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Butts's contemporaries","white","snow","https://img.ochreeditions.com/a/1676/480.jpg","https://img.ochreeditions.com/a/1676/960.jpg","https://img.ochreeditions.com/a/1676/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_314":394,"_316":395},{"_314":392,"_316":393},{"_314":390,"_316":391},{"_314":388,"_316":389},{"_314":386,"_316":387},"#6e6966",0.0502,"#908b87",0.0664,"#bfb9b3",0.1223,"#d7d3cb",0.2716,"#e8e4dc",0.4895,"J.R. Butts","j-r-butts","American, active 1830s - 1840s",1800,"boy-in-blue-coat-nga-45959","Boy in Blue Coat","Unrecorded American maker","c. 1730",18,"overall: 121.5 x 83.5 cm (47 13/16 x 32 7/8 in.) framed: 135.6 x 98.1 x 3.4 cm (53 3/8 x 38 5/8 x 1 5/16 in.)",83.5,121.5,0.682861328125,[438,439,440,441,442],{"_220":378,"_221":379,"_42":380,"_307":308},"1959.11.5","An unrecorded American artist painted this in about 1730. It is now at the National Gallery of Art in Washington, DC.","Boy in Blue Coat, c. 1730",{"_295":435,"_297":436,"_299":437},"https://img.ochreeditions.com/m/1513.jpg?dl=1","/art/boy-in-blue-coat-nga-45959","/galleries/style/american-colonial-and-federal/boy-in-blue-coat-nga-45959",{"_291":292,"_293":294},{"_224":424,"_125":425,"_285":426},{"_276":421,"_278":422,"_280":423,"_282":407},97.9676513671875,136.5,82.9676513671875,{"_287":224,"_123":433,"_154":434,"_140":87},{"_287":125,"_123":430,"_154":431,"_140":432},{"_287":285,"_123":427,"_154":428,"_140":429},"era/18-united-states","18th-century United States",21,"style/painting-18","More paintings of the 18th century",168,"artist/unrecorded-united-states","More by unrecorded makers of the United States","https://img.ochreeditions.com/a/1513/480.jpg","https://img.ochreeditions.com/a/1513/960.jpg","https://img.ochreeditions.com/a/1513/1920.jpg",{"_314":451,"_316":452},{"_314":449,"_316":450},{"_314":447,"_316":448},{"_314":445,"_316":446},{"_314":443,"_316":444},"#505d47",0.0866,"#935e38",0.146,"#2d3b38",0.1538,"#653e26",0.1644,"#39291e",0.4492,"richard-henry-lee-si-npg-npg-74-5","Richard Henry Lee",{"_42":504,"_221":505,"_328":506,"_330":331,"_332":507,"_334":508,"_336":509,"_337":510,"_338":511,"_140":99},"c. 1795-1805","Oil on canvas","Stretcher: 75.6 x 63.8 x 3.2cm (29 3/4 x 25 1/8 x 1 1/4\")",63.8,75.6,0.82025,[489,490,491,492,493],{"_220":304,"_221":305,"_42":306,"_307":308},"Courtesy of the National Portrait Gallery, Smithsonian Institution","NPG.74.5","Charles Willson Peale painted this in about 1795-1805, aged about 54. It is now at the National Portrait Gallery in Washington, DC.",{"_118":487,"_302":488},"Artist: Charles Willson Peale, Sitter: Richard Henry Lee, Current owner: National Portrait Gallery, Smithsonian Institution",{"_295":484,"_297":485,"_299":486},"https://img.ochreeditions.com/m/1845.jpg?dl=1","/art/richard-henry-lee-si-npg-npg-74-5","/galleries/style/american-colonial-and-federal/richard-henry-lee-si-npg-npg-74-5",{"_291":292,"_293":294},{"_224":479,"_125":480,"_285":481},{"_276":476,"_278":477,"_280":478,"_282":460},77.01089999999999,90.6,62.0109,{"_287":224,"_123":482,"_154":483,"_140":99},{"_287":125,"_123":430,"_154":431,"_140":432},{"_287":285,"_123":427,"_154":428,"_140":429},"artist/charles-willson-peale","More by Charles Willson Peale","https://img.ochreeditions.com/a/1845/480.jpg","https://img.ochreeditions.com/a/1845/960.jpg","https://img.ochreeditions.com/a/1845/1920.jpg","Born