[{"_1":2,"_3":4},"root",{"_5":1120},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","The American Gilded Age, in the galleries · Ochre Editions","description","Painting and design in the United States from the Civil War to 1910. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/american-gilded-age","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/american-gilded-age.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","The American Gilded Age, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/sand-dunes-harlech-north-wales-si-saam-1983-83-268",15,"https://www.ochreeditions.com/art/fishermen-beaching-a-dory-cullercoats-england-si-chndm-1912-12-41",14,"https://www.ochreeditions.com/art/pointe-de-cabellou-brittany-cma-151796",13,"https://www.ochreeditions.com/art/blue-morning-nga-46557",12,"https://www.ochreeditions.com/art/stag-at-sharkey-s-cma-92937",11,"https://www.ochreeditions.com/art/study-for-diana-and-her-attendants-among-the-constellations-si-chndm-1914-38-3",10,"https://www.ochreeditions.com/art/the-witch-s-daughter-si-saam-1929-6-18",9,"https://www.ochreeditions.com/art/view-of-venice-italy-si-chndm-1904-16-455",8,"https://www.ochreeditions.com/art/two-studies-of-women-standing-behind-railing-looking-at-the-si-chndm-1912-12-16",7,"https://www.ochreeditions.com/art/talcott-williams-si-npg-npg-85-50",6,"https://www.ochreeditions.com/art/portrait-of-mrs-thomas-eakins-si-hmsg-66-1522",5,"https://www.ochreeditions.com/art/pink-roses-nga-134158",4,"https://www.ochreeditions.com/art/good-friends-si-hmsg-66-880",3,"https://www.ochreeditions.com/art/the-race-track-death-on-a-pale-horse-cma-110180",2,"https://www.ochreeditions.com/art/portrait-of-mrs-helen-mac-knight-portrait-of-a-mother-si-hmsg-66-1496",1,"https://www.ochreeditions.com/art/the-gulf-stream-met-11122","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~american-gilded-age.af90c6b1ca.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~american-gilded-age.af90c6b1ca.jpg","alt","The American Gilded Age, a room in the galleries: three of its 67 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk The American Gilded Age: 67 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~american-gilded-age.jpg","key","style/american-gilded-age","style","The American Gilded Age","intro","Painting and design in the United States from the Civil War to 1910.","wing","Style galleries","floor","layout","enfilade","hang",3361,"/galleries/style/american-gilded-age","total",67,"page","works",[205,206,207,208,209,210,211,212,213,214,215,216,217,218,219,220],"walls",[173,174,175,176,177],"doors",[164,165],"next_cursor","eyJvIjoxNiwiaCI6MzM2MSwiaSI6bnVsbCwiZyI6Ild5b3R0cTJQIn0","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/american-gilded-age?hang=3361&cursor=eyJvIjoxNiwiaCI6MzM2MSwiaSI6bnVsbCwiZyI6Ild5b3R0cTJQIn0&via=continue","label","The American Gilded Age, room 2","move","doorway","first_wall_images",[160,161,162,163],"https://img.ochreeditions.com/a/1747/480.jpg","https://img.ochreeditions.com/a/682/480.jpg","https://img.ochreeditions.com/a/514/480.jpg","https://img.ochreeditions.com/a/495/480.jpg",{"_154":170,"_123":171,"_44":172,"_140":99},{"_154":166,"_123":167,"_44":168,"_140":169},"19th-century United States","era/19-united-states","/galleries/era/19-united-states?hang=3361&via=continue",198,"More by George Elbert Burr","artist/george-elbert-burr","/galleries/artist/george-elbert-burr?hang=3361&via=continue",{"_42":200,"_179":201},{"_42":194,"_179":195},{"_42":188,"_179":189},{"_42":183,"_179":184},{"_42":178,"_179":180},"Third room, north wall","work_ids",[181,182],1715,1969,"Second room, north wall",[185,186,187],459,1524,720,"Second room, south wall",[190,191,192,193],1714,1711,1876,1719,"First room, south wall",[196,197,198,199],1829,1658,1822,1852,"First room, north wall",[202,203,204],832,1821,522,{"_221":202,"_222":1072,"_20":1073,"_225":1074,"_227":-5,"_228":1075,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":780,"_241":1076,"_243":1077,"_245":1078,"_246":1079,"_248":1080,"_250":1081,"_252":1082,"_254":1083,"_256":257,"_258":1084,"_154":-5,"_260":1085,"_111":1086,"_262":1087,"_264":1088,"_266":1089,"_268":1090,"_270":1091,"_144":1092,"_273":1093},{"_221":203,"_222":1031,"_20":1032,"_225":1033,"_227":-5,"_228":1034,"_230":465,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":780,"_241":1035,"_243":1036,"_245":837,"_246":1037,"_248":1038,"_250":1039,"_252":841,"_254":1040,"_256":257,"_258":1041,"_154":-5,"_260":-5,"_111":824,"_262":1042,"_264":1043,"_266":1044,"_268":1045,"_270":1046,"_144":1047,"_273":1048},{"_221":204,"_222":978,"_20":979,"_225":980,"_227":-5,"_228":981,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":408,"_241":982,"_243":983,"_245":984,"_246":985,"_248":986,"_250":987,"_252":415,"_254":988,"_256":257,"_258":989,"_154":990,"_260":-5,"_111":991,"_262":992,"_264":993,"_266":994,"_268":995,"_270":996,"_144":997,"_273":998},{"_221":196,"_222":928,"_20":929,"_225