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It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":434,"_371":372},"IN CLOISTER OF CATHEDREAL, LE PUY",{"_295":431,"_297":432,"_299":433},"https://img.ochreeditions.com/m/1748.jpg?dl=1","/art/in-cloister-of-cathedreal-le-puy-si-chndm-1948-47-155","/galleries/style/american-gilded-age/in-cloister-of-cathedreal-le-puy-si-chndm-1948-47-155",{"_291":292,"_293":294},{"_225":426,"_125":427,"_285":428},{"_276":422,"_278":423,"_280":424,"_281":425},49,39.80754141238012,25,15.807541412380122,{"_287":225,"_123":429,"_154":430,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/arnold-william-brunner","More by Arnold William Brunner","https://img.ochreeditions.com/a/1748/480.jpg","https://img.ochreeditions.com/a/1748/960.jpg","https://img.ochreeditions.com/a/1748/1920.jpg","Coupled columns, left; capital; right; grillework, center.",{"_311":448,"_313":449},{"_311":446,"_313":447},{"_311":444,"_313":445},{"_311":442,"_313":443},{"_311":440,"_313":441},"#a4866a",0.023,"#ada9a8",0.082,"#ad9a83",0.0824,"#b9a186",0.2434,"#c1aa8e",0.5692,"Arnold William Brunner","arnold-william-brunner","American, 1857–1925",1857,1925,"Arnold W. Brunner was a New York architect who trained at the Massachusetts Institute of Technology and sketched widely in Europe as a young man.","talcott-williams-si-npg-npg-85-50","Talcott Williams",{"_42":511,"_222":512,"_325":513,"_327":328,"_329":514,"_331":515,"_333":516,"_334":516,"_335":517,"_140":87},"c. 1889","painting","Painting","Oil on canvas","Stretcher: 62.5 x 51.8cm (24 5/8 x 20 3/8\")",51.8,62.5,0.834,[496,497,498,499,500],{"_221":373,"_222":374,"_42":375,"_304":305},"Courtesy of the National Portrait Gallery, Smithsonian Institution","NPG.85.50","Thomas Eakins painted this in about 1889, aged 45. It is now at the National Portrait Gallery in Washington, DC.","Artist: Thomas Cowperthwaite Eakins, Sitter: Talcott Williams, Current owner: National Portrait Gallery, Smithsonian Institution",{"_295":493,"_297":494,"_299":495},"https://img.ochreeditions.com/m/1852.jpg?dl=1","/art/talcott-williams-si-npg-npg-85-50","/galleries/style/american-gilded-age/talcott-williams-si-npg-npg-85-50",{"_291":491,"_293":492},{"_225":483,"_125":484,"_285":485},{"_276":480,"_278":481,"_280":482,"_281":465},67.125,77.5,52.125,{"_287":225,"_123":489,"_154":490,"_140":87},{"_287":125,"_123":486,"_154":487,"_140":488},{"_287":285,"_123":167,"_154":166,"_140":169},"style/painting-19","More paintings of the 19th century",432,"artist/thomas-eakins","More by Thomas Eakins","natural","ivory","https://img.ochreeditions.com/a/1852/480.jpg","https://img.ochreeditions.com/a/1852/960.jpg","https://img.ochreeditions.com/a/1852/1920.jpg",{"_311":509,"_313":510},{"_311":507,"_313":508},{"_311":505,"_313":506},{"_311":503,"_313":504},{"_311":501,"_313":502},"#b98d63",0.0121,"#765334",0.0203,"#433828",0.2532,"#4f402c",0.3051,"#2e2d2a",0.4093,"Thomas Eakins","thomas-eakins","American, 1844–1916",1844,1916,"Philadelphia, Pennsylvania","Eakins studied in Paris under Jean-Léon Gérôme and was impressed in Spain by Velázquez and Ribera, then returned to Philadelphia, where he spent his life.","seventeenth-century-lady-met-10475","Seventeenth Century