Floor plan

Artist galleriesDante Gabriel Rossetti's contemporaries

Dante Gabriel Rossetti's contemporaries

Lady Lilith, by Dante Gabriel Rossetti, 1867
Serene red-haired woman, framed with allegorical symbols of red bird, sundial.
A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.
A work made of oil on canvas.
A work made of brown and black chalks on cream wove paper.
A work made of oil on panel.

The works in this room are listed below.

Works in this room

A few works by Dante Gabriel Rossetti, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

First room, north wall

  1. Lady Lilith, by Dante Gabriel Rossetti, 1867
    Lady LilithDante Gabriel Rossetti, 1867Courtesy of The Metropolitan Museum of Art
  2. Serene red-haired woman, framed with allegorical symbols of red bird, sundial.
    Beata BeatrixDante Gabriel Rossetti, 1871–72Courtesy of the Art Institute of Chicago

Their contemporaries

  1. A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.
    The Hall, Levens, WestmorelandJoseph Nash, n.d.Courtesy of the Art Institute of Chicago
  2. A work made of oil on canvas.
    The FestivalSir John Edward Poynter, 1875Courtesy of the Art Institute of Chicago
  3. A work made of brown and black chalks on cream wove paper.
    Study for FestivalSir John Edward Poynter, c. 1875Courtesy of the Art Institute of Chicago
  4. A work made of oil on panel.
    The Shadow of DeathWilliam Holman Hunt, 1873-74Courtesy of the Art Institute of Chicago

Their contemporaries, second

  1. A work made of oil on canvas.
    The Golden AgeSir John Edward Poynter, 1875Courtesy of the Art Institute of Chicago
  2. A work made of graphite on ivory wove paper.
    A Byzantine Well-headFrederic Leighton, 1st Baron Leighton of Stretton, 1852Courtesy of the Art Institute of Chicago