287":285,"_123":662,"_154":663,"_140":664},"artist/contemporaries-of-henry-golden-dearth","Henry Golden Dearth's contemporaries","https://img.ochreeditions.com/a/511/480.jpg","https://img.ochreeditions.com/a/511/960.jpg","https://img.ochreeditions.com/a/511/1920.jpg","Henry Golden Dearth's composition presents a farm worker guiding a pair of workhorses after a day of harvesting grain. The painting's title refers the short pieces of grain stalks left in the ground after the crop has been cut.",{"_314":955,"_316":956},{"_314":953,"_316":954},{"_314":951,"_316":952},{"_314":949,"_316":950},{"_314":947,"_316":948},"#3a382c",0.1267,"#53442b",0.1476,"#9f9271",0.1816,"#685837",0.2208,"#c5bd9b",0.3233,"Henry Golden Dearth","henry-golden-dearth","American, 1864–1918",1918,"landscape-cma-110952","Landscape",{"_42":1006,"_221":1007,"_328":1008,"_330":331,"_332":1009,"_334":1010,"_336":1011,"_338":1012,"_339":1013,"_140":95},"1888","Framed: 79.5 x 92 x 6 cm (31 5/16 x 36 1/4 x 2 3/8 in.); Unframed: 56.2 x 70 cm (22 1/8 x 27 9/16 in.)",70,1.2151536812008576,[991,992,993,994,995],{"_220":304,"_221":305,"_42":306,"_307":308},"1929.464","George Inness painted this in 1888, aged 63. It is now at the Cleveland Museum of Art.","Landscape, by George Inness, 1888",{"_295":988,"_297":989,"_299":990},"https://img.ochreeditions.com/m/523.jpg?dl=1","/art/landscape-cma-110952","/galleries/style/american-gilded-age/landscape-cma-110952",{"_291":292,"_293":294},{"_224":983,"_125":984,"_285":985},{"_276":980,"_278":981,"_280":966,"_281":982},85,72.60588235294118,57.60588235294118,{"_287":224,"_123":986,"_154":987,"_140":95},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/george-inness","More by George Inness","https://img.ochreeditions.com/a/523/480.jpg","https://img.ochreeditions.com/a/523/960.jpg","https://img.ochreeditions.com/a/523/1920.jpg",{"_314":1004,"_316":1005},{"_314":1002,"_316":1003},{"_314":1000,"_316":1001},{"_314":998,"_316":999},{"_314":996,"_316":997},"#b19364",0.079,"#797057",0.1583,"#694d2a",0.2099,"#494731",0.2703,"#2b2919",0.2825,"George Inness","george-inness","American, 1825–1894",1825,1894,"Newburgh, New York","Bridge of Allan, Scotland","Inness was largely self-taught and began in the manner of the Hudson River School, but journeys to Italy and France, where he admired the Barbizon painters, led him towards broader, more atmospheric landscapes.","bare-knuckles-nga-59902","Bare Knuckles",{"_42":1061,"_221":1062,"_328":331,"_330":331,"_332":-5,"_334":1063,"_336":-5,"_338":-5,"_339":-5,"_140":103},"c. 1870/1885","oil on paperboard on wood","overall: 30.5 x 48.6 cm (12 x 19 1/8 in.)",48.6,30.5,1.6279809220985693,[1046,1047,1048,1049,1050],{"_220":373,"_221":374,"_42":375,"_307":376},"1980.62.9","George A. Hayes painted this in about 1870/1885. It is now at the National Gallery of Art in Washington, DC.","This is a painting depicting a bare-knuckle boxing match with two fighters in a ring surrounded by a crowd. Both fighters are men with light skin, and they wear no shirts. The fighter on the left wears orange pants with black dots, while the fighter on the right wears red pants with white dots. Behind these men are two other shirtless men wearing the same types of pants, as well as two other men wearing more formal attire, including jackets, vests, and hats. Outside the ring, a semi-circle of light-skinned men in formal attire watch the central fight. The setting is outdoors, with grass around the feet of the spectators and green hills in the background. Above the group, the sky is light gray.",{"_295":1043,"_297":1044,"_299":1045},"https://img.ochreeditions.com/m/1596.jpg?dl=1","/art/bare-knuckles-nga-59902","/galleries/style/american-gilded-age/bare-knuckles-nga-59902",{"_291":292,"_293":294},{"_224":1038,"_125":1039,"_285":1040},{"_276":1035,"_278":1036,"_280":1020,"_281":1037},63.6,44.852929687499994,29.852929687499998,{"_287":224,"_123":1041,"_154":1042,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-george-a-hayes","George