Floor plan

Artist galleriesCecilia Beaux's contemporaries

Cecilia Beaux's contemporaries

Admiral Sir David Beatty, Lord Beatty, by Cecilia Beaux, ca. 1920
The image shows five metallic objects arranged in a vertical column. These include three L-shaped brackets and two circular rings, in muted gray and rust-brown shades with a metallic sheen. The objects are positioned against a light, neutral background.
Christ, by Kenyon Cox, 1905
Lady with the Lute, by Henry Wolf, 1909
In the Desert, by H. Siddons Mowbray, 1915-1925
The Sprout Lot, by J. Francis Murphy, 1915

The works in this room are listed below.

Works in this room

A few works by Cecilia Beaux, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

With their contemporaries

  1. Admiral Sir David Beatty, Lord Beatty, by Cecilia Beaux, ca. 1920
    Admiral Sir David Beatty, Lord BeattyCecilia Beaux, ca. 1920Courtesy of the Smithsonian American Art Museum
  2. The image shows five metallic objects arranged in a vertical column. These include three L-shaped brackets and two circular rings, in muted gray and rust-brown shades with a metallic sheen. The objects are positioned against a light, neutral background.
    Color Notes on IronGerald Transpota, 1935/1942Courtesy National Gallery of Art, Washington
  3. Christ, by Kenyon Cox, 1905
    ChristKenyon Cox, 1905Courtesy of the Cleveland Museum of Art

Their contemporaries

  1. Lady with the Lute, by Henry Wolf, 1909
    Lady with the LuteHenry Wolf, 1909Courtesy of the Smithsonian American Art Museum
  2. In the Desert, by H. Siddons Mowbray, 1915-1925
    In the DesertH. Siddons Mowbray, 1915-1925Courtesy of the Smithsonian American Art Museum
  3. The Sprout Lot, by J. Francis Murphy, 1915
    The Sprout LotJ. Francis Murphy, 1915Courtesy of the Smithsonian American Art Museum

Their contemporaries, second

  1. The image is a painting of a woman's nude upper body extending from her head down to her hips, depicted in a standing position with her head slightly tilted to one side. Her facial features are distinct with a strong brow, prominent nose, and full lips, and her long dark hair cascades down to her shoulders. The background features abstract brushstrokes in dark blues and browns, blending into the lighter brown tone of the canvas, enhancing the figure's prominence in the composition. The woman appears naturalistic, with no jewelry or other objects visible in the painting.
    NudeRoger de La Fresnaye, 1910Courtesy National Gallery of Art, Washington
  2. The image depicts a young person standing upright with distinct facial features including rounded cheeks, a small mouth, and large eyes. They are wearing a brown dress with a cream-colored shawl, a bonnet with dark trim, and a pouch hanging from their left side. The background is plain and cream-colored.
    Quaker DollJacob Gielens, 1935/1942Courtesy National Gallery of Art, Washington