":930,"_227":-5,"_228":931,"_230":465,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":932,"_241":933,"_243":934,"_245":935,"_246":936,"_248":937,"_250":938,"_252":841,"_254":939,"_256":257,"_258":940,"_154":-5,"_260":-5,"_111":941,"_262":942,"_264":943,"_266":944,"_268":945,"_270":946,"_144":947,"_273":948},{"_221":197,"_222":875,"_20":876,"_225":877,"_227":-5,"_228":878,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":341,"_237":342,"_239":879,"_241":880,"_243":881,"_245":882,"_246":883,"_248":884,"_250":885,"_252":472,"_254":886,"_256":257,"_258":887,"_154":-5,"_260":-5,"_111":888,"_262":889,"_264":890,"_266":891,"_268":892,"_270":893,"_144":894,"_273":895},{"_221":198,"_222":831,"_20":832,"_225":833,"_227":-5,"_228":834,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":780,"_241":835,"_243":836,"_245":837,"_246":838,"_248":839,"_250":840,"_252":841,"_254":842,"_256":257,"_258":843,"_154":-5,"_260":-5,"_111":824,"_262":844,"_264":845,"_266":846,"_268":847,"_270":848,"_144":849,"_273":850},{"_221":199,"_222":776,"_20":777,"_225":778,"_227":-5,"_228":779,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":780,"_241":781,"_243":782,"_245":783,"_246":784,"_248":785,"_250":786,"_252":787,"_254":788,"_256":257,"_258":789,"_154":-5,"_260":-5,"_111":790,"_262":791,"_264":792,"_266":793,"_268":794,"_270":795,"_144":796,"_273":797},{"_221":190,"_222":732,"_20":733,"_225":734,"_227":-5,"_228":340,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":341,"_237":342,"_239":735,"_241":736,"_243":737,"_245":738,"_246":739,"_248":740,"_250":741,"_252":350,"_254":742,"_256":257,"_258":352,"_154":743,"_260":-5,"_111":744,"_262":745,"_264":746,"_266":747,"_268":748,"_270":749,"_144":750,"_273":751},{"_221":191,"_222":677,"_20":678,"_225":679,"_227":-5,"_228":680,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":341,"_237":342,"_239":681,"_241":682,"_243":683,"_245":684,"_246":685,"_248":686,"_250":687,"_252":350,"_254":688,"_256":257,"_258":689,"_154":690,"_260":-5,"_111":691,"_262":692,"_264":693,"_266":694,"_268":695,"_270":696,"_144":697,"_273":698},{"_221":192,"_222":625,"_20":626,"_225":627,"_227":-5,"_228":340,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":628,"_241":629,"_243":630,"_245":631,"_246":632,"_248":633,"_250":634,"_252":253,"_254":635,"_256":257,"_258":636,"_154":-5,"_260":-5,"_111":637,"_262":638,"_264":639,"_266":640,"_268":641,"_270":642,"_144":643,"_273":644},{"_221":193,"_222":570,"_20":571,"_225":572,"_227":-5,"_228":573,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":341,"_237":342,"_239":574,"_241":575,"_243":576,"_245":577,"_246":578,"_248":579,"_250":580,"_252":350,"_254":581,"_256":257,"_258":582,"_154":583,"_260":-5,"_111":584,"_262":585,"_264":586,"_266":587,"_268":588,"_270":589,"_144":590,"_273":591},{"_221":185,"_222":525,"_20":526,"_225":527,"_227":-5,"_228":464,"_230":465,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":408,"_241":528,"_243":529,"_245":370,"_246":530,"_248":531,"_250":532,"_252":415,"_254":533,"_256":257,"_258":534,"_154":535,"_260":-5,"_111":536,"_262":537,"_264":538,"_266":539,"_268":540,"_270":541,"_144":542,"_273":543},{"_221":186,"_222":461,"_20":462,"_225":463,"_227":-5,"_228":464,"_230":465,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":408,"_241":466,"_243":467,"_245":468,"_246":469,"_248":470,"_250":471,"_252":472,"_254":473,"_256":257,"_258":474,"_154":-5,"_260":475,"_111":476,"_262":477,"_264":478,"_266":479,"_268":480,"_270":481,"_144":482,"_273":483},{"_221":187,"_222":405,"_20":406,"_225":407,"_227":-5,"_228":340,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":408,"_241":409,"_243":410,"_245":411,"_246":412,"_248":413,"_250":414,"_252":415,"_254":416,"_256":257,"_258":417,"_154":-5,"_260":-5,"_111":418,"_262":419,"_264":420,"_266":421,"_268":422,"_270":423,"_144":424,"_273":425},{"_221":181,"_222":337,"_20":338,"_225":339,"_227":-5,"_228":340,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":341,"_237":342,"_239":343,"_241":344,"_243":345,"_245":346,"_246":347,"_248":348,"_250":349,"_252":350,"_254":351,"_256":257,"_258":352,"_154":353,"_260":-5,"_111":354,"_262":355,"_264":356,"_266":357,"_268":358,"_270":359,"_144":360,"_273":361},{"_221":182,"_222":223,"_20":224,"_225":226,"_227":-5,"_228":229,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":240,"_241":242,"_243":244,"_245":77,"_246":247,"_248":249,"_250":251,"_252":253,"_254":255,"_256":257,"_258":259,"_154":-5,"_260":-5,"_111":261,"_262":263,"_264":265,"_266":267,"_268":269,"_270":271,"_144":272,"_273":274},"id","slug","sand-dunes-harlech-north-wales-si-saam-1983-83-268","Sand Dunes, Harlech, North Wales","artist",{"_42":323,"_222":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":-5,"_334":-5,"_335":336,"_140":99},"unrecorded","date","1899","century",19,"place","united-states","movement","american-gilded-age","painting","classification","Painting","medium","watercolor on paper","dimensions","sheet: 5 