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Back in America he served in the Revolutionary War and painted George Washington from life several times, along with many leaders of the new republic.","richard-henry-lee-si-npg-npg-74-5","Richard Henry Lee",{"_42":404,"_225":405,"_329":406,"_331":332,"_333":407,"_335":408,"_337":409,"_339":340,"_341":410,"_140":99},"c. 1795-1805","Stretcher: 75.6 x 63.8 x 3.2cm (29 3/4 x 25 1/8 x 1 1/4\")",63.8,75.6,0.82025,[448,449,450,451,452],{"_224":445,"_225":446,"_42":447,"_308":309},"Courtesy of the National Portrait Gallery, Smithsonian Institution","NPG.74.5","Charles Willson Peale painted this in about 1795-1805, aged about 54. It is now at the National Portrait Gallery in Washington, DC.",{"_118":442,"_443":444},"Artist: Charles Willson Peale, Sitter: Richard Henry Lee, Current owner: National Portrait Gallery, Smithsonian Institution",{"_299":439,"_301":440,"_303":441},"https://img.ochreeditions.com/m/1845.jpg?dl=1","/art/richard-henry-lee-si-npg-npg-74-5","/galleries/style/american-colonial-and-federal/richard-henry-lee-si-npg-npg-74-5",{"_295":296,"_297":298},{"_228":436,"_125":437,"_289":438},{"_280":433,"_282":434,"_284":435,"_286":417},77.01089999999999,90.6,62.0109,{"_291":228,"_123":380,"_154":381,"_140":99},{"_291":125,"_123":377,"_154":378,"_140":379},{"_291":289,"_123":374,"_154":375,"_140":376},"https://img.ochreeditions.com/a/1845/480.jpg","https://img.ochreeditions.com/a/1845/960.jpg","https://img.ochreeditions.com/a/1845/1920.jpg","Born Stratford, Westmoreland County, Virginia","source","Text from the National Portrait Gallery.","si","smithsonian","Smithsonian Institution",{"_315":461,"_317":462},{"_315":459,"_317":460},{"_315":457,"_317":458},{"_315":455,"_317":456},{"_315":453,"_317":454},"#b49686",0.0472,"#7f6e66",0.0526,"#51332d",0.1635,"#28394b",0.1785,"#2f211e",0.5582,"senator-thomas-hart-benton-cma-120877","Senator Thomas Hart Benton",{"_42":515,"_225":516,"_329":517,"_331":332,"_333":518,"_335":408,"_337":-5,"_339":-5,"_341":-5,"_140":103},"1820s","oil on wood","Unframed: 71.4 x 59.6 cm (28 1/8 x 23 7/16 in.)",59.6,71.4,0.8123529411764706,[500,501,502,503,504],{"_224":496,"_225":497,"_42":498,"_308":499},"Courtesy of the Cleveland Museum of Art","1941.597","Matthew Harris Jouett painted this in the 1820s, aged about 33. It is now at the Cleveland Museum of Art.","Senator Thomas Hart Benton, by Matthew Harris Jouett, 1820s",{"_299":493,"_301":494,"_303":495},"https://img.ochreeditions.com/m/547.jpg?dl=1","/art/senator-thomas-hart-benton-cma-120877","/galleries/style/american-colonial-and-federal/senator-thomas-hart-benton-cma-120877",{"_295":296,"_297":298},{"_228":488,"_125":489,"_289":490},{"_280":485,"_282":486,"_284":487,"_286":470},73.00200000000001,86.4,58.00200000000001,{"_291":228,"_123":491,"_154":492,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-matthew-harris-jouett","Matthew Harris Jouett's contemporaries","https://img.ochreeditions.com/a/547/480.jpg","https://img.ochreeditions.com/a/547/960.jpg","https://img.ochreeditions.com/a/547/1920.jpg","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_315":513,"_317":514},{"_315":511,"_317":512},{"_315":509,"_317":510},{"_315":507,"_317":508},{"_315":505,"_317":506},"#b0a598",0.0349,"#8a6a5d",0.0523,"#544a41",0.2671,"#36302a",0.3188,"#171513",0.3269,"Matthew Harris Jouett","matthew-harris-jouett","American, 