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Verso: sweet pea; marshmallow leaves.","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_314":471,"_316":472},{"_314":469,"_316":470},{"_314":467,"_316":468},{"_314":465,"_316":466},{"_314":463,"_316":464},"#bfb29d",0.0572,"#bab8bb",0.0725,"#d0c1af",0.1971,"#deccb9",0.2832,"#e8d4c0",0.39,"Samuel Colman","samuel-colman","American, 1832–1920",1832,1920,"we-both-must-fade-mrs-fithian-si-saam-1970-101","We Both Must Fade (Mrs. Fithian)",{"_42":529,"_225":530,"_328":531,"_330":331,"_332":532,"_334":533,"_336":-5,"_338":-5,"_340":-5,"_140":101},"1869","72 x 53 3/4 in. (182.9 x 136.5 cm.)",136.5,182.9,0.744,[514,515,516,517,518],{"_224":455,"_225":456,"_42":457,"_307":513},"Courtesy of the Smithsonian American Art Museum","1970.101","Lilly Martin Spencer painted this in 1869, aged 47. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":511,"_384":512},"We Both Must Fade (Mrs. Fithian), by Lilly Martin Spencer, 1869",{"_298":508,"_300":509,"_302":510},"https://img.ochreeditions.com/m/1938.jpg?dl=1","/art/we-both-must-fade-mrs-fithian-si-saam-1970-101","/galleries/style/american-gilded-age/we-both-must-fade-mrs-fithian-si-saam-1970-101",{"_294":295,"_296":297},{"_228":503,"_125":504,"_288":505},{"_279":500,"_281":501,"_283":502,"_285":484},151.0776,197.9,136.0776,{"_290":228,"_123":506,"_154":507,"_140":89},{"_290":125,"_123":375,"_154":376,"_140":377},{"_290":288,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-lilly-martin-spencer","Lilly Martin Spencer's contemporaries","https://img.ochreeditions.com/a/1938/480.jpg","https://img.ochreeditions.com/a/1938/960.jpg","https://img.ochreeditions.com/a/1938/1920.jpg","Mrs. Fithian stands before a mirror, admiring the tokens that others have given in praise of her beauty. She wears lace and pearls, and a blue gown that has just been taken from its box. But like the rose in her hand with its falling petals, her beauty will fade, and with it, all the pleasures the world can provide.","Text from the Smithsonian American Art Museum.","Washington, DC",{"_314":527,"_316":528},{"_314":525,"_316":526},{"_314":523,"_316":524},{"_314":521,"_316":522},{"_314":519,"_316":520},"#b4a487",0.0854,"#1c2f4f",0.1024,"#5c7b90",0.1157,"#542916",0.2586,"#261210",0.4379,"Lilly Martin Spencer","lilly-martin-spencer","1822–1902",1822,1902,"rainy-day-boston-nga-180939","Rainy Day, Boston",{"_42":585,"_225":586,"_328":587,"_330":331,"_332":588,"_334":589,"_336":-5,"_338":-5,"_340":-5,"_140":101},"1886","pen and black ink, charcoal, and gouache on wove paper","image: 21.59 × 27.31 cm (8 1/2 × 10 3/4 in.) sheet: 26.35 × 31.43 cm (10 3/8 × 12 3/8 in.)",27.3,21.6,1.2239902080783354,[570,571,572,573,574],{"_224":567,"_225":568,"_42":569,"_307":513},"Courtesy National Gallery of Art, Washington","2015.19.852","Childe Hassam painted this in 1886, aged 27. It is now at the National Gallery of Art in Washington, DC.","The image shows a street scene from an elevated viewpoint. A horse-drawn carriage is seen moving on a wet road, reflecting light. Pedestrians with umbrellas populate the avenue. The road is visibly marked with rainwater. The skyline displays detailed architectural features like church spires and towers. The painting is done in fine, linear brushstrokes highlighting movement and atmosphere. The grayscale