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It is now at the National Gallery of Art in Washington, DC.","Three boys in matching green suits with wide ruffled collars stand hand in hand: one holds a sprig of cherries, the middle child a rose, and the eldest a basket of roses. At their feet a black dog carries a bird in its mouth, and a window opens onto a slender tree and distant pink-grey hills.","Three pale-skinned, blue-eyed children wearing green suits stand in a row facing us in this horizontal portrait painting. They all have round faces and full, pink cheeks. The tallest child is to the right, and he has shoulder-length cinnamon-brown hair. The other two come up to his shoulder and have blond hair. The tallest puts one arm on the far shoulder of the middle child, and the two smaller children hold hands. Each wears a pine-green, one-piece outfit with pewter-gray buttons, a wide, ivory-white collar lined with ruffles, and black, shin-high boots. The boy on our left holds a branch of dark red cherries. The middle child holds a pink rose, and the tallest a basket filled with pink roses. A black dog holding a gray and mauve-pink bird in its mouth stands in profile facing our left in the lower right corner of the canvas. The room around them has a tan-colored floor and gray walls. The room opens onto an alcove to our right with a rectangular window. A slender tree is along the left edge of the opening and a few pale, pink-tinged gray mountains line the bottom edge. Clear blue sky fills the rest of the window.",{"_300":487,"_302":488,"_304":489},"https://img.ochreeditions.com/m/1510.jpg?dl=1","/art/the-westwood-children-nga-45955","/galleries/style/american-colonial-and-federal/the-westwood-children-nga-45955",{"_296":297,"_298":299},{"_228":482,"_125":483,"_290":484},{"_280":479,"_282":480,"_284":462,"_286":481},132,118.831787109375,103.831787109375,{"_292":228,"_123":485,"_154":486,"_140":89},{"_292":125,"_123":425,"_154":426,"_140":427},{"_292":290,"_123":422,"_154":423,"_140":424},"artist/contemporaries-of-joshua-johnson","Joshua Johnson's contemporaries","https://img.ochreeditions.com/a/1510/480.jpg","https://img.ochreeditions.com/a/1510/960.jpg","https://img.ochreeditions.com/a/1510/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_316":506,"_318":507},{"_316":504,"_318":505},{"_316":502,"_318":503},{"_316":500,"_318":501},{"_316":498,"_318":499},"#a89d8d",0.0837,"#272c1d",0.171,"#957150",0.1802,"#443c34",0.2651,"#5c584f",0.3,"Joshua Johnson","joshua-johnson","American, ca. 1763–ca. 1824",1758,1829,"mrs-john-winthrop-met-10531","Mrs. John Winthrop",{"_42":560,"_225":561,"_330":562,"_332":333,"_334":563,"_336":564,"_338":565,"_340":566,"_342":567,"_140":95},"1773","35 1/2 x 28 3/4 in. (90.2 x 73 cm)",73,90.2,0.8136094674556213,[545,546,547,548,549],{"_224":306,"_225":307,"_42":308,"_309":310},"31.109","John Singleton Copley painted this in 1773, aged 35. It is now at The Met in New York.","Hannah Winthrop, wife of the Harvard scientist John Winthrop, sits at a polished mahogany table holding a branch of nectarines, and the tabletop reflects her hands and the fruit like a mirror.","Mrs. John Winthrop, by John Singleton Copley, 1773",{"_300":542,"_302":543,"_304":544},"https://img.ochreeditions.com/m/817.jpg?dl=1","/art/mrs-john-winthrop-met-10531","/galleries/style/american-colonial-and-federal/mrs-john-winthrop-met-10531",{"_296":297,"_298":299},{"_228":537,"_125":538,"_290":539},{"_280":534,"_282":535,"_284":536,"_286":519},88.38757396449705,105.2,73.38757396449705,{"_292":228,"_123":540,"_154":541,"_140":95},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":167,"_154":166,"_140":169},"artist/john-singleton-copley","More