Lady",{"_42":568,"_222":569,"_325":570,"_327":328,"_329":571,"_331":515,"_333":572,"_334":376,"_335":573,"_140":93},"ca. 1895","36 1/2 x 23 3/4in. (92.7 x 60.3cm)",60.3,92.7,0.6552258064516129,[553,554,555,556,557],{"_221":550,"_222":551,"_42":552,"_304":376},"Courtesy of The Metropolitan Museum of Art","06.1220","William Merritt Chase painted this in about 1895, aged about 43. It is now at The Met in New York.","Seventeenth Century Lady, by William Merritt Chase, ca. 1895",{"_295":547,"_297":548,"_299":549},"https://img.ochreeditions.com/m/810.jpg?dl=1","/art/seventeenth-century-lady-met-10475","/galleries/style/american-gilded-age/seventeenth-century-lady-met-10475",{"_291":491,"_293":492},{"_225":542,"_125":543,"_285":544},{"_276":539,"_278":540,"_280":541,"_281":524},75.73943225806451,107.7,60.73943225806452,{"_287":225,"_123":545,"_154":546,"_140":93},{"_287":125,"_123":486,"_154":487,"_140":488},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/william-merritt-chase","More by William Merritt Chase","https://img.ochreeditions.com/a/810/480.jpg","https://img.ochreeditions.com/a/810/960.jpg","https://img.ochreeditions.com/a/810/1920.jpg","met","the-met","The Metropolitan Museum of Art",{"_311":566,"_313":567},{"_311":564,"_313":565},{"_311":562,"_313":563},{"_311":560,"_313":561},{"_311":558,"_313":559},"#6a603f",0.1027,"#433625",0.1376,"#8f8157",0.1522,"#312a20",0.1581,"#221f18",0.4494,"William Merritt Chase","william-merritt-chase","American, 1849–1916",1849,"Williamsburg, Indiana","Chase studied at the Royal Academy in Munich, then returned to New York in 1878 to teach at the Art Students League, setting up a lavish Tenth Street studio that became a showcase.","the-old-road-to-the-sea-cma-117715","The Old Road to the Sea",{"_42":568,"_222":569,"_325":570,"_327":328,"_329":571,"_331":515,"_333":572,"_334":376,"_335":573,"_140":93},"c. 1893","oil on canvas","Framed: 134.3 x 159.7 x 10.8 cm (52 7/8 x 62 7/8 x 4 1/4 in.); Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Former: 118.5 x 144 x 5.5 cm (46 5/8 x 56 11/16 x 2 3/16 in.)",127,101.5,1.2513801987486197,[612,613,614,615,616],{"_221":608,"_222":609,"_42":610,"_304":611},"Courtesy of the Cleveland Museum of Art","1938.333","William Merritt Chase painted this in about 1893, aged about 39. It is now at the Cleveland Museum of Art.",{"_118":606,"_371":607},"The Old Road to the Sea, by William Merritt Chase, c. 1893",{"_295":603,"_297":604,"_299":605},"https://img.ochreeditions.com/m/534.jpg?dl=1","/art/the-old-road-to-the-sea-cma-117715","/galleries/style/american-gilded-age/the-old-road-to-the-sea-cma-117715",{"_291":491,"_293":492},{"_225":600,"_125":601,"_285":602},{"_276":597,"_278":598,"_280":580,"_281":599},142,116.4879411764706,101.4879411764706,{"_287":225,"_123":545,"_154":546,"_140":93},{"_287":125,"_123":486,"_154":487,"_140":488},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/534/480.jpg","https://img.ochreeditions.com/a/534/960.jpg","https://img.ochreeditions.com/a/534/1920.jpg","One of the most influential of the American Impressionists, William Merritt Chase established his own summer school at Shinnecock, on the eastern tip of Long Island, New York. Attracted to the low-lying dunes and beaches, Chase and his students were among the first American artists to pursue open-air painting.