# Landscape with Wheelbarrow

**Vincent van Gogh** (Dutch, 1853–1890)  
1883  
watercolor and opaque watercolor with black chalk on cream paper  
Sheet: 24.9 x 35.7 cm (9 13/16 x 14 1/16 in.); Framed: 39.8 x 52.4 x 2.6 cm (15 11/16 x 20 5/8 x 1 in.)

Courtesy of the Cleveland Museum of Art, 1958.30. [The museum's record](https://clevelandart.org/art/1958.30).

## About this work

In September 1883 Van Gogh left the bustling Dutch city of The Hague in search of open countryside in which to paint. He moved to Drenthe, a village in northeastern Netherlands that was virtually untouched by the Industrial Revolution. He described the barren terrain as supremely beautiful and serene: "What tranquility, what expanse, what calmness in this nature." With a limited palette of steely greens and cool blues, Van Gogh masterfully portrayed one of the region’s expanses of heath—"a vast plane vanishing into infinity"—illuminated by the lilac hues of the evening sky.

_Text from the Cleveland Museum of Art._

Vincent van Gogh painted this in 1883, aged 30. It is now at the Cleveland Museum of Art.

### How it was made

- **Opaque watercolour.** Watercolour made opaque with white or chalk and laid in flat, even layers. Persian and Indian painters ground their colours from minerals, applied them with the finest brushes and burnished the finished page.
- **Chalk.** Natural black, red and white chalks. Used together on toned paper they could give the warmth of flesh with very little effort, and they were favourites for studies from life.
- **Watercolour.** Pigment in gum arabic, thinned with water and laid in transparent washes. Nothing white is painted: the light is the paper showing through.

### [Vincent van Gogh](https://www.ochreeditions.com/artists/vincent-van-gogh)

Dutch, 1853–1890; born in Zundert; died in Auvers-sur-Oise

Van Gogh worked as an art dealer, teacher and lay preacher before he turned to art in 1880, at twenty-seven. His early pictures of Dutch peasants are dark and heavy; in Paris from 1886 he met the Impressionists and Neo-Impressionists, and his palette brightened. In Arles in 1888–89 he painted with intense colour and thick, directional strokes, and he worked on at the asylum in Saint-Rémy and finally at Auvers-sur-Oise. The Poet’s Garden belongs to a group made to decorate Gauguin’s room in the Yellow House.

_Written by Ochre Editions._

## Facts

- Type: Drawing
- Culture: Netherlands
- The artist was 30
- Real size: about 10 × 14 in (25 × 36 cm). The 11 × 14 in print is close to life size.
- Century: 19th century
- Movement: [Post-Impressionism](https://www.ochreeditions.com/movements/post-impressionism)
- Colour: white
- Rights: public domain (CC0 1.0); free to use for any purpose.

## Get it

- Free download, full resolution: https://img.ochreeditions.com/m/622.jpg?dl=1
- Image: https://img.ochreeditions.com/a/622/1920.jpg
- Giclée reproduction on Hahnemühle Photo Rag: 8 × 10 in $28; 11 × 14 in $38; 12 × 16 in $42; 16 × 20 in $56; 18 × 24 in $68
- Framed reproduction: 8 × 10 in $78; 11 × 14 in $98; 12 × 16 in $108; 16 × 20 in $138; 18 × 24 in $164
- Canvas reproduction: 8 × 10 in $58; 11 × 14 in $72; 12 × 16 in $79; 16 × 20 in $98
- Print-ready file: 8 × 10 in $2; 11 × 14 in $2; 12 × 16 in $3; 16 × 20 in $3; 18 × 24 in $3

Sizes stop where the museum's file would print below 150 pixels per inch. Everything sold is a reproduction, made to order. [Order a print](https://www.ochreeditions.com/art/landscape-with-wheelbarrow-cma-135286).