# Invocation to Love

**Jean Honoré Fragonard** (French, 1732–1806)  
c. 1781  
Brush and brown wash with graphite squaring lines and underdrawing on cream laid paper  
Sheet: 33.5 x 41.6 cm (13 3/16 x 16 3/8 in.); Secondary Support: 37.6 x 47.8 cm (14 13/16 x 18 13/16 in.)

Courtesy of the Cleveland Museum of Art, 1943.657. [The museum's record](https://clevelandart.org/art/1943.657).

## About this work

Fragonard used gardens as the setting for love and courtship in some of his most important works. One such scene, this drawing depicts a woman pleading for help from a statue of Eros, the god of love. He wears a blindfold, suggesting an uncertain outcome for the woman, as does a Cupid who indifferently leans on an orb nearby. Like other artists in 18th-century France, Fragonard was deeply influenced by historic imagery of the Garden of Love—a pastoral and idyllic contained landscape. He revisited the specific image seen here multiple times, in two oil paintings (Musée du Louvre and private collection, New York) and another drawing (Princeton University Art Museum).

_Text from the Cleveland Museum of Art._

Jean Honoré Fragonard drew this in about 1781, aged about 44. It is now at the Cleveland Museum of Art.

### How it was made

- **Graphite.** Pencil. Graphite has been used for drawing since the 1500s; in 1795 Nicolas-Jacques Conté mixed it with clay, so its hardness could be graded.
- **Laid paper.** Handmade on a mould of close-set wires, which leave fine parallel lines you can see when the sheet is held to the light.

### [Jean Honoré Fragonard](https://www.ochreeditions.com/artists/jean-honore-fragonard)

French, 1732–1806; born in Grasse; died in Paris

Fragonard studied with Chardin and then Boucher, won the Prix de Rome and spent five years in Italy, where he drew the gardens of the Villa d’Este. Back in Paris he largely set aside official commissions to paint for private collectors: playful love scenes such as The Swing, rapidly brushed “fantasy figures” and luminous landscapes. The Revolution ended the taste for his art, and he spent his last years as an administrator of the new national museum at the Louvre.

_Written by Ochre Editions._

## Facts

- Type: Drawing
- Culture: France
- The artist was about 44
- Real size: about 13 × 16 in (34 × 42 cm). The 12 × 16 in print is close to life size.
- Century: 18th century
- Colour: brown
- Rights: public domain (CC0 1.0); free to use for any purpose.

## Get it

- Free download, full resolution: https://img.ochreeditions.com/m/561.jpg?dl=1
- Image: https://img.ochreeditions.com/a/561/1920.jpg
- Giclée reproduction on Hahnemühle Photo Rag: 8 × 10 in $28; 11 × 14 in $38; 12 × 16 in $42; 16 × 20 in $56; 18 × 24 in $68; 20 × 30 in $86
- Framed reproduction: 8 × 10 in $78; 11 × 14 in $98; 12 × 16 in $108; 16 × 20 in $138; 18 × 24 in $164; 20 × 30 in $208
- Canvas reproduction: 8 × 10 in $58; 11 × 14 in $72; 12 × 16 in $79; 16 × 20 in $98; 18 × 24 in $118
- Print-ready file: 8 × 10 in $2; 11 × 14 in $2; 12 × 16 in $3; 16 × 20 in $3; 18 × 24 in $3; 20 × 30 in $5

Sizes stop where the museum's file would print below 150 pixels per inch. Everything sold is a reproduction, made to order. [Order a print](https://www.ochreeditions.com/art/invocation-to-love-cma-123431).