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":625,"_313":626},{"_311":623,"_313":624},{"_311":621,"_313":622},{"_311":619,"_313":620},{"_311":617,"_313":618},"#80a8b3",0.1373,"#85875e",0.1572,"#c9cabf",0.1682,"#adc0be",0.2053,"#aa9f78",0.332,"two-studies-of-women-standing-behind-railing-looking-at-the-si-chndm-1912-12-16","Two Studies of Women Standing behind Railing, Looking at the Launching of Dories, Cullercoats, England",{"_42":392,"_222":393,"_325":394,"_327":328,"_329":395,"_331":396,"_333":397,"_334":398,"_335":399,"_140":53},"Pen and brown ink on off-white wove paper","19.9 x 17.9 cm (7 13/16 x 7 1/16 in.)",17.9,19.9,0.9123489657997133,[656,657,658,659,660],{"_221":373,"_222":374,"_42":375,"_304":376},"1912-12-16",{"_118":655,"_371":372},"TWO STUDIES OF WOMEN STANDING BEHIND RAILING, LOOKING AT THE LAUNCHING OF DORIES, CULLERCOATS, ENGLAND",{"_295":652,"_297":653,"_299":654},"https://img.ochreeditions.com/m/1714.jpg?dl=1","/art/two-studies-of-women-standing-behind-railing-looking-at-the-si-chndm-1912-12-16","/galleries/style/american-gilded-age/two-studies-of-women-standing-behind-railing-looking-at-the-si-chndm-1912-12-16",{"_291":292,"_293":294},{"_225":649,"_125":650,"_285":651},{"_276":647,"_278":422,"_280":648,"_281":424},46.80872414499283,22.80872414499283,{"_287":225,"_123":365,"_154":366,"_140":53},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1714/480.jpg","https://img.ochreeditions.com/a/1714/960.jpg","https://img.ochreeditions.com/a/1714/1920.jpg","In upper half of composition, figures of women stand at a railing and watch the fishermen and the sea; at left is a house with a hipped roof and porch; beyond the railing, four dories are drawn up on beach. Framing lines.",{"_311":669,"_313":670},{"_311":667,"_313":668},{"_311":665,"_313":666},{"_311":663,"_313":664},{"_311":661,"_313":662},"#a87f61",0.0207,"#caa688",0.0733,"#dbc1a6",0.1886,"#e4d3bf",0.1996,"#ebe3d4",0.5178,"edward-guthrie-kennedy-met-10466","Edward Guthrie Kennedy",{"_42":568,"_222":569,"_325":570,"_327":328,"_329":571,"_331":515,"_333":572,"_334":376,"_335":573,"_140":93},"22 x 17 7/8 in. (55.9 x 45.4 cm)",45.4,55.9,0.8089536699635607,[698,699,700,701,702],{"_221":550,"_222":551,"_42":552,"_304":376},"1973.342","Edward Guthrie Kennedy, by William Merritt Chase, ca. 1895",{"_295":695,"_297":696,"_299":697},"https://img.ochreeditions.com/m/809.jpg?dl=1","/art/edward-guthrie-kennedy-met-10466","/galleries/style/american-gilded-age/edward-guthrie-kennedy-met-10466",{"_291":491,"_293":492},{"_225":692,"_125":693,"_285":694},{"_276":689,"_278":690,"_280":691,"_281":676},60.22051015096304,70.9,45.22051015096304,{"_287":225,"_123":545,"_154":546,"_140":93},{"_287":125,"_123":486,"_154":487,"_140":488},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/809/480.jpg","https://img.ochreeditions.com/a/809/960.jpg","https://img.ochreeditions.com/a/809/1920.jpg",{"_311":711,"_313":712},{"_311":709,"_313":710},{"_311":707,"_313":708},{"_311":705,"_313":706},{"_311":703,"_313":704},"#ba9078",0.0367,"#916d5b",0.0535,"#5e4c3f",0.055,"#1f1d1d",0.381,"#38322a",0.4738,"figures-si-chndm-1904-16-345","Figures",{"_42":760,"_222":761,"_325":762,"_327":328,"_329":453,"_331":763,"_333":-5,"_334":-5,"_335":764,"_140":99},"Graphite on wove paper","16.9 × 10.9 cm (6 5/8 × 4 5/16 in.)",10.9,16.9,0.6752250750250083,[745,746,747,748,749],{"_221":373,"_222":374,"_42":375,"_304":376},"1904-16-345","Robert Frederick Blum drew this in 1881, aged 24. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":744,"_371":372},"FIGURES",{"_295":741,"_297":742,"_299":743},"https://img.ochreeditions.com/m/1710.jpg?dl=1","/art/figures-si-chndm-1904-16-345","/galleries/style/american-gilded-age/figures-si-chndm-1904-16-345",{"_291":292,"_293":294},{"_225":736,"_125":737,"_285":738},{"_276":734,"_278":422,"_280":735,"_281":424},40.88062687562521,16.880626875625207,{"_287":225,"_123":739,"_154":740,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/robert-frederick-blum","More by Robert Frederick Blum","https://img.ochreeditions.com/a/1710/480.jpg","https://img.ochreeditions.com/a/1710/960.jpg","https://img.ochreeditions.com/a/1710/1920.jpg","Partial sketch of three figures.",{"_311":758,"_313":759},{"_311":756,"_313":757},{"_311":754,"_313":755},{"_311":752,"_313":753},{"_311":750,"_313":751},"#d2c6b8",0.0498,"#beb8b1",0.077,"#b5b5b9",0.0781,"#dfd3c4",0.2936,"#e1d4c3",0.5015,"Robert Frederick Blum","robert-frederick-blum","American, 1857–1903",1903,"Blum trained in Cincinnati and Philadelphia and became a leading American illustrator, admired for his deft pen work, pastels and etchings. In Venice in 1880 he worked in the circle of Frank Duveneck and was influenced by Whistler.","the-chaperone-nga-72165","The Chaperone",{"_42":511,"_222":512,"_325":513,"_327":328,"_329":514,"_331":515,"_333":516,"_334":516,"_335":517,"_140":87},"c. 1908",20,"overall: 46.3 x 36.2 cm (18 1/4 x 14 1/4 in.) framed: 63.5 x 53.3 x 8.3 cm (25 x 21 x 3 1/4 in.)",36.2,46.3,0.76513671875,[802,803,804,805,806],{"_221":301,"_222":302,"_42":303,"_304":305},"1991.34.1","Thomas Eakins painted this in about 1908, aged 64. It is now at the National Gallery of Art in Washington, DC.","An elderly woman in a dark blue gown and head covering sits absorbed in the work in her hands, her eyes lowered. She is the chaperone from Thomas Eakins’s late paintings of William Rush, the Philadelphia sculptor shown carving a statue from a nude model while an older woman sits by for propriety, knitting.","This painting shows a person seated on a stool or chair, wearing a long, dark-blue robe or gown. They are slightly turned toward the right, looking downward at something they hold in their hands, and their head is covered with a cloth or cap. The background is textured with earthy tones, mostly tan with some patches of yellow ochre and gray.",{"_295":799,"_297":800,"_299":801},"https://img.ochreeditions.com/m/1618.jpg?dl=1","/art/the-chaperone-nga-72165","/galleries/style/american-gilded-age/the-chaperone-nga-72165",{"_291":491,"_293":492},{"_225":790,"_125":791,"_285":792},{"_276":787,"_278":788,"_280":789,"_281":772},50.425830078124996,61.3,35.425830078124996,{"_287":225,"_123":489,"_154":490,"_140":87},{"_287":125,"_123":796,"_154":797,"_140":798},{"_287":285,"_123":793,"_154":794,"_140":795},"era/20-united-states","20th-century United States",124,"style/painting-20","More paintings of the 20th