Floor plan

Time and place20th-century United States

20th-century United States

This is a painting of a decorative wooden chest. The chest has intricate designs, such as painted figures, trees, and animals, creating a narrative scene on its front side, and floral motifs on its sides. The craftsmanship suggests it is an ornate object, potentially used for storage or as an ornamental piece. The painting focuses on the texture and details of the wood and decoration with precision, in a traditional arts and crafts or folk art style, emphasizing fine detail and storytelling through imagery on functional furniture.
The Bridge at Grez [recto], by Childe Hassam, 1904
This is a drawing of an abstract shape or artifact. The image features a central black object positioned against a plain, light-colored background. The object has a slightly irregular, elongated triangular form with rounded edges and contours. It includes a series of geometric holes and protrusions. The subtle shadowing suggests a three-dimensional form, yet the drawing maintains a simplicity that emphasizes the object's unique contours and cutouts.
Two Gulls and Cliffs, by Louis M. Eilshemius, ca. 1913-1921
The image displays a detailed drawing of a vintage wall-mounted lamp. The color palette consists of primarily browns and earthy tones, with hints of a metallic sheen. The lamp is centered in the image, with its base attached to the right side and extending to the left. A subtle shadow and highlights give the lamp a three-dimensional appearance against a plain, light beige background.

The works in this room are listed below.

Works in this room

Works made in the United States in the 20th century.

Section 1, north wall

  1. This is a painting of a decorative wooden chest. The chest has intricate designs, such as painted figures, trees, and animals, creating a narrative scene on its front side, and floral motifs on its sides. The craftsmanship suggests it is an ornate object, potentially used for storage or as an ornamental piece. The painting focuses on the texture and details of the wood and decoration with precision, in a traditional arts and crafts or folk art style, emphasizing fine detail and storytelling through imagery on functional furniture.
    Jewel CabinetCharles Henning, c. 1939Courtesy National Gallery of Art, Washington
  2. The Bridge at Grez [recto], by Childe Hassam, 1904
    The Bridge at Grez [recto]Childe Hassam, 1904Courtesy National Gallery of Art, Washington
  3. This is a drawing of an abstract shape or artifact. The image features a central black object positioned against a plain, light-colored background. The object has a slightly irregular, elongated triangular form with rounded edges and contours. It includes a series of geometric holes and protrusions. The subtle shadowing suggests a three-dimensional form, yet the drawing maintains a simplicity that emphasizes the object's unique contours and cutouts.
    BootjackClaude Marshall, c. 1940Courtesy National Gallery of Art, Washington

Section 1, south wall

  1. Two Gulls and Cliffs, by Louis M. Eilshemius, ca. 1913-1921
    Two Gulls and CliffsLouis M. Eilshemius, ca. 1913-1921Courtesy of the Smithsonian American Art Museum
  2. The image displays a detailed drawing of a vintage wall-mounted lamp. The color palette consists of primarily browns and earthy tones, with hints of a metallic sheen. The lamp is centered in the image, with its base attached to the right side and extending to the left. A subtle shadow and highlights give the lamp a three-dimensional appearance against a plain, light beige background.
    Binnacle LampHerman O. Stroh, 1938Courtesy National Gallery of Art, Washington

Section 2, south wall

  1. The image displays a vintage mechanical bank with a brick-patterned tower on the left and a soldier figure on the right, prepared to operate a cannon. The color scheme is mainly earthy tones including brown, bronze, and hints of gold, creating a retro metallic appearance. The label "ARTILLERY BANK" is engraved on the base in front of the cannon.
    Mechanical Artillery BankAlf Bruseth, c. 1940Courtesy National Gallery of Art, Washington
  2. The image shows two large quilt blocks with a matching design, side by side. Each block consists of red and beige fabric with quilted stitching creating a textured appearance. The color palette includes primarily red, beige, and dark stitching outlining the patterns. The quilt blocks are placed centrally on a light-colored surface.
    Patchwork QuiltPaul Ward, c. 1936Courtesy National Gallery of Art, Washington
  3. This is a drawing of a textile design. The image consists of a pattern with the text "LYDIA FELT 1834 BLOOMFIELD" displayed along with decorative motifs of abstract leaves and floral shapes in a contrasting color against a dark background. The composition also includes the word "EAST" placed vertically and "YORK" placed horizontally. The combination of geometric shapes and organic elements forms a unified aesthetic typical of traditional textile patterns.
    CoverletMargaret Linsley, c. 1940Courtesy National Gallery of Art, Washington

