Floor plan

Artist galleriesE. Boyd's contemporaries

E. Boyd's contemporaries

The image shows a lace-trimmed sleeve with a floral lace design in the center, primarily in shades of gray and off-white. The sleeve is positioned vertically in the center of the image, with the top slightly obscured by shadow and the ruffled lace edge at the bottom. The lace details are intricate and precise, enhancing the texture and complexity of the design.
This is a painting of stylized figures within an ornate frame. The artwork features two central figures that are reminiscent of a traditional religious iconography but rendered in a simplified and almost cartoonish form. The larger figure is draped in blue with red accents, while a smaller figure is held in one hand, enrobed in red. The background is decorated with a variety of patterns including an arch-like structure with wavy designs and lines, all outlining the central figures. The outer sections feature floral patterns with bold, contrasting colors of red, black, and teal. The use of thick outlines and vivid colors suggests a playful and decorative approach to the portrayal of the figures, drawing inspiration possibly from folk art traditions.
The image depicts an iron sculpture with grapevine motifs. The color scheme is primarily brown, with a textured appearance. The grapevine design is arranged vertically and includes grape clusters and leaves. The sculpture is mounted on a base and includes an iron bar at the top. The artist's signature "ROSE CAMPBELL GERKE" is visible in the lower right corner of the image.
The image shows an ornate chair with a high back, decorative carvings along its arms, legs, and backrest, a woven or cane seat and back, and intricate patterns. The chair is detailed with earthy brown tones and subtle shading accentuating the wood texture and design motifs. It is placed in the center of the image, facing slightly to the left, with linear guides indicating perspective and depth on a plain background.
Dancing Sailors, by Charles Demuth, 1917
The image shows a decorative curved object with intricate patterns. There is a large green peacock motif in the center, surrounded by floral and geometric patterns. The color palette includes soft pinks, greens, and blue accents outlining the curve of the object. The object is placed on a plain light background.

The works in this room are listed below.

Works in this room

A few works by E. Boyd, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

Section 1, north wall

  1. The image shows a lace-trimmed sleeve with a floral lace design in the center, primarily in shades of gray and off-white. The sleeve is positioned vertically in the center of the image, with the top slightly obscured by shadow and the ruffled lace edge at the bottom. The lace details are intricate and precise, enhancing the texture and complexity of the design.
    Cuff LaceErwin Schwabe, c. 1937Courtesy National Gallery of Art, Washington
  2. This is a painting of stylized figures within an ornate frame. The artwork features two central figures that are reminiscent of a traditional religious iconography but rendered in a simplified and almost cartoonish form. The larger figure is draped in blue with red accents, while a smaller figure is held in one hand, enrobed in red. The background is decorated with a variety of patterns including an arch-like structure with wavy designs and lines, all outlining the central figures. The outer sections feature floral patterns with bold, contrasting colors of red, black, and teal. The use of thick outlines and vivid colors suggests a playful and decorative approach to the portrayal of the figures, drawing inspiration possibly from folk art traditions.
    St. JosephE. Boyd, 1936Courtesy National Gallery of Art, Washington
  3. The image depicts an iron sculpture with grapevine motifs. The color scheme is primarily brown, with a textured appearance. The grapevine design is arranged vertically and includes grape clusters and leaves. The sculpture is mounted on a base and includes an iron bar at the top. The artist's signature "ROSE CAMPBELL GERKE" is visible in the lower right corner of the image.
    FenceRose Campbell-Gerke, c. 1940Courtesy National Gallery of Art, Washington

Section 1, south wall

  1. The image shows an ornate chair with a high back, decorative carvings along its arms, legs, and backrest, a woven or cane seat and back, and intricate patterns. The chair is detailed with earthy brown tones and subtle shading accentuating the wood texture and design motifs. It is placed in the center of the image, facing slightly to the left, with linear guides indicating perspective and depth on a plain background.
    ArmchairAgnes Karlin, c. 1936Courtesy National Gallery of Art, Washington
  2. Dancing Sailors, by Charles Demuth, 1917
    Dancing SailorsCharles Demuth, 1917Courtesy of the Cleveland Museum of Art
  3. The image shows a decorative curved object with intricate patterns. There is a large green peacock motif in the center, surrounded by floral and geometric patterns. The color palette includes soft pinks, greens, and blue accents outlining the curve of the object. The object is placed on a plain light background.
    BandboxNicholas Acampora, 1937Courtesy National Gallery of Art, Washington

Section 2, south wall

  1. This is a drawing of a wooden window shutter in a light-colored wall. The detailed study shows the craftsmanship of the shutter, with a focus on texture, form, wood grain, and panels. The aged and weathered texture suggests exposure to the elements. The shutter is secured with a metal latch in the center. The wall is subtly shaded to imply depth and setting, with slight distress marks adding to the aged ambiance of the scene.
    Sacristy Door at Mission San Juan BautistaEthel Dougan, 1938Courtesy National Gallery of Art, Washington
  2. The image shows a beige knitted fingerless glove on a light-colored background. The glove is flat and displayed vertically, with the thumb-piece extending to the left. There is a subtle dark pattern or lettering at the base of the glove. The color palette is warm with beige tones against the light background, emphasizing the texture and design of the glove.
    Knitted GloveElizabeth Moutal, c. 1936Courtesy National Gallery of Art, Washington