# Final Study for "Bathers at Asnières"

**Georges Seurat** (French, 1859–1891)  
1883  
Oil on panel  
15.8 × 25.1 cm (6 1/4 × 9 7/8 in.); Framed: 54.3 × 63.9 × 6.1 cm (21 3/8 × 25 1/8 × 2 3/8 in.)

Courtesy of the Art Institute of Chicago, 1962.578. [The museum's record](https://www.artic.edu/artworks/20199).

## About this work

Georges Seurat made this painting as a preparatory work for his monumental Bathers at Asnières, now in the National Gallery, London. It shows men and boys on the bank of the Seine River in the working-class Parisian suburb of Asnières. The view presented here is just across the river from the leisure park Seurat immortalized in his best-known work, A Sunday on La Grande Jatte—1884.

_Text from the Art Institute of Chicago._

Georges Seurat painted this in 1883, aged 24. It is now at the Art Institute of Chicago.

### What you’re looking at

A work made of oil on panel.

_Description from the Art Institute of Chicago._

### How it was made

- **Oil on panel.** Oil paint on prepared wooden boards, usually oak in the north and poplar in Italy. The rigid, smooth surface suits fine detail and thin, glowing glazes.
- **Oil paint.** Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

### [Georges Seurat](https://www.ochreeditions.com/artists/georges-seurat)

French, 1859–1891; born in Paris; died in Paris

Seurat trained at the École des Beaux-Arts and studied the colour theories of Chevreul and others before developing pointillism, building pictures from small, separate touches of pure colour meant to combine in the eye. His large compositions, planned through many drawings and oil sketches, include Bathers at Asnières and A Sunday on La Grande Jatte — 1884, shown at the last Impressionist exhibition in 1886. His black conté crayon drawings are equally distinctive. He died suddenly at thirty-one.

_Written by Ochre Editions._

## Facts

- Type: Painting
- Culture: France
- The artist was 24
- Real size: about 6 × 10 in (15 × 25 cm). The 8 × 10 in print is close to life size.
- Century: 19th century
- Movement: [Post-Impressionism](https://www.ochreeditions.com/movements/post-impressionism)
- Subjects: landscapes, river, Paris, urban life, weather/seasons, men, leisure, water
- Colour: olive
- Rights: public domain (CC0 1.0); free to use for any purpose.

## Get it

- Free download, full resolution: https://img.ochreeditions.com/m/74.jpg?dl=1
- Image: https://img.ochreeditions.com/a/74/1920.jpg
- Giclée reproduction on Hahnemühle Photo Rag: 8 × 10 in $28; 11 × 14 in $38; 12 × 16 in $42; 16 × 20 in $56; 18 × 24 in $68; 20 × 30 in $86; 24 × 36 in $108; 30 × 40 in $148
- Framed reproduction: 8 × 10 in $78; 11 × 14 in $98; 12 × 16 in $108; 16 × 20 in $138; 18 × 24 in $164; 20 × 30 in $208; 24 × 36 in $258; 30 × 40 in $338
- Canvas reproduction: 8 × 10 in $58; 11 × 14 in $72; 12 × 16 in $79; 16 × 20 in $98; 18 × 24 in $118; 20 × 30 in $148; 24 × 36 in $178; 30 × 40 in $228
- Print-ready file: 8 × 10 in $2; 11 × 14 in $2; 12 × 16 in $3; 16 × 20 in $3; 18 × 24 in $3; 20 × 30 in $5; 24 × 36 in $5; 30 × 40 in $5

Sizes stop where the museum's file would print below 150 pixels per inch. Everything sold is a reproduction, made to order. [Order a print](https://www.ochreeditions.com/art/final-study-for-bathers-at-asnieres-aic-20199).