Section 2, north wall

  1. This is a drawing depicting instructional annotations on a pattern for tailoring or assembling clothing. The pattern includes various pieces labeled with letters and numbers corresponding to specific parts of a garment, like "FRONT," "SIDE BACK," and "COLLAR." The layout is precise and technical, resembling a guide for constructing a garment with detailed cutting and assembly instructions.
    Waistcoat PatternRosalia Lane, c. 1936Courtesy National Gallery of Art, Washington
  2. This is a drawing of a wooden window shutter in a light-colored wall. The detailed study shows the craftsmanship of the shutter, with a focus on texture, form, wood grain, and panels. The aged and weathered texture suggests exposure to the elements. The shutter is secured with a metal latch in the center. The wall is subtly shaded to imply depth and setting, with slight distress marks adding to the aged ambiance of the scene.
    Sacristy Door at Mission San Juan BautistaEthel Dougan, 1938Courtesy National Gallery of Art, Washington
  3. The image depicts a detailed drawing of a wall-mounted vessel. It consists of a large, spherical body attached to a flat disc, with two smaller protrusions resembling handles or clips. The color palette is monochromatic with shades of gray, giving it a metallic or ceramic appearance. The objects are centrally positioned, with a small inset illustration in the bottom left corner showing annotations. The artist's signature, "A. Marshall," is located near the lower right corner of the image.
    LampArsen Maralian, c. 1936Courtesy National Gallery of Art, Washington

Section 3, north wall

  1. The image shows a wooden duck decoy against a plain, light-colored background. The duck is crafted in various shades of brown, black, and green with subtle highlights in lighter tones. The duck is facing to the right side of the frame, with its head slightly tilted upward.
    DecoyMina Lowry, c. 1940Courtesy National Gallery of Art, Washington
  2. The image shows an ornate metalwork design with a winged creature. The design features intricate wrought iron decoration with a mythical figure, resembling a Pegasus, enclosed within a circular frame. The central circle is surrounded by symmetrical, stylized scrollwork motifs and horizontal bars, suggesting an architectural or ornamental fixture intended for use in structures like gates or window grills. The detailed craftsmanship and balanced design highlight the creature's form and the harmonious symmetry of the patterns.
    Fence - Sea Horse DesignPearl Torell, c. 1939Courtesy National Gallery of Art, Washington
  3. This is a drawing of decorative motifs. The image shows three distinct designs with ornate, swirling patterns. The uppermost design is in gold color. Two additional designs are sketched below in a lighter tone, likely pencil. The use of line and form emphasizes intricate looping patterns that suggest inspiration from natural forms such as vines or waves. The composition is against a plain background, drawing attention to the details and shapes of the motifs, presenting a sense of simplicity and artistry.
    Gold BroochIsidore Steinberg, c. 1940Courtesy National Gallery of Art, Washington

Section 3, south wall

  1. The image shows a decorative curved object with intricate patterns. There is a large green peacock motif in the center, surrounded by floral and geometric patterns. The color palette includes soft pinks, greens, and blue accents outlining the curve of the object. The object is placed on a plain light background.
    BandboxNicholas Acampora, 1937Courtesy National Gallery of Art, Washington
  2. The image displays a full-body illustration of a person standing upright. They have a delicate and round face with rosy cheeks and small, pink lips. Their eyes are large and expressive, and they have light-colored hair peeking out from under a bonnet. The person's attire consists of a long, dark skirt and a light-colored shawl draped over their shoulders. They wear a hooded cloak tied with a bow at the neck, and hold a small bag in their left hand. The background is plain with a light-colored texture. The artwork is a painted illustration with visible fine lines and shading to enhance details of the clothing and facial features.
    Quaker DollBertha Semple, 1935/1942Courtesy National Gallery of Art, Washington