Floor plan

Time and placeThe 20th century

The 20th century

Vibrant yellow, red, blue, and green painting of landscape with trees and mountains.
Dark twilight scene of a a brightly illuminated white cottage along the shore of an expansive body of water, seen through a thick of silhouetted trees.
The Old Orchard, by Arthur A. Marschner, 1915
This painting is a birth record for Sarah Campion, daughter of Joseph and Mary Campion, born on November 16th, 1777. It features elaborate calligraphy and ornamental designs. The borders contain floral patterns with red and orange-colored flowers and green leaves. The central text is decorative, and at the bottom are human-like figures in colonial attire standing beside a flower vase. The artwork reflects a style reminiscent of early American folk art, created by an anonymous folk artist capturing the essence of 18th-century American artistry.
Pont des Arts, by H. Lyman Saÿen, 1908-1911
After the Bath, by Mary Cassatt, 1901
The image shows a dress with a pink and white vertical striped pattern. The color palette is predominantly soft pinks and whites with subtle shading for light and shadow effects on the fabric. The dress is positioned at the center of the image, with sleeves extending slightly outward to the sides.
The image displays wavy lines and shapes with a mix of colors, creating an abstract composition. Curved lines are intertwined, resembling braided patterns or woven fabric textures. On the left, there is a large, organic shape bordered by red, green, and beige. The right side showcases a rhythmic pattern resembling a braided rug, with strands of red, blue, and brown. The overall composition resembles a textured textile piece.

The works in this room are listed below.

Works in this room

Works made in the 20th century, anywhere in the world.

Section 1, north wall

  1. Vibrant yellow, red, blue, and green painting of landscape with trees and mountains.
    Landscape with Two PoplarsVasily Kandinsky, 1912Courtesy of the Art Institute of Chicago
  2. Dark twilight scene of a a brightly illuminated white cottage along the shore of an expansive body of water, seen through a thick of silhouetted trees.
    Fisherman's CottageHarald Oscar Sohlberg, 1906Courtesy of the Art Institute of Chicago
  3. The Old Orchard, by Arthur A. Marschner, 1915
    The Old OrchardArthur A. Marschner, 1915Courtesy of the Smithsonian American Art Museum
  4. This painting is a birth record for Sarah Campion, daughter of Joseph and Mary Campion, born on November 16th, 1777. It features elaborate calligraphy and ornamental designs. The borders contain floral patterns with red and orange-colored flowers and green leaves. The central text is decorative, and at the bottom are human-like figures in colonial attire standing beside a flower vase. The artwork reflects a style reminiscent of early American folk art, created by an anonymous folk artist capturing the essence of 18th-century American artistry.
    Pa. German Birth CertificateGlenn Pearce, c. 1936Courtesy National Gallery of Art, Washington

Section 1, south wall

  1. Pont des Arts, by H. Lyman Saÿen, 1908-1911
    Pont des ArtsH. Lyman Saÿen, 1908-1911Courtesy of the Smithsonian American Art Museum
  2. After the Bath, by Mary Cassatt, 1901
    After the BathMary Cassatt, 1901Courtesy of the Cleveland Museum of Art
  3. The image shows a dress with a pink and white vertical striped pattern. The color palette is predominantly soft pinks and whites with subtle shading for light and shadow effects on the fabric. The dress is positioned at the center of the image, with sleeves extending slightly outward to the sides.
    Child's DressLucien Verbeke, c. 1937Courtesy National Gallery of Art, Washington
  4. The image displays wavy lines and shapes with a mix of colors, creating an abstract composition. Curved lines are intertwined, resembling braided patterns or woven fabric textures. On the left, there is a large, organic shape bordered by red, green, and beige. The right side showcases a rhythmic pattern resembling a braided rug, with strands of red, blue, and brown. The overall composition resembles a textured textile piece.
    Shaker Woolen RugGeorge V. Vezolles, 1935/1942Courtesy National Gallery of Art, Washington

Section 2, south wall

  1. This is a painting of a decorative box with pastoral scenes. The box has an oval lid and rectangular base adorned with intricate pastoral scenes in earthy tones. The scenes depict landscapes with trees, hills, and figures engaged in various activities against a warm backdrop. The lid has a similar scene, creating a cohesive decorative theme. The style resembles 19th-century European art focusing on pastoral genre scenes and decorative arts. The artwork delicately balances detail and composition, evoking calm and nostalgia.
    BandboxJohn Tarantino, c. 1937Courtesy National Gallery of Art, Washington
  2. The sculpture depicts a male figure standing upright with one hand raised and the other resting on his hip. The subject is wearing a garment that drapes over one shoulder and a feather-patterned skirt, accessorized with a headband. The colors of the sculpture are predominantly earth tones, including browns and a green headband. The material appears to be a type of stone or ceramic with a polished finish. The figure is slightly larger than everyday objects, allowing viewers to appreciate the intricacies of the carving and the details in the drapery and texture. The statue stands on a rectangular base that is consistent with the overall color palette.
    Cigar Store IndianRosamond P. Gray, 1935/1942Courtesy National Gallery of Art, Washington
  3. A Florida Park, by Joseph C. Claghorn, before 1935
    A Florida ParkJoseph C. Claghorn, before 1935Courtesy of the Smithsonian American Art Museum
  4. The image shows a wooden drop-leaf table with four turned legs and two drawers. The table's surface includes two side panels that can be raised or lowered. The color palette is warm brown tones. The table is centered in the image, with both leaves partially visible.
    Shaker TableAlfred H. Smith, c. 1938Courtesy National Gallery of Art, Washington

Section 2, north wall

  1. Watercolor no. 31, Landscape with Clouds, by Allen Tucker, ca. 1930
    Watercolor no. 31, Landscape with CloudsAllen Tucker, ca. 1930Courtesy of the Smithsonian American Art Museum
  2. Cornwall, by Kerr Eby, 1927
    CornwallKerr Eby, 1927Courtesy of the Smithsonian American Art Museum
  3. The image shows an ornate chair with a high back, decorative carvings along its arms, legs, and backrest, a woven or cane seat and back, and intricate patterns. The chair is detailed with earthy brown tones and subtle shading accentuating the wood texture and design motifs. It is placed in the center of the image, facing slightly to the left, with linear guides indicating perspective and depth on a plain background.
    ArmchairAgnes Karlin, c. 1936Courtesy National Gallery of Art, Washington
  4. Lady with the Lute, by Henry Wolf, 1909
    Lady with the LuteHenry Wolf, 1909Courtesy of the Smithsonian American Art Museum