by John Singleton Copley","https://img.ochreeditions.com/a/817/480.jpg","https://img.ochreeditions.com/a/817/960.jpg","https://img.ochreeditions.com/a/817/1920.jpg",{"_316":558,"_318":559},{"_316":556,"_318":557},{"_316":554,"_318":555},{"_316":552,"_318":553},{"_316":550,"_318":551},"#425865",0.0601,"#b9a593",0.1022,"#7b5943",0.1286,"#552a1e",0.159,"#261d18",0.5501,"John Singleton Copley","john-singleton-copley","American, 1738–1815",1738,1815,"Boston, Massachusetts","London","Copley was largely self-taught and became colonial America’s finest portraitist, painting Boston merchants and their families with sharp, tactile realism, from glinting silver to polished mahogany.","west-family-in-the-studio-garden-si-npg-npg-77-34","West Family in the Studio Garden",{"_42":614,"_225":615,"_330":616,"_332":333,"_334":563,"_336":617,"_338":-5,"_340":-5,"_342":618,"_140":101},"1808-09","Stretcher: 34.3 × 41.3 × 1.6 cm (13 1/2 × 16 1/4 × 5/8\")",41.3,34.3,1.189767995240928,[599,600,601,602,603],{"_224":374,"_225":375,"_42":376,"_309":377},"NPG.77.34","Benjamin West painted this in 1808-09, aged 70. It is now at the National Portrait Gallery in Washington, DC.","Artist: Benjamin West, Sitter: Benjamin West, Current owner: National Portrait Gallery, Smithsonian Institution",{"_300":596,"_302":597,"_304":598},"https://img.ochreeditions.com/m/1850.jpg?dl=1","/art/west-family-in-the-studio-garden-si-npg-npg-77-34","/galleries/style/american-colonial-and-federal/west-family-in-the-studio-garden-si-npg-npg-77-34",{"_296":297,"_298":299},{"_228":591,"_125":592,"_290":593},{"_280":588,"_282":589,"_284":573,"_286":590},56.3,49.712650000000004,34.712650000000004,{"_292":228,"_123":594,"_154":595,"_140":89},{"_292":125,"_123":425,"_154":426,"_140":427},{"_292":290,"_123":422,"_154":423,"_140":424},"artist/contemporaries-of-benjamin-west","Benjamin West's contemporaries","https://img.ochreeditions.com/a/1850/480.jpg","https://img.ochreeditions.com/a/1850/960.jpg","https://img.ochreeditions.com/a/1850/1920.jpg",{"_316":612,"_318":613},{"_316":610,"_318":611},{"_316":608,"_318":609},{"_316":606,"_318":607},{"_316":604,"_318":605},"#bba97b",0.0874,"#584a29",0.1123,"#8c8062",0.1461,"#382c1c",0.2824,"#281e17",0.3718,"Benjamin West","benjamin-west","American, born The Thirteen Colonies, 1738–1820",1820,"West grew up in Pennsylvania and, after three years in Italy, settled in London in 1763, never returning to America. He became history painter to George III and, in 1792, succeeded Joshua Reynolds as President of the Royal Academy.","richard-henry-lee-si-npg-npg-74-5","Richard Henry Lee",{"_42":328,"_225":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_340":341,"_342":343,"_140":99},"c. 1795-1805","Stretcher: 75.6 x 63.8 x 3.2cm (29 3/4 x 25 1/8 x 1 1/4\")",63.8,75.6,0.82025,[652,653,654,655,656],{"_224":374,"_225":375,"_42":376,"_309":377},"NPG.74.5","Charles Willson Peale painted this in about 1795-1805, aged about 54. It is now at the National Portrait Gallery in Washington, DC.",{"_118":649,"_650":651},"Artist: Charles Willson Peale, Sitter: Richard Henry Lee, Current owner: National Portrait Gallery, Smithsonian Institution",{"_300":646,"_302":647,"_304":648},"https://img.ochreeditions.com/m/1845.jpg?dl=1","/art/richard-henry-lee-si-npg-npg-74-5","/galleries/style/american-colonial-and-federal/richard-henry-lee-si-npg-npg-74-5",{"_296":297,"_298":299},{"_228":643,"_125":644,"_290":645},{"_280":640,"_282":641,"_284":642,"_286":625},77.01089999999999,90.6,62.0109,{"_292":228,"_123":171,"_154":170,"_140":99},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1845/480.jpg","https://img.ochreeditions.com/a/1845/960.jpg","https://img.ochreeditions.com/a/1845/1920.jpg","Born