Stratford, Westmoreland County, Virginia","Text from the National Portrait Gallery.",{"_314":502,"_316":503},{"_314":500,"_316":501},{"_314":498,"_316":499},{"_314":496,"_316":497},{"_314":494,"_316":495},"#b49686",0.0472,"#7f6e66",0.0526,"#51332d",0.1635,"#28394b",0.1785,"#2f211e",0.5582,"Charles Willson Peale","charles-willson-peale","American, 1741–1827",1741,1827,"Chester, Maryland","Philadelphia, Pennsylvania","Peale trained as a saddler in Maryland before turning to painting, and studied in London with Benjamin West. Back in America he served in the Revolutionary War and painted George Washington from life several times, along with many leaders of the new republic.","bay-of-new-york-sunset-nga-54127","Bay of New York, Sunset",{"_42":558,"_221":559,"_328":560,"_330":331,"_332":561,"_334":562,"_336":-5,"_337":-5,"_338":-5,"_140":101},"mid 19th century","overall: 56 x 76.2 cm (22 1/16 x 30 in.) framed: 69.9 x 89.5 cm (27 1/2 x 35 1/4 in.)",76.2,56,1.3671562082777036,[543,544,545,546,547],{"_220":378,"_221":379,"_42":380,"_307":308},"1973.67.1","Thomas Chambers painted this in the mid 19th century, aged about 17. It is now at the National Gallery of Art in Washington, DC.","Bay of New York, Sunset, by Thomas Chambers, mid 19th century",{"_295":540,"_297":541,"_299":542},"https://img.ochreeditions.com/m/1573.jpg?dl=1","/art/bay-of-new-york-sunset-nga-54127","/galleries/style/american-colonial-and-federal/bay-of-new-york-sunset-nga-54127",{"_291":292,"_293":294},{"_224":535,"_125":536,"_285":537},{"_276":532,"_278":533,"_280":517,"_282":534},91.2,70.7361328125,55.7361328125,{"_287":224,"_123":538,"_154":539,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-thomas-chambers","Thomas Chambers's contemporaries","https://img.ochreeditions.com/a/1573/480.jpg","https://img.ochreeditions.com/a/1573/960.jpg","https://img.ochreeditions.com/a/1573/1920.jpg",{"_314":556,"_316":557},{"_314":554,"_316":555},{"_314":552,"_316":553},{"_314":550,"_316":551},{"_314":548,"_316":549},"#6a7756",0.1453,"#b18750",0.1572,"#2a2a1d",0.1712,"#74a0bc",0.1828,"#d4c6b0",0.3435,"Thomas Chambers","thomas-chambers","American, 1808–1866 or after",1808,1866,"zachariah-schoonmaker-nga-1130","Zachariah Schoonmaker",{"_42":609,"_221":610,"_328":611,"_330":331,"_332":612,"_334":613,"_336":614,"_337":614,"_338":-5,"_140":101},"1815/1818","overall: 66.4 x 57 cm (26 1/8 x 22 7/16 in.) framed: 84.5 x 74.3 x 6.2 cm (33 1/4 x 29 1/4 x 2 7/16 in.)",57,66.4,0.83056640625,[594,595,596,597,598],{"_220":378,"_221":379,"_42":380,"_307":308},"1942.8.36","John Vanderlyn painted this in 1815/1818, aged about 40. It is now at the National Gallery of Art in Washington, DC.","The image shows a man depicted from the waist up, positioned slightly turned to the side yet facing the viewer directly. He has a composed expression with defined facial features, including a high forehead, strong eyebrows, prominent cheekbones, and a clean-shaven face. His hair is dark and curly, styled away from his forehead. He is dressed in a dark coat featuring a double-breasted design with gold buttons, complemented by a high-collared, white cravat intricately tied at his neck. In the background, there is a subtle, dark, greenish