1/2 x 8 7/8 in. (14.0 x 22.5 cm)","width_cm",22.5,"height_cm","aspect",1.6130917592051432,"palette",[306,307,308,309,310],"museum",{"_221":301,"_222":302,"_42":303,"_304":305},"credit","Courtesy of the Smithsonian American Art Museum","accession","1983.83.268","licence","CC0","story","George Elbert Burr painted this in 1899, aged 40. It is now at the Smithsonian American Art Museum in Washington, DC.","note","Sand Dunes, Harlech, North Wales, by George Elbert Burr, 1899","images",{"_295":296,"_297":298,"_299":300},"download_url","https://img.ochreeditions.com/m/1969.jpg?dl=1","page_url","/art/sand-dunes-harlech-north-wales-si-saam-1983-83-268","walk_url","/galleries/style/american-gilded-age/sand-dunes-harlech-north-wales-si-saam-1983-83-268","frame",{"_291":292,"_293":294},{"_225":283,"_125":284,"_285":286},"size",{"_275":276,"_277":278,"_279":280,"_281":282},"w",40,"h",30.4981884057971,"image_w",25,"image_h",15.498188405797102,{"_287":225,"_123":171,"_154":170,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},"era",{"_287":285,"_123":167,"_154":166,"_140":169},"facet","style/painting-19","More paintings of the 19th century",432,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1969/480.jpg","960","https://img.ochreeditions.com/a/1969/960.jpg","1920","https://img.ochreeditions.com/a/1969/1920.jpg","si","smithsonian","Smithsonian Institution","city","Washington, DC",{"_311":321,"_313":322},{"_311":319,"_313":320},{"_311":317,"_313":318},{"_311":315,"_313":316},{"_311":312,"_313":314},"hex","#9793a1","weight",0.0898,"#9f866a",0.1016,"#c0beb6",0.1203,"#a6b0b5",0.2246,"#d4b79d",0.4637,"George Elbert Burr","george-elbert-burr","bio","American, 1859–1939","nationality","American","birth_year",1859,"death_year",1939,"birth_place","death_place","about_excerpt","Burr worked as an illustrator in New York before spending several years travelling and sketching in Europe around 1900.","fishermen-beaching-a-dory-cullercoats-england-si-chndm-1912-12-41","Fishermen Beaching a Dory, Cullercoats, England",{"_42":397,"_222":398,"_325":399,"_327":328,"_329":400,"_331":401,"_333":402,"_334":403,"_335":404,"_140":53},"1881","drawing","Drawing","Charcoal, black and white chalk on cream wove paper","17.6 x 30 cm (6 15/16 x 11 13/16 in.)",30,17.6,1.6583278472679395,[382,383,384,385,386],{"_221":301,"_222":302,"_42":303,"_304":381},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1912-12-41","Winslow Homer drew this in 1881, aged 45. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":378,"_379":380},"FISHERMEN BEACHING A DORY, CULLERCOATS, ENGLAND",{"_295":375,"_297":376,"_299":377},"https://img.ochreeditions.com/m/1715.jpg?dl=1","/art/fishermen-beaching-a-dory-cullercoats-england-si-chndm-1912-12-41","/galleries/style/american-gilded-age/fishermen-beaching-a-dory-cullercoats-england-si-chndm-1912-12-41",{"_291":373,"_293":374},{"_225":365,"_125":366,"_285":367},{"_275":362,"_277":363,"_279":345,"_281":364},54,42.09051210797936,18.090512107979357,{"_287":225,"_123":371,"_154":372,"_140":53},{"_287":125,"_123":368,"_154":369,"_140":370},{"_287":285,"_123":167,"_154":166,"_140":169},"style/drawing-19","More drawings of the 19th century",92,"artist/winslow-homer","More by Winslow Homer","white","snow","https://img.ochreeditions.com/a/1715/480.jpg","https://img.ochreeditions.com/a/1715/960.jpg","https://img.ochreeditions.com/a/1715/1920.jpg","Horizontal view of five fishermen shown beaching a boat on a four- wheeled truck, in the foreground, with sailboats on the sea indicated in the background.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","New York",{"_311":395,"_313":396},{"_311":393,"_313":394},{"_311":391,"_313":392},{"_311":389,"_313":390},{"_311":387,"_313":388},"#efe9d9",0.0913,"#735f4e",0.1032,"#9a836b",0.1493,"#bca387",0.2019,"#d7c0a4",0.4543,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","pointe-de-cabellou-brittany-cma-151796","Pointe de Cabellou, Brittany",{"_42":456,"_222":457,"_325":458,"_327":328,"_329":459,"_331":460,"_333":-5,"_334":-5,"_335":-5,"_140":103},"oil on canvas","Unframed: 60.3 x 92.2 cm (23 3/4 x 36 5/16 in.)",92.2,60.3,1.5440508628519527,[441,442,443,444,445],{"_221":437,"_222":438,"_42":439,"_304":440},"Courtesy of the Cleveland Museum of Art","1984.13","William L. Picknell painted this in 1881, aged 27. It is now at the Cleveland Museum of Art.","Pointe de Cabellou, Brittany, by William L. Picknell, 1881",{"_295":434,"_297":435,"_299":436},"https://img.ochreeditions.com/m/720.jpg?dl=1","/art/pointe-de-cabellou-brittany-cma-151796","/galleries/style/american-gilded-age/pointe-de-cabellou-brittany-cma-151796",{"_291":292,"_293":294},{"_225":429,"_125":430,"_285":431},{"_275":426,"_277":427,"_279":410,"_281":428},107.2,74.71305882352942,59.713058823529416,{"_287":225,"_123":432,"_154":433,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-william-l-picknell","William L. Picknell's