A. Hayes's contemporaries","https://img.ochreeditions.com/a/1596/480.jpg","https://img.ochreeditions.com/a/1596/960.jpg","https://img.ochreeditions.com/a/1596/1920.jpg",{"_314":1059,"_316":1060},{"_314":1057,"_316":1058},{"_314":1055,"_316":1056},{"_314":1053,"_316":1054},{"_314":1051,"_316":1052},"#87632e",0.0909,"#262c20",0.135,"#c5bfa5",0.226,"#908865",0.248,"#585131",0.3001,"George A. Hayes","george-a-hayes",1930,"alvan-clark-cma-107283","Alvan Clark","Unrecorded American maker","1870s","Unframed: 69.6 x 56 cm (27 3/8 x 22 1/16 in.)",56,69.6,0.8182352941176471,[1095,1096,1097,1098,1099],{"_220":304,"_221":305,"_42":306,"_307":308},"1925.126","An unrecorded United States artist painted this in the 1870s. It is now at the Cleveland Museum of Art.","Alvan Clark, 1870s",{"_295":1092,"_297":1093,"_299":1094},"https://img.ochreeditions.com/m/514.jpg?dl=1","/art/alvan-clark-cma-107283","/galleries/style/american-gilded-age/alvan-clark-cma-107283",{"_291":292,"_293":294},{"_224":1087,"_125":1088,"_285":1089},{"_276":1084,"_278":1085,"_280":1086,"_281":1070},71.94917647058823,84.6,56.94917647058823,{"_287":224,"_123":1090,"_154":1091,"_140":87},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/unrecorded-united-states","More by unrecorded makers of the United States","https://img.ochreeditions.com/a/514/480.jpg","https://img.ochreeditions.com/a/514/960.jpg","https://img.ochreeditions.com/a/514/1920.jpg",{"_314":1108,"_316":1109},{"_314":1106,"_316":1107},{"_314":1104,"_316":1105},{"_314":1102,"_316":1103},{"_314":1100,"_316":1101},"#a87c5b",0.0183,"#623f2e",0.0436,"#37281f",0.1337,"#1e1513",0.3999,"#473626",0.4045,"we-both-must-fade-mrs-fithian-si-saam-1970-101","We Both Must Fade (Mrs. Fithian)",{"_42":1158,"_221":1159,"_328":1160,"_330":331,"_332":1161,"_334":1162,"_336":-5,"_338":-5,"_339":-5,"_140":101},"1869","72 x 53 3/4 in. (182.9 x 136.5 cm.)",136.5,182.9,0.744,[1143,1144,1145,1146,1147],{"_220":558,"_221":559,"_42":560,"_307":376},"1970.101","Lilly Martin Spencer painted this in 1869, aged 47. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":1142,"_302":674},"We Both Must Fade (Mrs. Fithian), by Lilly Martin Spencer, 1869",{"_295":1139,"_297":1140,"_299":1141},"https://img.ochreeditions.com/m/1938.jpg?dl=1","/art/we-both-must-fade-mrs-fithian-si-saam-1970-101","/galleries/style/american-gilded-age/we-both-must-fade-mrs-fithian-si-saam-1970-101",{"_291":292,"_293":294},{"_224":1134,"_125":1135,"_285":1136},{"_276":1131,"_278":1132,"_280":1133,"_281":1116},151.0776,197.9,136.0776,{"_287":224,"_123":1137,"_154":1138,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-lilly-martin-spencer","Lilly Martin Spencer's contemporaries","https://img.ochreeditions.com/a/1938/480.jpg","https://img.ochreeditions.com/a/1938/960.jpg","https://img.ochreeditions.com/a/1938/1920.jpg","Mrs. Fithian stands before a mirror, admiring the tokens that others have given in praise of her beauty. She wears lace and pearls, and a blue gown that has just been taken from its box. But like the rose in her hand with its falling petals, her beauty will fade, and with it, all the pleasures the world can provide.",{"_314":1156,"_316":1157},{"_314":1154,"_316":1155},{"_314":1152,"_316":1153},{"_314":1150,"_316":1151},{"_314":1148,"_316":1149},"#b4a487",0.0854,"#1c2f4f",0.1024,"#5c7b90",0.1157,"#542916",0.2586,"#261210",0.4379,"Lilly Martin Spencer","lilly-martin-spencer","1822–1902",1822,1902,{"_1164":-5,"_1165":1166,"_1167":1168,"_1169":8,"_1170":1171,"_1172":8},"user","csrf","05db02be53e8670a385863797559cf873d300281","cartCount",0,"dropLive","legal",[1173,1174,1175,1176,1177,1178,1179,1180,1181,1182,1183,1184],"uploadsEnabled",{"_221":1207,"_20":1208},{"_221":1205,"_20":1206},{"_221":1203,"_20":1204},{"_221":1201,"_20":1202},{"_221":1199,"_20":1200},{"_221":1197,"_20":1198},{"_221":1195,"_20":1196},{"_221":1193,"_20":1194},{"_221":1191,"_20":1192},{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]