hue.",{"_295":591,"_297":592,"_299":593},"https://img.ochreeditions.com/m/1312.jpg?dl=1","/art/zachariah-schoonmaker-nga-1130","/galleries/style/american-colonial-and-federal/zachariah-schoonmaker-nga-1130",{"_291":292,"_293":294},{"_224":586,"_125":587,"_285":588},{"_276":583,"_278":584,"_280":585,"_282":569},70.14960937500001,81.4,55.149609375000004,{"_287":224,"_123":589,"_154":590,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-vanderlyn","John Vanderlyn's contemporaries","https://img.ochreeditions.com/a/1312/480.jpg","https://img.ochreeditions.com/a/1312/960.jpg","https://img.ochreeditions.com/a/1312/1920.jpg",{"_314":607,"_316":608},{"_314":605,"_316":606},{"_314":603,"_316":604},{"_314":601,"_316":602},{"_314":599,"_316":600},"#a57746",0.0439,"#ccbd98",0.0619,"#343519",0.207,"#15100d",0.2839,"#19210e",0.4033,"John Vanderlyn","john-vanderlyn","American, 1775–1852",1775,1852,"Kingston, New York","senator-thomas-hart-benton-cma-120877","Senator Thomas Hart Benton",{"_42":667,"_221":668,"_328":669,"_330":331,"_332":670,"_334":508,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1820s","oil on wood","Unframed: 71.4 x 59.6 cm (28 1/8 x 23 7/16 in.)",59.6,71.4,0.8123529411764706,[652,653,654,655,656],{"_220":648,"_221":649,"_42":650,"_307":651},"Courtesy of the Cleveland Museum of Art","1941.597","Matthew Harris Jouett painted this in the 1820s, aged about 33. It is now at the Cleveland Museum of Art.","Senator Thomas Hart Benton, by Matthew Harris Jouett, 1820s",{"_295":645,"_297":646,"_299":647},"https://img.ochreeditions.com/m/547.jpg?dl=1","/art/senator-thomas-hart-benton-cma-120877","/galleries/style/american-colonial-and-federal/senator-thomas-hart-benton-cma-120877",{"_291":292,"_293":294},{"_224":640,"_125":641,"_285":642},{"_276":637,"_278":638,"_280":639,"_282":622},73.00200000000001,86.4,58.00200000000001,{"_287":224,"_123":643,"_154":644,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-matthew-harris-jouett","Matthew Harris Jouett's contemporaries","https://img.ochreeditions.com/a/547/480.jpg","https://img.ochreeditions.com/a/547/960.jpg","https://img.ochreeditions.com/a/547/1920.jpg","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_314":665,"_316":666},{"_314":663,"_316":664},{"_314":661,"_316":662},{"_314":659,"_316":660},{"_314":657,"_316":658},"#b0a598",0.0349,"#8a6a5d",0.0523,"#544a41",0.2671,"#36302a",0.3188,"#171513",0.3269,"Matthew Harris Jouett","matthew-harris-jouett","American, 1787/88–1827",1787,"robert-coleman-nga-33962","Robert Coleman",{"_42":718,"_221":719,"_328":720,"_330":331,"_332":721,"_334":722,"_336":-5,"_337":-5,"_338":-5,"_140":101},"c. 1820","oil on canvas transferred to wood","overall: 91.7 x 71 cm (36 1/8 x 27 15/16 in.) framed: 126.7 x 106 x 10.8 cm (49 7/8 x 41 3/4 x 4 1/4 in.)",71,91.7,0.773681640625,[703,704,705,706,707],{"_220":378,"_221":379,"_42":380,"_307":308},"1947.9.2","Jacob Eichholtz painted this in about 1820, aged 44. It is now at the National Gallery of Art in Washington, DC.","The image shows a man sitting and facing the viewer. He has his right hand on a table. The man's hair is gray and neatly styled. He is wearing a dark coat with a high collar, a white shirt, and a yellow vest peeking through. On the table are a quill, inkwell, and papers. The background is a dark, neutral tone.",{"_295":700,"_297":701,"_299":702},"https://img.ochreeditions.com/m/1489.jpg?dl=1","/art/robert-coleman-nga-33962","/galleries/style/american-colonial-and-federal/robert-coleman-nga-33962",{"_291":292,"_293":294},{"_224":695,"_125":696,"_285":697},{"_276":692,"_278":693,"_280":694,"_282":678},85.9466064453125,106.7,70.9466064453125,{"_287":224,"_123":698,"_154":699,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jacob-eichholtz","Jacob