Floor plan

Artist galleriesJacques Callot's contemporaries

Jacques Callot's contemporaries

Still Life with Shells and a Chip-Wood Box, by Sebastian Stoskopff, late 1620s
The image has an elevated perspective showing two figures with animals in the scene. One person is leaning against a tree with a stick, while the other is seated on the ground. A cow is between them and other livestock in the middle distance. A person in the distance is tending to the animals. The horizon is low in the image, hidden by rolling hills. The artwork is in monochrome with fine linework, creating texture through hatching and cross-hatching, emphasizing depth and dimensionality.
This is a drawing of a busy street scene with architectural structures and various figures. It depicts a large open area bordered by a grand building to the left and a rounded tower or structure to the right. The left side of the scene is lined with stairs leading up to an elevated walkway or platform, where people are gathered. In the middle and to the right, a crowd has formed, encompassing the space in front of the tower. Various individuals, some wearing distinctive headgear, are seen mingling and gesturing. The architectural details in the background, such as the windows and brickwork of the tower, frame the scene below. A hand-operated apparatus extends from the tower, possibly for lifting goods or supplies. The drawing captures a dynamic urban moment.
The Holy Family on the Steps, by Nicolas Poussin, 1648
The Fortune-Teller, by Georges de La Tour, probably 1630s
The image shows a landscape with trees, rocks, and water. The perspective is slightly elevated. Rocks are prominent in the central area, with various shapes and textures. Trees and foliage are depicted with detailed brushstrokes. The color scheme is sepia, creating a warm and vintage atmosphere. The scene includes water reflecting rocks, distant hills, and faint cloud formations.

The works in this room are listed below.

Works in this room

A few works by Jacques Callot, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

First room, north wall

  1. Still Life with Shells and a Chip-Wood Box, by Sebastian Stoskopff, late 1620s
    Still Life with Shells and a Chip-Wood BoxSebastian Stoskopff, late 1620sCourtesy of The Metropolitan Museum of Art
  2. The image has an elevated perspective showing two figures with animals in the scene. One person is leaning against a tree with a stick, while the other is seated on the ground. A cow is between them and other livestock in the middle distance. A person in the distance is tending to the animals. The horizon is low in the image, hidden by rolling hills. The artwork is in monochrome with fine linework, creating texture through hatching and cross-hatching, emphasizing depth and dimensionality.
    Peasant Couple with CowJacques Callot, c. 1621Courtesy National Gallery of Art, Washington
  3. This is a drawing of a busy street scene with architectural structures and various figures. It depicts a large open area bordered by a grand building to the left and a rounded tower or structure to the right. The left side of the scene is lined with stairs leading up to an elevated walkway or platform, where people are gathered. In the middle and to the right, a crowd has formed, encompassing the space in front of the tower. Various individuals, some wearing distinctive headgear, are seen mingling and gesturing. The architectural details in the background, such as the windows and brickwork of the tower, frame the scene below. A hand-operated apparatus extends from the tower, possibly for lifting goods or supplies. The drawing captures a dynamic urban moment.
    The Slave MarketJacques Callot, 1620Courtesy National Gallery of Art, Washington
  4. The Holy Family on the Steps, by Nicolas Poussin, 1648
    The Holy Family on the StepsNicolas Poussin, 1648Courtesy of the Cleveland Museum of Art

First room, south wall

  1. The Fortune-Teller, by Georges de La Tour, probably 1630s
    The Fortune-TellerGeorges de La Tour, probably 1630sCourtesy of The Metropolitan Museum of Art
  2. The image shows a landscape with trees, rocks, and water. The perspective is slightly elevated. Rocks are prominent in the central area, with various shapes and textures. Trees and foliage are depicted with detailed brushstrokes. The color scheme is sepia, creating a warm and vintage atmosphere. The scene includes water reflecting rocks, distant hills, and faint cloud formations.
    A Rocky PondLaurent de La Hyre, 1640Courtesy National Gallery of Art, Washington

Second room, south wall

  1. The Four Seasons: Autumn, by Abraham Bosse, 1635
    The Four Seasons: AutumnAbraham Bosse, 1635Courtesy of the Cleveland Museum of Art
  2. Painting of Greek landscape, classical architecture, yellow, red robed man reading.
    Landscape with Saint John on PatmosNicolas Poussin, 1640Courtesy of the Art Institute of Chicago