# Boy with Anchor

**Winslow Homer** (American, 1836–1910)  
1873  
Watercolor and graphite on paper  
Sheet: 19.4 x 34.9 cm (7 5/8 x 13 3/4 in.)

Courtesy of the Cleveland Museum of Art, 1954.128. [The museum's record](https://clevelandart.org/art/1954.128).

## About this work

In this work from a series of watercolors produced in Gloucester, MA, in the summer of 1873 Winslow Homer evokes the fraught nature of the local fishing industry by focusing not on the perilous work of adults, but rather the children they leave behind. In Boy with Anchor , the massive anchor pointing toward the sea foreshadows the weight of the boy’s maritime destiny. The work is an early example of Homer's talent for evoking atmospheric effects and his interest in technical variety. Presumably working outdoors, Homer layered fluent washes of blue, gray, and brown transparent watercolor over his graphite underdrawing to flesh out the beach and sky. He built up the hot, pebble-studded surface of the beach by using dense gouache to draw textural detail and created the broken cloud pattern in the sky by lightly blotting his wet blue wash. The picture’s formal tensions between warm and cool colors, outline and wash, and transparency and opacity mirror the emotional tension of the scene.

_Text from the Cleveland Museum of Art._

Winslow Homer painted this in 1873, aged 37. It is now at the Cleveland Museum of Art.

### How it was made

- **Watercolour.** Pigment in gum arabic, thinned with water and laid in transparent washes. Nothing white is painted: the light is the paper showing through.
- **Graphite.** Pencil. Graphite has been used for drawing since the 1500s; in 1795 Nicolas-Jacques Conté mixed it with clay, so its hardness could be graded.

### [Winslow Homer](https://www.ochreeditions.com/artists/winslow-homer)

American, 1836–1910; born in Boston, Massachusetts; died in Prouts Neck, Maine

Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life. A stay at the fishing village of Cullercoats on the English coast in 1881–82 turned him towards the sea, and from 1883 he lived at Prouts Neck, Maine, painting the Atlantic in all weathers. He was also a fluent watercolourist in the Adirondacks, Canada and the Caribbean, and The Gulf Stream draws on those southern journeys.

_Written by Ochre Editions._

## Facts

- Type: Drawing
- Culture: America
- The artist was 37
- Real size: about 7½ × 14 in (19 × 35 cm). The 11 × 14 in print is close to life size.
- Century: 19th century
- Colour: brown
- Rights: public domain (CC0 1.0); free to use for any purpose.

## Get it

- Free download, full resolution: https://img.ochreeditions.com/m/603.jpg?dl=1
- Image: https://img.ochreeditions.com/a/603/1920.jpg
- Giclée reproduction on Hahnemühle Photo Rag: 8 × 10 in $28; 11 × 14 in $38; 12 × 16 in $42; 16 × 20 in $56; 18 × 24 in $68
- Framed reproduction: 8 × 10 in $78; 11 × 14 in $98; 12 × 16 in $108; 16 × 20 in $138; 18 × 24 in $164
- Canvas reproduction: 8 × 10 in $58; 11 × 14 in $72; 12 × 16 in $79; 16 × 20 in $98
- Print-ready file: 8 × 10 in $2; 11 × 14 in $2; 12 × 16 in $3; 16 × 20 in $3; 18 × 24 in $3

Sizes stop where the museum's file would print below 150 pixels per inch. Everything sold is a reproduction, made to order. [Order a print](https://www.ochreeditions.com/art/boy-with-anchor-cma-131337).