Stratford, Westmoreland County, Virginia","source","Text from the National Portrait Gallery.",{"_316":665,"_318":666},{"_316":663,"_318":664},{"_316":661,"_318":662},{"_316":659,"_318":660},{"_316":657,"_318":658},"#b49686",0.0472,"#7f6e66",0.0526,"#51332d",0.1635,"#28394b",0.1785,"#2f211e",0.5582,"boy-in-blue-coat-nga-45959","Boy in Blue Coat","Unrecorded American maker","c. 1730","overall: 121.5 x 83.5 cm (47 13/16 x 32 7/8 in.) framed: 135.6 x 98.1 x 3.4 cm (53 3/8 x 38 5/8 x 1 5/16 in.)",83.5,121.5,0.682861328125,[698,699,700,701,702],{"_224":490,"_225":491,"_42":492,"_309":377},"1959.11.5","An unrecorded American artist painted this in about 1730. It is now at the National Gallery of Art in Washington, DC.","Boy in Blue Coat, c. 1730",{"_300":695,"_302":696,"_304":697},"https://img.ochreeditions.com/m/1513.jpg?dl=1","/art/boy-in-blue-coat-nga-45959","/galleries/style/american-colonial-and-federal/boy-in-blue-coat-nga-45959",{"_296":297,"_298":299},{"_228":690,"_125":691,"_290":692},{"_280":687,"_282":688,"_284":689,"_286":673},97.9676513671875,136.5,82.9676513671875,{"_292":228,"_123":693,"_154":694,"_140":87},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":167,"_154":166,"_140":169},"artist/unrecorded-united-states","More by unrecorded makers of the United States","https://img.ochreeditions.com/a/1513/480.jpg","https://img.ochreeditions.com/a/1513/960.jpg","https://img.ochreeditions.com/a/1513/1920.jpg",{"_316":711,"_318":712},{"_316":709,"_318":710},{"_316":707,"_318":708},{"_316":705,"_318":706},{"_316":703,"_318":704},"#505d47",0.0866,"#935e38",0.146,"#2d3b38",0.1538,"#653e26",0.1644,"#39291e",0.4492,"mrs-jerathmael-bowers-met-10530","Mrs. Jerathmael Bowers",{"_42":560,"_225":561,"_330":562,"_332":333,"_334":563,"_336":564,"_338":565,"_340":566,"_342":567,"_140":95},"ca. 1763","49 7/8 x 39 3/4 in. (126.7 x 101 cm)",101,126.7,0.7979580870499732,[743,744,745,746,747],{"_224":306,"_225":307,"_42":308,"_309":310},"15.128","John Singleton Copley painted this in about 1763, aged about 22. It is now at The Met in New York.","Mrs. Jerathmael Bowers sits in a landscape in a gleaming satin gown, with a small dog in her lap. Copley, who never saw a major European painting until he left America in 1774, based the composition on a print after a portrait by Joshua Reynolds, adapting fashionable London imagery for his colonial sitters.","Mrs. Jerathmael Bowers, by John Singleton Copley, ca. 1763",{"_300":740,"_302":741,"_304":742},"https://img.ochreeditions.com/m/816.jpg?dl=1","/art/mrs-jerathmael-bowers-met-10530","/galleries/style/american-colonial-and-federal/mrs-jerathmael-bowers-met-10530",{"_296":297,"_298":299},{"_228":737,"_125":738,"_290":739},{"_280":734,"_282":735,"_284":736,"_286":719},116.1012896292316,141.7,101.1012896292316,{"_292":228,"_123":540,"_154":541,"_140":95},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/816/480.jpg","https://img.ochreeditions.com/a/816/960.jpg","https://img.ochreeditions.com/a/816/1920.jpg",{"_316":756,"_318":757},{"_316":754,"_318":755},{"_316":752,"_318":753},{"_316":750,"_318":751},{"_316":748,"_318":749},"#501d1a",0.0913,"#c0aa90",0.1011,"#87755e",0.1501,"#524332",0.1719,"#2b231c",0.4856,"groton-monument-nga-145246","Groton Monument",{"_42":811,"_225":812,"_330":813,"_332":333,"_334":814,"_336":815,"_338":-5,"_340":-5,"_342":-5,"_140":103},"c. 1830-1840","print","Print","lithograph","Image: 259 x 335 mm Sheet: 353 x 452 mm",1.2363416842740718,[796,797,798,799,800],{"_224":490,"_225":491,"_42":492,"_309":377},"2008.115.1134","J.R. Butts made