[{"_1":2,"_3":4},"root",{"_5":1174},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","The American Gilded Age, in the galleries · Ochre Editions","description","Painting and design in the United States from the Civil War to 1910. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/american-gilded-age","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/american-gilded-age.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","The American Gilded Age, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/the-race-track-death-on-a-pale-horse-cma-110180",15,"https://www.ochreeditions.com/art/bare-knuckles-nga-59902",14,"https://www.ochreeditions.com/art/samoan-scene-si-hmsg-66-1730",13,"https://www.ochreeditions.com/art/king-lear-act-i-scene-i-met-10049",12,"https://www.ochreeditions.com/art/autumn-nga-66420",11,"https://www.ochreeditions.com/art/diving-cormorant-cma-103625",10,"https://www.ochreeditions.com/art/view-of-venice-italy-si-chndm-1904-16-455",9,"https://www.ochreeditions.com/art/rainy-day-boston-nga-180939",8,"https://www.ochreeditions.com/art/claire-campbell-cma-134236",7,"https://www.ochreeditions.com/art/portrait-of-dora-wheeler-cma-102578",6,"https://www.ochreeditions.com/art/pink-roses-nga-134158",5,"https://www.ochreeditions.com/art/study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165",4,"https://www.ochreeditions.com/art/capri-cma-148312",3,"https://www.ochreeditions.com/art/alvan-clark-cma-107283",2,"https://www.ochreeditions.com/art/three-girls-and-river-si-saam-1980-34-3",1,"https://www.ochreeditions.com/art/a-rose-met-14931","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~american-gilded-age.af90c6b1ca.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~american-gilded-age.af90c6b1ca.jpg","alt","The American Gilded Age, a room in the galleries: three of its 67 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk The American Gilded Age: 67 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~american-gilded-age.jpg","key","style/american-gilded-age","style","The American Gilded Age","intro","Painting and design in the United States from the Civil War to 1910.","wing","Style galleries","floor","layout","enfilade","hang",1206,"/galleries/style/american-gilded-age","total",67,"page","works",[208,209,210,211,212,213,214,215,216,217,218,219,220,221,222,223],"walls",[173,174,175,176,177,178],"doors",[164,165],"next_cursor","eyJvIjoxNiwiaCI6MTIwNiwiaSI6bnVsbCwiZyI6Ild5b3R0cTJQIn0","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/american-gilded-age?hang=1206&cursor=eyJvIjoxNiwiaCI6MTIwNiwiaSI6bnVsbCwiZyI6Ild5b3R0cTJQIn0&via=continue","label","The American Gilded Age, room 2","move","doorway","first_wall_images",[160,161,162,163],"https://img.ochreeditions.com/a/495/480.jpg","https://img.ochreeditions.com/a/1710/480.jpg","https://img.ochreeditions.com/a/869/480.jpg","https://img.ochreeditions.com/a/603/480.jpg",{"_154":170,"_123":171,"_44":172,"_140":89},{"_154":166,"_123":167,"_44":168,"_140":169},"19th-century United States","era/19-united-states","/galleries/era/19-united-states?hang=1206&via=continue",198,"Albert Pinkham Ryder's contemporaries","artist/contemporaries-of-albert-pinkham-ryder","/galleries/artist/contemporaries-of-albert-pinkham-ryder?hang=1206&via=continue",{"_42":203,"_180":204},{"_42":198,"_180":199},{"_42":193,"_180":194},{"_42":188,"_180":189},{"_42":184,"_180":185},{"_42":179,"_180":181},"Third room, south wall","work_ids",[182,183],1596,522,"Third room, north wall",[186,187],801,1823,"Second room, north wall",[190,191,192],1711,506,1611,"Second room, south wall",[195,196,197],504,612,1686,"First room, south wall",[200,201,202],687,291,1658,"First room, north wall",[205,206,207],865,1958,514,{"_224":205,"_225":1121,"_20":1122,"_228":1123,"_230":-5,"_231":1075,"_233":402,"_235":236,"_237":-5,"_125":238,"_28":239,"_240":241,"_242":467,"_244":1124,"_246":1125,"_248":1126,"_250":1127,"_252":1128,"_254":1129,"_256":474,"_258":1130,"_260":261,"_262":1131,"_154":-5,"_265":-5,"_111":1132,"_267":1133,"_269":1134,"_271":1135,"_273":1136,"_275":1137,"_144":1138,"_278":1139},{"_224":206,"_225":1072,"_20":1073,"_228":1074,"_230":-5,"_231":1075,"_233":402,"_235":236,"_237":-5,"_125":238,"_28":239,"_240":241,"_242":1076,"_244":1077,"_246":1078,"_248":1079,"_250":1080,"_252":1081,"_254":1082,"_256":1083,"_258":1084,"_260":261,"_262":1085,"_154":1086,"_265":-5,"_111":1087,"_267":1088,"_269":1089,"_271":1090,"_273":1091,"_275":1092,"_144":1093,"_278":1094},{"_224":207,"_225":1026,"_20":1027,"_228":-5,"_230":1028,"_231":1029,"_233":234,"_235":236,"_237":-5,"_125":238,"_28":239,"_240":241,"_242":243,"_244":1030,"_246":1031,"_248":1032,"_250":1033,"_252":1034,"_254":1035,"_256":257,"_258":1036,"_260":261,"_262":1037,"_154":-5,"_265":-5,"_111":1038,"_267":1039,"_269":1040,"_271":1041,"_273":1042,"_275":1043,"_144":1044,"_278":1045},{"_224":200,"_225":972,"_20":973,"_228":974,"_230":-5,"_231":975,"_233":234,"_235":236,"_237":