Floor plan

Artist galleries'Aliquli Jabbadar's contemporaries

'Aliquli Jabbadar's contemporaries

Watercolor of tiny people and horses, framed with gold flowers on navy background.
A work made of ink on paper.
Portrait of Gerard de Lairesse, by Rembrandt van Rijn, 1665–67
A work made of pen and brown ink, with traces of black chalk, on cream laid paper.
The image depicts a woman seated with a child in her lap. The woman looks down at the child, who has curly hair. Both figures are intricately drawn in a detailed line drawing style. The woman wears a headdress and flowing garment, holding a cross-topped staff. The child clutches her arm. Surrounding them are cloud-like forms and cherubic figures with wings, some holding rosary beads. In the background, more clouds and angelic faces are sketched.
A work made of hanging scroll; ink and colors on paper.
Desk Album: Flower and Bird Paintings, by Zhang Ruoai, 1700s
The image displays an oval portrait of a man's upper torso. He is turned slightly to the right, looking directly at the viewer with a composed expression. The man has pale skin, defined facial features, softly arched eyebrows, a subtle mustache, and styled hair in an 18th-century fashion. He wears a blue coat with white lapels, silver buttons, and a silver-fringed epaulet on the shoulder, along with a cravat and waistcoat. The background is a smooth, neutral gray.

The works in this room are listed below.

Works in this room

A few works by 'Aliquli Jabbadar, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

With their contemporaries

  1. Watercolor of tiny people and horses, framed with gold flowers on navy background.
    Royal Horse Inspection'Aliquli Jabbadar, Safavid dynasty (1501–1722), late 17th centuryCourtesy of the Art Institute of Chicago
  2. A work made of ink on paper.
    Akbar Offering Timur's Crown to Shah JahanIslamic, Mughal period (1526–1857), ca. 1650–1700Courtesy of the Art Institute of Chicago
  3. Portrait of Gerard de Lairesse, by Rembrandt van Rijn, 1665–67
    Portrait of Gerard de LairesseRembrandt van Rijn, 1665–67Courtesy of The Metropolitan Museum of Art
  4. A work made of pen and brown ink, with traces of black chalk, on cream laid paper.
    Head of MedusaGodfried Maes, 1680Courtesy of the Art Institute of Chicago

Their contemporaries

  1. The image depicts a woman seated with a child in her lap. The woman looks down at the child, who has curly hair. Both figures are intricately drawn in a detailed line drawing style. The woman wears a headdress and flowing garment, holding a cross-topped staff. The child clutches her arm. Surrounding them are cloud-like forms and cherubic figures with wings, some holding rosary beads. In the background, more clouds and angelic faces are sketched.
    The Madonna of the RosaryVicente Salvador Gómez, 1674Courtesy National Gallery of Art, Washington
  2. A work made of hanging scroll; ink and colors on paper.
    Beauty Turning Her HeadHishikawa Moronobu, c. 1685-94Courtesy of the Art Institute of Chicago
  3. Desk Album: Flower and Bird Paintings, by Zhang Ruoai, 1700s
    Desk Album: Flower and Bird PaintingsZhang Ruoai, 1700sCourtesy of the Cleveland Museum of Art
  4. The image displays an oval portrait of a man's upper torso. He is turned slightly to the right, looking directly at the viewer with a composed expression. The man has pale skin, defined facial features, softly arched eyebrows, a subtle mustache, and styled hair in an 18th-century fashion. He wears a blue coat with white lapels, silver buttons, and a silver-fringed epaulet on the shoulder, along with a cravat and waistcoat. The background is a smooth, neutral gray.
    Portrait of a Man in a Military UniformUnrecorded French maker, 18th centuryCourtesy National Gallery of Art, Washington