this in about 1830-1840, aged about 30. It is now at the National Gallery of Art in Washington, DC.","The image shows a scene from a slightly elevated point of view. The horizon is low, highlighting the vast sky above. On the right, there are buildings surrounded by trees. In the center, there is a tall monument with a small structure at its base, slightly to the left. To the right of the monument, a person is standing. The drawing features detailed linework and delicate shading for the sky. The color palette is monochromatic with shades of gray. Rocks and grass in the foreground lead towards the monument and buildings in the distance.",{"_300":793,"_302":794,"_304":795},"https://img.ochreeditions.com/m/1676.jpg?dl=1","/art/groton-monument-nga-145246","/galleries/style/american-colonial-and-federal/groton-monument-nga-145246",{"_296":791,"_298":792},{"_228":783,"_125":784,"_290":785},{"_280":779,"_282":780,"_284":781,"_286":782},84,72.5302734375,60,48.5302734375,{"_292":228,"_123":789,"_154":790,"_140":89},{"_292":125,"_123":786,"_154":787,"_140":788},{"_292":290,"_123":422,"_154":423,"_140":424},"style/print-19","More prints of the 19th century",159,"artist/contemporaries-of-j-r-butts","J.R. Butts's contemporaries","white","snow","https://img.ochreeditions.com/a/1676/480.jpg","https://img.ochreeditions.com/a/1676/960.jpg","https://img.ochreeditions.com/a/1676/1920.jpg",{"_316":809,"_318":810},{"_316":807,"_318":808},{"_316":805,"_318":806},{"_316":803,"_318":804},{"_316":801,"_318":802},"#6e6966",0.0502,"#908b87",0.0664,"#bfb9b3",0.1223,"#d7d3cb",0.2716,"#e8e4dc",0.4895,"J.R. Butts","j-r-butts","American, active 1830s - 1840s",1800,1900,"eleazer-tyng-nga-50291","Eleazer Tyng",{"_42":560,"_225":561,"_330":562,"_332":333,"_334":563,"_336":564,"_338":565,"_340":566,"_342":567,"_140":95},"1772","overall: 126.5 x 100.2 cm (49 13/16 x 39 7/16 in.) framed: 149.5 x 125.1 cm (58 7/8 x 49 1/4 in.)",100.2,126.5,0.8056640625,[846,847,848,849,850],{"_224":490,"_225":491,"_42":492,"_309":377},"1965.6.1","John Singleton Copley painted this in 1772, aged 34. It is now at the National Gallery of Art in Washington, DC.","Eleazer Tyng, a prosperous Massachusetts landowner in old age, sits in a green wooden chair with his hands stacked on its arm, looking at us with heavy-lidded eyes and a hint of a wry smile.","A pale-skinned, clean-shaven man with a heavily lined, paunchy face sits against a green and red wall in this vertical portrait painting. The man sits in a wooden chair painted forest green and rests both hands on the closer arm. His body and knees are angled to our left, and he turns his wide, square face to look at with heavy-lidded eyes. One brow seems slightly cocked, and he has a large nose. His lips are pulled up on one side over a round double chin. He wears a white, shoulder-length wig and a sable-brown suit. The cuffs of a white shirt are visible at his wrists where his hands are stacked on the arm of the chair. The knee-length breeches are buckled at the knee over black stockings. His legs are crossed away from us, and his feet extend off the bottom edge of the composition. The bottom half of the wall behind him is painted burgundy red up to and including a chair rail, and the wall above is moss green. The wall is lined with a gold scallop pattern along the top of the chair rail and a sliver of brown on across the bottom of the composition suggests a wood floor. The artist signed and dated the painting as if he had inscribed the red wall near the man’s knees, “John Singleton Copley pinx 