-5,"_125":238,"_28":239,"_240":241,"_242":243,"_244":976,"_246":977,"_248":978,"_250":979,"_252":980,"_254":981,"_256":257,"_258":982,"_260":261,"_262":983,"_154":984,"_265":-5,"_111":985,"_267":986,"_269":987,"_271":988,"_273":989,"_275":990,"_144":991,"_278":992},{"_224":201,"_225":912,"_20":913,"_228":914,"_230":-5,"_231":915,"_233":234,"_235":236,"_237":-5,"_125":238,"_28":916,"_240":917,"_242":918,"_244":919,"_246":83,"_248":920,"_250":921,"_252":922,"_254":923,"_256":924,"_258":925,"_260":261,"_262":926,"_154":-5,"_265":-5,"_111":927,"_267":928,"_269":929,"_271":930,"_273":931,"_275":932,"_144":933,"_278":934},{"_224":202,"_225":858,"_20":859,"_228":860,"_230":-5,"_231":861,"_233":234,"_235":236,"_237":-5,"_125":238,"_28":634,"_240":635,"_242":862,"_244":863,"_246":864,"_248":865,"_250":866,"_252":867,"_254":868,"_256":354,"_258":869,"_260":261,"_262":870,"_154":-5,"_265":-5,"_111":871,"_267":872,"_269":873,"_271":874,"_273":875,"_275":876,"_144":877,"_278":878},{"_224":195,"_225":804,"_20":805,"_228":806,"_230":-5,"_231":807,"_233":234,"_235":236,"_237":-5,"_125":238,"_28":239,"_240":241,"_242":243,"_244":808,"_246":809,"_248":810,"_250":811,"_252":812,"_254":813,"_256":257,"_258":814,"_260":261,"_262":815,"_154":816,"_265":-5,"_111":817,"_267":818,"_269":819,"_271":820,"_273":821,"_275":822,"_144":823,"_278":824},{"_224":196,"_225":747,"_20":748,"_228":749,"_230":-5,"_231":750,"_233":234,"_235":236,"_237":-5,"_125":238,"_28":634,"_240":635,"_242":751,"_244":752,"_246":753,"_248":754,"_250":755,"_252":756,"_254":757,"_256":257,"_258":758,"_260":261,"_262":759,"_154":760,"_265":-5,"_111":761,"_267":762,"_269":763,"_271":764,"_273":765,"_275":766,"_144":767,"_278":768},{"_224":197,"_225":695,"_20":696,"_228":697,"_230":-5,"_231":698,"_233":234,"_235":236,"_237":-5,"_125":238,"_28":634,"_240":635,"_242":699,"_244":700,"_246":701,"_248":702,"_250":703,"_252":704,"_254":705,"_256":354,"_258":706,"_260":261,"_262":707,"_154":-5,"_265":-5,"_111":708,"_267":709,"_269":710,"_271":711,"_273":712,"_275":713,"_144":714,"_278":715},{"_224":190,"_225":630,"_20":631,"_228":632,"_230":-5,"_231":633,"_233":234,"_235":236,"_237":-5,"_125":238,"_28":634,"_240":635,"_242":636,"_244":637,"_246":638,"_248":639,"_250":640,"_252":641,"_254":642,"_256":643,"_258":644,"_260":261,"_262":645,"_154":646,"_265":-5,"_111":647,"_267":648,"_269":649,"_271":650,"_273":651,"_275":652,"_144":653,"_278":654},{"_224":191,"_225":578,"_20":579,"_228":580,"_230":-5,"_231":581,"_233":234,"_235":236,"_237":-5,"_125":238,"_28":239,"_240":241,"_242":582,"_244":583,"_246":584,"_248":585,"_250":586,"_252":587,"_254":588,"_256":257,"_258":589,"_260":261,"_262":590,"_154":-5,"_265":-5,"_111":591,"_267":592,"_269":593,"_271":594,"_273":595,"_275":596,"_144":597,"_278":598},{"_224":192,"_225":523,"_20":524,"_228":525,"_230":-5,"_231":526,"_233":234,"_235":236,"_237":-5,"_125":238,"_28":239,"_240":241,"_242":243,"_244":527,"_246":528,"_248":529,"_250":530,"_252":531,"_254":532,"_256":354,"_258":533,"_260":261,"_262":534,"_154":-5,"_265":535,"_111":536,"_267":537,"_269":538,"_271":539,"_273":540,"_275":541,"_144":542,"_278":543},{"_224":186,"_225":463,"_20":464,"_228":465,"_230":-5,"_231":466,"_233":234,"_235":236,"_237":-5,"_125":238,"_28":239,"_240":241,"_242":467,"_244":468,"_246":469,"_248":470,"_250":471,"_252":472,"_254":473,"_256":474,"_258":475,"_260":261,"_262":476,"_154":-5,"_265":-5,"_111":477,"_267":478,"_269":479,"_271":480,"_273":481,"_275":482,"_144":483,"_278":484},{"_224":187,"_225":398,"_20":399,"_228":400,"_230":-5,"_231":401,"_233":402,"_235":236,"_237":-5,"_125":238,"_28":239,"_240":241,"_242":403,"_244":404,"_246":405,"_248":406,"_250":407,"_252":408,"_254":409,"_256":410,"_258":411,"_260":261,"_262":412,"_154":-5,"_265":-5,"_111":413,"_267":414,"_269":415,"_271":416,"_273":417,"_275":418,"_144":419,"_278":420},{"_224":182,"_225":343,"_20":344,"_228":345,"_230":-5,"_231":346,"_233":234,"_235":236,"_237":-5,"_125":238,"_28":239,"_240":241,"_242":347,"_244":348,"_246":349,"_248":350,"_250":351,"_252":352,"_254":353,"_256":354,"_258":355,"_260":261,"_262":356,"_154":-5,"_265":-5,"_111":357,"_267":358,"_269":359,"_271":360,"_273":361,"_275":362,"_144":363,"_278":364},{"_224":183,"_225":226,"_20":227,"_228":229,"_230":-5,"_231":232,"_233":234,"_235":236,"_237":-5,"_125":238,"_28":239,"_240":241,"_242":243,"_244":245,"_246":247,"_248":249,"_250":251,"_252":253,"_254":255,"_256":257,"_258":259,"_260":261,"_262":263,"_154":264,"_265":-5,"_111":266,"_267":268,"_269":270,"_271":272,"_273":274,"_275":276,"_144":277,"_278":279},"id","slug","the-race-track-death-on-a-pale-horse-cma-110180","The Race Track (Death on a Pale Horse)","artist",{"_42":330,"_225":331,"_332":333,"_334":335,"_336":337,"_338":339,"_340":-5,"_341":-5,"_342":-5,"_140":103},"unrecorded","date","c. 1896–1908","century",19,"place","united-states","movement","american-gilded-age","painting","classification","Painting","medium","oil on