Eichholtz's contemporaries","https://img.ochreeditions.com/a/1489/480.jpg","https://img.ochreeditions.com/a/1489/960.jpg","https://img.ochreeditions.com/a/1489/1920.jpg",{"_314":716,"_316":717},{"_314":714,"_316":715},{"_314":712,"_316":713},{"_314":710,"_316":711},{"_314":708,"_316":709},"#deb354",0.0373,"#b57b28",0.0424,"#352b12",0.17,"#6b5514",0.1834,"#10140b",0.5669,"Jacob Eichholtz","jacob-eichholtz","American, 1776–1842",1776,1842,"robert-g-l-de-peyster-nga-1132","Robert G. L. De Peyster",{"_42":768,"_221":769,"_328":770,"_330":331,"_332":771,"_334":772,"_336":-5,"_337":-5,"_338":-5,"_140":101},"1828","overall: 84 x 64 cm (33 1/16 x 25 3/16 in.) framed: 104.1 x 86.4 x 7.6 cm (41 x 34 x 3 in.)",64,0.735107421875,[753,754,755,756,757],{"_220":378,"_221":379,"_42":380,"_307":308},"1942.8.38","Samuel Lovett Waldo painted this in 1828, aged 45. It is now at the National Gallery of Art in Washington, DC.","This image depicts a man from the waist up. He is seated, slightly turned to his right, while facing the viewer. The man has a composed expression, prominent cheekbones, and a slightly pointed nose. His dark brown hair is styled in a classic early 19th-century manner, with curls around the sides and forehead. He is dressed in a dark blue coat with gold buttons, a yellow waistcoat, a high-collared white shirt, and a decorative pin. In his right hand, he holds a piece of folded paper with writing on it. The background is an indistinct swirl of darker colors.",{"_295":750,"_297":751,"_299":752},"https://img.ochreeditions.com/m/1314.jpg?dl=1","/art/robert-g-l-de-peyster-nga-1132","/galleries/style/american-colonial-and-federal/robert-g-l-de-peyster-nga-1132",{"_291":292,"_293":294},{"_224":745,"_125":746,"_285":747},{"_276":742,"_278":743,"_280":744,"_282":361},76.7490234375,99,61.7490234375,{"_287":224,"_123":748,"_154":749,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-samuel-lovett-waldo","Samuel Lovett Waldo's contemporaries","https://img.ochreeditions.com/a/1314/480.jpg","https://img.ochreeditions.com/a/1314/960.jpg","https://img.ochreeditions.com/a/1314/1920.jpg",{"_314":766,"_316":767},{"_314":764,"_316":765},{"_314":762,"_316":763},{"_314":760,"_316":761},{"_314":758,"_316":759},"#c7aa45",0.0412,"#7f5f23",0.0535,"#dabf92",0.0552,"#2f3112",0.2035,"#0e1705",0.6466,"Samuel Lovett Waldo","samuel-lovett-waldo","1783–1861",1783,1861,"eleazer-tyng-nga-50291","Eleazer Tyng",{"_42":820,"_221":821,"_328":822,"_330":331,"_332":823,"_334":824,"_336":825,"_337":826,"_338":827,"_140":95},"1772","overall: 126.5 x 100.2 cm (49 13/16 x 39 7/16 in.) framed: 149.5 x 125.1 cm (58 7/8 x 49 1/4 in.)",100.2,126.5,0.8056640625,[805,806,807,808,809],{"_220":378,"_221":379,"_42":380,"_307":308},"1965.6.1","John Singleton Copley painted this in 1772, aged 34. It is now at the National Gallery of Art in Washington, DC.","Eleazer Tyng, a prosperous Massachusetts landowner in old age, sits in a green wooden chair with his hands stacked on its arm, looking at us with heavy-lidded eyes and a hint of a wry smile.","A pale-skinned, clean-shaven man with a heavily lined, paunchy face sits against a green and red wall in this vertical portrait painting. The man sits in a wooden chair painted forest green and rests both hands on the