1772. Boston.”",{"_300":843,"_302":844,"_304":845},"https://img.ochreeditions.com/m/1532.jpg?dl=1","/art/eleazer-tyng-nga-50291","/galleries/style/american-colonial-and-federal/eleazer-tyng-nga-50291",{"_296":297,"_298":299},{"_228":840,"_125":841,"_290":842},{"_280":837,"_282":838,"_284":839,"_286":822},116.91650390625,141.5,101.91650390625,{"_292":228,"_123":540,"_154":541,"_140":95},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1532/480.jpg","https://img.ochreeditions.com/a/1532/960.jpg","https://img.ochreeditions.com/a/1532/1920.jpg",{"_316":859,"_318":860},{"_316":857,"_318":858},{"_316":855,"_318":856},{"_316":853,"_318":854},{"_316":851,"_318":852},"#6f523a",0.0931,"#501c15",0.1127,"#1b130c",0.2482,"#2d140c",0.2564,"#302c15",0.2896,"john-sergeant-si-npg-npg-84-179","John Sergeant",{"_42":905,"_225":906,"_330":907,"_332":333,"_334":908,"_336":909,"_338":910,"_340":341,"_342":911,"_140":91},"1811","82.5cm x 66cm (32 1/2\" x 26\"), Accurate",0.81875,[890,891,892,893,894],{"_224":374,"_225":375,"_42":376,"_309":377},"NPG.84.179","Thomas Sully painted this in 1811, aged 28. It is now at the National Portrait Gallery in Washington, DC.","Artist: Thomas Sully, Sitter: John Sergeant, Current owner: National Portrait Gallery, Smithsonian Institution",{"_300":887,"_302":888,"_304":889},"https://img.ochreeditions.com/m/1851.jpg?dl=1","/art/john-sergeant-si-npg-npg-84-179","/galleries/style/american-colonial-and-federal/john-sergeant-si-npg-npg-84-179",{"_296":297,"_298":299},{"_228":882,"_125":883,"_290":884},{"_280":879,"_282":880,"_284":881,"_286":781},64.125,75,49.125,{"_292":228,"_123":885,"_154":886,"_140":91},{"_292":125,"_123":425,"_154":426,"_140":427},{"_292":290,"_123":422,"_154":423,"_140":424},"artist/thomas-sully","More by Thomas Sully","https://img.ochreeditions.com/a/1851/480.jpg","https://img.ochreeditions.com/a/1851/960.jpg","https://img.ochreeditions.com/a/1851/1920.jpg",{"_316":903,"_318":904},{"_316":901,"_318":902},{"_316":899,"_318":900},{"_316":897,"_318":898},{"_316":895,"_318":896},"#c2a384",0.0319,"#947159",0.0469,"#563e2a",0.2464,"#3c2a1d",0.3167,"#271c17",0.3581,"Thomas Sully","thomas-sully","American, 1783–1872",1783,1872,"Horncastle, Lincolnshire","Sully was taken from England to America as a child by his actor parents and settled in Philadelphia in 1808. After brief study with Gilbert Stuart, he went to London, where he worked under Benjamin West and came under the influence of Thomas Lawrence.","a-gentleman-of-the-morris-family-nga-1135","A Gentleman of the Morris Family",{"_42":958,"_225":959,"_330":333,"_332":333,"_334":-5,"_336":960,"_338":-5,"_340":-5,"_342":-5,"_140":101},"1749/1752","overall: 76.4 x 63.4 cm (30 1/16 x 24 15/16 in.) framed: 94 x 81 x 7.6 cm (37 x 31 7/8 x 3 in.)",63.4,76.4,0.81689453125,[943,944,945,946,947],{"_224":490,"_225":491,"_42":492,"_309":377},"1942.8.41","John Wollaston painted this in 1749/1752. It is now at the National Gallery of Art in Washington, DC.","The image displays a painted portrait of an individual, showing the upper half of the body prominently. The person is positioned facing slightly toward the viewer's left with their gaze directed forward. They have defined facial features with a smooth complexion and medium-length, curly brown hair that frames their face. The attire consists of an elegant coat with distinct buttons and a high-collared shirt underneath. There is a subtle shine and texture to the clothing. There are no visible jewelry pieces, and the person is not holding any objects. The background is a dark, neutral color, contrasting with the lighter tones of the person's skin and