canvas","dimensions","Framed: 84.5 x 102 x 6.5 cm (33 1/4 x 40 3/16 x 2 9/16 in.); Unframed: 70.5 x 90 cm (27 3/4 x 35 7/16 in.)","width_cm",90,"height_cm",70.5,"aspect",1.266294227188082,"palette",[313,314,315,316,317],"museum",{"_224":308,"_225":309,"_42":310,"_311":312},"credit","Courtesy of the Cleveland Museum of Art","accession","1928.8","licence","CC0","story","Albert Pinkham Ryder painted this in about 1896–1908, aged about 49. It is now at the Cleveland Museum of Art.",{"_118":305,"_306":307},"note","The Race Track (Death on a Pale Horse), by Albert Pinkham Ryder, c. 1896–1908","images",{"_299":300,"_301":302,"_303":304},"download_url","https://img.ochreeditions.com/m/522.jpg?dl=1","page_url","/art/the-race-track-death-on-a-pale-horse-cma-110180","walk_url","/galleries/style/american-gilded-age/the-race-track-death-on-a-pale-horse-cma-110180","frame",{"_295":296,"_297":298},{"_228":287,"_125":288,"_289":290},"size",{"_280":281,"_282":283,"_284":247,"_285":286},"w",105,"h",86.07352941176471,"image_w","image_h",71.07352941176471,{"_291":228,"_123":171,"_154":170,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":294},"era",{"_291":289,"_123":167,"_154":166,"_140":169},"facet","style/painting-19","More paintings of the 19th century",432,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/522/480.jpg","960","https://img.ochreeditions.com/a/522/960.jpg","1920","https://img.ochreeditions.com/a/522/1920.jpg","Ryder’s subject was inspired by a horse race that took place in New York during 1888. One of the artist’s friends wagered $500 on the race and then died by suicide after the horse lost.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","city","Cleveland",{"_318":328,"_320":329},{"_318":326,"_320":327},{"_318":324,"_320":325},{"_318":322,"_320":323},{"_318":319,"_320":321},"hex","#3c3318","weight",0.1109,"#584c26",0.1263,"#716437",0.1291,"#2c2414",0.2466,"#1f170e",0.3871,"Albert Pinkham Ryder","albert-pinkham-ryder","bio","American, 1847–1917","nationality","American","birth_year",1847,"death_year",1917,"birth_place","death_place","about_excerpt","bare-knuckles-nga-59902","Bare Knuckles",{"_42":395,"_225":396,"_332":335,"_334":335,"_336":-5,"_338":397,"_340":-5,"_341":-5,"_342":-5,"_140":103},"c. 1870/1885","oil on paperboard on wood","overall: 30.5 x 48.6 cm (12 x 19 1/8 in.)",48.6,30.5,1.6279809220985693,[380,381,382,383,384],{"_224":376,"_225":377,"_42":378,"_311":379},"Courtesy National Gallery of Art, Washington","1980.62.9","George A. Hayes painted this in about 1870/1885. It is now at the National Gallery of Art in Washington, DC.","This is a painting depicting a bare-knuckle boxing match with two fighters in a ring surrounded by a crowd. Both fighters are men with light skin, and they wear no shirts. The fighter on the left wears orange pants with black dots, while the fighter on the right wears red pants with white dots. Behind these men are two other shirtless men wearing the same types of pants, as well as two other men wearing more formal attire, including jackets, vests, and hats. Outside the ring, a semi-circle of light-skinned men in formal attire watch the central fight. The setting is outdoors, with grass around the feet of the spectators and green hills in the background. Above the group, the sky is light gray.",{"_299":373,"_301":374,"_303":375},"https://img.ochreeditions.com/m/1596.jpg?dl=1","/art/bare-knuckles-nga-59902","/galleries/style/american-gilded-age/bare-knuckles-nga-59902",{"_295":296,"_297":298},{"_228":368,"_125":369,"_289":370},{"_280":365,"_282":366,"_284":349,"_285":367},63.6,44.852929687499994,29.852929687499998,{"_291":228,"_123":371,"_154":372,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-george-a-hayes","George A. Hayes's contemporaries","https://img.ochreeditions.com/a/1596/480.jpg","https://img.ochreeditions.com/a/1596/960.jpg","https://img.ochreeditions.com/a/1596/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_318":393,"_320":394},{"_318":391,"_320":392},{"_318":389,"_320":390},{"_318":387,"_320":388},{"_318":385,"_320":386},"#87632e",0.0909,"#262c20",0.135,"#c5bfa5",0.226,"#908865",0.248,"#585131",0.3001,"George A. Hayes","george-a-hayes",1930,"samoan-scene-si-hmsg-66-1730","Samoan Scene",{"_42":456,"_225":457,"_332":458,"_334":459,"_336":460,"_338":461,"_340":-5,"_341":-5,"_342":462,"_140":97},"1908",20,"Oil on fiberboard","23 1/4 x 30 in. (59.1 x 76.4 cm)",76.4,59.1,1.3204667863554758,[441,442,443,444,445],{"_224":438,"_225":439,"_42":440,"_311":379},"Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution","66.1730","Louis M. Eilshemius painted this in 1908, aged 44. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","Louis Eilshemius",{"_299":435,"_301":436,"_303":437},"https://img.ochreeditions.com/m/1823.jpg?dl=1","/art/samoan-scene-si-hmsg-66-1730","/galleries/style/american-gilded-age/samoan-scene-si-hmsg-66-1730",{"_295":296,"_297":298},{"_228":424,"_125":425,"_289":426},{"_280":421,"_282":422,"_284":405,"_285":423},91.4,72.85832766825288,57.85832766825289,{"_291":228,"_123":433,"_154":434,"_140":97},{"_291":125,"_123":430,"_154":431,"_140":432},{"_291":289,"_123":427,"_154":428,"_140":429},"era/20-united-states","20th-century United States",124,"style/painting-20","More paintings of the 20th century",75,"artist/louis-m-eilshemius","More by Louis M. Eilshemius","https://img.ochreeditions.com/a/1823/480.jpg","https://img.ochreeditions.com/a/1823/960.jpg","https://img.ochreeditions.com/a/1823/1920.jpg","si","smithsonian","Smithsonian Institution",{"_318":454,"_320":455},{"_318":452,"_320":453},{"_318":450,"_320":451},{"_318":448,"_320":449},{"_318":446,"_320":447},"#733c09",0.1276,"#d79435",0.1348,"#daa762",0.1559,"#9f5303",0.2858,"#bc6907",0.2959,"Louis M. Eilshemius","louis-m-eilshemius","New Jersey, 1864–1941","New Jersey",1864,1941,"Eilshemius studied in New York and at the Académie Julian in Paris and travelled widely, as far as Samoa, painting romantic landscapes and nudes that found few admirers.","king-lear-act-i-scene-i-met-10049","\"King Lear,\" Act I, Scene I",{"_42":516,"_225":517,"_332":518,"_334":335,"_336":519,"_338":520,"_340":521,"_341":522,"_342":-5,"_140":103},"1898","Oil on canvas","54 1/4 x 127 1/4 in. (137.8 x 323.2 cm)",323.2,137.8,2.3225616921269094,[501,502,503,504,505],{"_224":497,"_225":498,"_42":499,"_311":500},"Courtesy of The Metropolitan Museum of Art","13.140","Edwin Austin Abbey painted this in 1898, aged 46. It is now at The Met in New York.","\"King Lear,\" Act I, Scene I, by Edwin Austin Abbey, 1898",{"_299":494,"_301":495,"_303":496},"https://img.ochreeditions.com/m/801.jpg?dl=1","/art/king-lear-act-i-scene-i-met-10049","/galleries/style/american-gilded-age/king-lear-act-i-scene-i-met-10049",{"_295":296,"_297":298},{"_228":489,"_125":490,"_289":491},{"_280":485,"_282":486,"_284":487,"_285":488},255,118.33417657475336,240,103.33417657475336,{"_291":228,"_123":492,"_154":493,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-edwin-austin-abbey","Edwin Austin Abbey's contemporaries","https://img.ochreeditions.com/a/801/480.jpg","https://img.ochreeditions.com/a/801/960.jpg","https://img.ochreeditions.com/a/801/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_318":514,"_320":515},{"_318":512,"_320":513},{"_318":510,"_320":511},{"_318":508,"_320":509},{"_318":506,"_320":507},"#5e2b2b",0.0742,"#79735d",0.0921,"#43302b",0.202,"#4e4739",0.2204,"#2b2b29",0.4113,"Edwin Austin Abbey","edwin-austin-abbey","American, 1852–1911",1852,1911,"Philadelphia, Pennsylvania","London","autumn-nga-66420","Autumn",{"_42":570,"_225":571,"_332":572,"_334":335,"_336":573,"_338":574,"_340":575,"_341":576,"_342":577,"_140":53},"1877","overall: 97.1 x 58.9 cm (38 1/4 x 23 3/16 in.) framed: 126.4 x 91.1 x 7.9 cm (49 3/4 x 35 7/8 x 3 1/8 in.)",58.9,97.1,0.626220703125,[555,556,557,558,559],{"_224":376,"_225":377,"_42":378,"_311":379},"1985.64.22","Winslow Homer painted this in 1877, aged 41. It is now at the National Gallery of Art in Washington, DC.","A fashionably dressed young woman in a black jacket and round hat stands on a hillside carpeted with fallen leaves, lifting her ruffled skirt to reveal its sky-blue lining and holding a basket overflowing with orange foliage. She looks straight out at us.","A woman with smooth, pale skin and wearing a hat, long dress, and gloves, stands holding a bunch of pumpkin-orange leaves against a background of trees painted with touches of rust orange and pine green in this vertical painting. The woman tips her head back slightly to look at us with dark eyes under arched eyebrows. Her cheeks are flushed and her coral-pink lips closed. Her round black hat perches on the back of her head and she has an inky black, long-sleeved, hip-length jacket with bronze trim at the shoulders, cuffs, and down the front. A gauzy bow is tied at her neck. Her left elbow, on our right, is bent and she holds up her tan-colored, ruffled skirt with a white-gloved hand. The raised skirt exposes sky-blue lining and white, ruffled flounces at her feet. Her right arm, on our left, hangs at her side and holds the handle of a basket. Deep marigold-orange leaves cascade out of the basket. One black shoe peeks out from under her long skirt. She stands on a hill carpeted with crimson-red, tawny-brown, golden yellow, and forest-green leaves. The space behind her is filled with touches and dabs of red, orange, brown, black, and tan.",{"_299":552,"_301":553,"_303":554},"https://img.ochreeditions.com/m/1611.jpg?dl=1","/art/autumn-nga-66420","/galleries/style/american-gilded-age/autumn-nga-66420",{"_295":296,"_297":298},{"_228":547,"_125":548,"_289":549},{"_280":544,"_282":545,"_284":546,"_285":529},75.8060302734375,112.1,60.80603027343749,{"_291":228,"_123":550,"_154":551,"_140":53},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/1611/480.jpg","https://img.ochreeditions.com/a/1611/960.jpg","https://img.ochreeditions.com/a/1611/1920.jpg",{"_318":568,"_320":569},{"_318":566,"_320":567},{"_318":564,"_320":565},{"_318":562,"_320":563},{"_318":560,"_320":561},"#1e1811",0.0441,"#695539",0.0754,"#6a2e18",0.2262,"#552d15",0.3074,"#442b15",0.3469,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","diving-cormorant-cma-103625","Diving