closer arm. His body and knees are angled to our left, and he turns his wide, square face to look at with heavy-lidded eyes. One brow seems slightly cocked, and he has a large nose. His lips are pulled up on one side over a round double chin. He wears a white, shoulder-length wig and a sable-brown suit. The cuffs of a white shirt are visible at his wrists where his hands are stacked on the arm of the chair. The knee-length breeches are buckled at the knee over black stockings. His legs are crossed away from us, and his feet extend off the bottom edge of the composition. The bottom half of the wall behind him is painted burgundy red up to and including a chair rail, and the wall above is moss green. The wall is lined with a gold scallop pattern along the top of the chair rail and a sliver of brown on across the bottom of the composition suggests a wood floor. The artist signed and dated the painting as if he had inscribed the red wall near the man’s knees, “John Singleton Copley pinx 1772. Boston.”",{"_295":802,"_297":803,"_299":804},"https://img.ochreeditions.com/m/1532.jpg?dl=1","/art/eleazer-tyng-nga-50291","/galleries/style/american-colonial-and-federal/eleazer-tyng-nga-50291",{"_291":292,"_293":294},{"_224":797,"_125":798,"_285":799},{"_276":794,"_278":795,"_280":796,"_282":779},116.91650390625,141.5,101.91650390625,{"_287":224,"_123":800,"_154":801,"_140":95},{"_287":125,"_123":430,"_154":431,"_140":432},{"_287":285,"_123":427,"_154":428,"_140":429},"artist/john-singleton-copley","More by John Singleton Copley","https://img.ochreeditions.com/a/1532/480.jpg","https://img.ochreeditions.com/a/1532/960.jpg","https://img.ochreeditions.com/a/1532/1920.jpg",{"_314":818,"_316":819},{"_314":816,"_316":817},{"_314":814,"_316":815},{"_314":812,"_316":813},{"_314":810,"_316":811},"#6f523a",0.0931,"#501c15",0.1127,"#1b130c",0.2482,"#2d140c",0.2564,"#302c15",0.2896,"John Singleton Copley","john-singleton-copley","American, 1738–1815",1738,1815,"Boston, Massachusetts","London","Copley was largely self-taught and became colonial America’s finest portraitist, painting Boston merchants and their families with sharp, tactile realism, from glinting silver to polished mahogany.","sketch-for-the-copley-family-nga-73435","Sketch for The Copley Family",{"_42":820,"_221":821,"_328":822,"_330":331,"_332":823,"_334":824,"_336":825,"_337":826,"_338":827,"_140":95},"1776","overall (oval): 39.5 x 34 cm (15 9/16 x 13 3/8 in.) framed: 60 x 54.3 x 5.7 cm (23 5/8 x 21 3/8 x 2 1/4 in.)",34,39.5,0.8599893730074389,[858,859,860,861,862],{"_220":378,"_221":379,"_42":380,"_307":308},"1991.141.1","John Singleton Copley painted this in 1776, aged 38. It is now at the National Gallery of Art in Washington, DC.","This oil sketch relates to The Copley Family, the large group portrait Copley painted in London soon after leaving America, which shows himself, his wife Susanna, their children and his father-in-law.","Sketch for The Copley Family, by John Singleton Copley, 