clothing.",{"_300":940,"_302":941,"_304":942},"https://img.ochreeditions.com/m/1317.jpg?dl=1","/art/a-gentleman-of-the-morris-family-nga-1135","/galleries/style/american-colonial-and-federal/a-gentleman-of-the-morris-family-nga-1135",{"_296":297,"_298":299},{"_228":935,"_125":936,"_290":937},{"_280":932,"_282":933,"_284":934,"_286":918},77.4107421875,91.4,62.410742187500006,{"_292":228,"_123":938,"_154":939,"_140":89},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-wollaston","John Wollaston's contemporaries","https://img.ochreeditions.com/a/1317/480.jpg","https://img.ochreeditions.com/a/1317/960.jpg","https://img.ochreeditions.com/a/1317/1920.jpg",{"_316":956,"_318":957},{"_316":954,"_318":955},{"_316":952,"_318":953},{"_316":950,"_318":951},{"_316":948,"_318":949},"#bc7937",0.0303,"#c7b275",0.0484,"#4d3a1a",0.1238,"#7f6729",0.1343,"#201d17",0.6632,"John Wollaston","john-wollaston",1775,"zachariah-schoonmaker-nga-1130","Zachariah Schoonmaker",{"_42":1007,"_225":1008,"_330":1009,"_332":333,"_334":960,"_336":1010,"_338":1011,"_340":1011,"_342":-5,"_140":101},"1815/1818","overall: 66.4 x 57 cm (26 1/8 x 22 7/16 in.) framed: 84.5 x 74.3 x 6.2 cm (33 1/4 x 29 1/4 x 2 7/16 in.)",57,66.4,0.83056640625,[992,993,994,995,996],{"_224":490,"_225":491,"_42":492,"_309":377},"1942.8.36","John Vanderlyn painted this in 1815/1818, aged about 40. It is now at the National Gallery of Art in Washington, DC.","The image shows a man depicted from the waist up, positioned slightly turned to the side yet facing the viewer directly. He has a composed expression with defined facial features, including a high forehead, strong eyebrows, prominent cheekbones, and a clean-shaven face. His hair is dark and curly, styled away from his forehead. He is dressed in a dark coat featuring a double-breasted design with gold buttons, complemented by a high-collared, white cravat intricately tied at his neck. In the background, there is a subtle, dark, greenish hue.",{"_300":989,"_302":990,"_304":991},"https://img.ochreeditions.com/m/1312.jpg?dl=1","/art/zachariah-schoonmaker-nga-1130","/galleries/style/american-colonial-and-federal/zachariah-schoonmaker-nga-1130",{"_296":297,"_298":299},{"_228":984,"_125":985,"_290":986},{"_280":981,"_282":982,"_284":983,"_286":967},70.14960937500001,81.4,55.149609375000004,{"_292":228,"_123":987,"_154":988,"_140":89},{"_292":125,"_123":425,"_154":426,"_140":427},{"_292":290,"_123":422,"_154":423,"_140":424},"artist/contemporaries-of-john-vanderlyn","John Vanderlyn's contemporaries","https://img.ochreeditions.com/a/1312/480.jpg","https://img.ochreeditions.com/a/1312/960.jpg","https://img.ochreeditions.com/a/1312/1920.jpg",{"_316":1005,"_318":1006},{"_316":1003,"_318":1004},{"_316":1001,"_318":1002},{"_316":999,"_318":1000},{"_316":997,"_318":998},"#a57746",0.0439,"#ccbd98",0.0619,"#343519",0.207,"#15100d",0.2839,"#19210e",0.4033,"John Vanderlyn","john-vanderlyn","American, 1775–1852",1852,"Kingston, New York","charles-carnan-ridgely-nga-32582","Charles Carnan Ridgely",{"_42":905,"_225":906,"_330":907,"_332":333,"_334":908,"_336":909,"_338":910,"_340":341,"_342":911,"_140":91},"1820","overall: 126.3 x 101.5 cm (49 3/4 x 39 15/16 in.) framed: 152.7 x 128.3 x 11.1 cm (60 1/8 x 50 1/2 x 4 3/8 in.)",101.5,126.3,0.797119140625,[1042,1043,1044,1045,1046],{"_224":490,"_225":491,"_42":492,"_309":377},"1945.12.1","Thomas Sully painted this in 1820, aged 37. It is now at the National Gallery of Art in Washington, DC.","Charles Carnan Ridgely, governor of Maryland and master of Hampton, one of the grandest estates in the young United States, sits in a carved armchair draped with patterned fabric, a rich red curtain behind him.","The image shows an upper-body portrait of a man seated in a formal position. The man is depicted with a slight turn