# Sheet of Studies and Sketches

**Edgar Degas** (French, 1834–1917)  
1858  
graphite, pen and dark brown ink, and watercolor on thick ivory wove paper  
Sheet: 30.4 x 23.5 cm (11 15/16 x 9 1/4 in.)

Courtesy of the Cleveland Museum of Art, 1951.430. [The museum's record](https://clevelandart.org/art/1951.430).

## About this work

Degas traveled to Florence, Italy, in July 1858, where he made this sheet of studies. The featured imagery is fragmented and dissociated, suggesting the young artist's engagement with art of the past. The refined female head drawn at center in graphite was copied from a drawing then attributed to Leonardo da Vinci in the Uffizi Gallery's collection. Other sketches record Degas's responses to Florentine sculpture. At upper right, he sketched an informal portrait of his cousin Giulia Bellelli, probably from life.

_Text from the Cleveland Museum of Art._

Edgar Degas painted this in 1858, aged 24. It is now at the Cleveland Museum of Art.

### How it was made

- **Watercolour.** Pigment in gum arabic, thinned with water and laid in transparent washes. Nothing white is painted: the light is the paper showing through.
- **Graphite.** Pencil. Graphite has been used for drawing since the 1500s; in 1795 Nicolas-Jacques Conté mixed it with clay, so its hardness could be graded.
- **Pen and ink.** Drawn with a quill or reed pen, often with wash added by brush to model light and shadow.

### [Edgar Degas](https://www.ochreeditions.com/artists/edgar-degas)

French, 1834–1917; born in Paris; died in Paris

Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers. He helped organise the Impressionist exhibitions and showed in all but one, yet preferred to call himself a realist. Working from drawing and memory rather than outdoors, he composed with unexpected cropping and viewpoints, and in later years worked mostly in pastel as his eyesight failed.

_Written by Ochre Editions._

## Facts

- Type: Drawing
- Culture: France, 19th century
- The artist was 24
- Real size: about 12 × 9½ in (30 × 24 cm). Closest to life size: the 8 × 10 in print.
- Century: 19th century
- Movement: [Impressionism](https://www.ochreeditions.com/movements/impressionism)
- Colour: brown
- Rights: public domain (CC0 1.0); free to use for any purpose.

## Get it

- Free download, full resolution: https://img.ochreeditions.com/m/592.jpg?dl=1
- Image: https://img.ochreeditions.com/a/592/1920.jpg
- Giclée reproduction on Hahnemühle Photo Rag: 8 × 10 in $28; 11 × 14 in $38; 12 × 16 in $42; 16 × 20 in $56; 18 × 24 in $68; 20 × 30 in $86
- Framed reproduction: 8 × 10 in $78; 11 × 14 in $98; 12 × 16 in $108; 16 × 20 in $138; 18 × 24 in $164; 20 × 30 in $208
- Canvas reproduction: 8 × 10 in $58; 11 × 14 in $72; 12 × 16 in $79; 16 × 20 in $98
- Print-ready file: 8 × 10 in $2; 11 × 14 in $2; 12 × 16 in $3; 16 × 20 in $3; 18 × 24 in $3; 20 × 30 in $5

Sizes stop where the museum's file would print below 150 pixels per inch. Everything sold is a reproduction, made to order. [Order a print](https://www.ochreeditions.com/art/sheet-of-studies-and-sketches-cma-128808).