Floor plan

Time and place15th-century Italy

15th-century Italy

The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess, by Marcantonio Raimondi, ca. 1510–20
The Last Communion of Saint Jerome, by Botticelli (Alessandro di Mariano Filipepi), early 1490s
This shield-shaped painting shows a young man with pale, peachy skin and curling brown hair standing astride the severed head of a man with dark hair and tanned skin. The painting is wider at the top and tapers like a pint glass to a narrower base. The young man, David, holds the end of long red slingshot with his right hand. The slingshot is weighted by a rock and swings behind his body. His sleeveless rust-red garment is cinched at his waist over a long white shirt. Both garments skim David’s thighs and his legs and feet are bare. Long, curling brown hair frames the ashen and bloodied upturned face of the head at David’s feet. A palm-sized stone is embedded in that forehead. The landscape background is made up of gray boulders, a meandering river, and low palm-like trees. Frothy white clouds sweep across an azure-blue sky.
The Annunciation, by Botticelli (Alessandro di Mariano Filipepi), ca. 1490
A work made of brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper.
The Creation of the World and the Expulsion from Paradise, by Giovanni di Paolo, 1445
Madonna and Child with Saint Jerome and Saint Bernardino of Siena, by Benvenuto di Giovanni, c. 1480/1485
Outdoors, distinct groupings of adult men and women, some with halos, gather near a building. The front-facing wall of the building is not depicted, allowing for a view inside, where a woman sits in bed with two women nearby and two other women dress a baby. A bearded man sits near the bed.

The works in this room are listed below.

Works in this room

Works made in Italy in the 15th century.

Section 1, north wall

  1. The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess, by Marcantonio Raimondi, ca. 1510–20
    The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddessMarcantonio Raimondi, ca. 1510–20Courtesy of The Metropolitan Museum of Art
  2. The Last Communion of Saint Jerome, by Botticelli (Alessandro di Mariano Filipepi), early 1490s
    The Last Communion of Saint JeromeBotticelli (Alessandro di Mariano Filipepi), early 1490sCourtesy of The Metropolitan Museum of Art
  3. This shield-shaped painting shows a young man with pale, peachy skin and curling brown hair standing astride the severed head of a man with dark hair and tanned skin. The painting is wider at the top and tapers like a pint glass to a narrower base. The young man, David, holds the end of long red slingshot with his right hand. The slingshot is weighted by a rock and swings behind his body. His sleeveless rust-red garment is cinched at his waist over a long white shirt. Both garments skim David’s thighs and his legs and feet are bare. Long, curling brown hair frames the ashen and bloodied upturned face of the head at David’s feet. A palm-sized stone is embedded in that forehead. The landscape background is made up of gray boulders, a meandering river, and low palm-like trees. Frothy white clouds sweep across an azure-blue sky.
    David with the Head of GoliathAndrea del Castagno, c. 1450/1455Courtesy National Gallery of Art, Washington
  4. The Annunciation, by Botticelli (Alessandro di Mariano Filipepi), ca. 1490
    The AnnunciationBotticelli (Alessandro di Mariano Filipepi), ca. 1490Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. A work made of brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper.
    Drapery Study of a Standing Figure Facing Right, in ProfileAndrea del Verrocchio, late 1460s–early 1470sCourtesy of the Art Institute of Chicago
  2. The Creation of the World and the Expulsion from Paradise, by Giovanni di Paolo, 1445
    The Creation of the World and the Expulsion from ParadiseGiovanni di Paolo, 1445Courtesy of The Metropolitan Museum of Art
  3. Madonna and Child with Saint Jerome and Saint Bernardino of Siena, by Benvenuto di Giovanni, c. 1480/1485
    Madonna and Child with Saint Jerome and Saint Bernardino of SienaBenvenuto di Giovanni, c. 1480/1485Courtesy National Gallery of Art, Washington
  4. Outdoors, distinct groupings of adult men and women, some with halos, gather near a building. The front-facing wall of the building is not depicted, allowing for a view inside, where a woman sits in bed with two women nearby and two other women dress a baby. A bearded man sits near the bed.
    Scenes from the Life of Saint John the BaptistBartolomeo di Giovanni, 1490/95Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. The Journey of the Magi, by Sassetta, ca. 1433–35
    The Journey of the MagiSassetta, ca. 1433–35Courtesy of The Metropolitan Museum of Art
  2. This painting shows a person standing, their head slightly tilted to the left. They have a pale complexion, and short, wavy blonde hair adorned with a thin red crown. They have rosy, pink cheeks, arched eyebrows, a straight nose, and small lips set in a neutral expression. The individual is wearing a long red robe over a black tunic or dress and is holding a long black quill-like object in one hand, and what looks like a thin staff with a red loop at the end in the other. A detailed golden halo surrounds their head, and the background features an ornate gold pattern which is slightly worn and peeling in some places. The painting is bordered by a golden frame.
    Saint ApolloniaSassetta, c. 1435Courtesy National Gallery of Art, Washington
  3. The Adoration of the Shepherds, by Andrea Mantegna, shortly after 1450
    The Adoration of the ShepherdsAndrea Mantegna, shortly after 1450Courtesy of The Metropolitan Museum of Art
  4. The Crucifixion, by Sodoma, 1500s
    The CrucifixionSodoma, 1500sCourtesy of the Cleveland Museum of Art

Section 2, north wall

  1. In a wide, arched panel, a bearded man wearing a crown places another crown on the head of a woman. To our right, the woman bows her head with her eyes nearly closed and crosses her wrists over her chest. A white cloak covers her head, drapes over her shoulders, and pools in deep folds around her feet. The cloak is lined with pine green, and she wears a shell-pink dress. To our left, the man has shoulder-length, curly gray hair and a beard. His robe is dark rose pink, and the cloak is azure blue lined with pine green. Two winged angels have brown hair, short, white wings, and wear voluminous white robes. They stand to either side of the man and woman and hold up a swag of raspberry-red cloth hung with gold tassels. All the people have pale, peachy skin. Winged baby heads encircled with gold rays create an arch behind the man and woman, who sit on clouds. The background is pale blue sky.
    The Coronation of the VirginFilippino Lippi, c. 1475Courtesy National Gallery of Art, Washington
  2. A Bear Walking, by Leonardo da Vinci, ca. 1482–85
    A Bear WalkingLeonardo da Vinci, ca. 1482–85Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. Saint Anthony the Abbot in the Wilderness, by Sano di Pietro (Ansano di Pietro di Mencio), ca. 1440
    Saint Anthony the Abbot in the WildernessSano di Pietro (Ansano di Pietro di Mencio), ca. 1440Courtesy of The Metropolitan Museum of Art
  2. A work made of tempera on panel, transferred to canvas.
    Noli Me TangerePerugino, 1500–05Courtesy of the Art Institute of Chicago