1787/88–1827",1787,"eleazer-tyng-nga-50291","Eleazer Tyng",{"_42":566,"_225":567,"_329":568,"_331":332,"_333":569,"_335":570,"_337":571,"_339":572,"_341":573,"_140":95},"1772","overall: 126.5 x 100.2 cm (49 13/16 x 39 7/16 in.) framed: 149.5 x 125.1 cm (58 7/8 x 49 1/4 in.)",100.2,126.5,0.8056640625,[551,552,553,554,555],{"_224":305,"_225":306,"_42":307,"_308":309},"1965.6.1","John Singleton Copley painted this in 1772, aged 34. It is now at the National Gallery of Art in Washington, DC.","Eleazer Tyng, a prosperous Massachusetts landowner in old age, sits in a green wooden chair with his hands stacked on its arm, looking at us with heavy-lidded eyes and a hint of a wry smile.","A pale-skinned, clean-shaven man with a heavily lined, paunchy face sits against a green and red wall in this vertical portrait painting. The man sits in a wooden chair painted forest green and rests both hands on the closer arm. His body and knees are angled to our left, and he turns his wide, square face to look at with heavy-lidded eyes. One brow seems slightly cocked, and he has a large nose. His lips are pulled up on one side over a round double chin. He wears a white, shoulder-length wig and a sable-brown suit. The cuffs of a white shirt are visible at his wrists where his hands are stacked on the arm of the chair. The knee-length breeches are buckled at the knee over black stockings. His legs are crossed away from us, and his feet extend off the bottom edge of the composition. The bottom half of the wall behind him is painted burgundy red up to and including a chair rail, and the wall above is moss green. The wall is lined with a gold scallop pattern along the top of the chair rail and a sliver of brown on across the bottom of the composition suggests a wood floor. The artist signed and dated the painting as if he had inscribed the red wall near the man’s knees, “John Singleton Copley pinx 1772. Boston.”",{"_299":548,"_301":549,"_303":550},"https://img.ochreeditions.com/m/1532.jpg?dl=1","/art/eleazer-tyng-nga-50291","/galleries/style/american-colonial-and-federal/eleazer-tyng-nga-50291",{"_295":296,"_297":298},{"_228":543,"_125":544,"_289":545},{"_280":540,"_282":541,"_284":542,"_286":525},116.91650390625,141.5,101.91650390625,{"_291":228,"_123":546,"_154":547,"_140":95},{"_291":125,"_123":377,"_154":378,"_140":379},{"_291":289,"_123":374,"_154":375,"_140":376},"artist/john-singleton-copley","More by John Singleton Copley","https://img.ochreeditions.com/a/1532/480.jpg","https://img.ochreeditions.com/a/1532/960.jpg","https://img.ochreeditions.com/a/1532/1920.jpg",{"_315":564,"_317":565},{"_315":562,"_317":563},{"_315":560,"_317":561},{"_315":558,"_317":559},{"_315":556,"_317":557},"#6f523a",0.0931,"#501c15",0.1127,"#1b130c",0.2482,"#2d140c",0.2564,"#302c15",0.2896,"John Singleton Copley","john-singleton-copley","American, 1738–1815",1738,1815,"Boston, Massachusetts","London","Copley was largely self-taught and became colonial America’s finest portraitist, painting Boston merchants and their families with sharp, tactile realism, from glinting silver to polished mahogany.","boy-in-blue-coat-nga-45959","Boy in Blue Coat","Unrecorded American maker","c. 1730","overall: 121.5 x 83.5 cm (47 13/16 x 32 7/8 in.) framed: 135.6 x 98.1 x 3.4 cm (53 3/8 x 38 5/8 x 1 5/16 in.)",83.5,121.5,0.682861328125,[605,606,607,608,609],{"_224":305,"_225":306,"_42":307,"_308":309},"1959.11.5","An