Cormorant",{"_42":625,"_225":626,"_332":627,"_334":335,"_336":628,"_338":629,"_340":-5,"_341":-5,"_342":-5,"_140":103},"1900","oil on board","Unframed: 23 x 33.2 cm (9 1/16 x 13 1/16 in.)",33.2,23,1.5131286159323543,[610,611,612,613,614],{"_224":308,"_225":309,"_42":310,"_311":312},"1921.571","Otto H. Bacher painted this in 1900, aged 44. It is now at the Cleveland Museum of Art.","Diving Cormorant, by Otto H. Bacher, 1900",{"_299":607,"_301":608,"_303":609},"https://img.ochreeditions.com/m/506.jpg?dl=1","/art/diving-cormorant-cma-103625","/galleries/style/american-gilded-age/diving-cormorant-cma-103625",{"_295":296,"_297":298},{"_228":602,"_125":603,"_289":604},{"_280":599,"_282":600,"_284":584,"_285":601},48.2,36.94129411764706,21.94129411764706,{"_291":228,"_123":605,"_154":606,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-otto-h-bacher","Otto H. Bacher's contemporaries","https://img.ochreeditions.com/a/506/480.jpg","https://img.ochreeditions.com/a/506/960.jpg","https://img.ochreeditions.com/a/506/1920.jpg",{"_318":623,"_320":624},{"_318":621,"_320":622},{"_318":619,"_320":620},{"_318":617,"_320":618},{"_318":615,"_320":616},"#96958a",0.0766,"#757670",0.0982,"#3f4242",0.1391,"#5e615b",0.2932,"#4f5451",0.3929,"Otto H. Bacher","otto-h-bacher","American, 1856–1909",1856,1909,"view-of-venice-italy-si-chndm-1904-16-455","View of Venice, Italy",{"_42":689,"_225":690,"_332":691,"_334":335,"_336":692,"_338":693,"_340":-5,"_341":-5,"_342":694,"_140":99},"1880","drawing","Drawing","Graphite on wove paper","21.9 × 14.3 cm (8 5/8 × 5 5/8 in.)",14.3,21.9,0.6867469879518072,[674,675,676,677,678],{"_224":438,"_225":439,"_42":440,"_311":500},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1904-16-455","Robert Frederick Blum drew this in 1880, aged 23. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":672,"_306":673},"VIEW OF VENICE, ITALY",{"_299":669,"_301":670,"_303":671},"https://img.ochreeditions.com/m/1711.jpg?dl=1","/art/view-of-venice-italy-si-chndm-1904-16-455","/galleries/style/american-gilded-age/view-of-venice-italy-si-chndm-1904-16-455",{"_295":667,"_297":668},{"_228":659,"_125":660,"_289":661},{"_280":655,"_282":656,"_284":657,"_285":658},41.16867469879518,49,17.16867469879518,25,{"_291":228,"_123":665,"_154":666,"_140":99},{"_291":125,"_123":662,"_154":663,"_140":664},{"_291":289,"_123":167,"_154":166,"_140":169},"style/drawing-19","More drawings of the 19th century",92,"artist/robert-frederick-blum","More by Robert Frederick Blum","white","snow","https://img.ochreeditions.com/a/1711/480.jpg","https://img.ochreeditions.com/a/1711/960.jpg","https://img.ochreeditions.com/a/1711/1920.jpg","Sketch of a gondola on a canal in Venice.","Text from Cooper Hewitt, Smithsonian Design Museum.",{"_318":687,"_320":688},{"_318":685,"_320":686},{"_318":683,"_320":684},{"_318":681,"_320":682},{"_318":679,"_320":680},"#978573",0.0075,"#b5a59a",0.0295,"#b4b4b7",0.1186,"#c4a282",0.2255,"#cfae8b",0.6189,"Robert Frederick Blum","robert-frederick-blum","American, 1857–1903",1857,1903,"Blum trained in Cincinnati and Philadelphia and became a leading American illustrator, admired for his deft pen work, pastels and etchings. In Venice in 1880 he worked in the circle of Frank Duveneck and was influenced by Whistler.","rainy-day-boston-nga-180939","Rainy Day, Boston",{"_42":742,"_225":743,"_332":744,"_334":335,"_336":745,"_338":746,"_340":-5,"_341":-5,"_342":-5,"_140":101},"1886","pen and black ink, charcoal, and gouache on wove paper","image: 21.59 × 27.31 cm (8 1/2 × 10 3/4 in.) sheet: 26.35 × 31.43 cm (10 3/8 × 12 3/8 in.)",27.3,21.6,1.2239902080783354,[727,728,729,730,731],{"_224":376,"_225":377,"_42":378,"_311":379},"2015.19.852","Childe Hassam painted this in 1886, aged 27. It is now at the National Gallery of Art in Washington, DC.","The image shows a street scene from an elevated viewpoint. A horse-drawn carriage is seen moving on a wet road, reflecting light. Pedestrians with umbrellas populate the avenue. The road is visibly marked with rainwater. The skyline displays detailed architectural features like church spires and towers. The painting is done in fine, linear brushstrokes highlighting movement and atmosphere. The grayscale palette emphasizes the rainy urban setting. Wisps of steam or smoke are visible. The intricate line work and shading depict a textured, busy street under an overcast sky.",{"_299":724,"_301":725,"_303":726},"https://img.ochreeditions.com/m/1686.jpg?dl=1","/art/rainy-day-boston-nga-180939","/galleries/style/american-gilded-age/rainy-day-boston-nga-180939",{"_295":667,"_297":668},{"_228":719,"_125":720,"_289":721},{"_280":716,"_282":717,"_284":701,"_285":718},51.3,46.304100000000005,22.304100000000002,{"_291":228,"_123":722,"_154":723,"_140":89},{"_291":125,"_123":662,"_154":663,"_140":664},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-childe-hassam","Childe