century",75,"https://img.ochreeditions.com/a/1618/480.jpg","https://img.ochreeditions.com/a/1618/960.jpg","https://img.ochreeditions.com/a/1618/1920.jpg",{"_311":815,"_313":816},{"_311":813,"_313":814},{"_311":811,"_313":812},{"_311":809,"_313":810},{"_311":807,"_313":808},"#705c4c",0.0794,"#403837",0.1084,"#514942",0.161,"#8c6e58",0.2889,"#97745a",0.3623,"pink-roses-nga-134158","Pink Roses",{"_42":864,"_222":865,"_325":866,"_327":328,"_329":867,"_331":868,"_333":869,"_334":870,"_335":-5,"_140":101},"1875","watercolor on wove paper","sheet: 35.56 × 25.4 cm (14 × 10 in.)",25.4,35.6,0.71826171875,[849,850,851,852,853],{"_221":301,"_222":302,"_42":303,"_304":305},"2004.165.2","Fidelia Bridges painted this in 1875, aged 41. It is now at the National Gallery of Art in Washington, DC.","This detailed painting shows two pink roses and a pink bud on a long, thin green stem with green leaves and small green thorns. The tall stem rises near the right edge of the painting, with some thin branches reaching out to either side. The largest rose is positioned near the top left corner of the painting, with the small bud right below it. The other large flower is right around the center of the painting. The background is a flat beige color.",{"_295":846,"_297":847,"_299":848},"https://img.ochreeditions.com/m/1658.jpg?dl=1","/art/pink-roses-nga-134158","/galleries/style/american-gilded-age/pink-roses-nga-134158",{"_291":292,"_293":294},{"_225":841,"_125":842,"_285":843},{"_276":838,"_278":839,"_280":840,"_281":824},49.5701171875,59.6,25.5701171875,{"_287":225,"_123":844,"_154":845,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-fidelia-bridges","Fidelia Bridges's contemporaries","https://img.ochreeditions.com/a/1658/480.jpg","https://img.ochreeditions.com/a/1658/960.jpg","https://img.ochreeditions.com/a/1658/1920.jpg",{"_311":862,"_313":863},{"_311":860,"_313":861},{"_311":858,"_313":859},{"_311":856,"_313":857},{"_311":854,"_313":855},"#a26a79",0.0267,"#69664e",0.0372,"#837b60",0.0819,"#9a8569",0.2948,"#a28d70",0.5594,"Fidelia Bridges","fidelia-bridges","American, 1834–1923",1834,1923,"Salem, Massachusetts","Canaan, Connecticut","the-lone-tenement-nga-46558","The Lone Tenement",{"_42":918,"_222":919,"_325":920,"_327":328,"_329":921,"_331":454,"_333":-5,"_334":-5,"_335":922,"_140":93},"1909","overall: 91.8 x 122.3 cm (36 1/8 x 48 1/8 in.) framed: 123.2 x 153.4 x 12.7 cm (48 1/2 x 60 3/8 x 5 in.)",122.3,91.8,1.336378466557912,[903,904,905,906,907],{"_221":301,"_222":302,"_42":303,"_304":305},"1963.10.83","George Bellows painted this in 1909, aged 27. It is now at the National Gallery of Art in Washington, DC.","A narrow six-storey tenement stands alone on a cleared lot beneath the massive pier and deck of a bridge, its top floor catching warm sunlight while people gather around a small fire at its foot. Beyond, a tugboat puffs white smoke on an icy river.","A six-story, narrow building stands alone in an otherwise unoccupied lot under the deck of a high bridge, with a river and cityscape in the background in this horizontal painting. Dozens of people, small in scale, are each painted with a few swipes of black and some with peach-colored faces. They gather at the foot of the building and around a fire to our left, near the lower left corner of the composition. The fire is painted with a dash of orange, a few touches of canary