1776",{"_295":855,"_297":856,"_299":857},"https://img.ochreeditions.com/m/1620.jpg?dl=1","/art/sketch-for-the-copley-family-nga-73435","/galleries/style/american-colonial-and-federal/sketch-for-the-copley-family-nga-73435",{"_291":292,"_293":294},{"_224":852,"_125":853,"_285":854},{"_276":849,"_278":850,"_280":851,"_282":834},48.969580233793835,54.5,33.969580233793835,{"_287":224,"_123":800,"_154":801,"_140":95},{"_287":125,"_123":430,"_154":431,"_140":432},{"_287":285,"_123":427,"_154":428,"_140":429},"https://img.ochreeditions.com/a/1620/480.jpg","https://img.ochreeditions.com/a/1620/960.jpg","https://img.ochreeditions.com/a/1620/1920.jpg",{"_314":871,"_316":872},{"_314":869,"_316":870},{"_314":867,"_316":868},{"_314":865,"_316":866},{"_314":863,"_316":864},"#664a2c",0.1412,"#d8c59c",0.1642,"#91744f",0.1872,"#fcfbfa",0.2077,"#b69d75",0.2997,"emma-van-name-met-701989","Emma Van Name",{"_42":926,"_221":927,"_328":928,"_330":331,"_332":929,"_334":930,"_336":-5,"_337":-5,"_338":-5,"_140":101},"ca. 1805","Oil on canvasPainting","29 × 23 in. (73.7 × 58.4 cm)",58.4,73.7,0.8045,[911,912,913,914,915],{"_220":907,"_221":908,"_42":909,"_307":910},"Courtesy of The Metropolitan Museum of Art","2016.116","Joshua Johnson painted this in about 1805, aged 47. It is now at The Met in New York.","A small girl in a white dress poses with a goblet and strawberries, painted by Joshua Johnson of Baltimore around 1805. Johnson, among the earliest known professional portrait painters of African descent in the United States, advertised himself as self-taught and worked for the merchant families of Maryland.","Emma Van Name, by Joshua Johnson, ca. 1805",{"_295":904,"_297":905,"_299":906},"https://img.ochreeditions.com/m/1282.jpg?dl=1","/art/emma-van-name-met-701989","/galleries/style/american-colonial-and-federal/emma-van-name-met-701989",{"_291":292,"_293":294},{"_224":899,"_125":900,"_285":901},{"_276":896,"_278":897,"_280":898,"_282":880},74.29165,88.7,59.291650000000004,{"_287":224,"_123":902,"_154":903,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-joshua-johnson","Joshua Johnson's contemporaries","https://img.ochreeditions.com/a/1282/480.jpg","https://img.ochreeditions.com/a/1282/960.jpg","https://img.ochreeditions.com/a/1282/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_314":924,"_316":925},{"_314":922,"_316":923},{"_314":920,"_316":921},{"_314":918,"_316":919},{"_314":916,"_316":917},"#613f2c",0.0971,"#a48876",0.1688,"#49503c",0.1691,"#6b6b58",0.1805,"#2d2a23",0.3845,"Joshua Johnson","joshua-johnson","American, ca. 1763–ca. 1824",1758,1829,"daniel-crommelin-verplanck-met-10522","Daniel Crommelin Verplanck",{"_42":820,"_221":821,"_328":822,"_330":331,"_332":823,"_334":824,"_336":825,"_337":826,"_338":827,"_140":95},"1771","49 1/2 x 40 in. (125.7 x 101.6 cm)",101.6,125.7,0.800107469102633,[961,962,963,964,965],{"_220":907,"_221":908,"_42":909,"_307":910},"49.12","John Singleton Copley painted this in 1771, aged 33. It is now at The Met in New York.","Daniel Crommelin Verplanck, a boy of about nine from a prominent New York family, poses with his pet squirrel on a fine chain beside him.","Daniel Crommelin Verplanck, by John Singleton Copley, 1771",{"_295":958,"_297":959,"_299":960},"https://img.ochreeditions.com/m/815.jpg?dl=1","/art/daniel-crommelin-verplanck-met-10522","/galleries/style/american-colonial-and-federal/daniel-crommelin-verplanck-met-10522",{"_291":292,"_293":294},{"_224":955,"_125":956,"_285":957},{"_276":952,"_278":953,"_280":954,"_282":937},115.57350886620097,140.7,100.57350886620097,{"_287":224,"_123":800,"_154":801,"_140":95},{"_287":125,"_123":430,"_154":431,"_140":432},{"_287":285,"_123":427,"_154":428,"_140":429},"https://img.ochreeditions.com/a/815/480.jpg","https://img.ochreeditions.com/a/815/960.jpg","https://img.ochreeditions.com/a/815/1920.jpg",{"_314":974,"_316":975},{"_314":972,"_316":973},{"_314":970,"_316":971},{"_314":968,"_316":969},{"_314":966,"_316":967},"#8e5336",0.0475,"#a59174",0.0576,"#685636",0.0901,"#3b2a1a",0.3434,"#181513",0.4614,"a-gentleman-of-the-morris-family-nga-1135","A