Hassam's contemporaries","https://img.ochreeditions.com/a/1686/480.jpg","https://img.ochreeditions.com/a/1686/960.jpg","https://img.ochreeditions.com/a/1686/1920.jpg",{"_318":740,"_320":741},{"_318":738,"_320":739},{"_318":736,"_320":737},{"_318":734,"_320":735},{"_318":732,"_320":733},"#696760",0.0243,"#a0998c",0.07,"#c0b6a6",0.1758,"#d9ccbb",0.3275,"#e7d8c5",0.4024,"Childe Hassam","childe-hassam","American, 1859–1935",1859,1935,"claire-campbell-cma-134236","Claire Campbell",{"_42":796,"_225":797,"_332":798,"_334":799,"_336":800,"_338":801,"_340":802,"_341":802,"_342":803,"_140":53},"1876","Pastel with oil on fine-weave canvas","Unframed: 55.2 x 45.7 cm (21 3/4 x 18 in.)",45.7,55.2,0.8232352941176471,[781,782,783,784,785],{"_224":308,"_225":309,"_42":310,"_311":312},"1956.718","Édouard Manet painted this in 1876, aged 44. It is now at the Cleveland Museum of Art.",{"_118":780,"_306":307},"Claire Campbell, by Édouard Manet, 1876",{"_299":777,"_301":778,"_303":779},"https://img.ochreeditions.com/m/612.jpg?dl=1","/art/claire-campbell-cma-134236","/galleries/style/american-gilded-age/claire-campbell-cma-134236",{"_295":667,"_297":668},{"_228":772,"_125":773,"_289":774},{"_280":769,"_282":770,"_284":771,"_285":754},69.44258823529412,79.2,45.44258823529412,{"_291":228,"_123":775,"_154":776,"_140":53},{"_291":125,"_123":662,"_154":663,"_140":664},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/edouard-manet","More by Édouard Manet","https://img.ochreeditions.com/a/612/480.jpg","https://img.ochreeditions.com/a/612/960.jpg","https://img.ochreeditions.com/a/612/1920.jpg","During the late 1870s, Edouard Manet began to experience health problems that made it difficult for him to work in oil painting. Instead, he began to draw using pastel, a powdery medium that allowed him to render line and color with each stroke.",{"_318":794,"_320":795},{"_318":792,"_320":793},{"_318":790,"_320":791},{"_318":788,"_320":789},{"_318":786,"_320":787},"#42362f",0.1215,"#c4b4a5",0.1353,"#6e6b66",0.1483,"#a99f90",0.2618,"#8f8a84",0.3331,"Édouard Manet","edouard-manet","French, 1832–1883","French",1832,1883,"Paris","Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","portrait-of-dora-wheeler-cma-102578","Portrait of Dora Wheeler",{"_42":851,"_225":852,"_332":853,"_334":335,"_336":854,"_338":855,"_340":856,"_341":500,"_342":857,"_140":93},"1882–83","Framed: 180.6 x 188.6 x 11 cm (71 1/8 x 74 1/4 x 4 5/16 in.); Unframed: 159.8 x 166.4 cm (62 15/16 x 65 1/2 in.)",166.4,159.8,1.0448678549477566,[837,838,839,840,841],{"_224":308,"_225":309,"_42":310,"_311":312},"1921.1239","William Merritt Chase painted this in 1882–83, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":836,"_306":307},"Portrait of Dora Wheeler, by William Merritt Chase, 1882–83",{"_299":833,"_301":834,"_303":835},"https://img.ochreeditions.com/m/504.jpg?dl=1","/art/portrait-of-dora-wheeler-cma-102578","/galleries/style/american-gilded-age/portrait-of-dora-wheeler-cma-102578",{"_295":296,"_297":298},{"_228":828,"_125":829,"_289":830},{"_280":825,"_282":826,"_284":809,"_285":827},181.4,174.25458823529414,159.25458823529414,{"_291":228,"_123":831,"_154":832,"_140":93},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/william-merritt-chase","More by William Merritt Chase","https://img.ochreeditions.com/a/504/480.jpg","https://img.ochreeditions.com/a/504/960.jpg","https://img.ochreeditions.com/a/504/1920.jpg","Dora Wheeler became Chase's first student when he returned from overseas study in Munich and set up a teaching studio in New York. At the time, few American artists accepted women as private pupils.",{"_318":849,"_320":850},{"_318":847,"_320":848},{"_318":845,"_320":846},{"_318":843,"_320":844},{"_318":842,"_320":616},"#947c52","#2e2e2b",0.1253,"#446465",0.1411,"#593a26",0.2236,"#ceab64",0.4334,"William Merritt Chase","william-merritt-chase","American, 1849–1916",1849,1916,"Williamsburg, Indiana","Chase studied at the Royal Academy in Munich, then returned to New York in 1878 to teach at the Art Students League, setting up a lavish Tenth Street studio that became a showcase.","pink-roses-nga-134158","Pink Roses",{"_42":905,"_225":906,"_332":907,"_334":335,"_336":908,"_338":909,"_340":910,"_341":911,"_342":-5,"_140":101},"1875","watercolor on wove paper","sheet: 35.56 × 25.4 cm (14 × 10 in.)",25.4,35.6,0.71826171875,[890,891,892,893,894],{"_224":376,"_225":377,"_42":378,"_311":379},"2004.165.2","Fidelia Bridges painted this in 1875, aged 41. It is now at the National Gallery of Art in Washington, DC.","This detailed painting shows two pink roses and a pink bud on a long, thin green stem with green leaves and small green thorns. The tall stem rises near the right edge of the painting, with some thin branches reaching