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The back end of the building angles away from us to our right, so we see the narrow, front entrance side to our left. Each of the six floors of the building has two windows with fire escape ladders on the narrow side we can see. Some strokes in red and white on the lower levels of the long, flat side of the building suggest signs or posters. The top story glows a warm sienna brown in sunlight, while the rest of the building and the scene below are in shadow. More people walk along a grayish-violet fence that encloses the lot beyond the building. The ground is painted thickly with slate gray, pale, sage green, and one smear of white to suggest snow. To our right and a short distance from us, a white horse pulls a carriage near the foot of the bridge. The ivory-white, concrete piling rises up and off the right edge of the canvas and supports the deck of the bridge above. Only a sliver of the brick-red underside of the bridge is visible, skimming the top edge of the painting in the upper right corner. Two twiggy, barren trees grow up beyond the muted purple fence, and the landscape beyond is bright in the sunlight. A terracotta-orange building rises along the left edge of the painting, with the area between it and the lot under the bridge filled with thickly painted patches of butter yellow, amethyst purple, and sage green. Beyond that, an ice-blue river flows across the composition. The shore beyond is lined with patches of beige and tan paint that could be buildings. A black tugboat puffs bright white smoke in the river. The sky above is frosty white. The artist signed the work with dark blue in the lower left corner of the painting, “Geo Bellows.”","images",{"_295":296,"_297":298,"_299":300},"download_url","https://img.ochreeditions.com/m/1525.jpg?dl=1","page_url","/art/the-lone-tenement-nga-46558","walk_url","/galleries/style/american-gilded-age/the-lone-tenement-nga-46558","frame",{"_291":292,"_293":294},{"_224":283,"_125":284,"_285":286},"size",{"_276":277,"_278":279,"_280":243,"_281":282},"w",137.3,"h",106.5159912109375,"image_w","image_h",91.5159912109375,{"_287":224,"_123":170,"_154":169,"_140":93},{"_287":125,"_123":288,"_154":289,"_140":290},"era",{"_287":285,"_123":166,"_154":165,"_140":168},"facet","style/painting-20","More paintings of the 20th century",75,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1525/480.jpg","960","https://img.ochreeditions.com/a/1525/960.jpg","1920","https://img.ochreeditions.com/a/1525/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_311":321,"_313":322},{"_311":319,"_313":320},{"_311":317,"_313":318},{"_311":315,"_313":316},{"_311":312,"_313":314},"hex","#7c602a","weight",0.1346,"#d2d2c8",0.141,"#483f2e",0.1563,"#ae9f71",0.1799,"#85866f",0.3882,"George Bellows","george-bellows","bio","American, 1882–1925","nationality","American","birth_year",1882,"death_year",1925,"birth_place","death_place","about_excerpt","Bellows left Ohio State University to study in New York with Robert Henri and became the most celebrated of the younger realists around him.","green-and-blue-the-dancer-aic-111164","Green and Blue: The Dancer",{"_42":401,"_221":402,"_325":403,"_327":328,"_329":404,"_331":405,"_333":406,"_334":407,"_335":408,"_140":341},"c. 1893",19,"watercolour","Drawing and Watercolor","Watercolor and opaque watercolor over traces of black chalk on brown wove paper laid down on card","27.5 × 18.3 cm (10 7/8 × 7 1/4 in.)",18,27,0.6738479098302183,[386,387,388,389,390],{"_220":382,"_221":383,"_42":384,"_304":385},"Courtesy of the Art Institute of Chicago","1988.219","James McNeill Whistler painted this in about 1893, aged about 54. It is now at the Art Institute of Chicago.","A young dancer in a long, sheer dress is set down in pale washes of watercolour and opaque colour on brown paper, her form emerging from the warm tone of the sheet.","Pale watercolor drawing of young dancer in long sheer