# Young Woman Looking at a Pot of Pinks

**Suzuki Harunobu** (Japanese, 1725–1770)  
c. 1767  
color woodblock print, with embossing  
Sheet: 27 x 19.2 cm (10 5/8 x 7 9/16 in.)

Courtesy of the Cleveland Museum of Art, 1985.304. [The museum's record](https://clevelandart.org/art/1985.304).

## About this work

A girl steps onto a veranda after a bath to look at a pot of pinks. A warm breeze stirs the poem-strip tied to the windbell above her. Irises bloom in the pool in the background. The print has been identified as the summer subject in a set of four flowers representing each season and is considered to be one of Harunobu’s most enchanting designs. One of the most celebrated and productive of all ukiyo-e artists, Harunobu is widely recognized as the first Japanese printmaker to create designs by printing each color in the image with a different block. These prints came to be known as nishiki-e, or brocade pictures, suggesting their resemblance to the gorgeous brocades worn at the time. The embossing on the waves in the stream and on the flowers was created by using unpigmented blocks during the printing process.

_Text from the Cleveland Museum of Art._

Suzuki Harunobu designed this in about 1767, aged about 37. It is now at the Cleveland Museum of Art.

### How it was made

- **Colour woodblock print.** In Japan these were a team effort. The artist drew the design, a carver cut it into cherry-wood blocks, one block for each colour, and a printer brushed on the pigment and rubbed each sheet by hand. Full-colour prints of this kind were called nishiki-e, “brocade pictures”, from the 1760s on.

### [Suzuki Harunobu](https://www.ochreeditions.com/artists/suzuki-harunobu)

Japanese, 1725–1770

Harunobu was the first great master of the full-colour woodblock picture, or nishiki-e, which developed in Edo around 1765 out of privately commissioned calendar designs. Working mostly in the small chūban format, he favoured slender, youthful figures in intimate scenes, often with subtle allusions to classical poetry. In the few years before his death he produced hundreds of designs, and his delicate style shaped the work of a generation.

_Written by Ochre Editions._

## Facts

- Type: Print
- Culture: Japan, Edo period (1615–1868)
- The artist was about 37
- Real size: about 11 × 7½ in (27 × 19 cm). The 8 × 10 in print is close to life size.
- Century: 18th century
- Movement: [Ukiyo-e](https://www.ochreeditions.com/movements/ukiyo-e)
- Colour: brown
- Rights: public domain (CC0 1.0); free to use for any purpose.

## Get it

- Free download, full resolution: https://img.ochreeditions.com/m/726.jpg?dl=1
- Image: https://img.ochreeditions.com/a/726/1920.jpg
- Giclée reproduction on Hahnemühle Photo Rag: 8 × 10 in $28; 11 × 14 in $38; 12 × 16 in $42; 16 × 20 in $56; 18 × 24 in $68
- Framed reproduction: 8 × 10 in $78; 11 × 14 in $98; 12 × 16 in $108; 16 × 20 in $138; 18 × 24 in $164
- Canvas reproduction: 8 × 10 in $58; 11 × 14 in $72; 12 × 16 in $79; 16 × 20 in $98
- Print-ready file: 8 × 10 in $2; 11 × 14 in $2; 12 × 16 in $3; 16 × 20 in $3; 18 × 24 in $3

Sizes stop where the museum's file would print below 150 pixels per inch. Everything sold is a reproduction, made to order. [Order a print](https://www.ochreeditions.com/art/young-woman-looking-at-a-pot-of-pinks-cma-152481).