palette emphasizes the rainy urban setting. Wisps of steam or smoke are visible. The intricate line work and shading depict a textured, busy street under an overcast sky.",{"_298":564,"_300":565,"_302":566},"https://img.ochreeditions.com/m/1686.jpg?dl=1","/art/rainy-day-boston-nga-180939","/galleries/style/american-gilded-age/rainy-day-boston-nga-180939",{"_294":448,"_296":449},{"_228":559,"_125":560,"_288":561},{"_279":556,"_281":557,"_283":540,"_285":558},51.3,46.304100000000005,22.304100000000002,{"_290":228,"_123":562,"_154":563,"_140":89},{"_290":125,"_123":443,"_154":444,"_140":445},{"_290":288,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-childe-hassam","Childe Hassam's contemporaries","https://img.ochreeditions.com/a/1686/480.jpg","https://img.ochreeditions.com/a/1686/960.jpg","https://img.ochreeditions.com/a/1686/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_314":583,"_316":584},{"_314":581,"_316":582},{"_314":579,"_316":580},{"_314":577,"_316":578},{"_314":575,"_316":576},"#696760",0.0243,"#a0998c",0.07,"#c0b6a6",0.1758,"#d9ccbb",0.3275,"#e7d8c5",0.4024,"Childe Hassam","childe-hassam","American, 1859–1935",1859,1935,"king-lear-act-i-scene-i-met-10049","\"King Lear,\" Act I, Scene I",{"_42":637,"_225":638,"_328":639,"_330":331,"_332":640,"_334":641,"_336":642,"_338":643,"_340":-5,"_140":103},"1898","54 1/4 x 127 1/4 in. (137.8 x 323.2 cm)",323.2,137.8,2.3225616921269094,[622,623,624,625,626],{"_224":304,"_225":305,"_42":306,"_307":308},"13.140","Edwin Austin Abbey painted this in 1898, aged 46. It is now at The Met in New York.","\"King Lear,\" Act I, Scene I, by Edwin Austin Abbey, 1898",{"_298":619,"_300":620,"_302":621},"https://img.ochreeditions.com/m/801.jpg?dl=1","/art/king-lear-act-i-scene-i-met-10049","/galleries/style/american-gilded-age/king-lear-act-i-scene-i-met-10049",{"_294":295,"_296":297},{"_228":614,"_125":615,"_288":616},{"_279":610,"_281":611,"_283":612,"_285":613},255,118.33417657475336,240,103.33417657475336,{"_290":228,"_123":617,"_154":618,"_140":89},{"_290":125,"_123":375,"_154":376,"_140":377},{"_290":288,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-edwin-austin-abbey","Edwin Austin Abbey's contemporaries","https://img.ochreeditions.com/a/801/480.jpg","https://img.ochreeditions.com/a/801/960.jpg","https://img.ochreeditions.com/a/801/1920.jpg",{"_314":635,"_316":636},{"_314":633,"_316":634},{"_314":631,"_316":632},{"_314":629,"_316":630},{"_314":627,"_316":628},"#5e2b2b",0.0742,"#79735d",0.0921,"#43302b",0.202,"#4e4739",0.2204,"#2b2b29",0.4113,"Edwin Austin Abbey","edwin-austin-abbey","American, 1852–1911",1852,1911,"Philadelphia, Pennsylvania","London","christ-cma-101158","Christ",{"_42":690,"_225":691,"_328":692,"_330":331,"_332":693,"_334":694,"_336":-5,"_338":-5,"_340":695,"_140":95},"1905","Unframed: 137 x 91.5 cm (53 15/16 x 36 in.)",91.5,137,0.7485294117647059,[675,676,677,678,679],{"_224":386,"_225":387,"_42":388,"_307":389},"1920.150","Kenyon Cox painted this in 1905, aged 49. It is now at the Cleveland Museum of Art.","Christ, by Kenyon Cox, 1905",{"_298":672,"_300":673,"_302":674},"https://img.ochreeditions.com/m/495.jpg?dl=1","/art/christ-cma-101158","/galleries/style/american-gilded-age/christ-cma-101158",{"_294":295,"_296":297},{"_228":667,"_125":668,"_288":669},{"_279":664,"_281":665,"_283":666,"_285":650},117.5485294117647,152,102.5485294117647,{"_290":228,"_123":670,"_154":671,"_140":95},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/kenyon-cox","More