unrecorded American artist painted this in about 1730. It is now at the National Gallery of Art in Washington, DC.","Boy in Blue Coat, c. 1730",{"_299":602,"_301":603,"_303":604},"https://img.ochreeditions.com/m/1513.jpg?dl=1","/art/boy-in-blue-coat-nga-45959","/galleries/style/american-colonial-and-federal/boy-in-blue-coat-nga-45959",{"_295":296,"_297":298},{"_228":597,"_125":598,"_289":599},{"_280":594,"_282":595,"_284":596,"_286":580},97.9676513671875,136.5,82.9676513671875,{"_291":228,"_123":600,"_154":601,"_140":87},{"_291":125,"_123":377,"_154":378,"_140":379},{"_291":289,"_123":374,"_154":375,"_140":376},"artist/unrecorded-united-states","More by unrecorded makers of the United States","https://img.ochreeditions.com/a/1513/480.jpg","https://img.ochreeditions.com/a/1513/960.jpg","https://img.ochreeditions.com/a/1513/1920.jpg",{"_315":618,"_317":619},{"_315":616,"_317":617},{"_315":614,"_317":615},{"_315":612,"_317":613},{"_315":610,"_317":611},"#505d47",0.0866,"#935e38",0.146,"#2d3b38",0.1538,"#653e26",0.1644,"#39291e",0.4492,"charles-willson-peale-self-portrait-si-npg-npg-89-205","Charles Willson Peale Self-Portrait",{"_42":404,"_225":405,"_329":406,"_331":332,"_333":407,"_335":408,"_337":409,"_339":340,"_341":410,"_140":99},"c. 1791","Frame: 84.8 x 72.1 x 7.3cm (33 3/8 x 28 3/8 x 2 7/8\")",72.1,84.8,0.79375,[649,650,651,652,653],{"_224":445,"_225":446,"_42":447,"_308":309},"NPG.89.205","Charles Willson Peale painted this in about 1791, aged 50. It is now at the National Portrait Gallery in Washington, DC.","Artist: Charles Willson Peale, Sitter: Charles Willson Peale, Current owner: National Portrait Gallery, Smithsonian Institution",{"_299":646,"_301":647,"_303":648},"https://img.ochreeditions.com/m/1854.jpg?dl=1","/art/charles-willson-peale-self-portrait-si-npg-npg-89-205","/galleries/style/american-colonial-and-federal/charles-willson-peale-self-portrait-si-npg-npg-89-205",{"_295":296,"_297":298},{"_228":643,"_125":644,"_289":645},{"_280":640,"_282":641,"_284":642,"_286":626},82.30999999999999,99.8,67.30999999999999,{"_291":228,"_123":380,"_154":381,"_140":99},{"_291":125,"_123":377,"_154":378,"_140":379},{"_291":289,"_123":374,"_154":375,"_140":376},"https://img.ochreeditions.com/a/1854/480.jpg","https://img.ochreeditions.com/a/1854/960.jpg","https://img.ochreeditions.com/a/1854/1920.jpg",{"_315":662,"_317":663},{"_315":660,"_317":661},{"_315":658,"_317":659},{"_315":656,"_317":657},{"_315":654,"_317":655},"#907260",0.0518,"#c59d83",0.0699,"#574632",0.1832,"#3c2e23",0.243,"#251f1a",0.4521,"portrait-of-a-woman-with-a-shawl-si-saam-1986-65-109","Portrait of a Woman with a Shawl",{"_42":714,"_225":715,"_329":716,"_331":332,"_333":717,"_335":718,"_337":-5,"_339":-5,"_341":-5,"_140":101},"ca. 1825-1850","35 1/4 x 26 in. (89.5 x 66.0 cm.)",66,89.5,0.7356666666666667,[699,700,701,702,703],{"_224":445,"_225":446,"_42":447,"_308":309},"Courtesy of the Smithsonian American Art Museum","1986.65.109","Erastus Salisbury Field painted this in about 1825-1850, aged about 20. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":697,"_443":698},"Portrait of a Woman with a Shawl, by Erastus Salisbury Field, ca. 1825-1850",{"_299":694,"_301":695,"_303":696},"https://img.ochreeditions.com/m/1982.jpg?dl=1","/art/portrait-of-a-woman-with-a-shawl-si-saam-1986-65-109","/galleries/style/american-colonial-and-federal/portrait-of-a-woman-with-a-shawl-si-saam-1986-65-109",{"_295":296,"_297":298},{"_228":689,"_125":690,"_289":691},{"_280":686,"_282":687,"_284":688,"_286":670},80.84216666666667,104.5,65.84216666666667,{"_291":228,"_123":692,"_154":693,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-erastus-salisbury-field","Erastus Salisbury Field's contemporaries","https://img.ochreeditions.com/a/1982/480.jpg","https://img.ochreeditions.com/a/1982/960.jpg","https://img.ochreeditions.com/a/1982/1920.jpg","Erastus Salisbury Field painted this portrait while working as a traveling portrait painter, fulfilling commissions around the Connecticut River valley. Portrait of a Woman with a Shawl is typical of Field’s plain-style portraits, with simplified forms and few shadows.","Text from the Smithsonian American Art Museum.",{"_315":712,"_317":713},{"_315":710,"_317":711},{"_315":708,"_317":709},{"_315":706,"_317":707},{"_315":704,"_317":705},"#6e543d",0.1742,"#3f2d1d",0.1799,"#1a120c",0.1935,"#d6bb8c",0.2005,"#c6b7a7",0.2519,"Erastus Salisbury Field","erastus-salisbury-field","American, 1805–1900",1805,1900,"mrs-john-winthrop-met-10531","Mrs. John Winthrop",{"_42":566,"_225":567,"_329":568,"_331":332,"_333":569,"_335":570,"_337":571,"_339":572,"_341":573,"_140":95},"1773","35 1/2 x 28 3/4 in. (90.2 x 73 cm)",73,90.2,0.8136094674556213,[749,750,751,752,753],{"_224":385,"_225":386,"_42":387,"_308":388},"31.109","John Singleton Copley painted this in 1773, aged 35. It is now at The Met in New York.","Hannah Winthrop, wife of the Harvard scientist John Winthrop, sits at a polished mahogany table holding a branch of nectarines, and the tabletop reflects her hands and the fruit like a mirror.","Mrs. John Winthrop, by John Singleton Copley, 1773",{"_299":746,"_301":747,"_303":748},"https://img.ochreeditions.com/m/817.jpg?dl=1","/art/mrs-john-winthrop-met-10531","/galleries/style/american-colonial-and-federal/mrs-john-winthrop-met-10531",{"_295":296,"_297":298},{"_228":743,"_125":744,"_289":745},{"_280":740,"_282":741,"_284":742,"_286":725},88.38757396449705,105.2,73.38757396449705,{"_291":228,"_123":546,"_154":547,"_140":95},{"_291":125,"_123":377,"_154":378,"_140":379},{"_291":289,"_123":374,"_154":375,"_140":376},"https://img.ochreeditions.com/a/817/480.jpg","https://img.ochreeditions.com/a/817/960.jpg","https://img.ochreeditions.com/a/817/1920.jpg",{"_315":761,"_317":762},{"_315":760,"_317":322},{"_315":758,"_317":759},{"_315":756,"_317":757},{"_315":754,"_317":755},"#425865",0.0601,"#b9a593",0.1022,"#7b5943",0.1286,"#552a1e","#261d18",0.5501,"bay-of-new-york-sunset-nga-54127","Bay of New York, Sunset",{"_42":809,"_225":810,"_329":811,"_331":332,"_333":812,"_335":813,"_337":-5,"_339":-5,"_341":-5,"_140":101},"mid 19th century","overall: 56 x 76.2 cm (22 1/16 x 30 in.) framed: 69.9 x 89.5 cm (27 1/2 x 35 1/4 in.)",76.2,56,1.3671562082777036,[794,795,796,797,798],{"_224":305,"_225":306,"_42":307,"_308":309},"1973.67.1","Thomas Chambers painted this in the mid 19th century, aged about 17. It is now at the National Gallery of Art in Washington, DC.","Bay of New York, Sunset, by Thomas Chambers, mid 19th century",{"_299":791,"_301":792,"_303":793},"https://img.ochreeditions.com/m/1573.jpg?dl=1","/art/bay-of-new-york-sunset-nga-54127","/galleries/style/american-colonial-and-federal/bay-of-new-york-sunset-nga-54127",{"_295":296,"_297":298},{"_228":786,"_125":787,"_289":788},{"_280":783,"_282":784,"_284":768,"_286":785},91.2,70.7361328125,55.7361328125,{"_291":228,"_123":789,"_154":790,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-thomas-chambers","Thomas