of his head, directly facing the viewer with a composed expression. He has short gray hair that is neatly styled. His facial features include a high forehead and firm jawline. He is dressed in a dark formal jacket with a high-collared white shirt visible at the neckline. His left hand rests on the arm of the chair, which is ornately carved with a scroll design. A fabric with an intricate pattern is draped over the back of the chair. There is no visible jewelry. In the background, there is a muted backdrop with a warm hue. On the left side of the image, a flowing drapery in a rich reddish tone adds depth to the setting.",{"_300":1039,"_302":1040,"_304":1041},"https://img.ochreeditions.com/m/1467.jpg?dl=1","/art/charles-carnan-ridgely-nga-32582","/galleries/style/american-colonial-and-federal/charles-carnan-ridgely-nga-32582",{"_296":297,"_298":299},{"_228":1036,"_125":1037,"_290":1038},{"_280":1033,"_282":1034,"_284":1035,"_286":1018},115.6761474609375,141.3,100.6761474609375,{"_292":228,"_123":885,"_154":886,"_140":91},{"_292":125,"_123":425,"_154":426,"_140":427},{"_292":290,"_123":422,"_154":423,"_140":424},"https://img.ochreeditions.com/a/1467/480.jpg","https://img.ochreeditions.com/a/1467/960.jpg","https://img.ochreeditions.com/a/1467/1920.jpg",{"_316":1054,"_318":1055},{"_316":1052,"_318":1053},{"_316":1051,"_318":557},{"_316":1049,"_318":1050},{"_316":1047,"_318":1048},"#733309",0.0873,"#b29258",0.1553,"#7f6121","#44290d",0.2083,"#0a0605",0.3901,"emma-van-name-met-701989","Emma Van Name",{"_42":508,"_225":509,"_330":510,"_332":333,"_334":511,"_336":512,"_338":-5,"_340":-5,"_342":-5,"_140":101},"ca. 1805","Oil on canvasPainting","29 × 23 in. (73.7 × 58.4 cm)",58.4,73.7,0.8045,[1087,1088,1089,1090,1091],{"_224":306,"_225":307,"_42":308,"_309":310},"2016.116","Joshua Johnson painted this in about 1805, aged 47. It is now at The Met in New York.","A small girl in a white dress poses with a goblet and strawberries, painted by Joshua Johnson of Baltimore around 1805. Johnson, among the earliest known professional portrait painters of African descent in the United States, advertised himself as self-taught and worked for the merchant families of Maryland.","Emma Van Name, by Joshua Johnson, ca. 1805",{"_300":1084,"_302":1085,"_304":1086},"https://img.ochreeditions.com/m/1282.jpg?dl=1","/art/emma-van-name-met-701989","/galleries/style/american-colonial-and-federal/emma-van-name-met-701989",{"_296":297,"_298":299},{"_228":1081,"_125":1082,"_290":1083},{"_280":1078,"_282":1079,"_284":1080,"_286":1063},74.29165,88.7,59.291650000000004,{"_292":228,"_123":485,"_154":486,"_140":89},{"_292":125,"_123":425,"_154":426,"_140":427},{"_292":290,"_123":422,"_154":423,"_140":424},"https://img.ochreeditions.com/a/1282/480.jpg","https://img.ochreeditions.com/a/1282/960.jpg","https://img.ochreeditions.com/a/1282/1920.jpg",{"_316":1100,"_318":1101},{"_316":1098,"_318":1099},{"_316":1096,"_318":1097},{"_316":1094,"_318":1095},{"_316":1092,"_318":1093},"#613f2c",0.0971,"#a48876",0.1688,"#49503c",0.1691,"#6b6b58",0.1805,"#2d2a23",0.3845,{"_1103":-5,"_1104":1105,"_1106":1107,"_1108":8,"_1109":1110,"_1111":8},"user","csrf","086611c04335c250c51453e1f1ca083d8a9e845d","cartCount",0,"dropLive","legal",[1112,1113,1114,1115,1116,1117,1118,1119,1120,1121,1122,1123],"uploadsEnabled",{"_225":1146,"_20":1147},{"_225":1144,"_20":1145},{"_225":1142,"_20":1143},{"_225":1140,"_20":1141},{"_225":1138,"_20":1139},{"_225":1136,"_20":1137},{"_225":1134,"_20":1135},{"_225":1132,"_20":1133},{"_225":1130,"_20":1131},{"_225":1128,"_20":1129},{"_225":1126,"_20":1127},{"_225":1124,"_20":1125},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]