by Kenyon Cox","https://img.ochreeditions.com/a/495/480.jpg","https://img.ochreeditions.com/a/495/960.jpg","https://img.ochreeditions.com/a/495/1920.jpg",{"_314":688,"_316":689},{"_314":686,"_316":687},{"_314":684,"_316":685},{"_314":682,"_316":683},{"_314":680,"_316":681},"#3f4e35",0.1107,"#632f1a",0.1784,"#e0ddd2",0.2064,"#8e7441",0.2367,"#c7aa67",0.2678,"Kenyon Cox","kenyon-cox","American, 1856–1919",1856,1919,"Cox trained in Cincinnati, Philadelphia and Paris, where he studied with Carolus-Duran and Jean-Léon Gérôme, before settling in New York in 1883.","buttresses-on-city-walls-loches-si-chndm-1948-47-145","Buttresses on City Walls; Loches",{"_42":746,"_225":747,"_328":748,"_330":331,"_332":749,"_334":750,"_336":-5,"_338":-5,"_340":751,"_140":99},"1883","Graphite, brush with blue wash and white heightening on blue-grey paper","23.2 × 14.3 cm (9 1/8 × 5 5/8 in.)",14.3,23.2,0.6302105715513536,[731,732,733,734,735],{"_224":455,"_225":456,"_42":457,"_307":308},"1948-47-145","Arnold William Brunner drew this in 1883, aged 26. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":730,"_384":454},"BUTTRESSES ON CITY WALLS; LOCHES",{"_298":727,"_300":728,"_302":729},"https://img.ochreeditions.com/m/1747.jpg?dl=1","/art/buttresses-on-city-walls-loches-si-chndm-1948-47-145","/galleries/style/american-gilded-age/buttresses-on-city-walls-loches-si-chndm-1948-47-145",{"_294":448,"_296":449},{"_228":722,"_125":723,"_288":724},{"_279":718,"_281":719,"_283":720,"_285":721},39.75526428878384,49,15.75526428878384,25,{"_290":228,"_123":725,"_154":726,"_140":99},{"_290":125,"_123":443,"_154":444,"_140":445},{"_290":288,"_123":372,"_154":373,"_140":374},"artist/arnold-william-brunner","More by Arnold William Brunner","https://img.ochreeditions.com/a/1747/480.jpg","https://img.ochreeditions.com/a/1747/960.jpg","https://img.ochreeditions.com/a/1747/1920.jpg","Stone or brick buttress juts from right, Houses below, right and left.",{"_314":744,"_316":745},{"_314":742,"_316":743},{"_314":740,"_316":741},{"_314":738,"_316":739},{"_314":736,"_316":737},"#849091",0.0563,"#919c9c",0.1332,"#9ea7a5",0.1938,"#a8afad",0.298,"#a1a8a1",0.3187,"Arnold William Brunner","arnold-william-brunner","American, 1857–1925",1857,1925,"Arnold W. Brunner was a New York architect who trained at the Massachusetts Institute of Technology and sketched widely in Europe as a young man.","the-race-track-death-on-a-pale-horse-cma-110180","The Race Track (Death on a Pale Horse)",{"_42":800,"_225":801,"_328":802,"_330":331,"_332":803,"_334":804,"_336":-5,"_338":-5,"_340":-5,"_140":103},"c. 1896–1908","Framed: 84.5 x 102 x 6.5 cm (33 1/4 x 40 3/16 x 2 9/16 in.); Unframed: 70.5 x 90 cm (27 3/4 x 35 7/16 in.)",90,70.5,1.266294227188082,[785,786,787,788,789],{"_224":386,"_225":387,"_42":388,"_307":389},"1928.8","Albert Pinkham Ryder painted this in about 1896–1908, aged about 49. It is now at the Cleveland Museum of Art.",{"_118":784,"_384":385},"The Race Track (Death on a Pale Horse), by Albert Pinkham Ryder, c. 