yellow, and a smudge of gray smoke. Several more people stand and sit against the building, which has a streetlamp near its entrance. The back end of the building angles away from us to our right, so we see the narrow, front entrance side to our left. Each of the six floors of the building has two windows with fire escape ladders on the narrow side we can see. Some strokes in red and white on the lower levels of the long, flat side of the building suggest signs or posters. The top story glows a warm sienna brown in sunlight, while the rest of the building and the scene below are in shadow. More people walk along a grayish-violet fence that encloses the lot beyond the building. The ground is painted thickly with slate gray, pale, sage green, and one smear of white to suggest snow. To our right and a short distance from us, a white horse pulls a carriage near the foot of the bridge. The ivory-white, concrete piling rises up and off the right edge of the canvas and supports the deck of the bridge above. Only a sliver of the brick-red underside of the bridge is visible, skimming the top edge of the painting in the upper right corner. Two twiggy, barren trees grow up beyond the muted purple fence, and the landscape beyond is bright in the sunlight. A terracotta-orange building rises along the left edge of the painting, with the area between it and the lot under the bridge filled with thickly painted patches of butter yellow, amethyst purple, and sage green. Beyond that, an ice-blue river flows across the composition. The shore beyond is lined with patches of beige and tan paint that could be buildings. A black tugboat puffs bright white smoke in the river. The sky above is frosty white. The artist signed the work with dark blue in the lower left corner of the painting, “Geo Bellows.”",{"_295":900,"_297":901,"_299":902},"https://img.ochreeditions.com/m/1525.jpg?dl=1","/art/the-lone-tenement-nga-46558","/galleries/style/american-gilded-age/the-lone-tenement-nga-46558",{"_291":491,"_293":492},{"_225":895,"_125":896,"_285":897},{"_276":892,"_278":893,"_280":876,"_281":894},137.3,106.5159912109375,91.5159912109375,{"_287":225,"_123":898,"_154":899,"_140":93},{"_287":125,"_123":796,"_154":797,"_140":798},{"_287":285,"_123":793,"_154":794,"_140":795},"artist/george-bellows","More by George Bellows","https://img.ochreeditions.com/a/1525/480.jpg","https://img.ochreeditions.com/a/1525/960.jpg","https://img.ochreeditions.com/a/1525/1920.jpg",{"_311":916,"_313":917},{"_311":914,"_313":915},{"_311":912,"_313":913},{"_311":910,"_313":911},{"_311":908,"_313":909},"#7c602a",0.1346,"#d2d2c8",0.141,"#483f2e",0.1563,"#ae9f71",0.1799,"#85866f",0.3882,"George Bellows","george-bellows","American, 1882–1925",1882,"Bellows left Ohio State University to study in New York with Robert Henri and became the most celebrated of the younger realists around him.","boy-with-anchor-cma-131337","Boy with Anchor",{"_42":392,"_222":393,"_325":394,"_327":328,"_329":395,"_331":396,"_333":397,"_334":398,"_335":399,"_140":53},"1873","Watercolor and graphite on paper","Sheet: 19.4 x 34.9 cm (7 5/8 x 13 3/4 in.)",34.9,19.4,1.7607457276022787,[955,956,957,958,959],{"_221":608,"_222":609,"_42":610,"_304":611},"1954.128","Winslow Homer painted this in 1873, aged 