contemporaries","https://img.ochreeditions.com/a/720/480.jpg","https://img.ochreeditions.com/a/720/960.jpg","https://img.ochreeditions.com/a/720/1920.jpg","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":454,"_313":455},{"_311":452,"_313":453},{"_311":450,"_313":451},{"_311":448,"_313":449},{"_311":446,"_313":447},"#352e2a",0.0956,"#897665",0.1083,"#b4bec3",0.1447,"#bdac98",0.2147,"#7ea0b6",0.4367,"William L. Picknell","william-l-picknell","American, 1854–1897",1854,1897,"blue-morning-nga-46557","Blue Morning",{"_42":519,"_222":520,"_325":521,"_327":328,"_329":522,"_331":523,"_333":-5,"_334":-5,"_335":524,"_140":93},"1909",20,"overall: 86.3 x 111.7 cm (34 x 44 in.) framed: 102.9 x 135.6 x 6 cm (40 1/2 x 53 3/8 x 2 3/8 in.)",111.7,86.3,1.2832080200501252,[504,505,506,507,508],{"_221":501,"_222":502,"_42":503,"_304":305},"Courtesy National Gallery of Art, Washington","1963.10.82","George Bellows painted this in 1909, aged 27. It is now at the National Gallery of Art in Washington, DC.","Workmen hammer and haul behind a wooden fence beneath the iron column of an elevated railway, while beyond them the ground drops into a vast excavation and the pale blue façade of a building rises in the haze.","From under an elevated train track, we look at a cluster of people hammering and working on the far side of a wooden fence, all against a silvery-blue building that fills most of the background in this horizontal painting. The scene is loosely painted mostly in tones of hazy and saturated blues, so many of the details are indistinct. About a quarter of the way in from the right edge of the composition, a thin iron column holds up the train platform. The column nearly spans the height of the painting, and the track it supports runs across the top edge of the canvas. At the foot of the column, along the bottom edge, are two parallel tracks embedded in an area otherwise painted with short, diagonal strokes in topaz blue, olive green, and straw yellow. Just beyond the tracks, the split-rail wooden fence runs across most of the painting, though there is an opening at the left edge of the canvas. A man sits with his back to us on the railing to our right of center. He wears a dark cap, a lapis-blue shirt, and navy-blue pants. Several men work on or near a mound-shaped form, perhaps a piece of machinery, just beyond the fence, near the center of the painting. One man holds a hammer high overhead while another reaches down or strikes the mound with his feet planted wide. More people work together to our left, and a man to our right stands near a crane. The people and these areas are painted with broad strokes and touches of cobalt blue, charcoal gray, khaki brown, and a few swipes of shell pink and bright white. A puff of white smoke billows up behind the central group, before the land drops precipitously away. The chasm is painted with shimmering tones of aquamarine and cerulean blue. A sky-blue, rectangular building perches at the far edge. A few windows are outlined in royal blue to our left but the rest of the building is loosely painted with long, vertical strokes so no architectural details can be made out. Behind this structure are more city buildings, suggested with strokes of muted rust red, parchment and bright white, and cobalt blue. The ice-blue sky fills the band between the top of the buildings and the train track running overhead. The artist signed his name near the lower left corner, “BELLOWS.”",{"_295":498,"_297":499,"_299":500},"https://img.ochreeditions.com/m/1524.jpg?dl=1","/art/blue-morning-nga-46557","/galleries/style/american-gilded-age/blue-morning-nga-46557",{"_291":292,"_293":294},{"_225":487,"_125":488,"_285":489},{"_275":484,"_277":485,"_279":467,"_281":486},126.7,102.0474609375,87.0474609375,{"_287":225,"_123":496,"_154":497,"_140":93},{"_287":125,"_123":493,"_154":494,"_140":495},{"_287":285,"_123":490,"_154":491,"_140":492},"era/20-united-states","20th-century United States",124,"style/painting-20","More paintings of the 20th century",75,"artist/george-bellows","More by George Bellows","https://img.ochreeditions.com/a/1524/480.jpg","https://img.ochreeditions.com/a/1524/960.jpg","https://img.ochreeditions.com/a/1524/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_311":517,"_313":518},{"_311":515,"_313":516},{"_311":513,"_313":514},{"_311":511,"_313":512},{"_311":509,"_313":510},"#426e85",0.0819,"#7c7f6c",0.1334,"#c2ccc2",0.1628,"#7c9aa1",0.2516,"#383f3e",0.3703,"George Bellows","george-bellows","American, 1882–1925",1882,1925,"Bellows left Ohio State University to study in New York with Robert Henri and became the most celebrated of the younger realists around him.","stag-at-sharkey-s-cma-92937","Stag at Sharkey's",{"_42":519,"_222":520,"_325":521,"_327":328,"_329":522,"_331":523,"_333":-5,"_334":-5,"_335":524,"_140":93},"Framed: 110 x 140.5 x 8.5 cm (43 5/16 x 55 5/16 x 3 3/8 in.); Unframed: 92 x 122.6 cm (36 1/4 x 48 1/4 in.)",122.6,1.3375295043273014,[555,556,557,558,559],{"_221":437,"_222":438,"_42":439,"_304":440},"1922.1133","George