# Auvers, Panoramic View

**Paul Cézanne** (French, 1839–1906)  
1873–75  
Oil on canvas  
65.2 × 81.3 cm (25 5/8 × 32 in.); Framed: 79.7 × 97.5 × 7.7 cm (31 3/8 × 38 3/8 × 3 in.)

Courtesy of the Art Institute of Chicago, 1933.422. [The museum's record](https://www.artic.edu/artworks/14556).

## About this work

Paul Cezanne made this work while being mentored by Impressionist Camille Pissarro. He rendered the unusual perspective—looking down onto the rooftops of Auvers and out to the distant countryside—with blocky, energetic patches of color and areas of ragged brushwork that might seem unfinished. These choices mark Cezanne's attempt to communicate not merely the landscape’s appearance but also the feeling of seeing it and painting it.

_Text from the Art Institute of Chicago._

Paul Cézanne painted this in 1873–75, aged about 34. It is now at the Art Institute of Chicago.

### What you’re looking at

View of a village surrounded by hills, fields, and trees, shown from a vantage point above the scene. Subtly rolling hills recede into a bluish gray-ish sky punctuated by white clouds. Thick brushstrokes built up atop each other are visible throughout.

_Description from the Art Institute of Chicago._

### How it was made

- **Oil paint.** Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

### [Paul Cézanne](https://www.ochreeditions.com/artists/paul-cezanne)

French, 1839–1906; born in Aix-en-Provence; died in Aix-en-Provence

Cézanne divided his life between Paris and his native Aix-en-Provence. Encouraged by his schoolfriend Émile Zola and later by Pissarro, with whom he painted at Pontoise and Auvers in the 1870s, he showed at the first and third Impressionist exhibitions. He then withdrew to Provence and worked towards a more structured art, building form from patches of colour in still lifes, bathers and repeated views of Mont Sainte-Victoire. Younger painters, Picasso and Braque among them, saw him as a founder of modern painting.

_Written by Ochre Editions._

## Facts

- Type: Painting
- Culture: France
- The artist was about 34
- Real size: about 26 × 32 in (65 × 81 cm). The 20 × 30 in print is close to life size.
- Century: 19th century
- Movement: [Post-Impressionism](https://www.ochreeditions.com/movements/post-impressionism)
- Subjects: Century of Progress, building, countryside, France, hills, homes, house, sky
- Colour: olive
- Rights: public domain (CC0 1.0); free to use for any purpose.

## Get it

- Free download, full resolution: https://img.ochreeditions.com/m/29.jpg?dl=1
- Image: https://img.ochreeditions.com/a/29/1920.jpg
- Giclée reproduction on Hahnemühle Photo Rag: 8 × 10 in $28; 11 × 14 in $38; 12 × 16 in $42; 16 × 20 in $56; 18 × 24 in $68; 20 × 30 in $86; 24 × 36 in $108; 30 × 40 in $148
- Framed reproduction: 8 × 10 in $78; 11 × 14 in $98; 12 × 16 in $108; 16 × 20 in $138; 18 × 24 in $164; 20 × 30 in $208; 24 × 36 in $258; 30 × 40 in $338
- Canvas reproduction: 8 × 10 in $58; 11 × 14 in $72; 12 × 16 in $79; 16 × 20 in $98; 18 × 24 in $118; 20 × 30 in $148; 24 × 36 in $178; 30 × 40 in $228
- Print-ready file: 8 × 10 in $2; 11 × 14 in $2; 12 × 16 in $3; 16 × 20 in $3; 18 × 24 in $3; 20 × 30 in $5; 24 × 36 in $5; 30 × 40 in $5

Sizes stop where the museum's file would print below 150 pixels per inch. Everything sold is a reproduction, made to order. [Order a print](https://www.ochreeditions.com/art/auvers-panoramic-view-aic-14556).