37. It is now at the Cleveland Museum of Art.",{"_118":954,"_371":607},"Boy with Anchor, by Winslow Homer, 1873",{"_295":951,"_297":952,"_299":953},"https://img.ochreeditions.com/m/603.jpg?dl=1","/art/boy-with-anchor-cma-131337","/galleries/style/american-gilded-age/boy-with-anchor-cma-131337",{"_291":292,"_293":294},{"_225":948,"_125":949,"_285":950},{"_276":945,"_278":946,"_280":929,"_281":947},58.9,43.82114705882353,19.821147058823527,{"_287":225,"_123":365,"_154":366,"_140":53},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/603/480.jpg","https://img.ochreeditions.com/a/603/960.jpg","https://img.ochreeditions.com/a/603/1920.jpg","In this work from a series of watercolors produced in Gloucester, MA, in the summer of 1873 Winslow Homer evokes the fraught nature of the local fishing industry by focusing not on the perilous work of adults, but rather the children they leave behind.",{"_311":968,"_313":969},{"_311":966,"_313":967},{"_311":964,"_313":965},{"_311":962,"_313":963},{"_311":960,"_313":961},"#c5c4c8",0.0959,"#6a5a58",0.1532,"#988980",0.1732,"#c9b59c",0.2873,"#8e99b3",0.2904,"leaping-trout-cma-147393","Leaping Trout",{"_42":392,"_222":393,"_325":394,"_327":328,"_329":395,"_331":396,"_333":397,"_334":398,"_335":399,"_140":53},"1889","watercolor over graphite","Sheet: 35 x 50.6 cm (13 3/4 x 19 15/16 in.)",50.6,35,1.423785594639866,[1002,1003,1004,1005,1006],{"_221":608,"_222":609,"_42":610,"_304":611},"1973.142","Winslow Homer painted this in 1889, aged 53. It is now at the Cleveland Museum of Art.",{"_118":1001,"_371":607},"Leaping Trout, by Winslow Homer, 1889",{"_295":998,"_297":999,"_299":1000},"https://img.ochreeditions.com/m/682.jpg?dl=1","/art/leaping-trout-cma-147393","/galleries/style/american-gilded-age/leaping-trout-cma-147393",{"_291":292,"_293":294},{"_225":995,"_125":996,"_285":997},{"_276":992,"_278":993,"_280":976,"_281":994},74.6,59.53905882352941,35.53905882352941,{"_287":225,"_123":365,"_154":366,"_140":53},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/682/480.jpg","https://img.ochreeditions.com/a/682/960.jpg","https://img.ochreeditions.com/a/682/1920.jpg","In 1886, Winslow Homer began to produce oil paintings and watercolors of subjects in the Adirondack Mountains, where he and his brother Charles had fished and hunted since the 1870s. In Leaping Trout , a silvery trout propels itself from the water in pursuit of a hapless insect or a fisherman’s fly.",{"_311":1015,"_313":1016},{"_311":1013,"_313":1014},{"_311":1011,"_313":1012},{"_311":1009,"_313":1010},{"_311":1007,"_313":1008},"#b5b0a6",0.0785,"#79766d",0.0979,"#30312e",0.1965,"#4b4e42",0.251,"#3d3f38",0.3761,"the-race-track-death-on-a-pale-horse-cma-110180","The Race Track (Death on a Pale Horse)",{"_42":1065,"_222":1066,"_325":1067,"_327":328,"_329":1068,"_331":1069,"_333":-5,"_334":-5,"_335":-5,"_140":103},"c. 1896–1908","Framed: 84.5 x 102 x 6.5 cm (33 1/4 x 40 3/16 x 2 9/16 in.); Unframed: 70.5 x 90 cm (27 3/4 x 35 7/16 in.)",90,70.5,1.266294227188082,[1050,1051,1052,1053,1054],{"_221":608,"_222":609,"_42":610,"_304":611},"1928.8","Albert Pinkham Ryder painted this in about 1896–1908, aged about 49. It is now at the Cleveland Museum of Art.",{"_118":1049,"_371":607},"The Race Track (Death on a Pale Horse), by Albert