Bellows painted this in 1909, aged 27. It is now at the Cleveland Museum of Art.",{"_118":553,"_379":554},"Stag at Sharkey's, by George Bellows, 1909",{"_295":550,"_297":551,"_299":552},"https://img.ochreeditions.com/m/459.jpg?dl=1","/art/stag-at-sharkey-s-cma-92937","/galleries/style/american-gilded-age/stag-at-sharkey-s-cma-92937",{"_291":292,"_293":294},{"_225":547,"_125":548,"_285":549},{"_275":544,"_277":545,"_279":529,"_281":546},137.6,106.66152941176469,91.66152941176469,{"_287":225,"_123":496,"_154":497,"_140":93},{"_287":125,"_123":493,"_154":494,"_140":495},{"_287":285,"_123":490,"_154":491,"_140":492},"https://img.ochreeditions.com/a/459/480.jpg","https://img.ochreeditions.com/a/459/960.jpg","https://img.ochreeditions.com/a/459/1920.jpg","Bellows was no stranger to Sharkey’s Athletic Club, a raucous saloon with a backroom boxing ring, located near his studio. Founded by Tom “Sailor” Sharkey, an ex-fighter who had also served in the US Navy, the club attracted men seeking to watch or participate in matches.","Text from the Cleveland Museum of Art.",{"_311":568,"_313":569},{"_311":566,"_313":567},{"_311":564,"_313":565},{"_311":562,"_313":563},{"_311":560,"_313":561},"#765643",0.0469,"#b59f8d",0.0605,"#646363",0.0684,"#2e2d2d",0.235,"#141517",0.5892,"study-for-diana-and-her-attendants-among-the-constellations-si-chndm-1914-38-3","Study for \"Diana and Her Attendants among the Constellations\"",{"_42":619,"_222":620,"_325":621,"_327":328,"_329":622,"_331":623,"_333":-5,"_334":-5,"_335":624,"_140":99},"ca. 1894","Graphite on paper","42.9 × 67.8 cm (16 7/8 × 26 11/16 in.)",67.8,42.9,1.5276033773544058,[604,605,606,607,608],{"_221":301,"_222":302,"_42":303,"_304":381},"1914-38-3","Francis Augustus Lathrop drew this in about 1894, aged 45. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":603,"_379":380},"STUDY FOR \"DIANA AND HER ATTENDANTS AMONG THE CONSTELLATIONS\"",{"_295":600,"_297":601,"_299":602},"https://img.ochreeditions.com/m/1719.jpg?dl=1","/art/study-for-diana-and-her-attendants-among-the-constellations-si-chndm-1914-38-3","/galleries/style/american-gilded-age/study-for-diana-and-her-attendants-among-the-constellations-si-chndm-1914-38-3",{"_291":373,"_293":374},{"_225":595,"_125":596,"_285":597},{"_275":592,"_277":593,"_279":576,"_281":594},91.8,68.38324829931972,44.383248299319725,{"_287":225,"_123":598,"_154":599,"_140":99},{"_287":125,"_123":368,"_154":369,"_140":370},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/francis-augustus-lathrop","More by Francis Augustus Lathrop","https://img.ochreeditions.com/a/1719/480.jpg","https://img.ochreeditions.com/a/1719/960.jpg","https://img.ochreeditions.com/a/1719/1920.jpg","Sketch of a female nude figure reclining.",{"_311":617,"_313":618},{"_311":615,"_313":616},{"_311":613,"_313":614},{"_311":611,"_313":612},{"_311":609,"_313":610},"#dfcdb6",0.0149,"#f7f2e5",0.0387,"#efe8cd",0.0472,"#c6a17e",0.0521,"#ba855c",0.8471,"Francis Augustus Lathrop","francis-augustus-lathrop","American, 1849–1909",1849,1909,"Lathrop trained in London, where he worked with the Pre-Raphaelite circle around Ford Madox Brown and William Morris.","the-witch-s-daughter-si-saam-1929-6-18","The Witch's Daughter",{"_42":671,"_222":672,"_325":673,"_327":674,"_329":675,"_331":676,"_333":-5,"_334":-5,"_335":-5,"_140":103},"watercolor","sight 20 1/2 x 12 1/2 in. (52.1 x 31.8 cm)",31.8,52.1,0.593,[656,657,658,659,660],{"_221":301,"_222":302,"_42":303,"_304":305},"1929.6.18","Frederick Stuart Church painted this in 1881, aged 39. It is now at the Smithsonian American Art Museum in Washington, DC.","The Witch's Daughter, by Frederick Stuart Church, 1881",{"_295":653,"_297":654,"_299":655},"https://img.ochreeditions.com/m/1876.jpg?dl=1","/art/the-witch-s-daughter-si-saam-1929-6-18","/galleries/style/american-gilded-age/the-witch-s-daughter-si-saam-1929-6-18",{"_291":292,"_293":294},{"_225":648,"_125":649,"_285":650},{"_275":645,"_277":646,"_279":647,"_281":631},45.8953,67.1,30.8953,{"_287":225,"_123":651,"_154":652,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-frederick-stuart-church","Frederick Stuart Church's contemporaries","https://img.ochreeditions.com/a/1876/480.jpg","https://img.ochreeditions.com/a/1876/960.jpg","https://img.ochreeditions.com/a/1876/1920.jpg",{"_311":669,"_313":670},{"_311":667,"_313":668},{"_311":665,"_313":666},{"_311":663,"_313":664},{"_311":661,"_313":662},"#674631",0.0189,"#886c60",0.0954,"#b9b196",0.2549,"#a89782",0.2993,"#9c8471",0.3315,"Frederick Stuart Church","frederick-stuart-church","Grand Rapids, MI 1842-New York City 1924","Grand Rapids",1842,1924,"view-of-venice-italy-si-chndm-1904-16-455","View of Venice, Italy",{"_42":726,"_222":727,"_325":728,"_327":328,"_329":729,"_331":730,"_333":-5,"_334":-5,"_335":731,"_140":99},"1880","Graphite on wove paper","21.9 × 14.3 cm (8 5/8 × 5 5/8 in.)",14.3,21.9,0.6867469879518072,[711,712,713,714,715],{"_221":301,"_222":302,"_42":303,"_304":381},"1904-16-455","Robert Frederick Blum drew this in 1880, aged 23. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":710,"_379":380},"VIEW OF VENICE, ITALY",{"_295":707,"_297":708,"_299":709},"https://img.ochreeditions.com/m/1711.jpg?dl=1","/art/view-of-venice-italy-si-chndm-1904-16-455","/galleries/style/american-gilded-age/view-of-venice-italy-si-chndm-1904-16-455",{"_291":373,"_293":374},{"_225":702,"_125":703,"_285":704},{"_275":699,"_277":700,"_279":701,"_281":280},41.16867469879518,49,17.16867469879518,{"_287":225,"_123":705,"_154":706,"_140":99},{"_287":125,"_123":368,"_154":369,"_140":370},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/robert-frederick-blum","More by Robert Frederick Blum","https://img.ochreeditions.com/a/1711/480.jpg","https://img.ochreeditions.com/a/1711/960.jpg","https://img.ochreeditions.com/a/1711/1920.jpg","Sketch of a gondola on a canal in Venice.",{"_311":724,"_313":725},{"_311":722,"_313":723},{"_311":720,"_313":721},{"_311":718,"_313":719},{"_311":716,"_313":717},"#978573",0.0075,"#b5a59a",0.0295,"#b4b4b7",0.1186,"#c4a282",0.2255,"#cfae8b",0.6189,"Robert Frederick Blum","robert-frederick-blum","American, 1857–1903",1857,1903,"Blum trained in Cincinnati and Philadelphia and became a leading American illustrator, admired for his deft pen work, pastels and etchings. In Venice in 1880 he worked in the circle of Frank Duveneck and was influenced by Whistler.","two-studies-of-women-standing-behind-railing-looking-at-the-si-chndm-1912-12-16","Two Studies of Women Standing behind Railing, Looking at the Launching of Dories, Cullercoats, England",{"_42":397,"_222":398,"_325":399,"_327":328,"_329":400,"_331":401,"_333":402,"_334":403,"_335":404,"_140":53},"Pen and brown ink on off-white wove paper","19.9 x 17.9 cm (7 13/16 x 7 1/16 in.)",17.9,19.9,0.9123489657997133,[761,762,763,764,765],{"_221":301,"_222":302,"_42":303,"_304":381},"1912-12-16",{"_118":760,"_379":380},"TWO STUDIES OF WOMEN STANDING BEHIND RAILING, LOOKING AT THE LAUNCHING OF DORIES, CULLERCOATS, ENGLAND",{"_295":757,"_297":758,"_299":759},"https://img.ochreeditions.com/m/1714.jpg?dl=1","/art/two-studies-of-women-standing-behind-railing-looking-at-the-si-chndm-1912-12-16","/galleries/style/american-gilded-age/two-studies-of-women-standing-behind-railing-looking-at-the-si-chndm-1912-12-16",{"_291":373,"_293":374},{"_225":754,"_125":755,"_285":756},{"_275":752,"_277":700,"_279":753,"_281":280},46.80872414499283,22.80872414499283,{"_287":225,"_123":371,"_154":372,"_140":53},{"_287":125,"_123":368,"_154":369,"_140":370},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1714/480.jpg","https://img.ochreeditions.com/a/1714/960.jpg","https://img.ochreeditions.com/a/1714/1920.jpg","In upper half of composition, figures of women stand at a railing and watch the fishermen and the sea; at left is a house with a hipped roof and porch; beyond the railing, four dories are drawn up on beach. Framing lines.",{"_311":774,"_313":775},{"_311":772,"_313":773},{"_311":770,"_313":771},{"_311":768,"_313":769},{"_311":766,"_313":767},"#a87f61",0.0207,"#caa688",0.0733,"#dbc1a6",0.1886,"#e4d3bf",0.1996,"#ebe3d4",0.5178,"talcott-williams-si-npg-npg-85-50","Talcott Williams",{"_42":824,"_222":825,"_325":826,"_327":328,"_329":827,"_331":828,"_333":829,"_334":829,"_335":830,"_140":87},"c. 1889","Oil on canvas","Stretcher: 62.5 x 51.8cm (24 5/8 x 20 3/8\")",51.8,62.5,0.834,[809,810,811,812,813],{"_221":301,"_222":302,"_42":303,"_304":305},"Courtesy of the National Portrait Gallery, Smithsonian Institution","NPG.85.50","Thomas Eakins painted this in about 1889, aged 45. It is now at the National Portrait Gallery in Washington, DC.","Artist: Thomas Cowperthwaite Eakins, Sitter: Talcott Williams, Current owner: National Portrait Gallery, Smithsonian Institution",{"_295":806,"_297":807,"_299":808},"https://img.ochreeditions.com/m/1852.jpg?dl=1","/art/talcott-williams-si-npg-npg-85-50","/galleries/style/american-gilded-age/talcott-williams-si-npg-npg-85-50",{"_291":292,"_293":294},{"_225":801,"_125":802,"_285":803},{"_275":798,"_277":799,"_279":800,"_281":783},67.125,77.5,52.125,{"_287":225,"_123":804,"_154":805,"_140":87},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/thomas-eakins","More by Thomas Eakins","https://img.ochreeditions.com/a/1852/480.jpg","https://img.ochreeditions.com/a/1852/960.jpg","https://img.ochreeditions.com/a/1852/1920.jpg",{"_311":822,"_313":823},{"_311":820,"_313":821},{"_311":818,"_313":819},{"_311":816,"_313":817},{"_311":814,"_313":815},"#b98d63",0.0121,"#765334",0.0203,"#433828",0.2532,"#4f402c",0.3051,"#2e2d2a",0.4093,"Thomas Eakins","thomas-eakins","American, 1844–1916",1844,1916,"Philadelphia, Pennsylvania","Eakins studied in Paris under Jean-Léon Gérôme and was impressed in Spain by Velázquez and Ribera, then returned to Philadelphia, where he spent his life.","portrait-of-mrs-thomas-eakins-si-hmsg-66-1522","Portrait of Mrs. Thomas Eakins",{"_42":824,"_222":825,"_325":826,"_327":328,"_329":827,"_331":828,"_333":829,"_334":829,"_335":830,"_140":87},"(c. 1899)","20 1/8 x 16 1/8 in. (51 x 40.8 cm)",40.8,51,0.8036666666666666,[860,861,862,863,864],{"_221":301,"_222":302,"_42":303,"_304":305},"Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution","66.1522","Thomas Eakins painted this ((c. 1899)), aged 55. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.",{"_295":857,"_297":858,"_299":859},"https://img.ochreeditions.com/m/1822.jpg?dl=1","/art/portrait-of-mrs-thomas-eakins-si-hmsg-66-1522","/galleries/style/american-gilded-age/portrait-of-mrs-thomas-eakins-si-hmsg-66-1522",{"_291":292,"_293":294},{"_225":854,"_125":855,"_285":856},{"_275":851,"_277":852,"_279":853,"_281":837},55.987,66,40.987,{"_287":225,"_123":804,"_154":805,"_140":87},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1822/480.jpg","https://img.ochreeditions.com/a/1822/960.jpg","https://img.ochreeditions.com/a/1822/1920.jpg",{"_311":873,"_313":874},{"_311":871,"_313":872},{"_311":869,"_313":870},{"_311":867,"_313":868},{"_311":865,"_313":866},"#684b39",0.0374,"#a1765b",0.038,"#3a312a",0.091,"#26211e",0.3349,"#1b1816",0.4987,"pink-roses-nga-134158","Pink Roses",{"_42":921,"_222":922,"_325":923,"_327":328,"_329":924,"_331":925,"_333":926,"_334":927,"_335":-5,"_140":101},"1875","watercolor on wove paper","sheet: 35.56 × 25.4 cm (14 × 10 in.)",25.4,35.6,0.71826171875,[907,908,909,910,911],{"_221":501,"_222":502,"_42":503,"_304":305},"2004.165.2","Fidelia Bridges painted this in 1875, aged 41. It is now at the National Gallery of Art in Washington, DC.","This detailed painting shows two pink roses and a pink bud on a long, thin green stem with green leaves and small green thorns. The tall stem rises near the right edge of the painting, with some thin branches reaching out to either side. The largest rose is positioned near the top left corner of the painting, with the small bud right below it. The other large flower is right around the center of the painting. The background is a flat beige color.",{"_295":904,"_297":905,"_299":906},"https://img.ochreeditions.com/m/1658.jpg?dl=1","/art/pink-roses-nga-134158","/galleries/style/american-gilded-age/pink-roses-nga-134158",{"_291":373,"_293":374},{"_225":899,"_125":900,"_285":901},{"_275":896,"_277":897,"_279":898,"_281":882},49.5701171875,59.6,25.5701171875,{"_287":225,"_123":902,"_154":903,"_140":89},{"_287":125,"_123":368,"_154":369,"_140":370},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-fidelia-bridges","Fidelia Bridges's contemporaries","https://img.ochreeditions.com/a/1658/480.jpg","https://img.ochreeditions.com/a/1658/960.jpg","https://img.ochreeditions.com/a/1658/1920.jpg",{"_311":919,"_313":920},{"_311":917,"_313":918},{"_311":916,"_313":510},{"_311":914,"_313":915},{"_311":912,"_313":913},"#a26a79",0.0267,"#69664e",0.0372,"#837b60","#9a8569",0.2948,"#a28d70",0.5594,"Fidelia Bridges","fidelia-bridges","American, 1834–1923",1834,1923,"Salem, Massachusetts","Canaan, Connecticut","good-friends-si-hmsg-66-880","Good Friends",{"_42":941,"_222":974,"_325":975,"_327":328,"_329":622,"_331":828,"_333":976,"_334":381,"_335":977,"_140":93},"(c. 1909)","Oil on wood","22 1/4 x 31 in. (56.4 x 78.5 cm)",78.5,56.4,1.393296089385475,[960,961,962,963,964],{"_221":301,"_222":302,"_42":303,"_304":305},"66.880","William Merritt Chase painted this ((c. 1909)), aged 60. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","William Merritt Chase",{"_295":957,"_297":958,"_299":959},"https://img.ochreeditions.com/m/1829.jpg?dl=1","/art/good-friends-si-hmsg-66-880","/galleries/style/american-gilded-age/good-friends-si-hmsg-66-880",{"_291":292,"_293":294},{"_225":952,"_125":953,"_285":954},{"_275":949,"_277":950,"_279":934,"_281":951},93.5,71.341218925421,56.34121892542101,{"_287":225,"_123":955,"_154":956,"_140":93},{"_287":125,"_123":493,"_154":494,"_140":495},{"_287":285,"_123":490,"_154":491,"_140":492},"artist/william-merritt-chase","More by William Merritt Chase","https://img.ochreeditions.com/a/1829/480.jpg","https://img.ochreeditions.com/a/1829/960.jpg","https://img.ochreeditions.com/a/1829/1920.jpg",{"_311":972,"_313":973},{"_311":970,"_313":971},{"_311":968,"_313":969},{"_311":967,"_313":316},{"_311":965,"_313":966},"#98acb8",0.0958,"#233721","#928e6b",0.2167,"#5b6541",0.2554,"#8d914b",0.3305,"william-merritt-chase","American, 1849–1916","Williamsburg, Indiana","Chase studied at the Royal Academy in Munich, then returned to New York in 1878 to teach at the Art Students League, setting up a lavish Tenth Street studio that became a showcase.","the-race-track-death-on-a-pale-horse-cma-110180","The Race Track (Death on a Pale Horse)",{"_42":1026,"_222":1027,"_325":1028,"_327":328,"_329":1029,"_331":1030,"_333":-5,"_334":-5,"_335":-5,"_140":103},"c. 1896–1908","Framed: 84.5 x 102 x 6.5 cm (33 1/4 x 40 3/16 x 2 9/16 in.); Unframed: 70.5 x 90 cm (27 3/4 x 35 7/16 in.)",90,70.5,1.266294227188082,[1011,1012,1013,1014,1015],{"_221":437,"_222":438,"_42":439,"_304":440},"1928.8","Albert