1896–1908",{"_298":781,"_300":782,"_302":783},"https://img.ochreeditions.com/m/522.jpg?dl=1","/art/the-race-track-death-on-a-pale-horse-cma-110180","/galleries/style/american-gilded-age/the-race-track-death-on-a-pale-horse-cma-110180",{"_294":295,"_296":297},{"_228":776,"_125":777,"_288":778},{"_279":773,"_281":774,"_283":757,"_285":775},105,86.07352941176471,71.07352941176471,{"_290":228,"_123":779,"_154":780,"_140":89},{"_290":125,"_123":375,"_154":376,"_140":377},{"_290":288,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-albert-pinkham-ryder","Albert Pinkham Ryder's contemporaries","https://img.ochreeditions.com/a/522/480.jpg","https://img.ochreeditions.com/a/522/960.jpg","https://img.ochreeditions.com/a/522/1920.jpg","Ryder’s subject was inspired by a horse race that took place in New York during 1888. One of the artist’s friends wagered $500 on the race and then died by suicide after the horse lost.",{"_314":798,"_316":799},{"_314":796,"_316":797},{"_314":794,"_316":795},{"_314":792,"_316":793},{"_314":790,"_316":791},"#3c3318",0.1109,"#584c26",0.1263,"#716437",0.1291,"#2c2414",0.2466,"#1f170e",0.3871,"Albert Pinkham Ryder","albert-pinkham-ryder","American, 1847–1917",1847,1917,"low-tide-riverside-yacht-club-met-19523","Low Tide, Riverside Yacht Club",{"_42":850,"_225":851,"_328":852,"_330":331,"_332":640,"_334":853,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1894","18 x 24 in. (45.7 x 61 cm)",61,45.7,1.326026443980515,[836,837,838,839,840],{"_224":304,"_225":305,"_42":306,"_307":308},"2007.281.3","Theodore Robinson painted this in 1894, aged 42. It is now at The Met in New York.","Low Tide, Riverside Yacht Club, by Theodore Robinson, 1894",{"_298":833,"_300":834,"_302":835},"https://img.ochreeditions.com/m/869.jpg?dl=1","/art/low-tide-riverside-yacht-club-met-19523","/galleries/style/american-gilded-age/low-tide-riverside-yacht-club-met-19523",{"_294":295,"_296":297},{"_228":828,"_125":829,"_288":830},{"_279":825,"_281":826,"_283":810,"_285":827},76,61.002099186565204,46.002099186565204,{"_290":228,"_123":831,"_154":832,"_140":89},{"_290":125,"_123":375,"_154":376,"_140":377},{"_290":288,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-theodore-robinson","Theodore Robinson's contemporaries","https://img.ochreeditions.com/a/869/480.jpg","https://img.ochreeditions.com/a/869/960.jpg","https://img.ochreeditions.com/a/869/1920.jpg",{"_314":848,"_316":849},{"_314":847,"_316":687},{"_314":845,"_316":846},{"_314":843,"_316":844},{"_314":841,"_316":842},"#382d21",0.016,"#91a6b4",0.125,"#887c60",0.1807,"#b0b0b1","#948c87",0.4416,"Theodore Robinson","theodore-robinson","1852–1896",1896,"the-gulf-stream-met-11122","The Gulf Stream",{"_42":901,"_225":902,"_328":903,"_330":331,"_332":904,"_334":905,"_336":906,"_338":907,"_340":908,"_140":53},"1899; reworked by 1906","28 1/8 x 49 1/8 in. (71.4 x 124.8 cm) Framed: 42 5/16 x 62 11/16 x 5 7/8 in. (107.5 x 159.3 x 15 cm)",124.8,71.4,1.6207455429497568,[886,887,888,889,890],{"_224":304,"_225":305,"_42":306,"_307":308},"06.1234","Winslow Homer painted this in 1899; reworked by 1906, aged about 63. It is now at The Met in New York.","A lone Black sailor lies on the deck of a dismasted, rudderless boat in the open sea, surrounded by circling sharks, while a waterspout churns on the horizon and a distant ship sails by, apparently unaware of him.","The Gulf Stream, by Winslow Homer, 1899; reworked by 