Chambers's contemporaries","https://img.ochreeditions.com/a/1573/480.jpg","https://img.ochreeditions.com/a/1573/960.jpg","https://img.ochreeditions.com/a/1573/1920.jpg",{"_315":807,"_317":808},{"_315":805,"_317":806},{"_315":803,"_317":804},{"_315":801,"_317":802},{"_315":799,"_317":800},"#6a7756",0.1453,"#b18750",0.1572,"#2a2a1d",0.1712,"#74a0bc",0.1828,"#d4c6b0",0.3435,"Thomas Chambers","thomas-chambers","American, 1808–1866 or after",1808,1866,"groton-monument-nga-145246","Groton Monument",{"_42":867,"_225":868,"_329":869,"_331":332,"_333":870,"_335":718,"_337":-5,"_339":-5,"_341":-5,"_140":103},"c. 1830-1840","print","Print","lithograph","Image: 259 x 335 mm Sheet: 353 x 452 mm",1.2363416842740718,[852,853,854,855,856],{"_224":305,"_225":306,"_42":307,"_308":309},"2008.115.1134","J.R. Butts made this in about 1830-1840, aged about 30. It is now at the National Gallery of Art in Washington, DC.","The image shows a scene from a slightly elevated point of view. The horizon is low, highlighting the vast sky above. On the right, there are buildings surrounded by trees. In the center, there is a tall monument with a small structure at its base, slightly to the left. To the right of the monument, a person is standing. The drawing features detailed linework and delicate shading for the sky. The color palette is monochromatic with shades of gray. Rocks and grass in the foreground lead towards the monument and buildings in the distance.",{"_299":849,"_301":850,"_303":851},"https://img.ochreeditions.com/m/1676.jpg?dl=1","/art/groton-monument-nga-145246","/galleries/style/american-colonial-and-federal/groton-monument-nga-145246",{"_295":847,"_297":848},{"_228":839,"_125":840,"_289":841},{"_280":835,"_282":836,"_284":837,"_286":838},84,72.5302734375,60,48.5302734375,{"_291":228,"_123":845,"_154":846,"_140":89},{"_291":125,"_123":842,"_154":843,"_140":844},{"_291":289,"_123":167,"_154":166,"_140":169},"style/print-19","More prints of the 19th century",159,"artist/contemporaries-of-j-r-butts","J.R. Butts's contemporaries","white","snow","https://img.ochreeditions.com/a/1676/480.jpg","https://img.ochreeditions.com/a/1676/960.jpg","https://img.ochreeditions.com/a/1676/1920.jpg",{"_315":865,"_317":866},{"_315":863,"_317":864},{"_315":861,"_317":862},{"_315":859,"_317":860},{"_315":857,"_317":858},"#6e6966",0.0502,"#908b87",0.0664,"#bfb9b3",0.1223,"#d7d3cb",0.2716,"#e8e4dc",0.4895,"J.R. Butts","j-r-butts","American, active 1830s - 1840s",1800,"a-gentleman-of-the-morris-family-nga-1135","A Gentleman of the Morris Family",{"_42":917,"_225":918,"_329":332,"_331":332,"_333":-5,"_335":919,"_337":-5,"_339":-5,"_341":-5,"_140":101},"1749/1752","overall: 76.4 x 63.4 cm (30 1/16 x 24 15/16 in.) framed: 94 x 81 x 7.6 cm (37 x 31 7/8 x 3 in.)",63.4,76.4,0.81689453125,[902,903,904,905,906],{"_224":305,"_225":306,"_42":307,"_308":309},"1942.8.41","John Wollaston painted this in 1749/1752. It is now at the National Gallery of Art in Washington, DC.","The image displays a painted portrait of an individual, showing the upper half of the body prominently. The person is positioned facing slightly toward the viewer's left with their gaze