dress.",{"_295":379,"_297":380,"_299":381},"https://img.ochreeditions.com/m/277.jpg?dl=1","/art/green-and-blue-the-dancer-aic-111164","/galleries/style/american-gilded-age/green-and-blue-the-dancer-aic-111164",{"_291":377,"_293":378},{"_224":366,"_125":367,"_285":368},{"_276":363,"_278":364,"_280":365,"_281":347},42.19389356541589,51,18.19389356541589,{"_287":224,"_123":375,"_154":376,"_140":341},{"_287":125,"_123":372,"_154":373,"_140":374},{"_287":285,"_123":369,"_154":370,"_140":371},"era/19-united-states","19th-century United States",198,"style/watercolour-19","More watercolours of the 19th century",40,"artist/james-mcneill-whistler","More by James McNeill Whistler","white","snow","https://img.ochreeditions.com/a/277/480.jpg","https://img.ochreeditions.com/a/277/960.jpg","https://img.ochreeditions.com/a/277/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_311":399,"_313":400},{"_311":397,"_313":398},{"_311":395,"_313":396},{"_311":393,"_313":394},{"_311":391,"_313":392},"#8f867d",0.0887,"#757d71",0.1744,"#817b68",0.2424,"#756a5a",0.2449,"#8a725c",0.2496,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","capri-cma-148312","Capri",{"_42":467,"_221":468,"_325":469,"_327":328,"_329":470,"_331":471,"_333":-5,"_334":-5,"_335":472,"_140":99},"1869","Framed: 69.5 x 99.5 x 9 cm (27 3/8 x 39 3/16 x 3 9/16 in.); Unframed: 50 x 80 cm (19 11/16 x 31 1/2 in.)",80,50,1.60075329566855,[452,453,454,455,456],{"_220":448,"_221":449,"_42":450,"_304":451},"Courtesy of the Cleveland Museum of Art","1975.4","William Stanley Haseltine painted this in 1869, aged 34. It is now at the Cleveland Museum of Art.",{"_118":445,"_446":447},"Capri, by William Stanley Haseltine, 1869",{"_295":442,"_297":443,"_299":444},"https://img.ochreeditions.com/m/687.jpg?dl=1","/art/capri-cma-148312","/galleries/style/american-gilded-age/capri-cma-148312",{"_291":292,"_293":294},{"_224":434,"_125":435,"_285":436},{"_276":431,"_278":432,"_280":414,"_281":433},95,64.97647058823529,49.976470588235294,{"_287":224,"_123":440,"_154":441,"_140":99},{"_287":125,"_123":437,"_154":438,"_140":439},{"_287":285,"_123":369,"_154":370,"_140":371},"style/painting-19","More paintings of the 19th century",432,"artist/william-stanley-haseltine","More by William Stanley Haseltine","https://img.ochreeditions.com/a/687/480.jpg","https://img.ochreeditions.com/a/687/960.jpg","https://img.ochreeditions.com/a/687/1920.jpg","The Philadelphia-born Haseltine favored images of coastal rocks, painting them on both sides of the Atlantic throughout his career.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":465,"_313":466},{"_311":463,"_313":464},{"_311":461,"_313":462},{"_311":459,"_313":460},{"_311":457,"_313":458},"#726253",0.059,"#3e332a",0.1574,"#2d221d",0.1707,"#9b9688",0.2793,"#b89d85",0.3336,"William Stanley Haseltine","william-stanley-haseltine","American, 1835–1900",1835,1900,"Haseltine was born in Philadelphia, studied at Harvard and trained in Düsseldorf, where he travelled and painted with Albert Bierstadt and Worthington Whittredge.","portrait-of-dora-wheeler-cma-102578","Portrait of Dora Wheeler",{"_42":521,"_221":522,"_325":523,"_327":328,"_329":524,"_331":525,"_333":526,"_334":527,"_335":528,"_140":93},"1882–83","Framed: 180.6 x 188.6 x 11 cm (71 1/8 x 74 1/4 x 4 5/16 in.); Unframed: 159.8 x 166.4 cm (62 15/16 x 65 1/2 in.)",166.4,159.8,1.0448678549477566,[506,507,508,509,510],{"_220":448,"_221":449,"_42":450,"_304":451},"1921.1239","William Merritt Chase painted this in 1882–83, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":505,"_446":447},"Portrait of Dora Wheeler, by William Merritt Chase, 1882–83",{"_295":502,"_297":503,"_299":504},"https://img.ochreeditions.com/m/504.jpg?dl=1","/art/portrait-of-dora-wheeler-cma-102578","/galleries/style/american-gilded-age/portrait-of-dora-wheeler-cma-102578",{"_291":292,"_293":294},{"_224":497,"_125":498,"_285":499},{"_276":494,"_278":495,"_280":478,"_281":496},181.4,174.25458823529414,159.25458823529414,{"_287":224,"_123":500,"_154":501,"_140":93},{"_287":125,"_123":437,"_154":438,"_140":439},{"_287":285,"_123":369,"_154":370,"_140":371},"artist/william-merritt-chase","More