1906",{"_298":883,"_300":884,"_302":885},"https://img.ochreeditions.com/m/832.jpg?dl=1","/art/the-gulf-stream-met-11122","/galleries/style/american-gilded-age/the-gulf-stream-met-11122",{"_294":295,"_296":297},{"_228":878,"_125":879,"_288":880},{"_279":875,"_281":876,"_283":859,"_285":877},139.8,92.0016,77.0016,{"_290":228,"_123":881,"_154":882,"_140":53},{"_290":125,"_123":375,"_154":376,"_140":377},{"_290":288,"_123":372,"_154":373,"_140":374},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/832/480.jpg","https://img.ochreeditions.com/a/832/960.jpg","https://img.ochreeditions.com/a/832/1920.jpg",{"_314":899,"_316":900},{"_314":897,"_316":898},{"_314":895,"_316":896},{"_314":893,"_316":894},{"_314":891,"_316":892},"#5c422e",0.0529,"#3a524c",0.2151,"#233231",0.2167,"#90866d",0.2179,"#151819",0.2974,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","green-and-blue-the-dancer-aic-111164","Green and Blue: The Dancer",{"_42":967,"_225":968,"_328":969,"_330":331,"_332":970,"_334":971,"_336":972,"_338":643,"_340":973,"_140":346},"c. 1893","watercolour","Drawing and Watercolor","Watercolor and opaque watercolor over traces of black chalk on brown wove paper laid down on card","27.5 × 18.3 cm (10 7/8 × 7 1/4 in.)",18,27,0.6738479098302183,[952,953,954,955,956],{"_224":948,"_225":949,"_42":950,"_307":951},"Courtesy of the Art Institute of Chicago","1988.219","James McNeill Whistler painted this in about 1893, aged about 54. It is now at the Art Institute of Chicago.","A young dancer in a long, sheer dress is set down in pale washes of watercolour and opaque colour on brown paper, her form emerging from the warm tone of the sheet.","Pale watercolor drawing of young dancer in long sheer dress.",{"_298":945,"_300":946,"_302":947},"https://img.ochreeditions.com/m/277.jpg?dl=1","/art/green-and-blue-the-dancer-aic-111164","/galleries/style/american-gilded-age/green-and-blue-the-dancer-aic-111164",{"_294":448,"_296":449},{"_228":937,"_125":938,"_288":939},{"_279":934,"_281":935,"_283":936,"_285":918},42.19389356541589,51,18.19389356541589,{"_290":228,"_123":943,"_154":944,"_140":346},{"_290":125,"_123":940,"_154":941,"_140":942},{"_290":288,"_123":372,"_154":373,"_140":374},"style/watercolour-19","More watercolours of the 19th century",40,"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/277/480.jpg","https://img.ochreeditions.com/a/277/960.jpg","https://img.ochreeditions.com/a/277/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_314":965,"_316":966},{"_314":963,"_316":964},{"_314":961,"_316":962},{"_314":959,"_316":960},{"_314":957,"_316":958},"#8f867d",0.0887,"#757d71",0.1744,"#817b68",0.2424,"#756a5a",0.2449,"#8a725c",0.2496,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","sand-dunes-harlech-north-wales-si-saam-1983-83-268","Sand Dunes, Harlech, North Wales",{"_42":1019,"_225":1020,"_328":1021,"_330":331,"_332":588,"_334":1022,"_336":-5,"_338":-5,"_340":1023,"_140":99},"1899","watercolor on paper","sheet: 5 1/2 x 8 7/8 in. (14.0 x 22.5 cm)",22.5,1.6130917592051432,[1004,1005,1006,1007,1008],{"_224":455,"_225":456,"_42":457,"_307":513},"1983.83.268","George Elbert Burr painted this in 1899, aged 40. It is now at the Smithsonian American Art Museum in Washington, DC.","Sand Dunes, Harlech, North Wales, by George Elbert Burr, 