Pinkham Ryder, c. 1896–1908",{"_295":1046,"_297":1047,"_299":1048},"https://img.ochreeditions.com/m/522.jpg?dl=1","/art/the-race-track-death-on-a-pale-horse-cma-110180","/galleries/style/american-gilded-age/the-race-track-death-on-a-pale-horse-cma-110180",{"_291":491,"_293":492},{"_225":1041,"_125":1042,"_285":1043},{"_276":1038,"_278":1039,"_280":1022,"_281":1040},105,86.07352941176471,71.07352941176471,{"_287":225,"_123":1044,"_154":1045,"_140":89},{"_287":125,"_123":486,"_154":487,"_140":488},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-albert-pinkham-ryder","Albert Pinkham Ryder's contemporaries","https://img.ochreeditions.com/a/522/480.jpg","https://img.ochreeditions.com/a/522/960.jpg","https://img.ochreeditions.com/a/522/1920.jpg","Ryder’s subject was inspired by a horse race that took place in New York during 1888. One of the artist’s friends wagered $500 on the race and then died by suicide after the horse lost.",{"_311":1063,"_313":1064},{"_311":1061,"_313":1062},{"_311":1059,"_313":1060},{"_311":1057,"_313":1058},{"_311":1055,"_313":1056},"#3c3318",0.1109,"#584c26",0.1263,"#716437",0.1291,"#2c2414",0.2466,"#1f170e",0.3871,"Albert Pinkham Ryder","albert-pinkham-ryder","American, 1847–1917",1847,1917,"diving-cormorant-cma-103625","Diving Cormorant",{"_42":1116,"_222":1117,"_325":1118,"_327":328,"_329":1119,"_331":1120,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1900","oil on board","Unframed: 23 x 33.2 cm (9 1/16 x 13 1/16 in.)",33.2,1.5131286159323543,[1101,1102,1103,1104,1105],{"_221":608,"_222":609,"_42":610,"_304":611},"1921.571","Otto H. Bacher painted this in 1900, aged 44. It is now at the Cleveland Museum of Art.","Diving Cormorant, by Otto H. Bacher, 1900",{"_295":1098,"_297":1099,"_299":1100},"https://img.ochreeditions.com/m/506.jpg?dl=1","/art/diving-cormorant-cma-103625","/galleries/style/american-gilded-age/diving-cormorant-cma-103625",{"_291":491,"_293":492},{"_225":1093,"_125":1094,"_285":1095},{"_276":1090,"_278":1091,"_280":1076,"_281":1092},48.2,36.94129411764706,21.94129411764706,{"_287":225,"_123":1096,"_154":1097,"_140":89},{"_287":125,"_123":486,"_154":487,"_140":488},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-otto-h-bacher","Otto H. Bacher's contemporaries","https://img.ochreeditions.com/a/506/480.jpg","https://img.ochreeditions.com/a/506/960.jpg","https://img.ochreeditions.com/a/506/1920.jpg",{"_311":1114,"_313":1115},{"_311":1112,"_313":1113},{"_311":1110,"_313":1111},{"_311":1108,"_313":1109},{"_311":1106,"_313":1107},"#96958a",0.0766,"#757670",0.0982,"#3f4242",0.1391,"#5e615b",0.2932,"#4f5451",0.3929,"Otto H. Bacher","otto-h-bacher","American, 1856–1909",1856,1909,{"_1122":-5,"_1123":1124,"_1125":1126,"_1127":8,"_1128":1129,"_1130":8},"user","csrf","3af045cf42e3a9e0bf6d61403539c76a146af026","cartCount",0,"dropLive","legal",[1131,1132,1133,1134,1135,1136,1137,1138,1139,1140,1141,1142],"uploadsEnabled",{"_222":1165,"_20":1166},{"_222":1163,"_20":1164},{"_222":1161,"_20":1162},{"_222":1159,"_20":1160},{"_222":1157,"_20":1158},{"_222":1155,"_20":1156},{"_222":1153,"_20":1154},{"_222":1151,"_20":1152},{"_222":1149,"_20":1150},{"_222":1147,"_20":1148},{"_222":1145,"_20":1146},{"_222":1143,"_20":1144},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]