directed forward. They have defined facial features with a smooth complexion and medium-length, curly brown hair that frames their face. The attire consists of an elegant coat with distinct buttons and a high-collared shirt underneath. There is a subtle shine and texture to the clothing. There are no visible jewelry pieces, and the person is not holding any objects. The background is a dark, neutral color, contrasting with the lighter tones of the person's skin and clothing.",{"_299":899,"_301":900,"_303":901},"https://img.ochreeditions.com/m/1317.jpg?dl=1","/art/a-gentleman-of-the-morris-family-nga-1135","/galleries/style/american-colonial-and-federal/a-gentleman-of-the-morris-family-nga-1135",{"_295":296,"_297":298},{"_228":894,"_125":895,"_289":896},{"_280":891,"_282":892,"_284":893,"_286":877},77.4107421875,91.4,62.410742187500006,{"_291":228,"_123":897,"_154":898,"_140":89},{"_291":125,"_123":377,"_154":378,"_140":379},{"_291":289,"_123":374,"_154":375,"_140":376},"artist/contemporaries-of-john-wollaston","John Wollaston's contemporaries","https://img.ochreeditions.com/a/1317/480.jpg","https://img.ochreeditions.com/a/1317/960.jpg","https://img.ochreeditions.com/a/1317/1920.jpg",{"_315":915,"_317":916},{"_315":913,"_317":914},{"_315":911,"_317":912},{"_315":909,"_317":910},{"_315":907,"_317":908},"#bc7937",0.0303,"#c7b275",0.0484,"#4d3a1a",0.1238,"#7f6729",0.1343,"#201d17",0.6632,"John Wollaston","john-wollaston",1775,"elizabeth-shewell-west-and-her-son-raphael-cma-109245","Elizabeth Shewell West and Her Son, Raphael",{"_42":969,"_225":970,"_329":971,"_331":332,"_333":569,"_335":972,"_337":-5,"_339":-5,"_341":973,"_140":101},"c. 1770","Framed: 88 x 87.5 x 9 cm (34 5/8 x 34 7/16 x 3 9/16 in.); Unframed: 66.5 x 66.3 cm (26 3/16 x 26 1/8 in.)",66.3,66.5,0.9961764705882353,[954,955,956,957,958],{"_224":496,"_225":497,"_42":498,"_308":499},"1927.393","Benjamin West painted this in about 1770, aged about 27. It is now at the Cleveland Museum of Art.",{"_118":952,"_443":953},"Elizabeth Shewell West and Her Son, Raphael, by Benjamin West, c. 1770",{"_299":949,"_301":950,"_303":951},"https://img.ochreeditions.com/m/521.jpg?dl=1","/art/elizabeth-shewell-west-and-her-son-raphael-cma-109245","/galleries/style/american-colonial-and-federal/elizabeth-shewell-west-and-her-son-raphael-cma-109245",{"_295":296,"_297":298},{"_228":944,"_125":945,"_289":946},{"_280":941,"_282":942,"_284":943,"_286":926},81.24573529411765,81.5,66.24573529411765,{"_291":228,"_123":947,"_154":948,"_140":89},{"_291":125,"_123":377,"_154":378,"_140":379},{"_291":289,"_123":374,"_154":375,"_140":376},"artist/contemporaries-of-benjamin-west","Benjamin West's contemporaries","https://img.ochreeditions.com/a/521/480.jpg","https://img.ochreeditions.com/a/521/960.jpg","https://img.ochreeditions.com/a/521/1920.jpg","West was the first American artist to study in Italy, where he spent three years before permanently settling in London.","Text from the Cleveland Museum of Art.",{"_315":967,"_317":968},{"_315":965,"_317":966},{"_315":963,"_317":964},{"_315":961,"_317":962},{"_315":959,"_317":960},"#ada395",0.0645,"#797068",0.0779,"#514e41",0.1448,"#332d28",0.2297,"#1e1c19",0.4831,"Benjamin West","benjamin-west","American, born The Thirteen Colonies, 1738–1820",1820,"West grew up in Pennsylvania and, after three years in Italy, settled in London in 1763, never returning to