# A Young Man with a Chain

**Rembrandt van Rijn** (Dutch, 1606–1669)  
c. 1629 or 1632  
oil on wood  
Framed: 83.8 x 69.9 x 12.7 cm (33 x 27 1/2 x 5 in.); Unframed: 57.8 x 43.8 cm (22 3/4 x 17 1/4 in.)

Courtesy of the Cleveland Museum of Art, 1942.644. [The museum's record](https://clevelandart.org/art/1942.644).

## About this work

This painting is an example of a tronie , a Dutch word meaning “head” or “facial expression.” Tronies were not intended to be identifiable portraits, but artistic investigations of facial appearance and fanciful costume. Particularly in the years around 1630, Rembrandt used this popular format to explore different lighting effects and facial expressions. Here, the strong contrast of light and shade shapes the contours of the young man’s face; unusual accessories such as the striped scarf and glittering pendant on a jeweled chain add an exotic touch. Although this painting bears Rembrandt’s monogram, the authorship is not certain. Some scholars have attributed it to Isaac de Joudreville (1613–1648), a pupil and associate of Rembrandt who painted comparable tronies in a similarly smooth and elegant style.

_Text from the Cleveland Museum of Art._

Rembrandt van Rijn painted this in about 1629 or 1632, aged about 19. It is now at the Cleveland Museum of Art.

### How it was made

- **Oil on panel.** Oil paint on prepared wooden boards, usually oak in the north and poplar in Italy. The rigid, smooth surface suits fine detail and thin, glowing glazes.
- **Oil paint.** Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

### [Rembrandt van Rijn](https://www.ochreeditions.com/artists/rembrandt-van-rijn)

Dutch, 1606–1669; born in Leiden; died in Amsterdam

Rembrandt trained in Leiden and Amsterdam, settled in Amsterdam in the early 1630s and became the city’s most sought-after portraitist. His later work grows rougher and more searching, with thick paint, deep shadow and faces that seem lost in thought, as in Aristotle with a Bust of Homer, painted for a Sicilian collector. He was also the leading etcher of his age, reworking plates through many states and making the medium as expressive as painting.

_Written by Ochre Editions._

## Facts

- Type: Painting
- Culture: Netherlands
- The artist was about 19
- Real size: about 23 × 17 in (58 × 44 cm). The 18 × 24 in print is close to life size.
- Century: 17th century
- Movement: [Dutch Golden Age](https://www.ochreeditions.com/movements/dutch-golden-age)
- Colour: black
- Rights: public domain (CC0 1.0); free to use for any purpose.

## Get it

- Free download, full resolution: https://img.ochreeditions.com/m/556.jpg?dl=1
- Image: https://img.ochreeditions.com/a/556/1920.jpg
- Giclée reproduction on Hahnemühle Photo Rag: 8 × 10 in $28; 11 × 14 in $38; 12 × 16 in $42; 16 × 20 in $56; 18 × 24 in $68
- Framed reproduction: 8 × 10 in $78; 11 × 14 in $98; 12 × 16 in $108; 16 × 20 in $138; 18 × 24 in $164
- Canvas reproduction: 8 × 10 in $58; 11 × 14 in $72; 12 × 16 in $79; 16 × 20 in $98
- Print-ready file: 8 × 10 in $2; 11 × 14 in $2; 12 × 16 in $3; 16 × 20 in $3; 18 × 24 in $3

Sizes stop where the museum's file would print below 150 pixels per inch. Everything sold is a reproduction, made to order. [Order a print](https://www.ochreeditions.com/art/a-young-man-with-a-chain-cma-122348).