1899",{"_298":1001,"_300":1002,"_302":1003},"https://img.ochreeditions.com/m/1969.jpg?dl=1","/art/sand-dunes-harlech-north-wales-si-saam-1983-83-268","/galleries/style/american-gilded-age/sand-dunes-harlech-north-wales-si-saam-1983-83-268",{"_294":295,"_296":297},{"_228":996,"_125":997,"_288":998},{"_279":942,"_281":994,"_283":721,"_285":995},30.4981884057971,15.498188405797102,{"_290":228,"_123":999,"_154":1000,"_140":99},{"_290":125,"_123":375,"_154":376,"_140":377},{"_290":288,"_123":372,"_154":373,"_140":374},"artist/george-elbert-burr","More by George Elbert Burr","https://img.ochreeditions.com/a/1969/480.jpg","https://img.ochreeditions.com/a/1969/960.jpg","https://img.ochreeditions.com/a/1969/1920.jpg",{"_314":1017,"_316":1018},{"_314":1015,"_316":1016},{"_314":1013,"_316":1014},{"_314":1011,"_316":1012},{"_314":1009,"_316":1010},"#9793a1",0.0898,"#9f866a",0.1016,"#c0beb6",0.1203,"#a6b0b5",0.2246,"#d4b79d",0.4637,"George Elbert Burr","george-elbert-burr","American, 1859–1939",1939,"Burr worked as an illustrator in New York before spending several years travelling and sketching in Europe around 1900.","the-old-hopkinson-house-bordentown-nj-si-chndm-1923-41-11","The Old Hopkinson House, Bordentown, NJ",{"_42":1072,"_225":1073,"_328":1074,"_330":331,"_332":1075,"_334":1076,"_336":-5,"_338":-5,"_340":-5,"_140":103},"ca. 1880","Charcoal, brush and gouache on paper","32.2 × 56.7 cm (12 11/16 × 22 5/16 in.)",56.7,32.2,1.7116778523489933,[1058,1059,1060,1061,1062],{"_224":455,"_225":456,"_42":457,"_307":308},"1923-41-11","Francis Hopkinson Smith painted this in about 1880, aged 42. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1057,"_384":454},"THE OLD HOPKINSON HOUSE, BORDENTOWN, NJ",{"_298":1054,"_300":1055,"_302":1056},"https://img.ochreeditions.com/m/1727.jpg?dl=1","/art/the-old-hopkinson-house-bordentown-nj-si-chndm-1923-41-11","/galleries/style/american-gilded-age/the-old-hopkinson-house-bordentown-nj-si-chndm-1923-41-11",{"_294":448,"_296":449},{"_228":1049,"_125":1050,"_288":1051},{"_279":1046,"_281":1047,"_283":1030,"_285":1048},80.7,57.12539209535759,33.12539209535759,{"_290":228,"_123":1052,"_154":1053,"_140":89},{"_290":125,"_123":443,"_154":444,"_140":445},{"_290":288,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-francis-hopkinson-smith","Francis Hopkinson Smith's contemporaries","https://img.ochreeditions.com/a/1727/480.jpg","https://img.ochreeditions.com/a/1727/960.jpg","https://img.ochreeditions.com/a/1727/1920.jpg","Exterior of a house, seen through trees, from a path that leads to the porch steps.",{"_314":1070,"_316":1071},{"_314":1068,"_316":1069},{"_314":1067,"_316":846},{"_314":1065,"_316":1066},{"_314":1063,"_316":1064},"#67635a",0.0498,"#ddd6c0",0.0845,"#868373","#989481",0.3062,"#a4a28e",0.3788,"Francis Hopkinson Smith","francis-hopkinson-smith","American, 1838–1915",1838,1915,"the-witch-s-daughter-si-saam-1929-6-18","The Witch's Daughter",{"_42":1124,"_225":1125,"_328":1126,"_330":1127,"_332":1128,"_334":1129,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1881","watercolor","sight 20 1/2 x 12 1/2 in. (52.1 x 31.8 cm)",31.8,52.1,0.593,[1109,1110,1111,1112,1113],{"_224":455,"_225":456,"_42":457,"_307":513},"1929.6.18","Frederick Stuart Church painted this in 1881, aged 39. It is now at the Smithsonian American Art Museum in Washington, DC.","The Witch's Daughter, by Frederick Stuart Church, 