America. He became history painter to George III and, in 1792, succeeded Joshua Reynolds as President of the Royal Academy.","the-westwood-children-nga-45955","The Westwood Children",{"_42":1020,"_225":1021,"_329":1022,"_331":332,"_333":1023,"_335":1024,"_337":-5,"_339":-5,"_341":-5,"_140":101},"c. 1807","overall: 104.5 x 117 cm (41 1/8 x 46 1/16 in.)",117,1.1268225584594223,[1005,1006,1007,1008,1009],{"_224":305,"_225":306,"_42":307,"_308":309},"1959.11.1","Joshua Johnson painted this in about 1807, aged 49. It is now at the National Gallery of Art in Washington, DC.","Three boys in matching green suits with wide ruffled collars stand hand in hand: one holds a sprig of cherries, the middle child a rose, and the eldest a basket of roses. At their feet a black dog carries a bird in its mouth, and a window opens onto a slender tree and distant pink-grey hills.","Three pale-skinned, blue-eyed children wearing green suits stand in a row facing us in this horizontal portrait painting. They all have round faces and full, pink cheeks. The tallest child is to the right, and he has shoulder-length cinnamon-brown hair. The other two come up to his shoulder and have blond hair. The tallest puts one arm on the far shoulder of the middle child, and the two smaller children hold hands. Each wears a pine-green, one-piece outfit with pewter-gray buttons, a wide, ivory-white collar lined with ruffles, and black, shin-high boots. The boy on our left holds a branch of dark red cherries. The middle child holds a pink rose, and the tallest a basket filled with pink roses. A black dog holding a gray and mauve-pink bird in its mouth stands in profile facing our left in the lower right corner of the canvas. The room around them has a tan-colored floor and gray walls. The room opens onto an alcove to our right with a rectangular window. A slender tree is along the left edge of the opening and a few pale, pink-tinged gray mountains line the bottom edge. Clear blue sky fills the rest of the window.",{"_299":1002,"_301":1003,"_303":1004},"https://img.ochreeditions.com/m/1510.jpg?dl=1","/art/the-westwood-children-nga-45955","/galleries/style/american-colonial-and-federal/the-westwood-children-nga-45955",{"_295":296,"_297":298},{"_228":997,"_125":998,"_289":999},{"_280":994,"_282":995,"_284":979,"_286":996},132,118.831787109375,103.831787109375,{"_291":228,"_123":1000,"_154":1001,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-joshua-johnson","Joshua Johnson's contemporaries","https://img.ochreeditions.com/a/1510/480.jpg","https://img.ochreeditions.com/a/1510/960.jpg","https://img.ochreeditions.com/a/1510/1920.jpg",{"_315":1018,"_317":1019},{"_315":1016,"_317":1017},{"_315":1014,"_317":1015},{"_315":1012,"_317":1013},{"_315":1010,"_317":1011},"#a89d8d",0.0837,"#272c1d",0.171,"#957150",0.1802,"#443c34",0.2651,"#5c584f",0.3,"Joshua Johnson","joshua-johnson","American, ca. 1763–ca. 1824",1758,1829,"ann-old-coleman-mrs-robert-coleman-nga-33961","Ann Old Coleman (Mrs. Robert Coleman)",{"_42":1072,"_225":1073,"_329":1074,"_331":332,"_333":1075,"_335":1076,"_337":-5,"_339":-5,"_341":-5,"_140":101},"c. 1820","oil on canvas transferred to wood","overall: 92 x 71.7 cm (36 1/4 x 28 1/4 in.) framed: 126.4 x 105.4 x 10.2 cm (49 3/4 x 41 1/2 x 4 in.)",71.7,92,0.77197265625,[1057,1058,1059,1060,1061],{"_224":305,"_225":306,"_42":307,"_308":309},"1947.9.1","Jacob Eichholtz