# Self-Portrait

**Edgar Degas** (French, 1834–1917)  
1857  
etching and drypoint  
Platemark: 23 x 14.5 cm (9 1/16 x 5 11/16 in.); Sheet: 31.5 x 22.6 cm (12 3/8 x 8 7/8 in.)

Courtesy of the Cleveland Museum of Art, 2004.87. [The museum's record](https://clevelandart.org/art/2004.87).

## About this work

In the 1850s Degas frequently used himself as a model, but he made only one printed self-portrait. Through successive stages of biting the plate and layers of crosshatching, Degas gradually built areas of dark tone. In this impression, Degas added etched lines on the face, hat, and coat and carefully wiped his copper plate to create atmospheric effects. His clearly drawn eyes directly engage the viewer, resulting in a psychologically powerful and intense portrait of the young artist at age 23. This impression was dedicated to his friend, the painter and sculptor Paul Albert Bartholomé.

_Text from the Cleveland Museum of Art._

Edgar Degas made this in 1857, aged 23. It is now at the Cleveland Museum of Art.

### How it was made

- **Drypoint.** Lines scratched straight into the plate with a needle throw up a ridge of metal, the burr, which holds ink and prints a soft, furred line. The burr wears down, so early impressions are the richest.
- **Etching.** The artist draws with a needle through a waxy coating on a copper plate, and acid bites the exposed lines. The plate is then inked, wiped and printed under pressure, so the line keeps the freedom of drawing.

### [Edgar Degas](https://www.ochreeditions.com/artists/edgar-degas)

French, 1834–1917; born in Paris; died in Paris

Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers. He helped organise the Impressionist exhibitions and showed in all but one, yet preferred to call himself a realist. Working from drawing and memory rather than outdoors, he composed with unexpected cropping and viewpoints, and in later years worked mostly in pastel as his eyesight failed.

_Written by Ochre Editions._

## Facts

- Type: Print
- Culture: France, 19th century
- The artist was 23
- Real size: about 9 × 5½ in (23 × 15 cm). The 8 × 10 in print is close to life size.
- Century: 19th century
- Movement: [Impressionism](https://www.ochreeditions.com/movements/impressionism)
- Colour: black
- Rights: public domain (CC0 1.0); free to use for any purpose.

## Get it

- Free download, full resolution: https://img.ochreeditions.com/m/765.jpg?dl=1
- Image: https://img.ochreeditions.com/a/765/1920.jpg
- Giclée reproduction on Hahnemühle Photo Rag: 8 × 10 in $28; 11 × 14 in $38; 12 × 16 in $42; 16 × 20 in $56; 18 × 24 in $68
- Framed reproduction: 8 × 10 in $78; 11 × 14 in $98; 12 × 16 in $108; 16 × 20 in $138; 18 × 24 in $164
- Canvas reproduction: 8 × 10 in $58; 11 × 14 in $72; 12 × 16 in $79; 16 × 20 in $98
- Print-ready file: 8 × 10 in $2; 11 × 14 in $2; 12 × 16 in $3; 16 × 20 in $3; 18 × 24 in $3

Sizes stop where the museum's file would print below 150 pixels per inch. Everything sold is a reproduction, made to order. [Order a print](https://www.ochreeditions.com/art/self-portrait-cma-163547).