Pinkham Ryder painted this in about 1896–1908, aged about 49. It is now at the Cleveland Museum of Art.",{"_118":1010,"_379":554},"The Race Track (Death on a Pale Horse), by Albert Pinkham Ryder, c. 1896–1908",{"_295":1007,"_297":1008,"_299":1009},"https://img.ochreeditions.com/m/522.jpg?dl=1","/art/the-race-track-death-on-a-pale-horse-cma-110180","/galleries/style/american-gilded-age/the-race-track-death-on-a-pale-horse-cma-110180",{"_291":292,"_293":294},{"_225":1002,"_125":1003,"_285":1004},{"_275":999,"_277":1000,"_279":983,"_281":1001},105,86.07352941176471,71.07352941176471,{"_287":225,"_123":1005,"_154":1006,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-albert-pinkham-ryder","Albert Pinkham Ryder's contemporaries","https://img.ochreeditions.com/a/522/480.jpg","https://img.ochreeditions.com/a/522/960.jpg","https://img.ochreeditions.com/a/522/1920.jpg","Ryder’s subject was inspired by a horse race that took place in New York during 1888. One of the artist’s friends wagered $500 on the race and then died by suicide after the horse lost.",{"_311":1024,"_313":1025},{"_311":1022,"_313":1023},{"_311":1020,"_313":1021},{"_311":1018,"_313":1019},{"_311":1016,"_313":1017},"#3c3318",0.1109,"#584c26",0.1263,"#716437",0.1291,"#2c2414",0.2466,"#1f170e",0.3871,"Albert Pinkham Ryder","albert-pinkham-ryder","American, 1847–1917",1847,1917,"portrait-of-mrs-helen-mac-knight-portrait-of-a-mother-si-hmsg-66-1496","Portrait of Mrs. Helen Mac Knight (Portrait of a Mother)",{"_42":824,"_222":825,"_325":826,"_327":328,"_329":827,"_331":828,"_333":829,"_334":829,"_335":830,"_140":87},"(c. 1903)","20 1/8 x 16 in. (51 x 40.6 cm)",40.6,0.8323699421965318,[1057,1058,1059,1060,1061],{"_221":301,"_222":302,"_42":303,"_304":305},"66.1496","Thomas Eakins painted this ((c. 1903)), aged 59. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.",{"_295":1054,"_297":1055,"_299":1056},"https://img.ochreeditions.com/m/1821.jpg?dl=1","/art/portrait-of-mrs-helen-mac-knight-portrait-of-a-mother-si-hmsg-66-1496","/galleries/style/american-gilded-age/portrait-of-mrs-helen-mac-knight-portrait-of-a-mother-si-hmsg-66-1496",{"_291":292,"_293":294},{"_225":1051,"_125":1052,"_285":1053},{"_275":1049,"_277":852,"_279":1050,"_281":837},57.45086705202312,42.45086705202312,{"_287":225,"_123":804,"_154":805,"_140":87},{"_287":125,"_123":493,"_154":494,"_140":495},{"_287":285,"_123":490,"_154":491,"_140":492},"https://img.ochreeditions.com/a/1821/480.jpg","https://img.ochreeditions.com/a/1821/960.jpg","https://img.ochreeditions.com/a/1821/1920.jpg",{"_311":1070,"_313":1071},{"_311":1068,"_313":1069},{"_311":1066,"_313":1067},{"_311":1064,"_313":1065},{"_311":1062,"_313":1063},"#bd9860",0.0743,"#24170e",0.2081,"#433220",0.2084,"#644e33",0.2529,"#87683e",0.2563,"the-gulf-stream-met-11122","The Gulf Stream",{"_42":397,"_222":398,"_325":399,"_327":328,"_329":400,"_331":401,"_333":402,"_334":403,"_335":404,"_140":53},"1899; reworked by 1906","28 1/8 x 49 1/8 in. (71.4 x 124.8 cm) Framed: 42 5/16 x 62 11/16 x 5 7/8 in. (107.5 x 159.3 x 15 cm)",124.8,71.4,1.6207455429497568,[1106,1107,1108,1109,1110],{"_221":1103,"_222":1104,"_42":1105,"_304":381},"Courtesy of The Metropolitan Museum of Art","06.1234","Winslow Homer painted this in 1899; reworked by 1906, aged about 63. It is now at The Met in New York.","A lone Black sailor lies on the deck of a dismasted, rudderless boat in the open sea, surrounded by circling sharks, while a waterspout churns on the horizon and a distant ship sails by, apparently unaware of him.","The Gulf Stream, by Winslow Homer, 1899; reworked by 1906",{"_295":1100,"_297":1101,"_299":1102},"https://img.ochreeditions.com/m/832.jpg?dl=1","/art/the-gulf-stream-met-11122","/galleries/style/american-gilded-age/the-gulf-stream-met-11122",{"_291":292,"_293":294},{"_225":1097,"_125":1098,"_285":1099},{"_275":1094,"_277":1095,"_279":1077,"_281":1096},139.8,92.0016,77.0016,{"_287":225,"_123":371,"_154":372,"_140":53},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/832/480.jpg","https://img.ochreeditions.com/a/832/960.jpg","https://img.ochreeditions.com/a/832/1920.jpg","met","the-met","The Metropolitan Museum of Art",{"_311":1118,"_313":1119},{"_311":1116,"_313":1117},{"_311":1115,"_313":969},{"_311":1113,"_313":1114},{"_311":1111,"_313":1112},"#5c422e",0.0529,"#3a524c",0.2151,"#233231","#90866d",0.2179,"#151819",0.2974,{"_1121":-5,"_1122":1123,"_1124":1125,"_1126":8,"_1127":1128,"_1129":8},"user","csrf","1c37bfa82037a72a3b5c5bc9033995c47264bde5","cartCount",0,"dropLive","legal",[1130,1131,1132,1133,1134,1135,1136,1137,1138,1139,1140,1141],"uploadsEnabled",{"_222":1164,"_20":1165},{"_222":1162,"_20":1163},{"_222":1160,"_20":1161},{"_222":1158,"_20":1159},{"_222":1156,"_20":1157},{"_222":1154,"_20":1155},{"_222":1152,"_20":1153},{"_222":1150,"_20":1151},{"_222":1148,"_20":1149},{"_222":1146,"_20":1147},{"_222":1144,"_20":1145},{"_222":1142,"_20":1143},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]