out to either side. The largest rose is positioned near the top left corner of the painting, with the small bud right below it. The other large flower is right around the center of the painting. The background is a flat beige color.",{"_299":887,"_301":888,"_303":889},"https://img.ochreeditions.com/m/1658.jpg?dl=1","/art/pink-roses-nga-134158","/galleries/style/american-gilded-age/pink-roses-nga-134158",{"_295":667,"_297":668},{"_228":882,"_125":883,"_289":884},{"_280":879,"_282":880,"_284":881,"_285":865},49.5701171875,59.6,25.5701171875,{"_291":228,"_123":885,"_154":886,"_140":89},{"_291":125,"_123":662,"_154":663,"_140":664},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-fidelia-bridges","Fidelia Bridges's contemporaries","https://img.ochreeditions.com/a/1658/480.jpg","https://img.ochreeditions.com/a/1658/960.jpg","https://img.ochreeditions.com/a/1658/1920.jpg",{"_318":903,"_320":904},{"_318":901,"_320":902},{"_318":899,"_320":900},{"_318":897,"_320":898},{"_318":895,"_320":896},"#a26a79",0.0267,"#69664e",0.0372,"#837b60",0.0819,"#9a8569",0.2948,"#a28d70",0.5594,"Fidelia Bridges","fidelia-bridges","American, 1834–1923",1834,1923,"Salem, Massachusetts","Canaan, Connecticut","study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165","Study for \"The Blue Girl: Portrait of Miss Elinor Leyland\"",{"_42":967,"_225":968,"_332":969,"_334":335,"_336":908,"_338":693,"_340":970,"_341":522,"_342":971,"_140":234},"c. 1879","watercolour","Drawing and Watercolor","Pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper","17.9 × 11.2 cm (7 1/16 × 4 7/16 in.)",17,0.7061027837259101,[952,953,954,955,956],{"_224":948,"_225":949,"_42":950,"_311":951},"Courtesy of the Art Institute of Chicago","1921.124","James McNeill Whistler painted this in about 1879, aged 45. It is now at the Art Institute of Chicago.","A work made of pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper.",{"_299":945,"_301":946,"_303":947},"https://img.ochreeditions.com/m/291.jpg?dl=1","/art/study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165","/galleries/style/american-gilded-age/study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165",{"_295":667,"_297":668},{"_228":937,"_125":938,"_289":939},{"_280":935,"_282":656,"_284":936,"_285":658},41.65256959314775,17.652569593147753,{"_291":228,"_123":943,"_154":944,"_140":234},{"_291":125,"_123":940,"_154":941,"_140":942},{"_291":289,"_123":167,"_154":166,"_140":169},"style/watercolour-19","More watercolours of the 19th century",40,"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/291/480.jpg","https://img.ochreeditions.com/a/291/960.jpg","https://img.ochreeditions.com/a/291/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_318":965,"_320":966},{"_318":963,"_320":964},{"_318":961,"_320":962},{"_318":959,"_320":960},{"_318":957,"_320":958},"#6e4f40",0.0108,"#a68a75",0.0132,"#d3baa3",0.0444,"#a5a09a",0.0743,"#e8d2bb",0.8573,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903","Lowell, Massachusetts","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","capri-cma-148312","Capri",{"_42":1020,"_225":1021,"_332":1022,"_334":335,"_336":1023,"_338":1024,"_340":-5,"_341":-5,"_342":1025,"_140":99},"1869","Framed: 69.5 x 99.5 x 9 cm (27 3/8 x 39 3/16 x 3 9/16 in.); Unframed: 50 x 80 cm (19 11/16 x 31 1/2 in.)",80,50,1.60075329566855,[1005,1006,1007,1008,1009],{"_224":308,"_225":309,"_42":310,"_311":312},"1975.4","William Stanley Haseltine painted this in 1869, aged 34. It is now at the Cleveland Museum of Art.",{"_118":1004,"_306":307},"Capri, by William Stanley Haseltine, 1869",{"_299":1001,"_301":1002,"_303":1003},"https://img.ochreeditions.com/m/687.jpg?dl=1","/art/capri-cma-148312","/galleries/style/american-gilded-age/capri-cma-148312",{"_295":296,"_297":298},{"_228":996,"_125":997,"_289":998},{"_280":993,"_282":994,"_284":977,"_285":995},95,64.97647058823529,49.976470588235294,{"_291":228,"_123":999,"_154":1000,"_140":99},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/william-stanley-haseltine","More by William Stanley Haseltine","https://img.ochreeditions.com/a/687/480.jpg","https://img.ochreeditions.com/a/687/960.jpg","https://img.ochreeditions.com/a/687/1920.jpg","The Philadelphia-born Haseltine favored images of coastal rocks, painting them on both sides of the Atlantic throughout his career.",{"_318":1018,"_320":1019},{"_318":1016,"_320":1017},{"_318":1014,"_320":1015},{"_318":1012,"_320":1013},{"_318":1010,"_320":1011},"#726253",0.059,"#3e332a",0.1574,"#2d221d",0.1707,"#9b9688",0.2793,"#b89d85",0.3336,"William Stanley Haseltine","william-stanley-haseltine","American, 1835–1900",1835,1900,"Haseltine was born in Philadelphia, studied at Harvard and trained in Düsseldorf, where he travelled and painted with Albert Bierstadt and Worthington Whittredge.","alvan-clark-cma-107283","Alvan Clark","Unrecorded American maker","1870s","Unframed: 69.6 x 56 cm (27 3/8 x 22 1/16 