Gentleman of the Morris Family",{"_42":1022,"_221":1023,"_328":331,"_330":331,"_332":-5,"_334":612,"_336":-5,"_337":-5,"_338":-5,"_140":101},"1749/1752","overall: 76.4 x 63.4 cm (30 1/16 x 24 15/16 in.) framed: 94 x 81 x 7.6 cm (37 x 31 7/8 x 3 in.)",63.4,76.4,0.81689453125,[1007,1008,1009,1010,1011],{"_220":378,"_221":379,"_42":380,"_307":308},"1942.8.41","John Wollaston painted this in 1749/1752. It is now at the National Gallery of Art in Washington, DC.","The image displays a painted portrait of an individual, showing the upper half of the body prominently. The person is positioned facing slightly toward the viewer's left with their gaze directed forward. They have defined facial features with a smooth complexion and medium-length, curly brown hair that frames their face. The attire consists of an elegant coat with distinct buttons and a high-collared shirt underneath. There is a subtle shine and texture to the clothing. There are no visible jewelry pieces, and the person is not holding any objects. The background is a dark, neutral color, contrasting with the lighter tones of the person's skin and clothing.",{"_295":1004,"_297":1005,"_299":1006},"https://img.ochreeditions.com/m/1317.jpg?dl=1","/art/a-gentleman-of-the-morris-family-nga-1135","/galleries/style/american-colonial-and-federal/a-gentleman-of-the-morris-family-nga-1135",{"_291":292,"_293":294},{"_224":999,"_125":1000,"_285":1001},{"_276":996,"_278":997,"_280":998,"_282":982},77.4107421875,91.4,62.410742187500006,{"_287":224,"_123":1002,"_154":1003,"_140":89},{"_287":125,"_123":430,"_154":431,"_140":432},{"_287":285,"_123":427,"_154":428,"_140":429},"artist/contemporaries-of-john-wollaston","John Wollaston's contemporaries","https://img.ochreeditions.com/a/1317/480.jpg","https://img.ochreeditions.com/a/1317/960.jpg","https://img.ochreeditions.com/a/1317/1920.jpg",{"_314":1020,"_316":1021},{"_314":1018,"_316":1019},{"_314":1016,"_316":1017},{"_314":1014,"_316":1015},{"_314":1012,"_316":1013},"#bc7937",0.0303,"#c7b275",0.0484,"#4d3a1a",0.1238,"#7f6729",0.1343,"#201d17",0.6632,"John Wollaston","john-wollaston","mount-auburn-cemetery-nga-45641","Mount Auburn Cemetery",{"_42":558,"_221":559,"_328":560,"_330":331,"_332":561,"_334":562,"_336":-5,"_337":-5,"_338":-5,"_140":101},"overall: 35.6 x 46 cm (14 x 18 1/8 in.) framed: 44.6 x 54.4 x 3.3 cm (17 9/16 x 21 7/16 x 1 5/16 in.)",46,35.6,1.2974342730440291,[1051,1052,1053,1054,1055],{"_220":378,"_221":379,"_42":380,"_307":308},"1958.5.1","This painting shows a park-like landscape with trees, flowers, bushes, and a pond, all surrounded by light brown paths. The pond is in the center of the park, with light green-blue water framed by bushes, ferns, and tall flowers. Across from the pond are three large, white structures that could be mausoleums. Behind them is a hill with trees and more white graves or mausoleums on top of it. On either side of the pond, past the paths that encircle it, are tall trees with leaves in shades of dark green and brown. On the right side is a tall white structure that could be a grave or a monument. At the bottom of the painting, the paths curve up over a small hill in front of the