by William Merritt Chase","https://img.ochreeditions.com/a/504/480.jpg","https://img.ochreeditions.com/a/504/960.jpg","https://img.ochreeditions.com/a/504/1920.jpg","Dora Wheeler became Chase's first student when he returned from overseas study in Munich and set up a teaching studio in New York. At the time, few American artists accepted women as private pupils.",{"_311":519,"_313":520},{"_311":517,"_313":518},{"_311":515,"_313":516},{"_311":513,"_313":514},{"_311":511,"_313":512},"#947c52",0.0766,"#2e2e2b",0.1253,"#446465",0.1411,"#593a26",0.2236,"#ceab64",0.4334,"William Merritt Chase","william-merritt-chase","American, 1849–1916",1849,1916,"Williamsburg, Indiana","New York","Chase studied at the Royal Academy in Munich, then returned to New York in 1878 to teach at the Art Students League, setting up a lavish Tenth Street studio that became a showcase.","view-of-venice-italy-si-chndm-1904-16-455","View of Venice, Italy",{"_42":589,"_221":590,"_325":591,"_327":328,"_329":592,"_331":405,"_333":-5,"_334":-5,"_335":593,"_140":99},"1880","drawing","Drawing","Graphite on wove paper","21.9 × 14.3 cm (8 5/8 × 5 5/8 in.)",14.3,21.9,0.6867469879518072,[574,575,576,577,578],{"_220":571,"_221":572,"_42":573,"_304":527},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1904-16-455","Robert Frederick Blum drew this in 1880, aged 23. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":569,"_446":570},"VIEW OF VENICE, ITALY",{"_295":566,"_297":567,"_299":568},"https://img.ochreeditions.com/m/1711.jpg?dl=1","/art/view-of-venice-italy-si-chndm-1904-16-455","/galleries/style/american-gilded-age/view-of-venice-italy-si-chndm-1904-16-455",{"_291":377,"_293":378},{"_224":558,"_125":559,"_285":560},{"_276":554,"_278":555,"_280":556,"_281":557},41.16867469879518,49,17.16867469879518,25,{"_287":224,"_123":564,"_154":565,"_140":99},{"_287":125,"_123":561,"_154":562,"_140":563},{"_287":285,"_123":369,"_154":370,"_140":371},"style/drawing-19","More drawings of the 19th century",92,"artist/robert-frederick-blum","More by Robert Frederick Blum","https://img.ochreeditions.com/a/1711/480.jpg","https://img.ochreeditions.com/a/1711/960.jpg","https://img.ochreeditions.com/a/1711/1920.jpg","Sketch of a gondola on a canal in Venice.","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_311":587,"_313":588},{"_311":585,"_313":586},{"_311":583,"_313":584},{"_311":581,"_313":582},{"_311":579,"_313":580},"#978573",0.0075,"#b5a59a",0.0295,"#b4b4b7",0.1186,"#c4a282",0.2255,"#cfae8b",0.6189,"Robert Frederick Blum","robert-frederick-blum","American, 1857–1903",1857,"Blum trained in Cincinnati and Philadelphia and became a leading American illustrator, admired for his deft pen work, pastels and etchings. In Venice in 1880 he worked in the circle of Frank Duveneck and was influenced by Whistler.","otter-cliffs-si-chndm-1948-47-249","Otter Cliffs",{"_42":641,"_221":642,"_325":643,"_327":328,"_329":592,"_331":332,"_333":-5,"_334":-5,"_335":644,"_140":99},"1879–80","Graphite and white heightening on gray paper","15.1 × 22.5 cm (5 15/16 × 8 7/8 in.)",22.5,15.1,1.473545842918173,[627,628,629,630,631],{"_220":571,"_221":572,"_42":573,"_304":527},"1948-47-249","Arnold William Brunner drew this in 1879–80, aged 22. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":626,"_446":570},"OTTER CLIFFS",{"_295":623,"_297":624,"_299":625},"https://img.ochreeditions.com/m/1749.jpg?dl=1","/art/otter-cliffs-si-chndm-1948-47-249","/galleries/style/american-gilded-age/otter-cliffs-si-chndm-1948-47-249",{"_291":377,"_293":378},{"_224":618,"_125":619,"_285":620},{"_276":555,"_278":616,"_280":557,"_281":617},40.96587867975022,16.965878679750222,{"_287":224,"_123":621,"_154":622,"_140":99},{"_287":125,"_123":561,"_154":562,"_140":563},{"_287":285,"_123":369,"_154":370,"_140":371},"artist/arnold-william-brunner","More by Arnold William Brunner","https://img.ochreeditions.com/a/1749/480.jpg","https://img.ochreeditions.com/a/1749/960.jpg","https://img.ochreeditions.com/a/1749/1920.jpg","Enclosed scene of mountains, top. Bottom, larger scene looking out to sea, lower right two figures sitting.",{"_311":639,"_313":640},{"_311":637,"_313":638},{"_311":636,"_313":316},{"_311":634,"_313":635},{"_311":632,"_313":633},"#a9abae",0.0425,"#98958e",0.1163,"#aba292","#a6a299",0.2307,"#b0aca2",0.4695,"Arnold William Brunner","arnold-william-brunner","American, 1857–1925","Arnold W. Brunner was a New York architect who trained at the Massachusetts Institute of Technology and sketched widely in Europe as a young man.","leaping-trout-cma-147393","Leaping Trout",{"_42":694,"_221":695,"_325":696,"_327":328,"_329":697,"_331":698,"_333":699,"_334":700,"_335":701,"_140":53},"1889","watercolor over graphite","Sheet: 35 x 50.6 cm (13 3/4 x 19 15/16 in.)",50.6,35,1.423785594639866,[679,680,681,682,683],{"_220":448,"_221":449,"_42":450,"_304":451},"1973.142","Winslow Homer painted this in 1889, aged 53. It is now at the Cleveland Museum of Art.",{"_118":678,"_446":447},"Leaping Trout, by Winslow Homer, 1889",{"_295":675,"_297":676,"_299":677},"https://img.ochreeditions.com/m/682.jpg?dl=1","/art/leaping-trout-cma-147393","/galleries/style/american-gilded-age/leaping-trout-cma-147393",{"_291":377,"_293":378},{"_224":670,"_125":671,"_285":672},{"_276":667,"_278":668,"_280":651,"_281":669},74.6,59.53905882352941,35.53905882352941,{"_287":224,"_123":673,"_154":674,"_140":53},{"_287":125,"_123":561,"_154":562,"_140":563},{"_287":285,"_123":369,"_154":370,"_140":371},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/682/480.jpg","https://img.ochreeditions.com/a/682/960.jpg","https://img.ochreeditions.com/a/682/1920.jpg","In 1886, Winslow Homer began to produce oil paintings and watercolors of subjects in the Adirondack Mountains, where he and his brother Charles had fished and hunted since the 1870s. In Leaping Trout , a silvery trout propels itself from the water in pursuit of a hapless insect or a fisherman’s fly.",{"_311":692,"_313":693},{"_311":690,"_313":691},{"_311":688,"_313":689},{"_311":686,"_313":687},{"_311":684,"_313":685},"#b5b0a6",0.0785,"#79766d",0.0979,"#30312e",0.1965,"#4b4e42",0.251,"#3d3f38",0.3761,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","autumn-nga-66420","Autumn",{"_42":694,"_221":695,"_325":696,"_327":328,"_329":697,"_331":698,"_333":699,"_334":700,"_335":701,"_140":53},"1877","overall: 97.1 x 58.9 cm (38 1/4 x 23 3/16 in.) framed: 126.4 x 91.1 x 7.9 cm (49 3/4 x 35 7/8 x 3 1/8 in.)",58.9,97.1,0.626220703125,[732,733,734,735,736],{"_220":301,"_221":302,"_42":303,"_304":305},"1985.64.22","Winslow Homer painted this in 1877, aged 41. It is now at the National Gallery of Art in Washington, DC.","A fashionably dressed young woman in a black jacket and round hat stands on a hillside carpeted with fallen leaves, lifting her ruffled skirt to reveal its sky-blue lining and holding a basket overflowing with orange foliage. She looks straight out at us.","A woman with smooth, pale skin and wearing a hat, long dress, and gloves, stands holding a bunch of pumpkin-orange leaves against a background of trees painted with touches of rust orange and pine green in this vertical painting. The woman tips her head back slightly to look at us with dark eyes under arched eyebrows. Her cheeks are flushed and her coral-pink lips closed. Her round black hat perches on the back of her head and she has an inky black, long-sleeved, hip-length jacket with bronze trim at the shoulders, cuffs, and down the front. A gauzy bow is tied at her neck. Her left elbow, on our right, is bent and she holds up her tan-colored, ruffled skirt with a white-gloved hand. The raised skirt exposes sky-blue lining and white, ruffled flounces at her feet. Her right arm, on our left, hangs at her side and holds the handle of a basket. Deep