painted this in about 1820, aged 44. It is now at the National Gallery of Art in Washington, DC.","The image shows the upper half of a seated woman facing forward. She has her hands clasped together in front of her. The woman appears calm with visible signs of age, including a few wrinkles on her face. She wears a white bonnet with a frilled edge tied under her chin, a dark shawl over a white high-collared blouse, and sits on a red chair with a gold trim. A red book and a handkerchief are on the surface next to her. The background transitions from deep red to brown tones.",{"_299":1054,"_301":1055,"_303":1056},"https://img.ochreeditions.com/m/1488.jpg?dl=1","/art/ann-old-coleman-mrs-robert-coleman-nga-33961","/galleries/style/american-colonial-and-federal/ann-old-coleman-mrs-robert-coleman-nga-33961",{"_295":296,"_297":298},{"_228":1049,"_125":1050,"_289":1051},{"_280":1046,"_282":1047,"_284":1048,"_286":1032},86.021484375,107,71.021484375,{"_291":228,"_123":1052,"_154":1053,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jacob-eichholtz","Jacob Eichholtz's contemporaries","https://img.ochreeditions.com/a/1488/480.jpg","https://img.ochreeditions.com/a/1488/960.jpg","https://img.ochreeditions.com/a/1488/1920.jpg",{"_315":1070,"_317":1071},{"_315":1068,"_317":1069},{"_315":1066,"_317":1067},{"_315":1064,"_317":1065},{"_315":1062,"_317":1063},"#ccab6a",0.0845,"#7e3415",0.1228,"#64512c",0.1384,"#441f17",0.2041,"#161719",0.4502,"Jacob Eichholtz","jacob-eichholtz","American, 1776–1842",1776,1842,"john-sergeant-si-npg-npg-84-179","John Sergeant",{"_42":327,"_225":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":340,"_341":342,"_140":91},"1811","82.5cm x 66cm (32 1/2\" x 26\"), Accurate",0.81875,[1104,1105,1106,1107,1108],{"_224":445,"_225":446,"_42":447,"_308":309},"NPG.84.179","Thomas Sully painted this in 1811, aged 28. It is now at the National Portrait Gallery in Washington, DC.","Artist: Thomas Sully, Sitter: John Sergeant, Current owner: National Portrait Gallery, Smithsonian Institution",{"_299":1101,"_301":1102,"_303":1103},"https://img.ochreeditions.com/m/1851.jpg?dl=1","/art/john-sergeant-si-npg-npg-84-179","/galleries/style/american-colonial-and-federal/john-sergeant-si-npg-npg-84-179",{"_295":296,"_297":298},{"_228":1098,"_125":1099,"_289":1100},{"_280":1095,"_282":1096,"_284":1097,"_286":837},64.125,75,49.125,{"_291":228,"_123":171,"_154":170,"_140":91},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1851/480.jpg","https://img.ochreeditions.com/a/1851/960.jpg","https://img.ochreeditions.com/a/1851/1920.jpg",{"_315":1117,"_317":1118},{"_315":1115,"_317":1116},{"_315":1113,"_317":1114},{"_315":1111,"_317":1112},{"_315":1109,"_317":1110},"#c2a384",0.0319,"#947159",0.0469,"#563e2a",0.2464,"#3c2a1d",0.3167,"#271c17",0.3581,{"_1120":-5,"_1121":1122,"_1123":1124,"_1125":8,"_1126":1127,"_1128":8},"user","csrf","99059cf154658c93dfd33794ff5aec7a7b1e8133","cartCount",0,"dropLive","legal",[1129,1130,1131,1132,1133,1134,1135,1136,1137,1138,1139,1140],"uploadsEnabled",{"_225":1163,"_20":1164},{"_225":1161,"_20":1162},{"_225":1159,"_20":1160},{"_225":1157,"_20":1158},{"_225":1155,"_20":1156},{"_225":1153,"_20":1154},{"_225":1151,"_20":1152},{"_225":1149,"_20":1150},{"_225":1147,"_20":1148},{"_225":1145,"_20":1146},{"_225":1143,"_20":1144},{"_225":1141,"_20":1142},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]