in.)",56,69.6,0.8182352941176471,[1057,1058,1059,1060,1061],{"_224":308,"_225":309,"_42":310,"_311":312},"1925.126","An unrecorded United States artist painted this in the 1870s. It is now at the Cleveland Museum of Art.","Alvan Clark, 1870s",{"_299":1054,"_301":1055,"_303":1056},"https://img.ochreeditions.com/m/514.jpg?dl=1","/art/alvan-clark-cma-107283","/galleries/style/american-gilded-age/alvan-clark-cma-107283",{"_295":296,"_297":298},{"_228":1049,"_125":1050,"_289":1051},{"_280":1046,"_282":1047,"_284":1048,"_285":1032},71.94917647058823,84.6,56.94917647058823,{"_291":228,"_123":1052,"_154":1053,"_140":87},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/unrecorded-united-states","More by unrecorded makers of the United States","https://img.ochreeditions.com/a/514/480.jpg","https://img.ochreeditions.com/a/514/960.jpg","https://img.ochreeditions.com/a/514/1920.jpg",{"_318":1070,"_320":1071},{"_318":1068,"_320":1069},{"_318":1066,"_320":1067},{"_318":1064,"_320":1065},{"_318":1062,"_320":1063},"#a87c5b",0.0183,"#623f2e",0.0436,"#37281f",0.1337,"#1e1513",0.3999,"#473626",0.4045,"three-girls-and-river-si-saam-1980-34-3","Three Girls and River",{"_42":456,"_225":457,"_332":458,"_334":459,"_336":460,"_338":461,"_340":-5,"_341":-5,"_342":462,"_140":97},"1907","oil on fiberboard","23 x 27 in. (58.5 x 68.5 cm)",68.5,58.5,1.1801730920535012,[1106,1107,1108,1109,1110],{"_224":438,"_225":439,"_42":440,"_311":379},"Courtesy of the Smithsonian American Art Museum","1980.34.3","Louis M. Eilshemius painted this in 1907, aged 43. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":1104,"_306":1105},"Three Girls and River, by Louis M. Eilshemius, 1907",{"_299":1101,"_301":1102,"_303":1103},"https://img.ochreeditions.com/m/1958.jpg?dl=1","/art/three-girls-and-river-si-saam-1980-34-3","/galleries/style/american-gilded-age/three-girls-and-river-si-saam-1980-34-3",{"_295":296,"_297":298},{"_228":1098,"_125":1099,"_289":1100},{"_280":1095,"_282":1096,"_284":1078,"_285":1097},83.5,73.04233333333333,58.04233333333333,{"_291":228,"_123":433,"_154":434,"_140":97},{"_291":125,"_123":430,"_154":431,"_140":432},{"_291":289,"_123":427,"_154":428,"_140":429},"https://img.ochreeditions.com/a/1958/480.jpg","https://img.ochreeditions.com/a/1958/960.jpg","https://img.ochreeditions.com/a/1958/1920.jpg","Louis M. Eilshemius is best known for his romanticized and often erotically charged landscapes that contain nude women or nymphs. In Three Girls and River, three nude women relax in a bucolic setting with lush trees and a babbling river.","Text from the Smithsonian American Art Museum.",{"_318":1119,"_320":1120},{"_318":1117,"_320":1118},{"_318":1115,"_320":1116},{"_318":1113,"_320":1114},{"_318":1111,"_320":1112},"#a69b73",0.1273,"#665b40",0.1487,"#d1bc82",0.1548,"#343838",0.2824,"#5d6767",0.2868,"a-rose-met-14931","A Rose",{"_42":1166,"_225":1167,"_332":1168,"_334":335,"_336":1169,"_338":1170,"_340":1171,"_341":1172,"_342":1173,"_140":99},"58 x 43 7/8 in. (147.3 x 111.4 cm)",111.4,147.3,0.7563138097796883,[1151,1152,1153,1154,1155],{"_224":497,"_225":498,"_42":499,"_311":500},"1993.324","Thomas Anshutz painted this in 1907, aged 56. It is now at The Met in New York.","A Rose, by Thomas Anshutz, 1907",{"_299":1148,"_301":1149,"_303":1150},"https://img.ochreeditions.com/m/865.jpg?dl=1","/art/a-rose-met-14931","/galleries/style/american-gilded-age/a-rose-met-14931",{"_295":296,"_297":298},{"_228":1143,"_125":1144,"_289":1145},{"_280":1140,"_282":1141,"_284":1142,"_285":1126},126.4050241805481,162.3,111.4050241805481,{"_291":228,"_123":1146,"_154":1147,"_140":99},{"_291":125,"_123":430,"_154":431,"_140":432},{"_291":289,"_123":427,"_154":428,"_140":429},"artist/thomas-anshutz","More by Thomas Anshutz","https://img.ochreeditions.com/a/865/480.jpg","https://img.ochreeditions.com/a/865/960.jpg","https://img.ochreeditions.com/a/865/1920.jpg",{"_318":1164,"_320":1165},{"_318":1162,"_320":1163},{"_318":1160,"_320":1161},{"_318":1158,"_320":1159},{"_318":1156,"_320":1157},"#b58d68",0.0534,"#b84a3b",0.109,"#6e4232",0.1211,"#e66e63",0.1911,"#1d1c20",0.5254,"Thomas Anshutz","thomas-anshutz","American, 1851–1912",1851,1912,"Newport, Kentucky","Fort Washington, Pennsylvania","Anshutz studied at the Pennsylvania Academy of the Fine Arts under Thomas Eakins, assisting his photographic and anatomical studies, and succeeded him as a teacher there after Eakins was forced out in 1886.",{"_1175":-5,"_1176":1177,"_1178":1179,"_1180":8,"_1181":1182,"_1183":8},"user","csrf","b8ec6cecacaa010b65dcf2acdd87e05a71b46c49","cartCount",0,"dropLive","legal",[1184,1185,1186,1187,1188,1189,1190,1191,1192,1193,1194,1195],"uploadsEnabled",{"_225":1218,"_20":1219},{"_225":1216,"_20":1217},{"_225":1214,"_20":1215},{"_225":1212,"_20":1213},{"_225":1210,"_20":1211},{"_225":1208,"_20":1209},{"_225":1206,"_20":1207},{"_225":1204,"_20":1205},{"_225":1202,"_20":1203},{"_225":1200,"_20":1201},{"_225":1198,"_20":1199},{"_225":1196,"_20":1197},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]