pond. In between the paths are sections of grass dotted with small pink and white flowers. On the right side of the painting, a couple walks down the hill towards the pond. The person on the left wears a long blue coat decorated with gold buttons and a large, plumed hat, while the person on the right wears a pink gown and blue bonnet. Above the scene, the sky is blue, with puffy white clouds.",{"_295":1048,"_297":1049,"_299":1050},"https://img.ochreeditions.com/m/1507.jpg?dl=1","/art/mount-auburn-cemetery-nga-45641","/galleries/style/american-colonial-and-federal/mount-auburn-cemetery-nga-45641",{"_291":292,"_293":294},{"_224":1045,"_125":1046,"_285":1047},{"_276":1042,"_278":1043,"_280":1028,"_282":1044},61,50.45458984375,35.45458984375,{"_287":224,"_123":538,"_154":539,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1507/480.jpg","https://img.ochreeditions.com/a/1507/960.jpg","https://img.ochreeditions.com/a/1507/1920.jpg",{"_314":1064,"_316":1065},{"_314":1062,"_316":1063},{"_314":1060,"_316":1061},{"_314":1058,"_316":1059},{"_314":1056,"_316":1057},"#b5a36e",0.0845,"#757450",0.1084,"#7b612a",0.1652,"#48421f",0.2934,"#272312",0.3485,"ann-old-coleman-mrs-robert-coleman-nga-33961","Ann Old Coleman (Mrs. Robert Coleman)",{"_42":718,"_221":719,"_328":720,"_330":331,"_332":721,"_334":722,"_336":-5,"_337":-5,"_338":-5,"_140":101},"overall: 92 x 71.7 cm (36 1/4 x 28 1/4 in.) framed: 126.4 x 105.4 x 10.2 cm (49 3/4 x 41 1/2 x 4 in.)",71.7,92,0.77197265625,[1093,1094,1095,1096,1097],{"_220":378,"_221":379,"_42":380,"_307":308},"1947.9.1","The image shows the upper half of a seated woman facing forward. She has her hands clasped together in front of her. The woman appears calm with visible signs of age, including a few wrinkles on her face. She wears a white bonnet with a frilled edge tied under her chin, a dark shawl over a white high-collared blouse, and sits on a red chair with a gold trim. A red book and a handkerchief are on the surface next to her. The background transitions from deep red to brown tones.",{"_295":1090,"_297":1091,"_299":1092},"https://img.ochreeditions.com/m/1488.jpg?dl=1","/art/ann-old-coleman-mrs-robert-coleman-nga-33961","/galleries/style/american-colonial-and-federal/ann-old-coleman-mrs-robert-coleman-nga-33961",{"_291":292,"_293":294},{"_224":1087,"_125":1088,"_285":1089},{"_276":1084,"_278":1085,"_280":1086,"_282":1071},86.021484375,107,71.021484375,{"_287":224,"_123":698,"_154":699,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1488/480.jpg","https://img.ochreeditions.com/a/1488/960.jpg","https://img.ochreeditions.com/a/1488/1920.jpg",{"_314":1105,"_316":1106},{"_314":1103,"_316":1104},{"_314":1101,"_316":1102},{"_314":1099,"_316":1100},{"_314":1098,"_316":1057},"#ccab6a","#7e3415",0.1228,"#64512c",0.1384,"#441f17",0.2041,"#161719",0.4502,{"_1108":-5,"_1109":1110,"_1111":1112,"_1113":8,"_1114":1115,"_1116":8},"user","csrf","bb41b2960a483cc9304518a9c35ec2f19ec21d9c","cartCount",0,"dropLive","legal",[1117,1118,1119,1120,1121,1122,1123,1124,1125,1126,1127,1128],"uploadsEnabled",{"_221":1151,"_20":1152},{"_221":1149,"_20":1150},{"_221":1147,"_20":1148},{"_221":1145,"_20":1146},{"_221":1143,"_20":1144},{"_221":1141,"_20":1142},{"_221":1139,"_20":1140},{"_221":1137,"_20":1138},{"_221":1135,"_20":1136},{"_221":1133,"_20":1134},{"_221":1131,"_20":1132},{"_221":1129,"_20":1130},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]