marigold-orange leaves cascade out of the basket. One black shoe peeks out from under her long skirt. She stands on a hill carpeted with crimson-red, tawny-brown, golden yellow, and forest-green leaves. The space behind her is filled with touches and dabs of red, orange, brown, black, and tan.",{"_295":729,"_297":730,"_299":731},"https://img.ochreeditions.com/m/1611.jpg?dl=1","/art/autumn-nga-66420","/galleries/style/american-gilded-age/autumn-nga-66420",{"_291":292,"_293":294},{"_224":726,"_125":727,"_285":728},{"_276":723,"_278":724,"_280":725,"_281":708},75.8060302734375,112.1,60.80603027343749,{"_287":224,"_123":673,"_154":674,"_140":53},{"_287":125,"_123":437,"_154":438,"_140":439},{"_287":285,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/1611/480.jpg","https://img.ochreeditions.com/a/1611/960.jpg","https://img.ochreeditions.com/a/1611/1920.jpg",{"_311":745,"_313":746},{"_311":743,"_313":744},{"_311":741,"_313":742},{"_311":739,"_313":740},{"_311":737,"_313":738},"#1e1811",0.0441,"#695539",0.0754,"#6a2e18",0.2262,"#552d15",0.3074,"#442b15",0.3469,"giant-magnolias-on-a-blue-velvet-cloth-nga-93464","Giant Magnolias on a Blue Velvet Cloth",{"_42":794,"_221":795,"_325":796,"_327":328,"_329":797,"_331":798,"_333":-5,"_334":-5,"_335":799,"_140":97},"c. 1890","overall: 38.4 x 61.5 cm (15 1/8 x 24 3/16 in.) framed: 65.4 x 87.6 x 7.9 cm (25 3/4 x 34 1/2 x 3 1/8 in.)",61.5,38.4,1.6234641300039636,[779,780,781,782,783],{"_220":301,"_221":302,"_42":303,"_304":305},"1996.14.1","Martin Johnson Heade painted this in about 1890, aged 71. It is now at the National Gallery of Art in Washington, DC.","Three magnolia blossoms, from a tight bud to a fully open flower with an oval stamen at its heart, lie with their glossy leaves across a sapphire velvet cloth, brightly lit from the left against a dark background.","Twigs of a magnolia tree with light green, glossy leaves and three cream-white blossoms lie on a sapphire-blue cloth in this horizontal still life painting. Brightly lit from our left, the blossoms and leaves nearly fill the composition, and the cut ends lie on the fabric to our right. The blue fabric cascades from the upper left and across the table or ledge. The three flowers are in various stages of bloom. The tightest bud is to our left, overlapped by a stem and the tender, unfurling leaves of a branch. The blossom next to it, at the center, is starting to open. The petals of the third blossom, to our right, splay open around the flower’s oval-shaped stamen. Light glints off the waxy leaves surrounding the flowers. The tawny-brown underside of one leaf is visible where it turns over, near the cut ends of the branches. Light shimmering on the fabric darkens from bright blue to our right, to deep royal blue in the shadows to the upper left, suggesting the fabric is velvet. The background is streaked with tan and pine green behind the fabric, and becomes nearly black in the shadows of the upper right corner and along the bottom edge. The artist signed the lower right corner, \"MJ. Heade.\"",{"_295":776,"_297":777,"_299":778},"https://img.ochreeditions.com/m/1627.jpg?dl=1","/art/giant-magnolias-on-a-blue-velvet-cloth-nga-93464","/galleries/style/american-gilded-age/giant-magnolias-on-a-blue-velvet-cloth-nga-93464",{"_291":292,"_293":294},{"_224":771,"_125":772,"_285":773},{"_276":768,"_278":769,"_280":752,"_281":770},76.5,52.8819580078125,37.8819580078125,{"_287":224,"_123":774,"_154":775,"_140":97},{"_287":125,"_123":437,"_154":438,"_140":439},{"_287":285,"_123":369,"_154":370,"_140":371},"artist/martin-johnson-heade","More by Martin Johnson Heade","https://img.ochreeditions.com/a/1627/480.jpg","https://img.ochreeditions.com/a/1627/960.jpg","https://img.ochreeditions.com/a/1627/1920.jpg",{"_311":792,"_313":793},{"_311":790,"_313":791},{"_311":788,"_313":789},{"_311":786,"_313":787},{"_311":784,"_313":785},"#255152",0.0913,"#493e20",0.1094,"#c5ba99",0.1322,"#5a6734",0.1627,"#171d1d",0.5044,"Martin