1881",{"_298":1106,"_300":1107,"_302":1108},"https://img.ochreeditions.com/m/1876.jpg?dl=1","/art/the-witch-s-daughter-si-saam-1929-6-18","/galleries/style/american-gilded-age/the-witch-s-daughter-si-saam-1929-6-18",{"_294":295,"_296":297},{"_228":1101,"_125":1102,"_288":1103},{"_279":1098,"_281":1099,"_283":1100,"_285":1084},45.8953,67.1,30.8953,{"_290":228,"_123":1104,"_154":1105,"_140":89},{"_290":125,"_123":375,"_154":376,"_140":377},{"_290":288,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-frederick-stuart-church","Frederick Stuart Church's contemporaries","https://img.ochreeditions.com/a/1876/480.jpg","https://img.ochreeditions.com/a/1876/960.jpg","https://img.ochreeditions.com/a/1876/1920.jpg",{"_314":1122,"_316":1123},{"_314":1120,"_316":1121},{"_314":1118,"_316":1119},{"_314":1116,"_316":1117},{"_314":1114,"_316":1115},"#674631",0.0189,"#886c60",0.0954,"#b9b196",0.2549,"#a89782",0.2993,"#9c8471",0.3315,"Frederick Stuart Church","frederick-stuart-church","Grand Rapids, MI 1842-New York City 1924","Grand Rapids",1842,1924,"vignette-man-crouching-on-a-scaffolding-si-chndm-1957-58-13","Vignette: Man Crouching on a Scaffolding",{"_42":1178,"_225":1179,"_328":1180,"_330":331,"_332":205,"_334":1181,"_336":-5,"_338":-5,"_340":-5,"_140":103},"Brush and black washes, with graphite, on white watercolor paper","39.3 × 30.6 cm (15 1/2 × 12 1/16 in.)",30.6,39.3,0.754759011745646,[1163,1164,1165,1166,1167],{"_224":455,"_225":456,"_42":457,"_307":308},"1957-58-13","Walter Appleton Clark painted this in 1899, aged 23. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1162,"_384":454},"VIGNETTE: MAN CROUCHING ON A SCAFFOLDING",{"_298":1159,"_300":1160,"_302":1161},"https://img.ochreeditions.com/m/1753.jpg?dl=1","/art/vignette-man-crouching-on-a-scaffolding-si-chndm-1957-58-13","/galleries/style/american-gilded-age/vignette-man-crouching-on-a-scaffolding-si-chndm-1957-58-13",{"_294":448,"_296":449},{"_228":1154,"_125":1155,"_288":1156},{"_279":1151,"_281":1152,"_283":1153,"_285":1136},53.66202916160388,63.3,29.662029161603883,{"_290":228,"_123":1157,"_154":1158,"_140":89},{"_290":125,"_123":443,"_154":444,"_140":445},{"_290":288,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-walter-appleton-clark","Walter Appleton Clark's contemporaries","https://img.ochreeditions.com/a/1753/480.jpg","https://img.ochreeditions.com/a/1753/960.jpg","https://img.ochreeditions.com/a/1753/1920.jpg","Vignette showing a workman on his knees croushing on a scaffolding, a trowel and wooden bucket beside him.",{"_314":1176,"_316":1177},{"_314":1174,"_316":1175},{"_314":1172,"_316":1173},{"_314":1170,"_316":1171},{"_314":1168,"_316":1169},"#a49c8f",0.0488,"#777166",0.0638,"#47433d",0.0804,"#c7bfb0",0.0807,"#f0ebdd",0.7263,"Walter Appleton Clark","walter-appleton-clark","American, 1876–1906",1906,{"_1183":-5,"_1184":1185,"_1186":1187,"_1188":8,"_1189":1190,"_1191":8},"user","csrf","db3f70746ae11e948fdbb22096732e2b9f85474a","cartCount",0,"dropLive","legal",[1192,1193,1194,1195,1196,1197,1198,1199,1200,1201,1202,1203],"uploadsEnabled",{"_225":1226,"_20":1227},{"_225":1224,"_20":1225},{"_225":1222,"_20":1223},{"_225":1220,"_20":1221},{"_225":1218,"_20":1219},{"_225":1216,"_20":1217},{"_225":1214,"_20":1215},{"_225":1212,"_20":1213},{"_225":1210,"_20":1211},{"_225":1208,"_20":1209},{"_225":1206,"_20":1207},{"_225":1204,"_20":1205},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]