Floor plan

Artist galleriesEdward L. Loper's contemporaries

Edward L. Loper's contemporaries

This image shows an engraved design featuring a cannon with large wheels next to an eagle perched on top, situated on the left side of a rectangular stone slab. The color scheme is predominantly grayscale with subtle hints of blue and gray tones throughout the stone surface. The cannon is positioned slightly to the left in the composition, with its barrel pointing to the right, while the eagle is perched on the cannon barrel facing forward, wings tucked close to its body. To accompany the cannon, a stack of cannonballs is carved on the lower left, further anchoring the scene within the carved rectangle.
The image shows an ornate chair with a high back, decorative carvings along its arms, legs, and backrest, a woven or cane seat and back, and intricate patterns. The chair is detailed with earthy brown tones and subtle shading accentuating the wood texture and design motifs. It is placed in the center of the image, facing slightly to the left, with linear guides indicating perspective and depth on a plain background.
This is a drawing of a wooden window shutter in a light-colored wall. The detailed study shows the craftsmanship of the shutter, with a focus on texture, form, wood grain, and panels. The aged and weathered texture suggests exposure to the elements. The shutter is secured with a metal latch in the center. The wall is subtly shaded to imply depth and setting, with slight distress marks adding to the aged ambiance of the scene.
The image shows a beige knitted fingerless glove on a light-colored background. The glove is flat and displayed vertically, with the thumb-piece extending to the left. There is a subtle dark pattern or lettering at the base of the glove. The color palette is warm with beige tones against the light background, emphasizing the texture and design of the glove.
The image displays a full-body illustration of a person standing upright. They have a delicate and round face with rosy cheeks and small, pink lips. Their eyes are large and expressive, and they have light-colored hair peeking out from under a bonnet. The person's attire consists of a long, dark skirt and a light-colored shawl draped over their shoulders. They wear a hooded cloak tied with a bow at the neck, and hold a small bag in their left hand. The background is plain with a light-colored texture. The artwork is a painted illustration with visible fine lines and shading to enhance details of the clothing and facial features.
The image depicts a large, round, domed container with a handle on its side. It has a textured and layered appearance with a central band. The color palette consists of various shades of brown and some orange tones. The container is centered in the image with the handle facing towards the viewer. The name "Janetta Badanes" is visible near the bottom right of the image.

The works in this room are listed below.

Works in this room

A few works by Edward L. Loper, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

With their contemporaries

  1. This image shows an engraved design featuring a cannon with large wheels next to an eagle perched on top, situated on the left side of a rectangular stone slab. The color scheme is predominantly grayscale with subtle hints of blue and gray tones throughout the stone surface. The cannon is positioned slightly to the left in the composition, with its barrel pointing to the right, while the eagle is perched on the cannon barrel facing forward, wings tucked close to its body. To accompany the cannon, a stack of cannonballs is carved on the lower left, further anchoring the scene within the carved rectangle.
    Bas ReliefEdward L. Loper, c. 1938Courtesy National Gallery of Art, Washington
  2. The image shows an ornate chair with a high back, decorative carvings along its arms, legs, and backrest, a woven or cane seat and back, and intricate patterns. The chair is detailed with earthy brown tones and subtle shading accentuating the wood texture and design motifs. It is placed in the center of the image, facing slightly to the left, with linear guides indicating perspective and depth on a plain background.
    ArmchairAgnes Karlin, c. 1936Courtesy National Gallery of Art, Washington
  3. This is a drawing of a wooden window shutter in a light-colored wall. The detailed study shows the craftsmanship of the shutter, with a focus on texture, form, wood grain, and panels. The aged and weathered texture suggests exposure to the elements. The shutter is secured with a metal latch in the center. The wall is subtly shaded to imply depth and setting, with slight distress marks adding to the aged ambiance of the scene.
    Sacristy Door at Mission San Juan BautistaEthel Dougan, 1938Courtesy National Gallery of Art, Washington

Their contemporaries

  1. The image shows a beige knitted fingerless glove on a light-colored background. The glove is flat and displayed vertically, with the thumb-piece extending to the left. There is a subtle dark pattern or lettering at the base of the glove. The color palette is warm with beige tones against the light background, emphasizing the texture and design of the glove.
    Knitted GloveElizabeth Moutal, c. 1936Courtesy National Gallery of Art, Washington
  2. The image displays a full-body illustration of a person standing upright. They have a delicate and round face with rosy cheeks and small, pink lips. Their eyes are large and expressive, and they have light-colored hair peeking out from under a bonnet. The person's attire consists of a long, dark skirt and a light-colored shawl draped over their shoulders. They wear a hooded cloak tied with a bow at the neck, and hold a small bag in their left hand. The background is plain with a light-colored texture. The artwork is a painted illustration with visible fine lines and shading to enhance details of the clothing and facial features.
    Quaker DollBertha Semple, 1935/1942Courtesy National Gallery of Art, Washington
  3. The image depicts a large, round, domed container with a handle on its side. It has a textured and layered appearance with a central band. The color palette consists of various shades of brown and some orange tones. The container is centered in the image with the handle facing towards the viewer. The name "Janetta Badanes" is visible near the bottom right of the image.
    Copper Baptismal FontJuanita Donahoo, c. 1941Courtesy National Gallery of Art, Washington

Their contemporaries, second

  1. This is a painting of a carousel horse. The image shows a gray carousel horse with glossy highlights and shading. The horse has a blue and red saddle with gold bands, and a blue harness with red accents. The horse is mid-gallop, with animated legs. The background is plain to focus on the horse's design. The style is detailed and realistic, reminiscent of carousel art from the late 19th to early 20th century.
    Carousel HorseDorothy Handy, c. 1939Courtesy National Gallery of Art, Washington
  2. This painting is a birth record for Sarah Campion, daughter of Joseph and Mary Campion, born on November 16th, 1777. It features elaborate calligraphy and ornamental designs. The borders contain floral patterns with red and orange-colored flowers and green leaves. The central text is decorative, and at the bottom are human-like figures in colonial attire standing beside a flower vase. The artwork reflects a style reminiscent of early American folk art, created by an anonymous folk artist capturing the essence of 18th-century American artistry.
    Pa. German Birth CertificateGlenn Pearce, c. 1936Courtesy National Gallery of Art, Washington