Johnson Heade","martin-johnson-heade","1819–1904",1819,1904,"Heade travelled restlessly and worked in many genres, but is best known for three subjects: the salt marshes of New England and New Jersey, with haystacks under changing skies; hummingbirds and orchids, which he studied on journeys to Brazil and Central America; and, in later…","the-bridge-at-grez-recto-nga-180938","The Bridge at Grez [recto]",{"_42":850,"_221":851,"_325":852,"_327":328,"_329":853,"_331":854,"_333":-5,"_334":-5,"_335":-5,"_140":101},"1904","watercolor on wove paper","sheet: 17.62 × 25.24 cm (6 15/16 × 9 15/16 in.)",25.2,17.6,1.4341736694677871,[835,836,837,838,839],{"_220":301,"_221":302,"_42":303,"_304":305},"2015.19.505.a","Childe Hassam painted this in 1904, aged 45. It is now at the National Gallery of Art in Washington, DC.","The Bridge at Grez [recto], by Childe Hassam, 1904",{"_295":832,"_297":833,"_299":834},"https://img.ochreeditions.com/m/1685.jpg?dl=1","/art/the-bridge-at-grez-recto-nga-180938","/galleries/style/american-gilded-age/the-bridge-at-grez-recto-nga-180938",{"_291":377,"_293":378},{"_224":824,"_125":825,"_285":826},{"_276":821,"_278":822,"_280":806,"_281":823},49.2,41.57109375,17.57109375,{"_287":224,"_123":830,"_154":831,"_140":89},{"_287":125,"_123":827,"_154":828,"_140":829},{"_287":285,"_123":166,"_154":165,"_140":168},"style/drawing-20","More drawings of the 20th century",98,"artist/contemporaries-of-childe-hassam","Childe Hassam's contemporaries","https://img.ochreeditions.com/a/1685/480.jpg","https://img.ochreeditions.com/a/1685/960.jpg","https://img.ochreeditions.com/a/1685/1920.jpg",{"_311":848,"_313":849},{"_311":846,"_313":847},{"_311":844,"_313":845},{"_311":842,"_313":843},{"_311":840,"_313":841},"#a89e81",0.0842,"#bebaaf",0.1538,"#6c7d73",0.2212,"#395b59",0.2457,"#9ba7a1",0.2951,"Childe Hassam","childe-hassam","American, 1859–1935",1859,1935,"figures-si-chndm-1904-16-345","Figures",{"_42":589,"_221":590,"_325":591,"_327":328,"_329":592,"_331":405,"_333":-5,"_334":-5,"_335":593,"_140":99},"1881","16.9 × 10.9 cm (6 5/8 × 4 5/16 in.)",10.9,16.9,0.6752250750250083,[885,886,887,888,889],{"_220":571,"_221":572,"_42":573,"_304":527},"1904-16-345","Robert Frederick Blum drew this in 1881, aged 24. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":884,"_446":570},"FIGURES",{"_295":881,"_297":882,"_299":883},"https://img.ochreeditions.com/m/1710.jpg?dl=1","/art/figures-si-chndm-1904-16-345","/galleries/style/american-gilded-age/figures-si-chndm-1904-16-345",{"_291":377,"_293":378},{"_224":878,"_125":879,"_285":880},{"_276":876,"_278":555,"_280":877,"_281":557},40.88062687562521,16.880626875625207,{"_287":224,"_123":564,"_154":565,"_140":99},{"_287":125,"_123":561,"_154":562,"_140":563},{"_287":285,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/1710/480.jpg","https://img.ochreeditions.com/a/1710/960.jpg","https://img.ochreeditions.com/a/1710/1920.jpg","Partial sketch of three figures.",{"_311":898,"_313":899},{"_311":896,"_313":897},{"_311":894,"_313":895},{"_311":892,"_313":893},{"_311":890,"_313":891},"#d2c6b8",0.0498,"#beb8b1",0.077,"#b5b5b9",0.0781,"#dfd3c4",0.2936,"#e1d4c3",0.5015,"in-cloister-of-cathedreal-le-puy-si-chndm-1948-47-155","In Cloister of Cathedreal, Le Puy",{"_42":641,"_221":642,"_325":643,"_327":328,"_329":592,"_331":332,"_333":-5,"_334":-5,"_335":644,"_140":99},"1883","Graphite on brown paper","14.4 × 23 cm (5 11/16 × 9 1/16 in.)",23,14.4,1.5815236125473975,[931,932,933,934,935],{"_220":571,"_221":572,"_42":573,"_304":527},"1948-47-155","Arnold William Brunner drew this in 1883, aged 26. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":930,"_446":570},"IN CLOISTER OF CATHEDREAL, LE PUY",{"_295":927,"_297":928,"_299":929},"https://img.ochreeditions.com/m/1748.jpg?dl=1","/art/in-cloister-of-cathedreal-le-puy-si-chndm-1948-47-155","/galleries/style/american-gilded-age/in-cloister-of-cathedreal-le-puy-si-chndm-1948-47-155",{"_291":377,"_293":378},{"_224":924,"_125":925,"_285":926},{"_276":555,"_278":922,"_280":557,"_281":923},39.80754141238012,15.807541412380122,{"_287":224,"_123":621,"_154":622,"_140":99},{"_287":125,"_123":561,"_154":562,"_140":563},{"_287":285,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/1748/480.jpg","https://img.ochreeditions.com/a/1748/960.jpg","https://img.ochreeditions.com/a/1748/1920.jpg","Coupled columns, left; capital; right; grillework, center.",{"_311":944,"_313":945},{"_311":942,"_313":943},{"_311":940,"_313":941},{"_311":938,"_313":939},{"_311":936,"_313":937},"#a4866a",0.023,"#ada9a8",0.082,"#ad9a83",0.0824,"#b9a186",0.2434,"#c1aa8e",0.5692,"italian-girl-si-chndm-1955-38-12-a","Italian girl",{"_42":995,"_221":996,"_325":997,"_327":328,"_329":697,"_331":998,"_333":527,"_334":999,"_335":-5,"_140":101},"ca. 1885","Pastel crayon on tan paper","32.3 x 25.4 cm (12 11/16 x 10 in.)",25.4,32.3,0.9348353552859618,[980,981,982,983,984],{"_220":571,"_221":572,"_42":573,"_304":527},"1955-38-12-a","Elihu Vedder drew this in about 1885, aged 49. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":979,"_446":570},"ITALIAN GIRL",{"_295":976,"_297":977,"_299":978},"https://img.ochreeditions.com/m/1752.jpg?dl=1","/art/italian-girl-si-chndm-1955-38-12-a","/galleries/style/american-gilded-age/italian-girl-si-chndm-1955-38-12-a",{"_291":377,"_293":378},{"_224":971,"_125":972,"_285":973},{"_276":968,"_278":969,"_280":970,"_281":953},54.19518197573656,56.3,30.195181975736563,{"_287":224,"_123":974,"_154":975,"_140":89},{"_287":125,"_123":561,"_154":562,"_140":563},{"_287":285,"_123":369,"_154":370,"_140":371},"artist/contemporaries-of-elihu-vedder","Elihu Vedder's contemporaries","https://img.ochreeditions.com/a/1752/480.jpg","https://img.ochreeditions.com/a/1752/960.jpg","https://img.ochreeditions.com/a/1752/1920.jpg","Head of a young female figure, turned toward the right.",{"_311":993,"_313":994},{"_311":991,"_313":992},{"_311":989,"_313":990},{"_311":987,"_313":988},{"_311":985,"_313":986},"#e2d0ba",0.0315,"#b19981",0.0805,"#f8ebd8",0.0818,"#cab39e",0.1039,"#c8ac90",0.7023,"Elihu Vedder","elihu-vedder","American, 1836–1923",1923,"Rome","stag-at-sharkey-s-cma-92937","Stag at Sharkey's",{"_42":323,"_221":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":-5,"_334":-5,"_335":336,"_140":93},"Framed: 110 x 140.5 x 8.5 cm (43 5/16 x 55 5/16 x 3 3/8 in.); Unframed: 92 x 122.6 cm (36 1/4 x 48 1/4 in.)",122.6,1.3375295043273014,[1029,1030,1031,1032,1033],{"_220":448,"_221":449,"_42":450,"_304":451},"1922.1133","George Bellows painted this in 1909, aged 27. It is now at the Cleveland Museum of Art.",{"_118":1028,"_446":447},"Stag at Sharkey's, by George Bellows, 1909",{"_295":1025,"_297":1026,"_299":1027},"https://img.ochreeditions.com/m/459.jpg?dl=1","/art/stag-at-sharkey-s-cma-92937","/galleries/style/american-gilded-age/stag-at-sharkey-s-cma-92937",{"_291":292,"_293":294},{"_224":1022,"_125":1023,"_285":1024},{"_276":1019,"_278":1020,"_280":1004,"_281":1021},137.6,106.66152941176469,91.66152941176469,{"_287":224,"_123":170,"_154":169,"_140":93},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/459/480.jpg","https://img.ochreeditions.com/a/459/960.jpg","https://img.ochreeditions.com/a/459/1920.jpg","Bellows was no stranger to Sharkey’s Athletic Club, a raucous saloon with a backroom boxing ring, located near his studio. Founded by Tom “Sailor” Sharkey, an ex-fighter who had also served in the US Navy, the club attracted men seeking to watch or participate in matches.",{"_311":1042,"_313":1043},{"_311":1040,"_313":1041},{"_311":1038,"_313":1039},{"_311":1036,"_313":1037},{"_311":1034,"_313":1035},"#765643",0.0469,"#b59f8d",0.0605,"#646363",0.0684,"#2e2d2d",0.235,"#141517",0.5892,"three-girls-and-river-si-saam-1980-34-3","Three Girls and River",{"_42":1095,"_221":1096,"_325":1097,"_327":1098,"_329":1099,"_331":1100,"_333":-5,"_334":-5,"_335":1101,"_140":97},"1907","oil on fiberboard","23 x 27 in. (58.5 x 68.5 cm)",68.5,58.5,1.1801730920535012,[1080,1081,1082,1083,1084],{"_220":571,"_221":572,"_42":573,"_304":305},"Courtesy of the Smithsonian American Art Museum","1980.34.3","Louis M. Eilshemius painted this in 1907, aged 43. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":1078,"_446":1079},"Three Girls and River, by Louis M. Eilshemius, 1907",{"_295":1075,"_297":1076,"_299":1077},"https://img.ochreeditions.com/m/1958.jpg?dl=1","/art/three-girls-and-river-si-saam-1980-34-3","/galleries/style/american-gilded-age/three-girls-and-river-si-saam-1980-34-3",{"_291":292,"_293":294},{"_224":1070,"_125":1071,"_285":1072},{"_276":1067,"_278":1068,"_280":1050,"_281":1069},83.5,73.04233333333333,58.04233333333333,{"_287":224,"_123":1073,"_154":1074,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/louis-m-eilshemius","More by Louis M. Eilshemius","https://img.ochreeditions.com/a/1958/480.jpg","https://img.ochreeditions.com/a/1958/960.jpg","https://img.ochreeditions.com/a/1958/1920.jpg","Louis M. Eilshemius is best known for his romanticized and often erotically charged landscapes that contain nude women or nymphs. In Three Girls and River, three nude women relax in a bucolic setting with lush trees and a babbling river.","Text from the Smithsonian American Art Museum.",{"_311":1093,"_313":1094},{"_311":1091,"_313":1092},{"_311":1089,"_313":1090},{"_311":1087,"_313":1088},{"_311":1085,"_313":1086},"#a69b73",0.1273,"#665b40",0.1487,"#d1bc82",0.1548,"#343838",0.2824,"#5d6767",0.2868,"Louis M. Eilshemius","louis-m-eilshemius","New Jersey, 1864–1941","New Jersey",1864,1941,"Eilshemius studied in New York and at the Académie Julian in Paris and travelled widely, as far as Samoa, painting romantic landscapes and nudes that found few admirers.","king-lear-act-i-scene-i-met-10049","\"King Lear,\" Act I, Scene I",{"_42":1154,"_221":1155,"_325":1156,"_327":328,"_329":1157,"_331":1158,"_333":1159,"_334":407,"_335":-5,"_140":103},"1898","Oil on canvas","54 1/4 x 127 1/4 in. (137.8 x 323.2 cm)",323.2,137.8,2.3225616921269094,[1139,1140,1141,1142,1143],{"_220":1136,"_221":1137,"_42":1138,"_304":527},"Courtesy of The Metropolitan Museum of Art","13.140","Edwin Austin Abbey painted this in 1898, aged 46. It is now at The Met in New York.","\"King Lear,\" Act I, Scene I, by Edwin Austin Abbey, 1898",{"_295":1133,"_297":1134,"_299":1135},"https://img.ochreeditions.com/m/801.jpg?dl=1","/art/king-lear-act-i-scene-i-met-10049","/galleries/style/american-gilded-age/king-lear-act-i-scene-i-met-10049",{"_291":292,"_293":294},{"_224":1128,"_125":1129,"_285":1130},{"_276":1124,"_278":1125,"_280":1126,"_281":1127},255,118.33417657475336,240,103.33417657475336,{"_287":224,"_123":1131,"_154":1132,"_140":89},{"_287":125,"_123":437,"_154":438,"_140":439},{"_287":285,"_123":369,"_154":370,"_140":371},"artist/contemporaries-of-edwin-austin-abbey","Edwin Austin Abbey's contemporaries","https://img.ochreeditions.com/a/801/480.jpg","https://img.ochreeditions.com/a/801/960.jpg","https://img.ochreeditions.com/a/801/1920.jpg","met","the-met","The Metropolitan Museum of Art",{"_311":1152,"_313":1153},{"_311":1150,"_313":1151},{"_311":1148,"_313":1149},{"_311":1146,"_313":1147},{"_311":1144,"_313":1145},"#5e2b2b",0.0742,"#79735d",0.0921,"#43302b",0.202,"#4e4739",0.2204,"#2b2b29",0.4113,"Edwin Austin Abbey","edwin-austin-abbey","American, 1852–1911",1852,1911,"Philadelphia, Pennsylvania",{"_1161":-5,"_1162":1163,"_1164":1165,"_1166":8,"_1167":1168,"_1169":8},"user","csrf","02245cbbdd5529776da22b647a1dcc8ae1ac0e7d","cartCount",0,"dropLive","legal",[1170,1171,1172,1173,1174,1175,1176,1177,1178,1179,1180,1181],"uploadsEnabled",{"_221":1204,"_20":1205},{"_221":1202,"_20":1203},{"_221":1200,"_20":1201},{"_221":1198,"_20":1199},{"_221":1196,"_20":1197},{"_221":1194,"_20":1195},{"_221":1192,"_20":1193},{"_221":1190,"_20":1191},{"_221":1188,"_20":1189},{"_221":1186,"_20":1187},{"_221":1184,"_20":1185},{"_221":1182,"_20":1183},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]